[Jenn[_2_]]

What's the best, in your experience? Two categories: all acoustic and
other.

What's your opinion?

[Clyde Slick]

On 16 Iul, 21:07, Jenn wrote:
What's the best, in your experience? *Two categories: *all acoustic and
other.

What's your opinion?

Other (Electric):

Mojo
Big Joe Maher on Wildchild

Category: Electric Blues

YOU ARE THERE!!! in the living room of the house it was recorded in.
very realistic sounding live studio recording

Acoustic:

so many, so many close ones.

I would say the Mercury recording of orchestral suites form Bizet's
Carmen
Paul Paray,detroit Symphony Orchestra

[Jenn[_2_]]

In article
,
Clyde Slick wrote:

On 16 Iul, 21:07, Jenn wrote:
What's the best, in your experience? *Two categories: *all acoustic and
other.

What's your opinion?

Other (Electric):

Mojo
Big Joe Maher on Wildchild

Category: Electric Blues

YOU ARE THERE!!! in the living room of the house it was recorded in.
very realistic sounding live studio recording

Cool, I'll check it out!


Acoustic:

so many, so many close ones.

I would say the Mercury recording of orchestral suites form Bizet's
Carmen
Paul Paray,detroit Symphony Orchestra

Ah! One I don't have. I'll look for it.

[MiNe 109]

In article
,
Jenn wrote:

What's the best, in your experience? Two categories: all acoustic and
other.

What's your opinion?

The better the recording, the easier to tell where it (or my system)
falls short!

Despite the flaws, I can depend on the Bill Evans Village Vanguard sets
for pleasurable listening.

I like the Richard Thompson recordings produced by Mitchell Froom and
engineered by Tchad Blake, but they don't aim for natural sound.

Stephen

[Jenn[_2_]]

In article ,
MiNe 109 wrote:

In article
,
Jenn wrote:

What's the best, in your experience? Two categories: all acoustic and
other.

What's your opinion?

The better the recording, the easier to tell where it (or my system)
falls short!

Despite the flaws, I can depend on the Bill Evans Village Vanguard sets
for pleasurable listening.

Great choice, IMO.


I like the Richard Thompson recordings produced by Mitchell Froom and
engineered by Tchad Blake, but they don't aim for natural sound.

He rocks, fer sure.

Stephen