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#1
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Posted to rec.audio.pro
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I'm listening to a deluxe CD package of Jeff Buckley's "Grace" right now.
JVC CD deck--nothing special. Outlaw pre/Hafler TA-1100 (my McIntosh amp is on the fritz). This isn't the same Hafler that was giving me issues earlier. Polk Audio 7b speakers. I'm saying this as I'm awed by the production and sonic qualities of an album that I've been listening to for the last couple of years as an mp3 recorded at 128bps on an 80gb iPod Classic. Granted, I've not been using the standard earbuds, but rather the Shure EC2s. I'm ready to cry at the difference in sound quality, here. The CD playing over speakers in a fairly live room (hardwood floors, sheetrock walls, a couple of couches and bookshelves) that is maybe 12' x 12' is producing quite a sonic impact compared to the mp3s. Is Apple Lossless going to sound as good as the CD, do you think? I'd go with FLAC or something but I'm thinking they're not compatible with iPods at all. I've toyed with the idea of re-ripping my CD library to WAV files, but I've well over 700, maybe 800 CDs--and that's not nearly going to fit on the 80gb iPod. Of course, I'd much rather have quality over quantity, so if it takes ripping to WAV, that's what I'll do... I know we're about to fight like cats and dogs over some of this, but I also hold many of your opinions in high esteem--you guys rock the Casbah... ---Jeff |
#2
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Posted to rec.audio.pro
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On 14/03/2010 1:52 PM, Arkansan Raider wrote:
I'm listening to a deluxe CD package of Jeff Buckley's "Grace" right now. JVC CD deck--nothing special. Outlaw pre/Hafler TA-1100 (my McIntosh amp is on the fritz). This isn't the same Hafler that was giving me issues earlier. Polk Audio 7b speakers. I'm saying this as I'm awed by the production and sonic qualities of an album that I've been listening to for the last couple of years as an mp3 recorded at 128bps on an 80gb iPod Classic. Granted, I've not been using the standard earbuds, but rather the Shure EC2s. I'm ready to cry at the difference in sound quality, here. The CD playing over speakers in a fairly live room (hardwood floors, sheetrock walls, a couple of couches and bookshelves) that is maybe 12' x 12' is producing quite a sonic impact compared to the mp3s. Is Apple Lossless going to sound as good as the CD, do you think? I'd go with FLAC or something but I'm thinking they're not compatible with iPods at all. I've toyed with the idea of re-ripping my CD library to WAV files, but I've well over 700, maybe 800 CDs--and that's not nearly going to fit on the 80gb iPod. Of course, I'd much rather have quality over quantity, so if it takes ripping to WAV, that's what I'll do... I know we're about to fight like cats and dogs over some of this, but I also hold many of your opinions in high esteem--you guys rock the Casbah... ---Jeff I don't know much about FLAC, but I dare say Apple lossless is meant to be, well, lossless. So yes, it'll sound "as good" as a CD, if you played said CD through the D/A and amp of an iPod, that is. Also, I couldn't agree more with your revelation - I'll never understand how people can think something will sound as good after you've thrown away over half of the information (usually up around 90%!) Ever listen to the difference channel of a (poorly encoded) .mp3? Scary. I don't own an iPod for mostly sonic reasons. Still have my little Panasonic portable CD player in my bag, and a case full of discs. ![]() It's heavier and less convenient to carry around, and I do get some funny looks on the train sometimes (1990 called, they want their portable music player back, etc.), but it's totally worth it. That said, in all honesty I have a hard time picking a 320kbps .mp3 from a full rate .wav or .aiff, and certainly wouldn't hear the differences in the car or other noisy places, but dammit, I'm taking a stand! Can't let things like reality interfere with that, now can I? ![]() IMO/YMMV/etc. Cheers, -joe. |
#3
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On Mar 14, 3:47*am, Joe Mama wrote:
I don't know much about FLAC, but I dare say Apple lossless is meant to be, well, lossless. *So yes, it'll sound "as good" as a CD, if you played said CD through the D/A and amp of an iPod, that is. Any lossless compression format produces output that is bit-for-bit identical to the original uncompressed file. So in terms of audio quality, FLAC and Apple lossless are identical. Same applies to shorten, wavpack, etc. The down side, of course, is you need a lot more storage compared to lossy compression. |
#4
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Arkansan Raider wrote:
I'm ready to cry at the difference in sound quality, here. The CD playing over speakers in a fairly live room (hardwood floors, sheetrock walls, a couple of couches and bookshelves) that is maybe 12' x 12' is producing quite a sonic impact compared to the mp3s. Did you try playing the iPod copy over the listening room system? I would expect that MP3 conversion made some changes to the mix and overall balance, but I'm sure that the difference between the earphones and the room is also significant. -- "Today's production equipment is IT based and cannot be operated without a passing knowledge of computing, although it seems that it can be operated without a passing knowledge of audio." - John Watkinson |
#5
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Posted to rec.audio.pro
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Arkansan Raider wrote:
I'm saying this as I'm awed by the production and sonic qualities of an album that I've been listening to for the last couple of years as an mp3 recorded at 128bps on an 80gb iPod Classic. Granted, I've not been using the standard earbuds, but rather the Shure EC2s. Yup. It's like that. I'm ready to cry at the difference in sound quality, here. The CD playing over speakers in a fairly live room (hardwood floors, sheetrock walls, a couple of couches and bookshelves) that is maybe 12' x 12' is producing quite a sonic impact compared to the mp3s. Is Apple Lossless going to sound as good as the CD, do you think? I'd go with FLAC or something but I'm thinking they're not compatible with iPods at all. Apple Lossless really _is_ lossless. You're still dependant on the quality of the DAC, and a lot of computer DACs out there are still pretty bad, but you can make sure to pick a good one. I've toyed with the idea of re-ripping my CD library to WAV files, but I've well over 700, maybe 800 CDs--and that's not nearly going to fit on the 80gb iPod. Of course, I'd much rather have quality over quantity, so if it takes ripping to WAV, that's what I'll do... Why bother? Why not just play the CDs and listen to them? Instead of just sort-of-listening in the background, make some time every week to just sit down and listen to a CD. I know we're about to fight like cats and dogs over some of this, but I also hold many of your opinions in high esteem--you guys rock the Casbah... I'm still listening on the secret radio band. --scott Oh, yeah... and if you think the CD sounds good... you should go listen to live music sometime.... it's good stuff... -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#6
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Posted to rec.audio.pro
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Scott Dorsey wrote:
Arkansan Raider wrote: I'm saying this as I'm awed by the production and sonic qualities of an album that I've been listening to for the last couple of years as an mp3 recorded at 128bps on an 80gb iPod Classic. Granted, I've not been using the standard earbuds, but rather the Shure EC2s. Yup. It's like that. I'm ready to cry at the difference in sound quality, here. The CD playing over speakers in a fairly live room (hardwood floors, sheetrock walls, a couple of couches and bookshelves) that is maybe 12' x 12' is producing quite a sonic impact compared to the mp3s. Is Apple Lossless going to sound as good as the CD, do you think? I'd go with FLAC or something but I'm thinking they're not compatible with iPods at all. Apple Lossless really _is_ lossless. You're still dependant on the quality of the DAC, and a lot of computer DACs out there are still pretty bad, but you can make sure to pick a good one. Delta 1010LT. Works for me! I've toyed with the idea of re-ripping my CD library to WAV files, but I've well over 700, maybe 800 CDs--and that's not nearly going to fit on the 80gb iPod. Of course, I'd much rather have quality over quantity, so if it takes ripping to WAV, that's what I'll do... Why bother? Why not just play the CDs and listen to them? Instead of just sort-of-listening in the background, make some time every week to just sit down and listen to a CD. I need to do that for sure--in fact I've some DVD-A's, SACDs and DTS stuff that I really dig and I don't listen to it enough. Then again, I've a roommate who doesn't have the same tastes in music as I, and I don't want to impose on him too much, either. I also like compiling my own playlists, which is kind of cumbersome to do on CD's (but *is* something I've done in the past). I know we're about to fight like cats and dogs over some of this, but I also hold many of your opinions in high esteem--you guys rock the Casbah... I'm still listening on the secret radio band. LOL Roger that, Dick Tracy! The Shadow knows... --scott Oh, yeah... and if you think the CD sounds good... you should go listen to live music sometime.... it's good stuff... Oh, I do. Just opened for Lincoln Brewster last week. He was the guitarist on Steve Perry's "For The Love Of Strange Medicine" album and is now headlining his own Christian band--and is really popular. We got to sing three songs (we were kind of thrown in at the last minute), the crowd dug us--having not heard a cappella music before--and then we got to enjoy the Lincoln Brewster concert. Good stuff. Unfortunately, I won't be able to hear Jeff Buckley live anytime soon... Thanks, Scott! ---Jeff |
#7
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Posted to rec.audio.pro
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On Mar 14, 12:27*pm, Arkansan Raider wrote:
I'm ready to cry at the difference in sound quality, here. The CD playing over speakers in a fairly live room (hardwood floors, sheetrock walls, a couple of couches and bookshelves) that is maybe 12' x 12' is producing quite a sonic impact compared to the mp3s. Yeah, I get looked at in the gym with my old Panasonic CD/radio combo. So it goes. A CD can be a great "timer" for a session on the rower, for instance. Whatever. I use both an iPod and CD's, depending on activity or "setting". FWIW, I use CD's in the car, which is just a year or so too old to have a jack for iPod wire connection, and the "adapter" (I think it's a Monster, I've had a couple of them) is fun and nostalgic for a 50's-60's kid who listened to faraway music on AM radio at night, but CD's sound so much better, even through a mediocre Honda Odyessy system (it's probably not a great hall, either, but there we are). I copy everything via Roxio Toast Titanium (in Redbook, as I understand), so if a CD is ruined, no big deal, just make another copy. Same with song lists made from iTunes; just leave the lists "up" and make a new copy when needed, and you don't have to be fussy about trying to baby CD's in a somewhat hostile environment. Or, maybe you're not a mobile coffee drinker... --D-y |
#8
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Scott Dorsey wrote:
Arkansan Raider wrote: I'm saying this as I'm awed by the production and sonic qualities of an album that I've been listening to for the last couple of years as an mp3 recorded at 128bps on an 80gb iPod Classic. Granted, I've not been using the standard earbuds, but rather the Shure EC2s. Yup. It's like that. Might be. Doesn't have to be. I'm ready to cry at the difference in sound quality, here. The CD playing over speakers in a fairly live room (hardwood floors, sheetrock walls, a couple of couches and bookshelves) that is maybe 12' x 12' is producing quite a sonic impact compared to the mp3s. Is Apple Lossless going to sound as good as the CD, do you think? I'd go with FLAC or something but I'm thinking they're not compatible with iPods at all. Apple Lossless really _is_ lossless. You're still dependant on the quality of the DAC, and a lot of computer DACs out there are still pretty bad, but you can make sure to pick a good one. Which ones are 'really bad'? As in, one could typically could tell them from others in a blind level-matched test? Oh, yeah... and if you think the CD sounds good... you should go listen to live music sometime.... it's good stuff... Or it can sound worse than what you get at home. -- -S We have it in our power to begin the world over again - Thomas Paine |
#9
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Steven Sullivan wrote:
Scott Dorsey wrote: Apple Lossless really _is_ lossless. You're still dependant on the quality of the DAC, and a lot of computer DACs out there are still pretty bad, but you can make sure to pick a good one. Which ones are 'really bad'? As in, one could typically could tell them from others in a blind level-matched test? Take a look at Arny's website where he tests a bunch of them. Some of them look pretty good, some look pretty awful. Oh, yeah... and if you think the CD sounds good... you should go listen to live music sometime.... it's good stuff... Or it can sound worse than what you get at home. Sadly this is often true. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#10
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"Scott Dorsey" wrote in message
Steven Sullivan wrote: Scott Dorsey wrote: Apple Lossless really _is_ lossless. You're still dependant on the quality of the DAC, and a lot of computer DACs out there are still pretty bad, but you can make sure to pick a good one. Which ones are 'really bad'? As in, one could typically could tell them from others in a blind level-matched test? Take a look at Arny's website where he tests a bunch of them. Some of them look pretty good, some look pretty awful. Unfortunately Scott, www.pcavtech.com has been gone for years. It is archived at http://www.archive.org/web/web.php http://web.archive.org/web/200601030...pare/index.htm |
#11
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Oh, yeah... and if you think the CD sounds good... you
should go listen to live music sometime.... it's good stuff... I assume you mean /acoustic/ music, not instruments played through amplifiers and speakers, which is "live" music only a very narrow definition of the word. I recently purchased the CD (not the LP) of the Keilberth "Ring". This 55-year-old analog recording has better sound -- that is, it sounds more like live sound -- than almost any other recording I own, including all but the best SACDs. |
#12
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William Sommerwerck wrote:
Oh, yeah... and if you think the CD sounds good... you should go listen to live music sometime.... it's good stuff... I assume you mean /acoustic/ music, not instruments played through amplifiers and speakers, which is "live" music only a very narrow definition of the word. Generally. But sometimes instruments played through amplifiers and speakers can be pretty good too. Sadly this is becoming rare, though. I recently purchased the CD (not the LP) of the Keilberth "Ring". This 55-year-old analog recording has better sound -- that is, it sounds more like live sound -- than almost any other recording I own, including all but the best SACDs. That has more to do with the people that made it than anything else, though. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#13
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William Sommerwerck wrote:
Oh, yeah... and if you think the CD sounds good... you should go listen to live music sometime.... it's good stuff... I assume you mean /acoustic/ music, not instruments played through amplifiers and speakers, which is "live" music only a very narrow definition of the word. It's just as live as a violin. 'Live' should not be confused with 'acoustic' - they are totally different things. I recently purchased the CD (not the LP) of the Keilberth "Ring". This 55-year-old analog recording has better sound -- that is, it sounds more like live sound -- than almost any other recording I own, including all but the best SACDs. Maybe. geoff |
#14
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On Thu, 18 Mar 2010 08:44:09 -0700, "William Sommerwerck"
wrote: I assume you mean /acoustic/ music, not instruments played through amplifiers and speakers, which is "live" music only a very narrow definition of the word. Only if YOU invent a special narrow definition of "live". |
#15
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William Sommerwerck wrote:
I assume you mean /acoustic/ music, not instruments played through amplifiers and speakers, which is "live" music only a very narrow definition of the word. It's just as live as any other type or style of music that is first generation, right from the source, and not a recorded repro of the sounds. Go to Al Green's church in Mempohis on a Sunday morning, and then come back trying to say that wasn't live music. -- ha shut up and play your guitar http://hankalrich.com/ http://www.cdbaby.com/cd/hsadharma |
#16
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Arkansan Raider wrote:
I know we're about to fight like cats and dogs over some of this, but I also hold many of your opinions in high esteem--you guys rock the Casbah... Do you require to have all your music available to you at any one time, or have you considered the possibility of simply listening to your CDs ? geoff |
#17
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geoff wrote:
Arkansan Raider wrote: I know we're about to fight like cats and dogs over some of this, but I also hold many of your opinions in high esteem--you guys rock the Casbah... Do you require to have all your music available to you at any one time, or have you considered the possibility of simply listening to your CDs ? geoff I do that, but I also like the ability to have playlists. And a pseudo home radio station, playing stuff at random sometimes. Sometimes I want to hear a bunch of songs from a genre, rather than an artist. Kind of a mood-setting gig. That's the thought, anyway... ---Jeff |
#18
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Arkansan Raider wrote:
I'm listening to a deluxe CD package of Jeff Buckley's "Grace" right now. JVC CD deck--nothing special. Outlaw pre/Hafler TA-1100 (my McIntosh amp is on the fritz). This isn't the same Hafler that was giving me issues earlier. Polk Audio 7b speakers. I'm saying this as I'm awed by the production and sonic qualities of an album that I've been listening to for the last couple of years as an mp3 recorded at 128bps on an 80gb iPod Classic. Granted, I've not been using the standard earbuds, but rather the Shure EC2s. I'm ready to cry at the difference in sound quality, here. The CD playing over speakers in a fairly live room (hardwood floors, sheetrock walls, a couple of couches and bookshelves) that is maybe 12' x 12' is producing quite a sonic impact compared to the mp3s. You haven't actually compared the mp3 to the CD. As far as I can tell, you're comparing either Shure EC2s phones to Polk 7b speakers, or iPod analog output to CDP analog output. All without level matching. Try this: rip a track from Grace, encode it as 1228kbps mp3 using LAME, then load it into your iPod. Then encode the same track as Apple Lossless and put it on your ipod. Compare them blind when oplaying the iPod over your Outlaw/Hafler/Polk rig. Then you're much close to actually hearing what effect, if any, the mp3 is having on your listening. Is Apple Lossless going to sound as good as the CD, do you think? Of course. If it doesn't, something is wrong, or you're imagining the difference. I'd go with FLAC or something but I'm thinking they're not compatible with iPods at all. Not unless you use Rockbox. I've toyed with the idea of re-ripping my CD library to WAV files, but I've well over 700, maybe 800 CDs--and that's not nearly going to fit on the 80gb iPod. Of course, I'd much rather have quality over quantity, so if it takes ripping to WAV, that's what I'll do... Try ~1896kbps variable bitrate mp3, encoded using LAME. -- -S We have it in our power to begin the world over again - Thomas Paine |
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