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![]() Rich.Andrews wrote: snip Mc is owned by DM holdings. The 'D' stands for Denon and the 'M' stands for Marantz. One big happy family. My "beef" is simply that the reissue 275 is a cheapened and Kornblumized copy of the old one with reduced build cost and less functionality at a ridiculous price. Marantz outsourced their reissue boxes and in my opinion did a lot better job of it-they're just like the old ones warts and all. At what Mac is charging there would have been no problem exactly duplicating the original, with a better-rustproofed top cover and modern caps and resistors. Actually the current 275 is better than the original. Reduced functionality? Are you possibly referring to the withdrawl sic ;-) of support for impedances other than 16, 8 and 4 ohms? Yep. You may not need it. Sombody did-many were sold for that reason in fact. It certainly looks like it has the same functionality. Volume controls, power switch, output power strip. Certainly produces the same power and has all the same capabilities. The transformers are still wound in Binghamton, it is still assembled there too. They are a very different xfmr. Indeed Mac will not sell them for rpl use in vintage amps although being point to point wired the circuit could be altered to take them. They are 'missing' several windings. Since suitable C-cores are still available and Mac has all the tooling, prints, and indeed some of the people are the same ...it comes down to cost. 'Probably' it's a matter of $50 vs. $150 or thereabouts-don't ask where I got those numbers-saving $200 on a $4000 box. Tubes are selected by hand. Modern caps and resistors? I think if you look under that stainless chassis you will find modern parts. The ceramic sockets will not deteriorate due to age. Many other High End companies do a better job of physical construction than does Mac today, although not exactly to Vollum Tek standards. How much extra does this kind of construction cost? Forget chassis hogged from stainless billet, Tek never did that. The cool ceramic terminal strips? Silver is cheaper today than it has been, in inflation adjusted dollars, in a long long time-a roll of 2% silver Kester cored solder costs $16 a pound roll vis-a-vis $13 for 63/36 eutectic. What do see that other companies do that Mc does not? Silver may be cheaper but IIRC the solder used at Tek was 3% silver, not 2%. Tek used inexpensive aluminum frames to keep the weight down. I have not seen any new ceramic strips in quite some time. I'm just going by the Kester catalog. Other companies offer silver electronic solders ("silver solder" being a high temperature product with a melt point similar to brazing) including lead free cored wire solderable at normal temperatures. Silver being cheap today it's not freakish, but personally I'm fine with regular old 63/36 especially for tube projects-it'd be solid state power amps and regulated LV supplies that benefit most from silver bearing solders. McIntosh is always looking for feedback on their products. I suggest you call the product Manager Ron Cornelius at (650) 328-1490 and tell him what you think. Ron knows the current units as well as their legacy units. Tell him that I said "Hi!". I have discussed all this and more, in a friendly way, with Ron and Larry and a few others...I have to agree they're nice guys and all, but I'm sure they thought I was nuts. And maybe I am. But it's a kind of nuts I rather enjoy. BTW I am not an employee of McIntosh, DM Holdings or any other company even remotely assoociated with the electronics industry. I have some Mc gear for obvious reasons and I have a number of years experience servicing and designing electronics. My advice is that if you don't like a particular manufacturers product, you should not buy it, but there is no point in expressing your thoughts regarding "sour grapes". No you should build one yourself to your specs and indeed that's on my to do list. I really don't want to have to go into the magnetics business myself, if I could buy a set of opt's off the rack I would. There are a lot of other ironies of course, such as the fact that the 75/275 was the "least good sounding" of the chrometop tube Macs (in the opinion of most gullible subjective tweaks,er, tube buffs), and that the KT88 is probably a poor choice of tube if you are buying an amp for serious long term use (most new ones suck). I think in doing _reissues_ 'warts and all' is the way to go. If I were designing a new model I'd have designed one around the tubes you can get today. Hopefully DM will reflect on the favorable experience with the Marantz reissues and if they do say a 240 or a 3500, or even a MI200 (boy would the single ended Svetlana 811 variants have been great there...) |
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