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#1
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Ever been to Gary's Record Paradise in Escondido?
Its a dump with the largest thrift shop grade vinyl collection I've ever seen. I bet you'd love it ![]() ScottW AND JUST WHAT DO YOU MEAN BY SAYING THAT MY STORE IS A "DUMP?" THAT, SIR, IS TANTAMOUNT TO LIBEL, BEINGS AS IT IS IN THE WRITTEN FORMAT AS YOU HAVE SO PUT IT. I DON'T SUPPOSE THAT YOU'VE ACTUALLY BEEN TO MY STORE (GARY'S RECORD PARADISE VOL.II) IN SOME TIME, IF EVER. MANY COME TO MY STORE FOR THE GREAT FINDS AND FRIENDLY ATMOSPHERE, AS WELL AS KIND AND COURTEOUS SERVICE, AND REFRESHMENTS TO BOOT. WHOM ELSE DO YOU KNOW THAT WILL DO SPECIAL ORDERS WITHOUT CHARGING A POSTAGE OR SERVICE FEE FOR THESE SERVICES? JUST WHY DO YOU SUPPOSE THAT WE'VE BEEN HERE IN ESCONDIDO FOR OVER 30 YEARS? WELL, IT'S BECAUSE WE CARE ABOUT THE CUSTOMER AS A HUMAN BEING,AND WE'RE AN INTEGRAL HEART AND PART OF THE LOCAL COMMUNITY, THAT'S WHY! --Dr. Eustaquio Kirby,P.T. |
#2
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Posted to rec.audio.opinion
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On 25 Ian, 04:07, wrote:
Ever been to Gary's Record Paradise in Escondido? Its a dump with the largest thrift shop grade vinyl collection I've ever seen. I bet you'd love it ![]() ScottW I found a STEREO version of Gaite Parisienne in an Escondido thrift shop for 25 cents. It is worth about $300. |
#3
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On 25 Ian, 15:24, ScottW wrote:
On Jan 25, 6:12 am, Clyde Slick wrote: On 25 Ian, 04:07, wrote: Ever been to Gary's Record Paradise in Escondido? Its a dump with the largest thrift shop grade vinyl collection I've ever seen. I bet you'd love it ![]() ScottW I found a STEREO version of Gaite Parisienne in an Escondido thrift shop for 25 cents. It is worth about $300. Hey...you went to Gary's with me. When was that? About 2 years ago? I got that Fleetwod Mac Live in Chicago. The VPI failed to recover it to playable condition... ![]() ScottW yeah, the former partner of Joe Lee, Joe's Record Paradise in MD. |
#4
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On Jan 25, 8:12*am, Clyde Slick wrote:
I found a STEREO version of Gaite Parisienne in an Escondido thrift shop for 25 cents. It is worth about $300. The Living Stereo Fiedler? |
#5
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On 25 Ian, 16:03, "Shhhh! I'm Listening to Reason!"
wrote: On Jan 25, 8:12 am, Clyde Slick wrote: I found a STEREO version of Gaite Parisienne in an Escondido thrift shop for 25 cents. It is worth about $300. The Living Stereo Fiedler? yep |
#6
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On Jan 25, 3:15*pm, Clyde Slick wrote:
On 25 Ian, 16:03, "Shhhh! I'm Listening to Reason!" wrote: On Jan 25, 8:12 am, Clyde Slick wrote: I found a STEREO version of Gaite Parisienne in an Escondido thrift shop for 25 cents. It is worth about $300. The Living Stereo Fiedler? yep I love finds like that. Very cool! I figure for every 50,000 or so LPs I sift through in thrift shops I find a deal like that. Once I went into a Goodwill and a worker was loading LPs into the rack from a shopping cart. Bostic, Miles, Gerry Mulligan, Blakey, on Emarcy, Verve, King, Clef, Blue Note, about 80 10 and 12 inch jazz LPs from the early-to-mid 1950s in all, all in great condition. I snarfed them up. I paid a whopping 49 cents each. There was a group of 2-3 people watching me. You could tell they knew what they were. About a year later I was in a record store and this guy says, "Are you that guy who scored all those jazz LPs at Goodwill a while back?" :-) Have you looked around at what's available in Romania? Are most of the LPs from the former USSR? |
#7
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On 25 Ian, 17:03, "Shhhh! I'm Listening to Reason!"
wrote: On Jan 25, 3:15 pm, Clyde Slick wrote: On 25 Ian, 16:03, "Shhhh! I'm Listening to Reason!" wrote: On Jan 25, 8:12 am, Clyde Slick wrote: I found a STEREO version of Gaite Parisienne in an Escondido thrift shop for 25 cents. It is worth about $300. The Living Stereo Fiedler? yep I love finds like that. Very cool! I figure for every 50,000 or so LPs I sift through in thrift shops I find a deal like that. Once I went into a Goodwill and a worker was loading LPs into the rack from a shopping cart. Bostic, Miles, Gerry Mulligan, Blakey, on Emarcy, Verve, King, Clef, Blue Note, about 80 10 and 12 inch jazz LPs from the early-to-mid 1950s in all, all in great condition. I snarfed them up. I paid a whopping 49 cents each. There was a group of 2-3 people watching me. You could tell they knew what they were. About a year later I was in a record store and this guy says, "Are you that guy who scored all those jazz LPs at Goodwill a while back?" :-) Have you looked around at what's available in Romania? Are most of the LPs from the former USSR? A lot of eastern europe lp's and also a good bit from western europe classical, pop, local ethnic |
#8
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On Jan 25, 5:28*pm, Clyde Slick wrote:
On 25 Ian, 17:03, "Shhhh! I'm Listening to Reason!" Have you looked around at what's available in Romania? Are most of the LPs from the former USSR? A lot of eastern europe lp's and also a good bit from western europe classical, pop, local ethnic I've found that generally LPs made in England, Holland, Germany, etc. are better than the corresponding releases on US labels. I think they used better vinyl and just seemed to take more care making them. Perhaps it was because the volumes were smaller? I have not performed any DBTs to "prove" that though. ;-) |
#9
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Posted to rec.audio.opinion
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In article
, "Shhhh! I'm Listening to Reason!" wrote: On Jan 25, 5:28*pm, Clyde Slick wrote: On 25 Ian, 17:03, "Shhhh! I'm Listening to Reason!" Have you looked around at what's available in Romania? Are most of the LPs from the former USSR? A lot of eastern europe lp's and also a good bit from western europe classical, pop, local ethnic I've found that generally LPs made in England, Holland, Germany, etc. are better than the corresponding releases on US labels. In general, I agree. Decca, Philips, Harmonia Mundi, EMI... I think they used better vinyl and just seemed to take more care making them. Perhaps it was because the volumes were smaller? I have not performed any DBTs to "prove" that though. ;-) |
#10
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On 26 Ian, 13:02, "Shhhh! I'm Listening to Reason!"
wrote: On Jan 25, 5:28 pm, Clyde Slick wrote: On 25 Ian, 17:03, "Shhhh! I'm Listening to Reason!" Have you looked around at what's available in Romania? Are most of the LPs from the former USSR? A lot of eastern europe lp's and also a good bit from western europe classical, pop, local ethnic I've found that generally LPs made in England, Holland, Germany, etc. are better than the corresponding releases on US labels. I think they used better vinyl and just seemed to take more care making them. Perhaps it was because the volumes were smaller? I have not performed any DBTs to "prove" that though. ;-) I have an RCA shaded dog equivalent from France that sucks. they compressed the groove to eliminate the inner groove distortion at the end of each side. Now it all sounds very ****ty, instead of 1/4 of it sounding a just little bit ****ty. |
#11
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On Jan 26, 12:35*pm, Clyde Slick wrote:
On 26 Ian, 13:02, "Shhhh! I'm Listening to Reason!" wrote: On Jan 25, 5:28 pm, Clyde Slick wrote: On 25 Ian, 17:03, "Shhhh! I'm Listening to Reason!" Have you looked around at what's available in Romania? Are most of the LPs from the former USSR? A lot of eastern europe lp's and also a good bit from western europe classical, pop, local ethnic I've found that generally LPs made in England, Holland, Germany, etc. are better than the corresponding releases on US labels. I think they used better vinyl and just seemed to take more care making them. Perhaps it was because the volumes were smaller? I have not performed any DBTs to "prove" that though. ;-) I have an RCA shaded dog equivalent from France that sucks. they compressed the groove to eliminate the inner groove distortion at the end of each side. Now it all sounds very ****ty, instead of 1/4 of it sounding a just little bit ****ty. I have several "Yes" LPs from England that sound better than the Atco US releases. I also have Ella Fitzgerald on "His Master's Voice" that sounds better then the US Verve version. Same for my German LS Belafonte and Dutch "Little Feat". As I said, "generally..." |
#12
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On Jan 26, 12:54*pm, "ScottW" wrote:
"Shhhh! I'm Listening to Reason!" wrote in :I have several "Yes" LPs from England that sound better than the Atco :US releases. Have you checked out Analog Productions Fragile? It's one of my "best mixes/pressings". No, I haven't. Is it currently available? : I also have Ella Fitzgerald on "His Master's Voice" that :sounds better then the US Verve version. Same for my German LS :Belafonte and Dutch "Little Feat". :As I said, "generally..." Most European imports of pop and rock (can't speak to classical or jazz) were better than their US equivalents of the 60-80s IME. In the classical world the Europeans seemed to slip as badly as the labels did in the US. DGG went, IMO, way downhill from the "Tulip" label days. Very flimsy vinyl. I dumped all of my 1970s DGGs recently. RCA went to the disasterously shoddy "Dynaflex". Columbia went to vinyl about 1/2 as deep, although they didn't seem to slip as badly as some of the other labels. A lot of the top jazz artists went to Pablo or other labels that didn't seem to care so much about production quality. OTOH, much of the D2D jazz stuff I have from the mid-70s and later is quite well done. However the current audiophile labels of the US (Classic Records and Analog productions) are IMO producing as good a vinyl as anyone in the world...even if Classics Aqualung was a huge disappointment. My latest LP kick has been tracking down (no pun intended) rarer jazz recordings. I haven't been doing too much on the current audiophile labels or too much with pop. Part of the fun for me is the hunt. We still have some good record stores here. I found an antique shop (one of those ones with 60 or whatever vendors) where one guy specializes in LPs. I've found some great stuff there. I found a $250 Miles Davis LP in great shape for $12, for example. I do like my MFSL "Aqualung" though. The DCC CD I have of that is good too. Steve Hoffman did a good job IMO. The MFSL "Thick as a Brick" and "Close to the Edge" are also nice. |
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