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#41
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Posted to rec.audio.high-end
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"Mats Peterson" wrote in message
... MP3 is ok for content with severely cropped frequency range, like old time radio, or otherwise if using sub-optimal equipment such as a portable player and el cheapo earbuds. But I always use lossless (CD or FLAC) at home with the hi-fi system. I find that it is helpful to consider only the subjective impressions of people who: (1) Compare MP3s directly to the .wav files they are made from (2) Have the means to make this comparison level-matched, time-synched, and double blind (3) Hear differences in a statistically significant percentage of the the comparisons (2) Turns out to be very easy using free software tools available for download from multiple sources. If one does that, concerns about audible differences are generally relate to issues other than high frequencies. |
#42
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Posted to rec.audio.high-end
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In article ,
"Arny Krueger" wrote: "Mats Peterson" wrote in message ... MP3 is ok for content with severely cropped frequency range, like old time radio, or otherwise if using sub-optimal equipment such as a portable player and el cheapo earbuds. But I always use lossless (CD or FLAC) at home with the hi-fi system. I find that it is helpful to consider only the subjective impressions of people who: (1) Compare MP3s directly to the .wav files they are made from (2) Have the means to make this comparison level-matched, time-synched, and double blind (3) Hear differences in a statistically significant percentage of the the comparisons (2) Turns out to be very easy using free software tools available for download from multiple sources. If one does that, concerns about audible differences are generally relate to issues other than high frequencies. Frequency response is generally not the issue here anyway. The issue is sounds generated by the compression and expanding action that is NOT part of the music and therefore can bee looked at as noise/distortion. These sounds are put there by the compression algorithm, and with certain kinds of music are easily heard. --- news://freenews.netfront.net/ - complaints: --- |
#43
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Posted to rec.audio.high-end
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In article ,
ScottW wrote: On Tuesday, July 9, 2013 11:14:04 AM UTC-7, Audio_Empire wrote: In article , "Arny Krueger" wrote: "Mats Peterson" wrote in message ... MP3 is ok for content with severely cropped frequency range, like old time radio, or otherwise if using sub-optimal equipment such as a portable player and el cheapo earbuds. But I always use lossless (CD or FLAC) at home with the hi-fi system. I find that it is helpful to consider only the subjective impressions of people who: (1) Compare MP3s directly to the .wav files they are made from (2) Have the means to make this comparison level-matched, time-synched, and double blind (3) Hear differences in a statistically significant percentage of the the comparisons (2) Turns out to be very easy using free software tools available for download from multiple sources. If one does that, concerns about audible differences are generally relate to issues other than high frequencies. Frequency response is generally not the issue here anyway. The issue is sounds generated by the compression and expanding action that is NOT part of the music and therefore can bee looked at as noise/distortion. These sounds are put there by the compression algorithm, and with certain kinds of music are easily heard. But as you said these are only easily heard with headphones or earbuds and even your golden ears has difficulty with masking of these artifacts with high quality compression. Further, considering that compression is an option, and these highly resolving systems capable of revealing these artifacts cost $100....I stand by my statement that high end isn't dead. It's ubiquitous. Would you like to explain to me what's optional about lossy compression when there's no way to listen to streaming Internet radio without it? While some Internet radio is streamed at 192 KBPS, most is 128 KBPS or less. While 192 KBPS compression is higher quality than most, I can still hear it with some program material, Just as high end digital photography is blowing away film and in a consumer format no less. http://reviews.cnet.com/smartphones/...-35822762.html "You can sum up Nokia's just-unveiled Lumia 1020 in three words: 41, megapixel, camera." "The Windows 8 phone will sell exclusively in the U.S. at AT&T for a hefty $299.99...." Too bad it runs Windows. That means it'll do everything poorly. I would love to see some real pictures this puppy. --- news://freenews.netfront.net/ - complaints: --- |
#44
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Posted to rec.audio.high-end
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I'm more concerned about the death of phono/RCA connectors on the backs of receivers and TVs!
I would like to sprint for a 40-50" LED by 2014, but there's nowhere to plug in all of my perfectly functional older playback gear(DVD/VHS combo, etc). HDMIs are replacing analog connecters so fast there isn't even a mini 1/8" audio in port on audio gear any more. |
#46
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Posted to rec.audio.high-end
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In article ,
ScottW wrote: On Thursday, July 11, 2013 12:31:43 PM UTC-7, Audio_Empire wrote: In article , ScottW wrote: But as you said these are only easily heard with headphones or earbuds and even your golden ears has difficulty with masking of these artifacts with high quality compression. Further, considering that compression is an option, and these highly resolving systems capable of revealing these artifacts cost $100....I stand by my statement that high end isn't dead. It's ubiquitous. Would you like to explain to me what's optional about lossy compression when there's no way to listen to streaming Internet radio without it? It's optional in the sense that even the very inexpensive Sansa Fuse supports FLAC. But all Internet radio is MP3. That's NOT optional. While some Internet radio is streamed at 192 KBPS, most is 128 KBPS or less. While 192 KBPS compression is higher quality than most, I can still hear it with some program material, When did MP3 become defined by Internet Radio? That would be like defining analogue tape by cassette. You miss the point which is that not all MP3 usage is optional. if you buy your music from iTunes or some such, it's supplied to you as MP3. If you want to listen to Internet radio, it's MP3. You have no choice (except not to listen at all). On the other hand....without audio compression there wouldn't be any IR for you to listen to. That's still irrelevant to the point. --- news://freenews.netfront.net/ - complaints: --- |
#47
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Posted to rec.audio.high-end
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I just don't want to be forced to have to buy all new peripherals after buying a new display, that's all.
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#48
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Posted to rec.audio.high-end
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wrote in message
... I just don't want to be forced to have to buy all new peripherals after buying a new display, that's all. It is still pretty common for new video gear to have component video (CV) inputs, which generally includes standard L & R RCA jack audio audio inputs. Some AVRs convert standard analog audio inputs into HDMI and some don't, so that can be a way to use legacy audio gear with modern flat screen TVs. My Denon AVR 1613 does. My Yamaha doesn't. You can also find stand-alone CV to HDMI converters on eBay and at AV stores. |
#49
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Posted to rec.audio.high-end
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In article ,
"Arny Krueger" wrote: wrote in message ... I just don't want to be forced to have to buy all new peripherals after buying a new display, that's all. It is still pretty common for new video gear to have component video (CV) inputs, which generally includes standard L & R RCA jack audio audio inputs. Some AVRs convert standard analog audio inputs into HDMI and some don't, so that can be a way to use legacy audio gear with modern flat screen TVs. My Denon AVR 1613 does. My Yamaha doesn't. You can also find stand-alone CV to HDMI converters on eBay and at AV stores. I have bought a number of these HDMI to component converters and none of them work very well. The last one I bought supposedly does HDMI to either PbPyR or VGA. With either mode selected, the picture is so dark you cannot see it without turning the black level all the way up (and even then it looks awful) and the picture has streaks through it that are very annoying especially with light foreground objects against a dark background. I suspect it's the implementation of Intel's HDCP that's the culprit here. I'm going to have to wait until my 58" Elite HDTV finally dies before I can justify spending the dough for a new HDMI-equipped flat-screen (of at least 60"). --- news://freenews.netfront.net/ - complaints: --- |
#50
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Posted to rec.audio.high-end
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Audio_Empi
I have just the opposite problem. My big Pioneer Elite rear-projector HD TV is too old to have any HDMI inputs. As a result, I have a Blu-Ray.." I think it was only the last two model years that TV mfgs decided to scale wayyyy back on rcas and really bone up on hidmees. |
#51
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Posted to rec.audio.high-end
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#52
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Posted to rec.audio.high-end
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Somewhere on teh intarwebs wrote:
J. g. holt the founder of stereophile at the end of his life was of the mind that audio is near death for having neglected this: Interview in stereophile, of which the entire thing is worth the timed to read. http://www.stereophile.com/asweseeit/1107awsi/ Audio as a hobby is dying, largely by its own hand. As far as the real world is concerned, high-end audio lost its credibility during the 1980s, when it flatly refused to submit to the kind of basic honesty controls (double-blind testing, for example) that had legitimized every other serious scientific endeavor since Pascal. [This refusal] is a source of endless derisive amusement among rational people and of perpetual embarrassment for me, because I am associated by so many people with the mess my disciples made of spreading my gospel. It is ironic the very mag he founded was in the forefront of this neglect and of promoting voodoo audio., as it and fellow travelers continue. Here's a short piece I just read that is sort of relevant: http://edition.cnn.com/2013/09/27/te...em/index.html? # # # # # !!Warning - Reminiscing follows!! # # # # # There are some truths in it. I remember when I went (from my home in New Zealand) to live and work on Norfolk Island for a year or three at the end of the 70s - I guess similar to the author's move to college. I had a component system and five 'beer crates' of LPs (about 25 to the wooden crate, leaving 'flipping room' - they were a real boon to the young carefree budding audiophile as they were *very* strong and LPs fitted into them perfectly). I didn't take my system and LPs with me and rather foolishly let myself be talked into letting a friend 'look after' the records rather than put them into storage. On my return in 1980 we had a party at said friends house as I was gagging to hear some of my music again... Two hours later, after having listened to scratches, skips, pops and 'loops' I gave him the whole collection! So much for looking after it - he'd turned into a real party animal who let just anyone change the records - usually not worrying about putting the last one away. :-( I was so stressed out by the experience I embraced the small part of me that was still hippy and divested myself of material wories. I started buying CDs a while later and didn't look back. -- /Shaun. "Humans will have advanced a long, long, way when religious belief has a cozy little classification in the DSM." David Melville (in r.a.s.f1) [Sent from my OrbitalT ocular implant interface.] |
#53
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Posted to rec.audio.high-end
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Somewhere on teh intarwebs ScottW wrote:
[snip] Check this out and look at exhibit C. http://www.digitalmusicnews.com/perm...0130415digital See the decline of CD sales? It won't be long before pressing CDs goes the way of pressing new vinyl. Very limited. The link's dead (and looks like it probably was when posted). Do you have another? Maybe make a tiny URL as well? I'd appreciate it. -- /Shaun "Humans will have advanced a long, long, way when religious belief has a cozy little classification in the DSM." David Melville (in r.a.s.f1). |
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