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#41
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Posted to comp.os.linux.advocacy,rec.audio.pro
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Ćann 13/05/2010 23:23, skrifaưi philicorda:
For a historical insight, it's worth reading the Microsoft paper "The Problems You're Having May Not Be the Problems You Think You're Having" (Results from a Latency Study of Windows NT - Michael B. Jones). One interesting point it brings up is that an operating system is only as real time as it's drivers allow it to be. Of course, if no one has the source code to validate the drivers and make them fully pre-emptable, than you just have to hope you got lucky. There are Windows tools like the DPC latency checker that help some people with this problem. That is latency, while RT response and latency can be viewed as related they are not the same, an RT kernel should respond within a predefined period regardless of drivers et al and should do so independently of them al la Microware OS9 et al, this slightly disingenuous assertion on Microsofts part but not unreasonable for marketing papers like this I guess however by the release of Win2000 the windows system got much better at this Even the vanilla Linux kernel is not too bad at latency nowadays, as parts of the RT tree slowly get merged into it. Not as good as windows, but usable. Usable for what ? For recording your LP and cassette collection? certainly, but the original post assured that Linux could take over the tasks of Nuendo and Protools What are these high latency issues? I can do sub millisecond latencies with my Delta1010 card, and don't feel the need to go much lower. You misunderstood, or perhaps this is my fault and I should have made myself clear, the only advantage that JACK potentially has over other audio bussing technologies is transparent multi system usage, the latency issues are horrendus in that configuration and not something that can be overcome since that requires specialised hardware. As an intra system bussing tech, it has nothing novel to offer. Ah, I see. Your opinions are 13 years out of date. No that was not an opinion, it was an observation, that should have been obvious, the rest of my post may have been a collection of worthless opinions but this certainly was not. Really, apart from midi (which is waiting on Ardour3), there is no comparison between what I can do in Ardour, and what I could do on Falcon Cubase, and I have used both. With midi, even Rosegarden is still more advanced on the audio side that Cubase Falcon. Yes, hardware wise it is since the Falcon is limited to a 20 year old computer technology, however there is no tool or a synchonisable collection of tools on Linux that allows me to integrate and control my studio like that thing did (and does to a degree although these days I use it mostly as an sequenceing slave with less timing problems) The closest thing to a workable DAW or MIDI/Recording software on Linux remains Energy XT and has been so for some time, and that thing is buggy and for some reason the MIDI editing is less functional in the current 2.5 version that it was in v1.4 or its prdecessor (Muse? cant remember its original name), making it a neat toy for my sub-notebook, not a tool I can use on a daily basis to solve problems, hey I bought it anyway but I mostly use it as a VST slave. As for pro recording, there is no tool on linux that offers the latency multi-compensation for instance that Cubase/Nuendo offers, so no integration with my outboard at mix time What are you guys comparing Ardour with? Cubase 5? Pro-Tools? Nuendo? Logic? I am not commenting on something like A3 that is not out yet A DAW is not a piece of recording software like Ardour, it is a tool that allows me to record, control and integrate my studio, be that virtual or hardware, for that I need MIDI, people do not seem to realise how important MIDI is and seem to view it as almost a physical thing, something that was used to hook up synths with in the 80's MIDI is a protocol, it is the only thing that will talk to, control and automate the parameters on my external reverb, my internal VST reverb and all the junk I have in my studio, real, virtual or imaginary. For the DAW to be something more than a tape recorder on steroids, a good MIDI editing option is essential Ardour is not even anywhere close to being as useful as Adobe Audition is just as a recording program, what sort of chance do you think it has next to Cubase 5, even if it gains some rudimentary MIDI editing options in the near future? This is not a Linux problem specifically, we get this with REAPER as well, those that use the program basically as a recorder love its simplicity and do not realise that some of us NEED really good MIDI editing, and REAPER simply is not up to the job, and then go mental on various forums on the net if someone states that simple fact. Take for instance my setup, I cannot fit a proper mixer in here for space, budget and other reasons but nor am I willing to mix with the native or protools DSP mixers, they just sound crap with multitrack mixing, so I use some old Creamware cards as a mixer placed in a secondary computer, the AD DSP summing for some reason sounds much better than the Moto one. Now the only way I have to control that without any latency issues is MIDI and to be able to automate my mixes I need seriously good midi editing, there simply is no way out of that. People have to realise that in pro or semi-pro audio as in any specialised field there is investment in hardware that cannot be discarder for financial, emotional or practical reasons, any new player in the field either has to work with that existing investment or to change the field completely. If Linux wants to dig a niche in the audio field they will need to either integrate into an existing setup which is unlikely due to the aforementioned RT issues, lack of drivers for specialised hardware and a complete lack of an ecosystem. That only leaves changing the field with something compleatly integrated, does not have to be be an out and out pro program, look at something like Steinberg Sequel that can operate on its own without any external soft or hardware, not for everyone but enough for a large chunk of users. How likely is that to happen? Last time I asked about a synthesis program on Linux about a year ago or so I was directed towards Csound, now I do not want to sound too negative, but I was using Csound 15 years ago on an old and clappy 286 and its predecessor 25 years ago on an early mac, I was hoping for some progress in the meantime ....... the sad truth is that my faith in innovation from the Linux field is tad on the limited side. |
#42
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Posted to rec.audio.pro
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Žann 14/05/2010 09:48, skrifaši Ian Bell:
On 13/05/10 23:37, Scott Dorsey wrote: Peter wrote: What really makes me chuckle with all this talk of latency, real time and Windows vs Linux operating systems is that everyone seems to have missed the point that using a PC to record music is like using a hammer to fix a screw - it is a tool designed for a completely different job. That's why I will be sticking to my standalone DAW with is own built in RTOS, complete control surface and no latency issues whatsoever. Cheers Ian Yes and no, the problem is the size of the market, writing an OS from the ground up is cost prohibitive and the 2 most used OS's in pro-audio have traditionally been QNX and TRON may require more work done on them for the purpose than can be recouped easily. In this instance a computer built from consumer products is a more reasonable solution |
#43
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Posted to comp.os.linux.advocacy,rec.audio.pro
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Žann 13/05/2010 21:06, skrifaši owl:
In comp.os.linux.advocacy Olafur wrote: boot, when the first multitrack recorder for linux shipped in 1997 I read a lot of articles like this, that was 13 years ago and nothing has happened in the meantime ... The main thing that hasn't happened in the meantime is music that doesn't suck. Plenty of good new music out there, I happened unto this last year http://orgyofnoise.com The funny thing is that it is for some reason more difficult to find new music with the internet, myspace and search engines and all that, than it was with badly photocopied fanzines and compilation tapes |
#44
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Posted to comp.os.linux.advocacy,rec.audio.pro
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Žann 17/05/2010 09:19, skrifaši geoff:
Moshe wrote: On Sun, 16 May 2010 10:52:07 +0100, Peter Larsen wrote: Moshe wrote: If Linux could somehow manage to perfect the front end and replace Adobe, ProTools, Nuendo, etc IOW the tools the designers are using, there would be no stopping Linux. You're mixing OS and applications up. Kind regards Peter Larsen I know that. I include the applications with Linux, IOW Linux kernel, the OS, running Linux applications. That would be pretty much just "Ardour" then ? geoff There are other Linux applications like Energy XT, however the designers of that program have actually been so rude as actually ask for money in exchange for their software which apparently makes them some sort of Luddites in the Linux world, or something worse.... |
#45
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Posted to comp.os.linux.advocacy,rec.audio.pro
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On Mon, 17 May 2010 13:14:22 +0100, Olafur Gunnlaugsson wrote:
Žann 17/05/2010 09:19, skrifaši geoff: Moshe wrote: On Sun, 16 May 2010 10:52:07 +0100, Peter Larsen wrote: Moshe wrote: If Linux could somehow manage to perfect the front end and replace Adobe, ProTools, Nuendo, etc IOW the tools the designers are using, there would be no stopping Linux. You're mixing OS and applications up. Kind regards Peter Larsen I know that. I include the applications with Linux, IOW Linux kernel, the OS, running Linux applications. That would be pretty much just "Ardour" then ? geoff There are other Linux applications like Energy XT, however the designers of that program have actually been so rude as actually ask for money in exchange for their software which apparently makes them some sort of Luddites in the Linux world, or something worse.... Linux users don't like paying for software. It's one of the key reasons the game company Loki went out of business. And like a bad apple, pun intended, they spoil the bunch for the people who don't mind paying a little for a quality product. |
#46
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Posted to rec.audio.pro
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On 17/05/10 12:39, Olafur Gunnlaugsson wrote:
Žann 14/05/2010 09:48, skrifaši Ian Bell: On 13/05/10 23:37, Scott Dorsey wrote: Peter wrote: What really makes me chuckle with all this talk of latency, real time and Windows vs Linux operating systems is that everyone seems to have missed the point that using a PC to record music is like using a hammer to fix a screw - it is a tool designed for a completely different job. That's why I will be sticking to my standalone DAW with is own built in RTOS, complete control surface and no latency issues whatsoever. Cheers Ian Yes and no, the problem is the size of the market, writing an OS from the ground up is cost prohibitive and the 2 most used OS's in pro-audio have traditionally been QNX and TRON may require more work done on them for the purpose than can be recouped easily. Who said anything about writing an OS from the ground up? There are plenty of commercial RTOSs readily available. Cheers Ian In this instance a computer built from consumer products is a more reasonable solution |
#47
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Posted to rec.audio.pro
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Žann 18/05/2010 09:14, skrifaši Ian Bell:
On 17/05/10 12:39, Olafur Gunnlaugsson wrote: Žann 14/05/2010 09:48, skrifaši Ian Bell: On 13/05/10 23:37, Scott Dorsey wrote: Peter wrote: What really makes me chuckle with all this talk of latency, real time and Windows vs Linux operating systems is that everyone seems to have missed the point that using a PC to record music is like using a hammer to fix a screw - it is a tool designed for a completely different job. That's why I will be sticking to my standalone DAW with is own built in RTOS, complete control surface and no latency issues whatsoever. Cheers Ian Yes and no, the problem is the size of the market, writing an OS from the ground up is cost prohibitive and the 2 most used OS's in pro-audio have traditionally been QNX and TRON may require more work done on them for the purpose than can be recouped easily. Who said anything about writing an OS from the ground up? There are plenty of commercial RTOSs readily available. Yes but as I said what support for audio do they offer ? QNX and TRON did for a time specifically go after the music market, I think most samplers had TRON at one time but current development systems for them have not kept up with the times so you are facing the same problem, cost Cheers Ian In this instance a computer built from consumer products is a more reasonable solution |
#48
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Posted to rec.audio.pro
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On 18/05/10 10:39, Olafur Gunnlaugsson wrote:
Žann 18/05/2010 09:14, skrifaši Ian Bell: On 17/05/10 12:39, Olafur Gunnlaugsson wrote: Žann 14/05/2010 09:48, skrifaši Ian Bell: On 13/05/10 23:37, Scott Dorsey wrote: Peter wrote: What really makes me chuckle with all this talk of latency, real time and Windows vs Linux operating systems is that everyone seems to have missed the point that using a PC to record music is like using a hammer to fix a screw - it is a tool designed for a completely different job. That's why I will be sticking to my standalone DAW with is own built in RTOS, complete control surface and no latency issues whatsoever. Cheers Ian Yes and no, the problem is the size of the market, writing an OS from the ground up is cost prohibitive and the 2 most used OS's in pro-audio have traditionally been QNX and TRON may require more work done on them for the purpose than can be recouped easily. Who said anything about writing an OS from the ground up? There are plenty of commercial RTOSs readily available. Yes but as I said what support for audio do they offer ? QNX and TRON did for a time specifically go after the music market, I think most samplers had TRON at one time but current development systems for them have not kept up with the times so you are facing the same problem, cost I am not sure what you mean by support for audio. Audio is an application, not an element of an RTOS. Cheers Ian |
#49
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Posted to comp.os.linux.advocacy,rec.audio.pro
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Olafur Gunnlaugsson wrote:
In Linux you have to compile your own real-time kernel and live with the fact that not all programs work in that configuration and even more annoyingly that most music programs do not take advantage of it, there is a real time Linux distribution out there, granted, but it is outdated and has an annoying habit of not working out of the box FUD. There is a real time patch and it is easily applied. And Linux people do not want to discuss the issue, they just go into religious nutcase mode and start waffling on about JACK being a ground-breaking technology that will change the face of the market, not realising that the high latency issues with that technology make it unusable for studio usage Sounds like flatfish. So all Linux users are nut cases. Figures. Unless major distributions start shipping with an RT kernel by default and we start seeing some industry strength software, there is no software available on linux that would replace my old Cubase Audio Falcon installation for instance and that thing is getting on 20 years old, making posts like yours are just a sick joke, and an old one to boot, when the first multitrack recorder for linux shipped in 1997 I read a lot of articles like this, that was 13 years ago and nothing has happened in the meantime ... except that I no longer have a linux partition on my disk Yup. -- HPT |
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