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#1
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Any recommendations for good headphones for listening to a stationary
stereo of good quality? I've pretty much come to the conclusion that I don't like Sennheiser headphones. I tried several different, most recently Sennheiser HD 515, and they've all had the same sound: good mid register, very little bass, and virtually no treble. To get a sound at least approaching what I get from my Mirsch speakers straight from the CD, I had to add +6 dB of bass and treble. The frequency response curve of these headphones must look like a bell curve. It seems obvious these headphones are made for listening to opera, or for people who are OK with having loudness permanently engaged. They also weren't very comfortable - they pressed hard. They're not supposed to, but they did. So - any suggestions for good headphones for listening to a stationary stereo, with good bass and treble, and which are NOT made by Sennheiser? Also, if someone could point me to some serious audio site with reviews, that would be welcome. |
#2
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Stax?
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#3
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wrote:
It seems obvious these headphones are made for listening to opera, or for people who are OK with having loudness permanently engaged. Just curious: what makes you think that people who listen to opera don't like hearing treble through their headphones? MK |
#4
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wrote:
Stax? Agreed. And I agree with the OP as well. To my ears, Stax were the only 'phones I auditioned that actually produced an acceptable amount of high frequency information--or at least in the way I like to hear it produced: sweet, delicate, and detailed. For this reason Sennheiser, AKG, and Grado didn't do much for me. Among the dynamics, the ones I'm least dissatisfied with are certain of the Beyer models (don't remember which ones, but I used to own 330's--no longer made--that I liked very much). MK |
#5
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![]() wrote in message oups.com... So - any suggestions for good headphones for listening to a stationary stereo, with good bass and treble, and which are NOT made by Sennheiser? Well the Sennheiser 580 and 600 certainly don't sound like that. |
#6
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![]() "Mitchell Kaufman" wrote in message init... wrote: It seems obvious these headphones are made for listening to opera, or for people who are OK with having loudness permanently engaged. Just curious: what makes you think that people who listen to opera don't like hearing treble through their headphones? Probably for the same reason he thinks all Sennheisers are bad because he didn't like one particular pair. |
#7
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#8
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Thusly "jeffc" Spake Unto All:
Just curious: what makes you think that people who listen to opera don't like hearing treble through their headphones? Probably for the same reason he thinks all Sennheisers are bad because he didn't like one particular pair. It is the third pair, of three different models, although admittedly all in the $80 - $150 bracket, I try this round, and I've tried others before. My conclusion is that I simply don't like the way Sennheisers sound. To my ears they have weak bass and almost completely lack treble. I'm happy you like yours, but I'm looking for recommendations for other brands with other characteristics. |
#9
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Thusly Paul Dormer Spake Unto All:
" emitted : Stax? AKG, Sony, Grado, Beyer Dynamic, Etymotic, Shure, Koss, Amphony, Anne Summers. Sennheisers are *everywhere* and at least Sony and Koss should be possible to find, but the others will likely be difficult to find here. From searching this group I find a lot of talk about Sony MDR 7506, and from other sources also Sony MDR-CD580. I'll see if I can get hold of one of those and test. And I'll keep an eye out for Stax. |
#10
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Oh, I don't think opera listeners have anything against treble, it's
just that there's very little of it in opera. You're kidding, right? Bill |
#11
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Mitch, have you tried the Sennheiser HD-600's? Their middle of the
line headphones aren't nearly as good, and have, to my ears, a very different (and inferior) sound. I remember auditioning the HD-600 against some Stax electrostatics (although it was probably 15 years ago), and didn't think that the difference was worth the considerable cost difference. BTW, using a headphone amp makes a huge difference with the HD600's - I use the Creek. Bill |
#12
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#13
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#14
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wrote:
Mitch, have you tried the Sennheiser HD-600's? Their middle of the line headphones aren't nearly as good, and have, to my ears, a very different (and inferior) sound. I remember auditioning the HD-600 against some Stax electrostatics (although it was probably 15 years ago), and didn't think that the difference was worth the considerable cost difference. BTW, using a headphone amp makes a huge difference with the HD600's - I use the Creek. Yes, I've tried the 600's, Bill. I acknowledge that they're very fine 'phones, no doubt the best dynamic 'phones I've heard (though I still have a soft spot for those Beyers, and for the incredibly uncomfortable Koss Pro 4AA's); but they're just not my cup of tea. I found them a little "romantic" on top for my taste. In headphones, I prefer something with a bit more high frequency energy. I also don't think the current Stax sound anything like the Sennheisers, though I do agree the headphone amp used makes a difference (as does the energizer unit used with the Stax: particularly tubed vs. solid state, which do sound different in the stereotypical tube vs. solid state ways). MK |
#15
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In article ,
Paul Dormer wrote: "Mean_Chlorine" emitted : Stax? AKG, Sony, Grado, Beyer Dynamic, Etymotic, Shure, Koss, Amphony, Anne Summers. Sennheisers are *everywhere* The HD580/600/650 are a bit too tame for my liking. The 590's have more bite. Beyer 990's **** on Sennheisers, that's my opinion. and at least Sony and Koss should be possible to find, but the others will likely be difficult to find here. Maybe. I've no idea where "here" is. From searching this group I find a lot of talk about Sony MDR 7506, and from other sources also Sony MDR-CD580. I'll see if I can get hold of one of those and test. And I'll keep an eye out for Stax. Never liked Sony's myself, particularly the closed variety. Tiresome, screechy bloody things. Mine were nicked out of the boot of my car I was glad to see the back of them. S i g n a l @ l i n e o n e . n e t ----------------------------------- It's Grim up north.. I dare to say you haven't heard exactly how good the headphones are until matched with a good headphone amp AND cables. The reason for my statement is that i bought a Cardas Cable, a Musical Fidelity X-Can v.3 (with X-Psu v.3) for my Senn's HD600 and it sounds great, warmer but not (as i can judge) because of lack of treble. I'm happy with the Sennheisers, with the stock cord and no amp i wasn't. -- Joakim Wendel Remove obvious mail JUNK block for mail reply. My homepage : http://violinist.nu |
#16
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Thusly "Jeff E" Spake Unto All:
Any recommendations for good headphones for listening to a stationary stereo of good quality? A quick answer would be to audition the Grado SR60 Cheers. On the list they go. The short list as it stands: Sony MDR-7506 Sony MDR-CD580 Stax any model Grado SR60 Grado SR80 None of these are available at the big chains around here, but I'll call some audiophile friends tomorrow and see if they can point me to some enthusiast shops. Also, if someone could point me to some serious audio site with reviews, that would be welcome. Try head-fi.org. Thank you. Will do. |
#17
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Thusly Alex Rodriguez Spake Unto All:
You may want to listen to Grado SR80's. Cheers. On the list they go. Today I visited half a dozen stereo/electronics shops in a ten-mile radius around here, and it was actually worse than I'd thought: there were three brands available (Philips, Sennheiser, and Sony). All the Sonys were low-end models intended for walkman type mobile stereos, but there were a big spread in the Philips models. The highest-end Philips I found were the HP-1000 and HP-890. They were quite pricy, are they any good? (I rembember a Philips HP 800 I tried years ago, and as I recall it was horribly uncomfortable, with what can only be described as a 'vice-like grip', and had painful, tinny, *screeching*, treble.) |
#18
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![]() "Mean_Chlorine" wrote in message ... It is the third pair, of three different models, although admittedly all in the $80 - $150 bracket, I try this round, and I've tried others before. My conclusion is that I simply don't like the way Sennheisers sound. To my ears they have weak bass and almost completely lack treble. I'm happy you like yours, but I'm looking for recommendations for other brands with other characteristics. Like I said, if you think the 580/600 are completely lacking in treble, then you have hearing loss or wax buildup the size of grapes in your ears. If you want thumpy bass, get Grado or some BassBoost Sony setup. |
#19
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After reading head-fi.org and some pestering of audiophile friends,
I've found an enthusiast shop not too far from where I live, with the following headphones in the $100 - $200 bracket: Sony MDR-CD580 Sony MDR-V6 Koss Pro 4aa Titanium (the only non-portable Koss I could find) Grado SR60 Grado SR80 Beyerdynamic DT931 Most of my listening is stationary, to melodic/experimental rock (Within Temptation, Dargaard, Arcana, Stoa, Lacuna Coil...) with some hard rock (In Flames, Rammstein, Evergrey, Monster Magnet, Rob Zombie...) and electronica (Delerium, anything from Ministry of Sound...) for good measure. I have an old but decent amp (Marantz FM-80), and I tend to feel that Sennheiser headphones in this price-range have weak bass and even weaker treble. I'm not sure I will have opportunity to trying out the headphones before buying, so - which ones of the above would I be most likely to like? From what I've read here and at head-fi.org, I'm thinking the Grados might be a good bet? |
#20
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In article ,
Paul Dormer wrote: "Joakim Wendel" emitted : SNIP Sennheisers are *everywhere* The HD580/600/650 are a bit too tame for my liking. The 590's have more bite. Beyer 990's **** on Sennheisers, that's my opinion. SNIP I dare to say you haven't heard exactly how good the headphones are How dare you! until matched with a good headphone amp AND cables. The reason for my statement is that i bought a Cardas Cable, a Musical Fidelity X-Can v.3 (with X-Psu v.3) for my Senn's HD600 and it sounds great, warmer but not (as i can judge) because of lack of treble. I'm happy with the Sennheisers, with the stock cord and no amp i wasn't. The Sennheisers are great headphones, just a little bit rosey tinted, a little bit.. big fluffy pillow... ![]() S i g n a l @ l i n e o n e . n e t ----------------------------------- It's Grim up north.. Exactly hehee, Big Fluffy Pillow indeed on the spot!!! Maybe not want you want for all that distorted and compressed music the OP listens to... But My Music, The Big Fluffy Pillow Sound and Me are happy -- Joakim Wendel Remove obvious mail JUNK block for mail reply. My homepage : http://violinist.nu |
#21
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![]() "Mean_Chlorine" wrote in message ... I have an old but decent amp (Marantz FM-80), and I tend to feel that Sennheiser headphones in this price-range have weak bass and even weaker treble. The other possibility is that you've just grown accustomed to listening to music with a big bass hump in it. |
#22
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Thusly "jeffc" Spake Unto All:
I have an old but decent amp (Marantz FM-80), and I tend to feel that Sennheiser headphones in this price-range have weak bass and even weaker treble. The other possibility is that you've just grown accustomed to listening to music with a big bass hump in it. Yeah, it's possible that the recordings were intended to have weaker bass and still weaker treble than my old headphones and speakers produce, and the Sennheisers merely faithfully reproduce the recording. That, basically my speakers and old headphones had permanent loudness in-built. I've no way of testing that theory. |
#23
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![]() Mean_Chlorine wrote: Sennheisers are *everywhere* and at least Sony and Koss should be possible to find, but the others will likely be difficult to find here. Etymotic and Shure are earphones or in-ear-monitors (IEMs), not strictly speaking headphones. Nevertheless they are viable options. Other worthwhile IEMs include those from Sony, Futuresonics and Koss. From searching this group I find a lot of talk about Sony MDR 7506, I have a pair that I use for critical listening and mixdowns. and from other sources also Sony MDR-CD580. I'll see if I can get hold of one of those and test. And I'll keep an eye out for Stax. They cost a lot of money - but people who have free acess to both say they prefer the higher-end offerings from Sennheiser, the 580, 600 and etc. I picked up a pair of 580s that I use for long-term listening and listening for pleasure. Since I often listen to .wav files from my portable digital player, I spend about as much time listening to Futuresonics IEMs as anything. My Sony MDR71s are currently plugged into my FlashRAM based MP3 player. I mostly use it on airplane flights, and the like, when the portable hard-drive player/recorder would be awkward. |
#24
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![]() "Mean_Chlorine" wrote in message news ![]() The other possibility is that you've just grown accustomed to listening to music with a big bass hump in it. Yeah, it's possible that the recordings were intended to have weaker bass and still weaker treble than my old headphones and speakers produce, and the Sennheisers merely faithfully reproduce the recording. That, basically my speakers and old headphones had permanent loudness in-built. I've no way of testing that theory. The best way, to quote the almost-cliche from the audiophile magazines, is to listen to live acoustic music, and compare to recordings. For studio produced rock music, it's tough. But if you ever get a chance, listen to someone playing drums live. Like go to a music (instrument) store and ask if there's a time you can hear someone playing drums. Then compare that to, say, the Sheffield Drum Track CD. Or just listen to some acoustic jazz sometime, and pay attention to the cymbals and bass. One thing that Sennheisers (at least 580/600) have is deep bass extension, which is not to say they sound bloated or exaggerated. Some headphones that have a peak around 60 or 80 Hz might sound better for rock, but in fact they trail off quick below that. Others are flat all the way down to below 30 (this is a lot easier with headphones than it is for full size speakers.) Organ music also shows this off. On the other hand, there's no peak in the treble, yet the treble is very extended (goes flat well past 15,000 Hz without peaking near 8,000) |
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