Home |
Search |
Today's Posts |
#1
![]()
Posted to alt.music.home-recording,rec.audio.opinion
|
|||
|
|||
![]() "Arny Krueger" wrote I understand the meanign of a 192/24 samples recording.. 24/192 is the highest resolution used in commercial recordings. It represents vast overkill. Think of it as having a car that will go 155 mph. Hehehe... right, you said that about ISA vs PCI sound cards, too. BTW, you've never been employed as a recording engineer. Haven't produced_commercial_ recordings. Not a member of any professional recording/engineering society or even subscribed to any recording magazines. How is it that you are so intimately familiar with commercial recording going-ons (24/192) to form such an uninformed opinion? |
#2
![]()
Posted to alt.music.home-recording,rec.audio.opinion
|
|||
|
|||
![]() Powell said to Mr. ****: BTW, you've never been employed as a recording engineer. Haven't produced_commercial_ recordings. Not a member of any professional recording/engineering society or even subscribed to any recording magazines. How is it that you are so intimately familiar with commercial recording going-ons (24/192) to form such an uninformed opinion? Arnii has made over 500,000 Usenet posts. Does that answer your question? -- Krooscience: The antidote to education, experience, and excellence. |
#3
![]()
Posted to alt.music.home-recording,rec.audio.opinion
|
|||
|
|||
![]()
"Powell" wrote in message
"Arny Krueger" wrote I understand the meanign of a 192/24 samples recording.. 24/192 is the highest resolution used in commercial recordings. It represents vast overkill. Think of it as having a car that will go 155 mph. Hehehe... right, you said that about ISA vs PCI sound cards, too. Powell, you seem to be slipping into senility. I corrected you about that at least once before. http://groups.google.com/group/rec.a...91302a32e711b9 I corrected you back in 2005, saying: "This is all fine and good, but there is this bomb ticking under ISA, and when it goes off, new PC's won't have ISA. The ISA bomb was originally set for 1998, but has been set back a year. I don't know about you, but if I have a $200+ audio card that still makes sense in terms of function, and performance, I sure would not have to scrap it the next time I switch PC's." BTW, you've never been employed as a recording engineer. That would be untrue. Delusions of omnisicence noted. Haven't produced_commercial_ recordings. That would be untrue. Delusions of omnisicence noted. Not a member of any professional recording/engineering society or even subscribed to any recording magazines. That would be untrue. Indeed you're not reading RAO very well - Ludo just lately managed to find a reference to a technical article that I wrote for a recording engineering magazine some years ago. |
#4
![]()
Posted to alt.music.home-recording,rec.audio.opinion
|
|||
|
|||
![]() Arny Krueger wrote: "Powell" wrote in message BTW, you've never been employed as a recording engineer. That would be untrue. Delusions of omnisicence noted. Pretty sad when you have to fake credentials, Arns. Most people have lives. You have RAO. That's kind of sad, in a pathetic and insane kind of way.;-) ________________________________________ Arns Krueger (n. Vulgar): an insane asshole who is addicted to harassing Normal people's preferences on the Usenet |
#5
![]()
Posted to alt.music.home-recording,rec.audio.opinion
|
|||
|
|||
![]() "George M. Middius" wrote BTW, you've never been employed as a recording engineer. Haven't produced_commercial_ recordings. Not a member of any professional recording/engineering society or even subscribed to any recording magazines. How is it that you are so intimately familiar with commercial recording going-ons (24/192) to form such an uninformed opinion? Arnii has made over 500,000 Usenet posts. Does that answer your question? Arny wrote "That's about 10,000 a year, or 833 per month or 27 per day. Most posts take me a minute or two, so this represents maybe an hour or two, more or less worth of effort per day." Note: Arny is math challenged too. Even so, that's about thirteen 40 hr. work weeks a year posting to USEnet. That's more than a quarter of everyone elses entire work year with nothing to show for it. What a pitiful waste of a human life. |
#6
![]()
Posted to alt.music.home-recording,rec.audio.opinion
|
|||
|
|||
![]() "Arny Krueger" wrote I understand the meanign of a 192/24 samples recording.. 24/192 is the highest resolution used in commercial recordings. It represents vast overkill. Think of it as having a car that will go 155 mph. Hehehe... right, you said that about ISA vs PCI sound cards, too. Powell, you seem to be slipping into senility. I corrected you about that at least once before. You think. It goes back to 1998. snip quacking BTW, you've never been employed as a recording engineer. That would be untrue. Delusions of omnisicence noted. Rubbish. Haven't produced_commercial_ recordings. That would be untrue. Delusions of omnisicence noted. Rubbish. I doubt you even know what a ISBN is or could produce one. Not a member of any professional recording/engineering society or even subscribed to any recording magazines. That would be untrue. More rubbish. You lied to Atkinson and me about your readily available library access to AES journals, too. Indeed you're not reading RAO very well - Ludo just lately managed to find a reference to a technical article that I wrote for a recording engineering magazine some years ago. Zzzzz... Where are all your ABX articles you claimed to have written? No guessing required, just more rubbish. How is it that you are so intimately familiar with commercial recording going-ons (24/192) to form such an uninformed opinion? Note: no response from Arny, just cowering. |
#7
![]()
Posted to alt.music.home-recording,rec.audio.opinion
|
|||
|
|||
![]()
"Powell" wrote in message
"Arny Krueger" wrote I understand the meanign of a 192/24 samples recording.. 24/192 is the highest resolution used in commercial recordings. It represents vast overkill. Think of it as having a car that will go 155 mph. Hehehe... right, you said that about ISA vs PCI sound cards, too. Powell, you seem to be slipping into senility. I corrected you about that at least once before. http://groups.google.com/group/rec.a...91302a32e711b9 I corrected you back in 2005, saying: "This is all fine and good, but there is this bomb ticking under ISA, and when it goes off, new PC's won't have ISA. The ISA bomb was originally set for 1998, but has been set back a year. I don't know about you, but if I have a $200+ audio card that still makes sense in terms of function, and performance, I sure would not have to scrap it the next time I switch PC's." You think. It goes back to 1998. So Powell, you want people to think that a comment I made about computer technology in 1998 supercedes a comment I made about computer technology in 2005? LOL! BTW, you've never been employed as a recording engineer. That would be untrue. Delusions of omnisicence noted. Rubbish. I see Powell that you have no proof, just a childish, dismissive comment. Haven't produced_commercial_ recordings. That would be untrue. Delusions of omnisicence noted. Rubbish. I doubt you even know what a ISBN is or could produce one. I see Powell that you have no proof, just a childish, dismissive comment. Not a member of any professional recording/engineering society or even subscribed to any recording magazines. That would be untrue. More rubbish. You lied to Atkinson and me about your readily available library access to AES journals, too. Just goes to show that you can't distinguish between access to AES papers and AES journals. For the benefit of other readers, they need to know that the AES publishes CDs of AES papers, which are distinct from a library of JAES issues. http://www.aes.org/e-lib/ Indeed you're not reading RAO very well - Ludo just lately managed to find a reference to a technical article that I wrote for a recording engineering magazine some years ago. Zzzzz... Where are all your ABX articles you claimed to have written? Well, there is the article I wrote for The Audiophile Voice.... How is it that you are so intimately familiar with commercial recording going-ons (24/192) to form such an uninformed opinion? Note: no response from Arny, just cowering. Power, if hi rez formats make such an important difference, why is it so hard to do a reliable listening test demonstrating them? |
#8
![]()
Posted to alt.music.home-recording,rec.audio.opinion
|
|||
|
|||
![]() Arny Krueger wrote: "Powell" wrote in message "Arny Krueger" wrote BTW, you've never been employed as a recording engineer. That would be untrue. Delusions of omnisicence noted. Rubbish. I see Powell that you have no proof, just a childish, dismissive comment. LOL! ________________________________________ Arns Krueger (n. Vulgar): an insane asshole who is addicted to harassing Normal people's preferences on the Usenet |
Reply |
Thread Tools | |
Display Modes | |
|
|
![]() |
||||
Thread | Forum | |||
FS: Apogee Converters AD16, DA16, AD8000se and More studio equipment | Marketplace | |||
ADAT external converters - A/D or D/A? | Pro Audio | |||
MOTU 24io converters versus Aardvark Q10 converters | Pro Audio | |||
FS or trade: Swissonic AD24 converters | Pro Audio | |||
Mytek Stereo96 Converters, Low Cost, High Performance - Now shipping,available online with 30 day.... | Tech |