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#1
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![]() Does anyone have a method to touch up a front glasss that is bubbling? r -- "Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke (1917 - ), "Technology and the Future" |
#2
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![]() Does anyone have a method to touch up a front glasss that is bubbling? Why not give McIntosh a call? They often get older gear in for repairs, and they should be able to make it like new. What model are we talking about? Stuart Welwood http://members.aol.com/StuWelwood |
#4
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What's the method to go about it?
Dieter Rich Andrews wrote: (StuWelwood) wrote in : Does anyone have a method to touch up a front glasss that is bubbling? Why not give McIntosh a call? They often get older gear in for repairs, and they should be able to make it like new. What model are we talking about? Stuart Welwood http://members.aol.com/StuWelwood Stuart, The model is MI3. I called Audio Classics, Mc, and Terry at McIntoshAudio.com. The glass is not available from any of the above sources for the MI3. Terry described a procedure to repair the bubbled paint/ink areas so I think I am good to go. I know why the ink bubbles and there is no hope. It is going to happen. I am sure Mc really didn't know what was going to happen, it is just a shame that it does. Lets look at it this was, what does one expect from a 30+ year old piece of gear? On a different note, the MI3 I have has an open HV winding. I was going to make a tripler using the remaining 330VAC tap. What sort of additional load does a tripler present to that tap? It has been too long since I messed with circuits of this nature. r |
#5
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Rustoleum gloss black is not quite black enough. Pretty close, but it will
be visible under all but dim lighting. I haven't found a black enough black enamel yet, but haven't done much hunting. The bubbling, I believe, is simply air penetration under the edge of the paint, gradually progressing further along. It doesn't happen very often at the edges of the whole panel because the frame bits literally hold down the paint. -- Stephen Sank, Owner & Ribbon Mic Restorer Talking Dog Transducer Company http://stephensank.com 5517 Carmelita Drive N.E. Albuquerque, New Mexico [87111] 505-332-0336 Auth. Nakamichi & McIntosh servicer Payments preferred through Paypal.com "Rich Andrews" wrote in message .44... "tap1n" wrote in et: How does Terry say to go about repairing that bubble? The method is basically simple. Remove the bubbled/damaged paint/ink and paint it. Terry said to use an X-Acto knife to remove the damaged paint, (I used a single edged razor blade) and then drip Rustoleum gloss black (Audio classics says to use gloss black model paint) on the area. If lettering is involved, then you are out of luck as that gets lifted with the black. I am going to attempt to repair the panloc bubbles as well but it may require the dexterity of a surgeon and a little luck to preserve the lettering. Mc should have never used epoxy to hold those panloc grommets in place. They shouldn't have glued foam to the painted glass either. If one has an airbrush, that might work, but one would have to experiment. I am going to go for the Rustoleum. I trust Terry's restoration experience over AC's. AFAIK Terry is a perfectionist and I like that when it comes to appearance issues. (:) Mc used some sort of foam with adhesive on the edges of the glass to prevent the glass from rattling. My theory is that either the foam or the adhesive combined with moisture causes the paint to bubble and lift. The panloc issue is caused by epoxy? that holds the plastic grommet to the front panel. It seems that the grommet was never really tight against the front so pushing on it lifts the paint and lettering. I ran an idea by Terry and he has yet to reply so I am hesitant to say what it is. I forgot to ask Terry if one could use a clear coat to preserve the rest of the faceplate. I would be extremely hesitant as it might cause the entire faceplate to bubble. r "Rich Andrews" wrote in message .44... (StuWelwood) wrote in : Does anyone have a method to touch up a front glasss that is bubbling? Why not give McIntosh a call? They often get older gear in for repairs, and they should be able to make it like new. What model are we talking about? Stuart Welwood http://members.aol.com/StuWelwood Stuart, The model is MI3. I called Audio Classics, Mc, and Terry at McIntoshAudio.com. The glass is not available from any of the above sources for the MI3. Terry described a procedure to repair the bubbled paint/ink areas so I think I am good to go. I know why the ink bubbles and there is no hope. It is going to happen. I am sure Mc really didn't know what was going to happen, it is just a shame that it does. Lets look at it this was, what does one expect from a 30+ year old piece of gear? On a different note, the MI3 I have has an open HV winding. I was going to make a tripler using the remaining 330VAC tap. What sort of additional load does a tripler present to that tap? It has been too long since I messed with circuits of this nature. r -- "Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke (1917 - ), "Technology and the Future" -- "Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke (1917 - ), "Technology and the Future" |
#6
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Hi Rich,
I have successfully repaired a couple of Mac faceplates by using the technique as you describe . . . the paint I used (though I haven't tried a bunch of different types) was Krylon spray semi-gloss black, squirted first into a small bottle (beware of vapors), and then applied to the glass via a Q-tip. The thin consistancy and fast drying seemed to work well . . . brush marks were completely avoided. The color match was quite acceptable, but the opacity wasn't . . . a patch of gaffer's tape (after the paint had cured for 24 hrs.) on top of the paint patch fixed this. I have seen a few MI3 faceplates damaged as you described . . . I would guess that the bubbling at the edges was caused by a chemical reaction with the particular foam tape that was used for a time, as the problem seemed to become much less common in newer units . . . though maybe it was just because they were newer. I seem to recall that the last MI3 I saw had an open HT secondary as well, and one of the sources you mentioned had a replacement (of new manufacture) available. It wasn't exactly cheap . . . but way less than what finding an MPI-4 or pristene, working MI3 would be. But that was at least five years ago . . . I have also seen a problem with paint lifting on a number of Mac faceplates where the plastic light-diffuser is stuck on with 2-sided tape. Early versions of some units (C-26's seem to come to mind) had screws that held the light-diffuser to the panel endbrackets in addition to the tape; in later editions these screws were left out. I think that paint lifting was being caused by flexing/shifting of the panel bracket assembly relative to the faceplate (esp. on the units with the screws installed), and caused the paint to eventually lift. I recommend that you DO NOT install screws from the end brackets into the light-diffuser. Hope this helps, Kirk Patton |
#7
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"Kirk Patton" wrote in
: Hi Rich, I have successfully repaired a couple of Mac faceplates by using the technique as you describe . . . the paint I used (though I haven't tried a bunch of different types) was Krylon spray semi-gloss black, squirted first into a small bottle (beware of vapors), and then applied to the glass via a Q-tip. The thin consistancy and fast drying seemed to work well . . . brush marks were completely avoided. The color match was quite acceptable, but the opacity wasn't . . . a patch of gaffer's tape (after the paint had cured for 24 hrs.) on top of the paint patch fixed this. I am going to give Krylon a try but as far as opacity is concerned, I think I would give it a few more coats of paint. I am afraid that the gaffers tape would react to the remaining coating. I have seen a few MI3 faceplates damaged as you described . . . I would guess that the bubbling at the edges was caused by a chemical reaction with the particular foam tape that was used for a time, as the problem seemed to become much less common in newer units . . . though maybe it was just because they were newer. Hard to say, but I think mine is a later unit as the original sale date was 12/26/68. I seem to recall that the last MI3 I saw had an open HT secondary as well, and one of the sources you mentioned had a replacement (of new manufacture) available. It wasn't exactly cheap . . . but way less than what finding an MPI-4 or pristene, working MI3 would be. But that was at least five years ago . . . It seems that the HV winding is quite prone to fail due to an open. Adding a voltage tripler to the remaining PS circuitry solves the problem. I have seen more than one reference to that sort of fix. I have also seen a problem with paint lifting on a number of Mac faceplates where the plastic light-diffuser is stuck on with 2-sided tape. Early versions of some units (C-26's seem to come to mind) had screws that held the light-diffuser to the panel endbrackets in addition to the tape; in later editions these screws were left out. I think that paint lifting was being caused by flexing/shifting of the panel bracket assembly relative to the faceplate (esp. on the units with the screws installed), and caused the paint to eventually lift. I recommend that you DO NOT install screws from the end brackets into the light-diffuser. I don't have a bracket of that nature and thanks for the tip. Hope this helps, Kirk Patton -- "Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke (1917 - ), "Technology and the Future" |
#8
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"Stephen Sank" wrote in
: Rustoleum gloss black is not quite black enough. Pretty close, but it will be visible under all but dim lighting. I haven't found a black enough black enamel yet, but haven't done much hunting. The bubbling, I believe, is simply air penetration under the edge of the paint, gradually progressing further along. It doesn't happen very often at the edges of the whole panel because the frame bits literally hold down the paint. Stephen, I am quite pleased with my test results tonight! I went to Home Depot and all they had was spray Rustoleum in a can. Stopped at Lowes and they had Valspar brand. I tried the gloss black and under the incandescent lights, it looks like an exact match! I will look again in the daylight and see what it looks like. I sprayed some in a disposable cup similar to a condiment cup one would get from a carry out restaurant, and poured it on my test glass. Dense and really black. I think the spray paint has more pigment in it because the spray puts on a thinner coat than a brush would. As a result, the paint is "blacker" than the stuff in a can. If things look good in the daylight, I will do a compatibilty test to see if the spray paint will react with the paint that is there. If it doesnt react too badly, then I am good to go! I will keep you posted. r -- Stephen Sank, Owner & Ribbon Mic Restorer Talking Dog Transducer Company http://stephensank.com 5517 Carmelita Drive N.E. Albuquerque, New Mexico [87111] 505-332-0336 Auth. Nakamichi & McIntosh servicer Payments preferred through Paypal.com "Rich Andrews" wrote in message .44... "tap1n" wrote in et: How does Terry say to go about repairing that bubble? The method is basically simple. Remove the bubbled/damaged paint/ink and paint it. Terry said to use an X-Acto knife to remove the damaged paint, (I used a single edged razor blade) and then drip Rustoleum gloss black (Audio classics says to use gloss black model paint) on the area. If lettering is involved, then you are out of luck as that gets lifted with the black. I am going to attempt to repair the panloc bubbles as well but it may require the dexterity of a surgeon and a little luck to preserve the lettering. Mc should have never used epoxy to hold those panloc grommets in place. They shouldn't have glued foam to the painted glass either. If one has an airbrush, that might work, but one would have to experiment. I am going to go for the Rustoleum. I trust Terry's restoration experience over AC's. AFAIK Terry is a perfectionist and I like that when it comes to appearance issues. (:) Mc used some sort of foam with adhesive on the edges of the glass to prevent the glass from rattling. My theory is that either the foam or the adhesive combined with moisture causes the paint to bubble and lift. The panloc issue is caused by epoxy? that holds the plastic grommet to the front panel. It seems that the grommet was never really tight against the front so pushing on it lifts the paint and lettering. I ran an idea by Terry and he has yet to reply so I am hesitant to say what it is. I forgot to ask Terry if one could use a clear coat to preserve the rest of the faceplate. I would be extremely hesitant as it might cause the entire faceplate to bubble. r "Rich Andrews" wrote in message .44... (StuWelwood) wrote in : Does anyone have a method to touch up a front glasss that is bubbling? Why not give McIntosh a call? They often get older gear in for repairs, and they should be able to make it like new. What model are we talking about? Stuart Welwood http://members.aol.com/StuWelwood Stuart, The model is MI3. I called Audio Classics, Mc, and Terry at McIntoshAudio.com. The glass is not available from any of the above sources for the MI3. Terry described a procedure to repair the bubbled paint/ink areas so I think I am good to go. I know why the ink bubbles and there is no hope. It is going to happen. I am sure Mc really didn't know what was going to happen, it is just a shame that it does. Lets look at it this was, what does one expect from a 30+ year old piece of gear? On a different note, the MI3 I have has an open HV winding. I was going to make a tripler using the remaining 330VAC tap. What sort of additional load does a tripler present to that tap? It has been too long since I messed with circuits of this nature. r -- "Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke (1917 - ), "Technology and the Future" -- "Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke (1917 - ), "Technology and the Future" -- "Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke (1917 - ), "Technology and the Future" |
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