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#1
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shot noise
A while ago we were discussiig theoretical and actual measured noise in the
first stage of a preamp. RDH suggests the equivalent input noise resistance for a triode is about 2.5/gm. Patrick noted he had never seen noise anywhere near as low as this. I have just read this article: http://en.wikipedia.org/wiki/Valve_a...er_-_technical which suggests the 2.5/gm only applies at frequencies above 10KHz and that below this 1/f noise dominates. It also suggests this can be reduced by choosing very pure materials for the cathode nickel, and running the tube at an optimized (generally low) anode current. Don't know who the author is and as a rule I take anything on wikipedia with a large grain of salt. Comments? Cheers ian |
#2
Posted to rec.audio.tubes
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shot noise
"Ian Bell" I have just read this article: http://en.wikipedia.org/wiki/Valve_a...er_-_technical which suggests the 2.5/gm only applies at frequencies above 10KHz and that below this 1/f noise dominates. ** Not what it says at all. " For special low noise audio tubes, the frequency at which 1/f noise takes over is reduced as far as possible, maybe to something like a kHz. " Applies to valves like the 12AX7 and 12AY7 - their noise spectrum is pretty much white noise, where the energy is *proportional* to bandwidth. A gradual rise in noise below 1kHz is insignificant, since it is so small in the first place. BTW: The section about " Class AB and B " is a load of ********. The author say he got his info from " The Audio Amateur" and " Stereophile" magazine. Bout as reliable as the weather..... ......... Phil |
#3
Posted to rec.audio.tubes
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shot noise
Phil Allison wrote: "Ian Bell" I have just read this article: http://en.wikipedia.org/wiki/Valve_a...er_-_technical which suggests the 2.5/gm only applies at frequencies above 10KHz and that below this 1/f noise dominates. ** Not what it says at all. " For special low noise audio tubes, the frequency at which 1/f noise takes over is reduced as far as possible, maybe to something like a kHz. " Applies to valves like the 12AX7 and 12AY7 - their noise spectrum is pretty much white noise, where the energy is *proportional* to bandwidth. A gradual rise in noise below 1kHz is insignificant, since it is so small in the first place. BTW: The section about " Class AB and B " is a load of ********. The author say he got his info from " The Audio Amateur" and " Stereophile" magazine. Bout as reliable as the weather..... Hmmmm, the author reckon class AB and B amps produce 'aharmonic distortion' ! There's no explanation either of what the terms mean ! Talk about the blind leading the blind ! Graham |
#4
Posted to rec.audio.tubes
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shot noise
On Thu, 21 Jun 2007 23:06:13 +0100, Ian Bell
wrote: A while ago we were discussiig theoretical and actual measured noise in the first stage of a preamp. RDH suggests the equivalent input noise resistance for a triode is about 2.5/gm. Patrick noted he had never seen noise anywhere near as low as this. I have just read this article: http://en.wikipedia.org/wiki/Valve_a...er_-_technical Please, please let's all get past the Wikipedia epoch. It's fine as a starting point, but hopeless as anything else. It's specifically *not* a reference for *anything*. Please! which suggests the 2.5/gm only applies at frequencies above 10KHz and that below this 1/f noise dominates. It also suggests this can be reduced by choosing very pure materials for the cathode nickel, and running the tube at an optimized (generally low) anode current. The difficulty with valve noise and things that go bump in the night is that noises were poorly understood in the thirties and fourties when the text books were written, but the old text books get quoted now well into the Wikipedia plague, er, epoch. Eastman, for example, gets it quite wrong, and even Terman (third edition of Radio Engineering, -the true Bible, not the imposter bible RDH4- ) is muddled. RDH4 is hopelessly wrong. For openers, "shot noise" was defined as BOTH the thermal noise equivalent of the reciprocal of transconductance AND as a quantization noise under cathode temperature limited emission, in the most remotely likely of ancient texts. Could be defined either way, but not both. Folks back then didn't have much of a framework for noise analysis, so it's not too surprising that names might be misapplied. There's much less excuse for us today to continue to do the same. Don't know who the author is and as a rule I take anything on wikipedia with a large grain of salt. Comments? There's never enough salt. Arf. A good framework to think about noise is to cook everything down into resistances at their working temperatures, and to calculate the noise from those resistances. This is "thermal" (or historically Johnson or Nyquist) noise. Ferzample, a valve's tranconductance engine has a resistance of reciprocal transconductance at a temperature factor of 2.5 times room temperature for oxide-coated cathodes. This acts just like a real resistor at that temperature. Then: Everything else is a special case, and is largely uncalculatable. All these "excess" noises arise from material imperfections and manufacturing imperfections and the other imperfections of the real world. You'll need to measure them to know anything believable. Thanks, as always, Chris Hornbeck |
#5
Posted to rec.audio.tubes
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shot noise
Chris Hornbeck wrote:
A good framework to think about noise is to cook everything down into resistances at their working temperatures, and to calculate the noise from those resistances. This is "thermal" (or historically Johnson or Nyquist) noise. Ferzample, a valve's tranconductance engine has a resistance of reciprocal transconductance at a temperature factor of 2.5 times room temperature for oxide-coated cathodes. This acts just like a real resistor at that temperature. Seems reasonable. Then: Everything else is a special case, and is largely uncalculatable. All these "excess" noises arise from material imperfections and manufacturing imperfections and the other imperfections of the real world. You'll need to measure them to know anything believable. The big question though seems to be just what proportion of the overall noise are represented by these special cases? My feeling from what Patrick says he has measured is that they are at least of the same order. Ian |
#6
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shot noise
Phil Allison wrote:
"Ian Bell" I have just read this article: http://en.wikipedia.org/wiki/Valve_a...er_-_technical which suggests the 2.5/gm only applies at frequencies above 10KHz and that below this 1/f noise dominates. ** Not what it says at all. " For special low noise audio tubes, the frequency at which 1/f noise takes over is reduced as far as possible, maybe to something like a kHz. " Applies to valves like the 12AX7 and 12AY7 - their noise spectrum is pretty much white noise, where the energy is *proportional* to bandwidth. A gradual rise in noise below 1kHz is insignificant, since it is so small in the first place. What about the bit about running at low plate currents? Is that correct? Ian |
#7
Posted to rec.audio.tubes
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shot noise
Ian Bell wrote: Chris Hornbeck wrote: A good framework to think about noise is to cook everything down into resistances at their working temperatures, and to calculate the noise from those resistances. This is "thermal" (or historically Johnson or Nyquist) noise. Ferzample, a valve's tranconductance engine has a resistance of reciprocal transconductance at a temperature factor of 2.5 times room temperature for oxide-coated cathodes. This acts just like a real resistor at that temperature. Seems reasonable. Yes it does. In semiconductors for example the actual bulk resistance of the silicon must be taken into account in noise calculations, notably Rbb, the intrinsic base resistance of the device. Since the current flow in a valve has to physically flow through the oxide coating on the cathode, which presumably has some resistance, then that resistance must surely be incorporated into the noise calculations. Furthermore of course it's at a high temperature which will worsen the noise. Graham |
#8
Posted to rec.audio.tubes
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shot noise
Ian Bell wrote: A while ago we were discussiig theoretical and actual measured noise in the first stage of a preamp. RDH suggests the equivalent input noise resistance for a triode is about 2.5/gm. Patrick noted he had never seen noise anywhere near as low as this. I have just read this article: http://en.wikipedia.org/wiki/Valve_a...er_-_technical which suggests the 2.5/gm only applies at frequencies above 10KHz and that below this 1/f noise dominates. It also suggests this can be reduced by choosing very pure materials for the cathode nickel, and running the tube at an optimized (generally low) anode current. Don't know who the author is and as a rule I take anything on wikipedia with a large grain of salt. Comments? Cheers ian The reason the noise I see and measure isn't all shot noise and must be mainly grid input noise is because when have say 2uV of input noise on a 12AX7 with gain = 70, some 140uV appears at the anode, and this is easily amplified by 1,000 to 140mV and viewable on the CRO. Shot noise is in there, but I don't know how much is is for an average 12AX7, Ea = 120V, Ia = 0.6mA. Noise varies from tube to tube and in bandwidth, perhaps cathodes behave differently... Gassy old tubes are the noisiest. Patrick Turner. |
#9
Posted to rec.audio.tubes
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shot noise
Eeyore wrote: Phil Allison wrote: "Ian Bell" I have just read this article: http://en.wikipedia.org/wiki/Valve_a...er_-_technical which suggests the 2.5/gm only applies at frequencies above 10KHz and that below this 1/f noise dominates. ** Not what it says at all. " For special low noise audio tubes, the frequency at which 1/f noise takes over is reduced as far as possible, maybe to something like a kHz. " Applies to valves like the 12AX7 and 12AY7 - their noise spectrum is pretty much white noise, where the energy is *proportional* to bandwidth. A gradual rise in noise below 1kHz is insignificant, since it is so small in the first place. BTW: The section about " Class AB and B " is a load of ********. The author say he got his info from " The Audio Amateur" and " Stereophile" magazine. Bout as reliable as the weather..... Hmmmm, the author reckon class AB and B amps produce 'aharmonic distortion' ! There's no explanation either of what the terms mean ! "aharmonic" means not harmonically related. And can be IMD, where the sum and difference F produced each side of a centre F are not harmonics of the centre F. When will readers of Sterophile ever understand IMD? or sidebands, or envelope modulations? or any real techno talk? I don't buy audio mags because they are so utterly full of BS than makes me want to throw a brick in the author's direction. Patrick Turner. Talk about the blind leading the blind ! Graham |
#10
Posted to rec.audio.tubes
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shot noise
Ian Bell wrote: Chris Hornbeck wrote: A good framework to think about noise is to cook everything down into resistances at their working temperatures, and to calculate the noise from those resistances. This is "thermal" (or historically Johnson or Nyquist) noise. Ferzample, a valve's tranconductance engine has a resistance of reciprocal transconductance at a temperature factor of 2.5 times room temperature for oxide-coated cathodes. This acts just like a real resistor at that temperature. Seems reasonable. Then: Everything else is a special case, and is largely uncalculatable. All these "excess" noises arise from material imperfections and manufacturing imperfections and the other imperfections of the real world. You'll need to measure them to know anything believable. The big question though seems to be just what proportion of the overall noise are represented by these special cases? My feeling from what Patrick says he has measured is that they are at least of the same order. Ian At the end of the day, regardless of how much you either do understand or don't understand about noise, you have to minimize it in the circuits you build. So try to build something with low noise. Try to measure it. Then you know where noise is. Patrick Turner. |
#11
Posted to rec.audio.tubes
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shot noise
Patrick Turner wrote: Eeyore wrote: Phil Allison wrote: "Ian Bell" I have just read this article: http://en.wikipedia.org/wiki/Valve_a...er_-_technical which suggests the 2.5/gm only applies at frequencies above 10KHz and that below this 1/f noise dominates. ** Not what it says at all. " For special low noise audio tubes, the frequency at which 1/f noise takes over is reduced as far as possible, maybe to something like a kHz. " Applies to valves like the 12AX7 and 12AY7 - their noise spectrum is pretty much white noise, where the energy is *proportional* to bandwidth. A gradual rise in noise below 1kHz is insignificant, since it is so small in the first place. BTW: The section about " Class AB and B " is a load of ********. The author say he got his info from " The Audio Amateur" and " Stereophile" magazine. Bout as reliable as the weather..... Hmmmm, the author reckon class AB and B amps produce 'aharmonic distortion' ! There's no explanation either of what the terms mean ! "aharmonic" means not harmonically related. And can be IMD, where the sum and difference F produced each side of a centre F are not harmonics of the centre F. That's not what he said though ! When will readers of Sterophile ever understand IMD? or sidebands, or envelope modulations? or any real techno talk? I don't buy audio mags because they are so utterly full of BS than makes me want to throw a brick in the author's direction. Yup. Graham |
#12
Posted to rec.audio.tubes
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shot noise
On Fri, 22 Jun 2007 07:14:05 GMT, Eeyore
wrote: Since the current flow in a valve has to physically flow through the oxide coating on the cathode, which presumably has some resistance, then that resistance must surely be incorporated into the noise calculations. Furthermore of course it's at a high temperature which will worsen the noise. That's a very interesting thought. I always just use a magical transconductance engine overlay that removes all thought about emission and space charge and yada-yada, but I'd be interested in a deeper level if I could find one I could believe. It's easy to assume that the physics of vacuum valves must be easier to understand than the quantum physics of semiconductors, but even that may not be true. I certainly don't know. Any other thoughts? Thanks, as always, Chris Hornbeck |
#13
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shot noise
Bret Ludwig wrote: When will readers of Sterophile ever understand IMD? or sidebands, or envelope modulations? or any real techno talk? I don't buy audio mags because they are so utterly full of BS than makes me want to throw a brick in the author's direction. I find that old issues of electronics, rather than audio magazines (except Audio, nee Audio Engineering) quite useful. Radio and Television News in the 50s was quite good. ebay has them: I'd like to scan and put up whole years a la Pete Millett someday. If you ever get the time. And who wants to watch a 1950 TV set? And isn't it better to distil from the past the spirit of the age, and focus on the best of it, rather than all the many medicocre ways of doing things? A 5th Edition of the Radiotron Designer's Handbook would be a real challenge. I doubt its really necessary though because anyone who understands vacuum tubes and analog systems will design what they like anyway... In 20 years anything analog will be utterly passe. Patrick Turner. |
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