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[email protected] dmitri.nguyen@gmail.com is offline
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Default Thinking about getting an SACD player

Got some money burning a hole in my pocket

Let me know what you guys think: http://www.thepollspace.com/polls.php?pollid=1213


If you got a different opinion, let me know as well.


Thanks!

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Don Pearce Don Pearce is offline
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Default Thinking about getting an SACD player

On 3 May 2007 11:32:49 -0700, wrote:

Got some money burning a hole in my pocket

Let me know what you guys think:
http://www.thepollspace.com/polls.php?pollid=1213


If you got a different opinion, let me know as well.


Thanks!


Are they *still* making SACDs?

d

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Kalman Rubinson Kalman Rubinson is offline
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Default Thinking about getting an SACD player

On Thu, 03 May 2007 19:03:19 GMT, (Don Pearce)
wrote:

Are they *still* making SACDs?


Sure, I still get several new ones each week.

Kal

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Steven Sullivan Steven Sullivan is offline
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Default Thinking about getting an SACD player

Don Pearce wrote:
On 3 May 2007 11:32:49 -0700, wrote:


Got some money burning a hole in my pocket

Let me know what you guys think:
http://www.thepollspace.com/polls.php?pollid=1213


If you got a different opinion, let me know as well.


Thanks!


Are they *still* making SACDs?


There's still market for them in Europe and Japan. In the USA, not so much.


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-S
"As human beings, we understand the world through simile, analogy,
metaphor, narrative and, sometimes, claymation." - B. Mason
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Kalman Rubinson Kalman Rubinson is offline
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Default Thinking about getting an SACD player

On Tue, 8 May 2007 15:39:14 +0000 (UTC), Steven Sullivan
wrote:

Don Pearce wrote:
Are they *still* making SACDs?


There's still market for them in Europe and Japan. In the USA, not so much.


It's the same market via the internet.

Kal



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Steven Sullivan Steven Sullivan is offline
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Default Thinking about getting an SACD player

Kalman Rubinson wrote:
On Tue, 8 May 2007 15:39:14 +0000 (UTC), Steven Sullivan
wrote:


Don Pearce wrote:
Are they *still* making SACDs?


There's still market for them in Europe and Japan. In the USA, not so much.


It's the same market via the internet.


Yes, but one tends to pay a hefty premium for buying from overseas, where the selection is
better. I doubt there's a much of a groundswell of SACD/DVD-A sales in the USA even when
internet imports are factored in. So I stand by my 'not so much'. If there were a significant
market here, we'd see more popular releases in SACD/DVD-A format. As it stands, we see mainly
niche products domestically, these days, and those are primarily 'classical' recordings: thus
constituting a small part of a an already small market.

And for 'big' sellers like Dark Side of the Moon or the Stones SACDs or LOVE, there's simply
no way to tell without considerable new market research, how many people bought them for their
'hi rez' aspect, versus having a surround mix, versus just having a new release of old
material. How many Stones SACDs, for example, were sold to people who only have CD players?
It's notable that the Genesis catalogue reissue is being released as CD/DTS here, versus
CD/SACD/DTS in Europe and Japan.


___
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"As human beings, we understand the world through simile, analogy,
metaphor, narrative and, sometimes, claymation." - B. Mason
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Kalman Rubinson Kalman Rubinson is offline
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Default Thinking about getting an SACD player

On Wed, 9 May 2007 17:30:07 +0000 (UTC), Steven Sullivan
wrote:

Yes, but one tends to pay a hefty premium for buying from overseas, where the selection is
better. I doubt there's a much of a groundswell of SACD/DVD-A sales in the USA even when
internet imports are factored in. So I stand by my 'not so much'. If there were a significant
market here, we'd see more popular releases in SACD/DVD-A format. As it stands, we see mainly
niche products domestically, these days, and those are primarily 'classical' recordings: thus
constituting a small part of a an already small market.


But that's exactly where the market is active and international. As
I have opined befo The market for pop/rock releases in hi-rez
and/or multichannel is relatively small, compared to that market
segment at large, and, as a result, the record companies see no
economic value in issuing them except for a few block-busters, as you
have noted.

OTOH, the small (in relative and absolute terms) classical market
seems to support these formats better, perhaps, because of the
demographics of the classical market and, perhaps, because of the
attitudes of the smaller companies that produce them.

Kal
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