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#1
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Looking for some advice.
Basically I'm getting into buying vinyl over cds and I need to get a new turntable to replace the decaying Kenwood stack I currently use. I like the look of the Rega P3 so I think I'll get one of those. However, I'm unsure of what I'll need to go along with it: do I just need a simple amplifier and a set of speakers? what are power and pre-amplifiers and will I require one of either of these too? Thanks, Stuart Fox |
#2
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In message ,
Stu wrote: Looking for some advice. Basically I'm getting into buying vinyl over cds and I need to get a new turntable to replace the decaying Kenwood stack I currently use. I like the look of the Rega P3 so I think I'll get one of those. However, I'm unsure of what I'll need to go along with it: do I just need a simple amplifier and a set of speakers? what are power and pre-amplifiers and will I require one of either of these too? If you want freedom from audible tics and pops during LP playback, there's a ready, working, relatively inexpensive solution, but it's in the digital domain. Not a problem to anything but vinyl bigot ideology. Youre probably deaf anyway. Who gives a rip what some semi-deaf tube/vinyl bigot believes? The technical facts aren't on the side of vinyl, and apparently neither is technical expertise. When faced with a sticky vinyl player setup problem, the usual list of vinyl-clutching suspects became defensive, abusive and were at a loss to provide a viable solution. Their final words: spend more money, and "STFU". I guess the latter comment means that they are frustrated with suffering in silence and expect everybody to affirm their code of silence relating to their own personal frustrations. Typical vinyl bigot luddite posturing. One of these days you'll wake up to the superior sound of the CD, just like most of the world did about 15 years ago... This last firestorm was started by a vinyl bigot who obviously was not content to just quietly enjoy his allegedly wonderful vinyl system. He obviously wanted to rip his pound of flesh from the chests of as many CD player owners as possible. More vinyl bigot delusional posting. CD's sound better to anybody interested in high fidelity. Theres lots of ignorant false technical claims about digital from a head-in-the-sand vinyl bigot. What does "sound better" mean coming from a vinyl bigot? Hype? Enthusiasm? Declining ability to hear flaws? It would be really be a lot more fun if we could find a vinyl bigot who really understood audio technology... ;-) Thanks, Dont thank us. Its like we held a gun to your head? ROTTFLMAO! Stuart Fox Got any proof? LOL! |
#4
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****-for-Brains wrote:
One of these days you'll wake up to the superior sound of the CD, just like most of the world did about 15 years ago... The problem is that over 80% of all music released on Vynil was not re-released on CD. Since this changeover happened only about twenty years ago, there is still a lot of good music that you require a record player to listen to. My recommendation would be to get a program for your computer and transfer it all to the computer and then to CD. The sortware will remove the clicks and pops, clean it up(wow/rumble), and so on - it's amazing to hear the before and after. |
#5
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"Stu" wrote in message
om Looking for some advice. Basically I'm getting into buying vinyl over cds and I need to get a new turntable to replace the decaying Kenwood stack I currently use. I like the look of the Rega P3 so I think I'll get one of those. However, I'm unsure of what I'll need to go along with it: do I just need a simple amplifier and a set of speakers? what are power and pre-amplifiers and will I require one of either of these too? You need an integrated amplifier with a phono input, and some speakers or a receiver with a phono input and some speakers or a preamp with a phono input, an amp and some speakers or any of the above that lacks a phono input, and an add-on phono preamp. |
#6
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Thanks for the help!
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#7
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Aside from the table itself and a suitable phono stage, the thing to
listen to vinyl with is the same thing you already listen to other sources on. A vintage audio setup can have a certain charm of its own, which is important to some people and "balls and farts" to others. I own a vintage _style_ system consisting of a homemade clone of a Marantz 7B preamp, Allen Organ power amps and Altec 604 Mutt speakers (Alnico magnets and the Mantaray horn) with Doug Sax Mastering Lab x/o in custom cabs built from a Japanese magazine. I don't represent it as "the best", it's for my own amazement and I like it. Notwithstanding the fact that a lot of great music-and other sounds- are available only on vinyl, that vinyl UNLIKE CD is an archival medium, and that vinyl has a certain satisfaction of use CDs never will, The Undisputable Fact is that I find the sound of really good vintage vinyl OFTEN more pleasant and apparently realistic sounding than that of the reissued CD's of the same material. Many others do too. I suspect that mastering has much to do with this but also that the limited sample rate of CD audio has much to do with it also and that SACD and DVD Audio may be much improved if used properly. It may or may not be true, but I suspect it. If I were starting from scratch and on a budget I would look at the current crop of powered monitors intended for pro use. These have 600 ohm +4 inputs and multiple internal solid state amplifiers with internal crossovers. I would then look for, or build, a preamp specifically to drive them. High end audio with RCA connectors and amplifiers the size of Frigidaires driving fourth order three way crossovers is a masturbation exercise: if I were to "upgrade" my system going to bi-amping (not "bi-wiring", that's even dumber) would be Job 1. |
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