Home |
Search |
Today's Posts |
#21
![]()
Posted to rec.audio.opinion
|
|||
|
|||
![]() Robert Morein wrote: "ScottW" wrote in message oups.com... Robert Morein wrote: "ScottW" wrote in message ups.com... Powell wrote: "ScottW" wrote If you must compensate a limited signal level source with more gain in your preamp then you are obviously also amplifying the noise of your source more than should be necessary and diminishing overall system signal/noise ratio. Well, yes and no. The volume pot is primarily used on players like CD/DVD, phonograph head amps, tuners, etc., to slightly increase or reduce RMS voltage of the player's line level outputs. For the most part the consumer electronics industry sets *fixed outputs/line level* at 1-2 volts. There are plenty of alternative hybrids that output much higher by providing preamp output levels (5-50 Vrms). A few adequate products were sited. Because there is so little demand for these hybrids consumers pay a premium price. You would unnecessarily burden manufactures and consumer pocketbooks with unnecessary expenses for including additional head amp sections in players. There is no market for this. A better solution is a source which is capable of rated output without distortion/clipping or whatever problem your POS adjustable output level CD players have. I wasn't aware there were problems with players not outputing at line level (1-2 Vrms). There is no practical use for playing devices outputing at any higher levels. When they do that's when a pot is often included on the device. Moron claims his Sony player doesn't even have the balls for line level output. reference his response to Bret's comment: Most power amps will go full output with 1.5V rms. VTL in their book specify they design for input sensitivity of 775 mV as I recall. Morons response: Yes, but from practical experience with Sony ES players, I can tell you that those with 5532 outputs cannot do it cleanly. So I have a couple issues with Bob's premise. 1) His crappy CD can't even provide std line level output cleanly. 2) Attenuating said output with a pot isn't likely to do anything to clean it up. 3) Adding extra gain later to compensate will also amplify the noise floor of the player reducing overall system S/N. ScottW Scott, it sounds alot better with the preamp in. That's all I care about. That's fine. In the future we'll ignore anything but your subjective appraisals as that is all you care about. Noise is not a subjective problem in either system. Without the preamp buffers, the systems sound strained. I use Sony ES players, known to have excellent DACs, but not the best output stages. So your comments about passive attenuators really only applies to Sony ES CD players which you find lacking in output performance. No. Maybe you should have said that. ScottW It depends upon the player. Most Japanese players, and preamps, use inadequate ouput circuitry. I disassembled a very fancy Pioneer Elite preamp, and found 5532 outputs. The power supply was really tiny, using the 78XX regulators in TO-92 package. Some highly thought of Marantz players also use them. The user has the choicee of modding, or using with a preamp that has a good line driver output stage. Do these Marantz players have volume control? Most preamps have similar input impedance to an amplifier so adding a preamp won't change anything at the output of a CD player with fixed levels. I think you're straining more than your CD player. ScottW |
Thread Tools | |
Display Modes | |
|
|
![]() |
||||
Thread | Forum | |||
Linkwitz' Orion design | High End Audio | |||
I have a question | Audio Opinions | |||
Variable Z Mic Preamps | Pro Audio | |||
Passive Volume Control (Passive Preamp) Info | High End Audio | |||
inexpensive passive preamps? | High End Audio |