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#1
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Posted to rec.audio.opinion,rec.audio.tech
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Hi:
Lets say I have WMA file that is monoaural and 44.1 khz and contains a song. What would be the minimum bit-rate neccesary in order for the song to be recognizable to the ear of the average human who has listened to the song before and knows the song? Thanks, Radium |
#2
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Posted to rec.audio.opinion,rec.audio.tech
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![]() Radium wrote: Hi: Lets say I have WMA file that is monoaural and 44.1 khz and contains a song. Sorry that should be a 44.1 khz sample rate. I hate typos! |
#3
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Posted to rec.audio.opinion,rec.audio.tech
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Radium wrote:
Hi: Lets say I have WMA file that is monoaural and 44.1 khz and contains a song. What would be the minimum bit-rate neccesary in order for the song to be recognizable to the ear of the average human who has listened to the song before and knows the song? It would probably depend on the song. "Happy Birthday" performed on a cheap keyboard with no accompanyment would be recognizable at a lower bit rate than, say, Mahler's 8th Symphony. Why do you want to do this anyway? It becomes unlistenable long before it becomes unrecognizable. //Walt |
#4
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Posted to rec.audio.opinion,rec.audio.tech
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On 9 Nov 2006 10:08:11 -0800, "Radium" wrote:
Lets say I have WMA file that is monoaural and 44.1 khz and contains a song. What would be the minimum bit-rate neccesary in order for the song to be recognizable to the ear of the average human who has listened to the song before and knows the song? This isn't really a question about bit-rate. It's about the minimum information required to recognise a song. Try http://www.songtapper.com/s/tappingmain.bin?dotap=1 You might find one bit sufficient. |
#5
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Posted to rec.audio.opinion,rec.audio.tech
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Laurence Payne wrote:
On 9 Nov 2006 10:08:11 -0800, "Radium" wrote: Lets say I have WMA file that is monoaural and 44.1 khz and contains a song. What would be the minimum bit-rate neccesary in order for the song to be recognizable to the ear of the average human who has listened to the song before and knows the song? This isn't really a question about bit-rate. It's about the minimum information required to recognise a song. Try http://www.songtapper.com/s/tappingmain.bin?dotap=1 You might find one bit sufficient. Interesting site. Did you know that you can tap in a song yourself and add it to their database? Cool, huh? Sort of like Wikipedia, only for sound. Anyway, I tried tapping in "Happy Birthday" to see if it recognized it, and got these results: I Am A Transexual Rod Conners Happy Birthday Unknown I Wanna **** Aaron Carter Lexi Henning Aaron Slaney Is Homosexual Chas N' Dave Cool, huh? //Walt PS Did you know that the population of Elephants has increased by a factor of three? |
#6
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Posted to rec.audio.opinion,rec.audio.tech
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On Thu, 09 Nov 2006 16:14:16 -0500, Walt
wrote: Interesting site. Did you know that you can tap in a song yourself and add it to their database? Cool, huh? Sort of like Wikipedia, only for sound. Anyway, I tried tapping in "Happy Birthday" to see if it recognized it, and got these results: I Am A Transexual Rod Conners Happy Birthday Unknown I Wanna **** Aaron Carter Lexi Henning Aaron Slaney Is Homosexual Chas N' Dave Cool, huh? Lucky boy, Aaron. Must be his birthday :-) |
#7
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Posted to rec.audio.opinion,rec.audio.tech
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![]() Laurence Payne wrote: On 9 Nov 2006 10:08:11 -0800, "Radium" wrote: Lets say I have WMA file that is monoaural and 44.1 khz and contains a song. What would be the minimum bit-rate neccesary in order for the song to be recognizable to the ear of the average human who has listened to the song before and knows the song? This isn't really a question about bit-rate. It's about the minimum information required to recognise a song. Try http://www.songtapper.com/s/tappingmain.bin?dotap=1 You might find one bit sufficient. I tried tapping in the following: J. S. Bach, Tocatta and Fugue in d J. S. Bach, Inventio #8 in F Francois Couperin le Grande, La Favorite Jan Pieterszoon Sweelink, Unter de Linden Grunde, also Meine Junges Lieben hast ein Ende and it didn't find a single one of them! So it REALLY sucks! :-) :-) :-) (but it will reconize them now :-) And, the question for our radium: if I were to play you a completely uncompressed rendition of, oh, Unter de Linden grunde, would you recognize it? |
#8
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Posted to rec.audio.opinion,rec.audio.tech
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Walt wrote:
Why do you want to do this anyway? Just out of scientific interest. |
#9
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Posted to rec.audio.opinion,rec.audio.tech
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"Radium" wrote ...
Walt wrote: Why do you want to do this anyway? Just out of scientific interest. Then act like a "scientist" and conduct some experiments for yourself. Real scientists don't ask dozens of insane questions on the interweb. They do their own work. Windows Media Encoder (and several other resources) were all suggested to you. They don't even cost anything. What is your problem? |
#10
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Posted to rec.audio.opinion,rec.audio.tech
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Richard Crowley wrote:
What is your problem? It always helps to get input from those who obviously know a lot more than me. |
#11
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Posted to rec.audio.opinion,rec.audio.tech
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![]() Radium wrote: Richard Crowley wrote: What is your problem? It always helps to get input from those who obviously know a lot more than me. Which, in the past, you have made a habit out of either ignoring outright or confabulating into such blithering nonsense as to render it essentially useless. Where's the use in that? How "scientific" is that? You have also made a career out of spatting ill-founded personal opinions as "fact." Your ongoing declarations about how FM synthesis is the best or worst or whatever is notable not only for its frequency and poor factual basis, but its complete uselessness. No one, absolutely no one gives a ****. |
#12
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Posted to rec.audio.opinion,rec.audio.tech
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Hello,
20kbps seems to be good. WMA performs good compared to Mp3 at lower birates.. but, not below 23-20kbps. ![]() -Raghu (www.soundzgood.blogspot.com) Radium wrote: Hi: Lets say I have WMA file that is monoaural and 44.1 khz and contains a song. What would be the minimum bit-rate neccesary in order for the song to be recognizable to the ear of the average human who has listened to the song before and knows the song? Thanks, Radium |
#13
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Posted to rec.audio.opinion,rec.audio.tech
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RAGHU wrote:
20kbps seems to be good. WMA performs good compared to Mp3 at lower birates.. but, not below 23-20kbps. ![]() I've never found a WMA file that has a 44.1 khz sample-rate but a bit-rate below 20kbps. I'd like to find such, though. |
#14
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Posted to rec.audio.opinion,rec.audio.tech
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Radium wrote:
RAGHU wrote: 20kbps seems to be good. WMA performs good compared to Mp3 at lower birates.. but, not below 23-20kbps. ![]() I've never found a WMA file that has a 44.1 khz sample-rate but a bit-rate below 20kbps. Yes, there's a reason for that. Do the math. I'd like to find such, though. Ya like listening to 4 bit encoding? //Walt |
#15
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Posted to rec.audio.opinion,rec.audio.tech
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Walt wrote:
Ya like listening to 4 bit encoding? If its a WMA file that monoaural and has a sample-rate that is at least 44.1 khz [and whose sample-rate is the same as the audio was when uncompressed], then yes. |
#16
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Posted to rec.audio.opinion,rec.audio.tech
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"Radium" wrote ...
Walt wrote: Ya like listening to 4 bit encoding? If its a WMA file that monoaural and has a sample-rate that is at least 44.1 khz [and whose sample-rate is the same as the audio was when uncompressed], then yes. Then you have clearly wandered off into the field of magic and have left technology behind. Perhaps you should move your discussion to a newsgroup where they discuss magic. Do you truly not understand why this isn't possible, or are you trolling us? |
#17
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Posted to rec.audio.opinion,rec.audio.tech
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"Radium" wrote ...
Richard Crowley wrote: What is your problem? It always helps to get input from those who obviously know a lot more than me. Why? Are you collecting input just for fun. All your questions have been answered multiple times, but you appear to have learned nothing from them. Consider how discouraging this to people trying to provide the input. |
#18
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Posted to rec.audio.opinion,rec.audio.tech
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Richard Crowley wrote:
Then you have clearly wandered off into the field of magic and have left technology behind. How so? What is "magical" [or non-technological] about a monoaural WMA file with a sample-rate of 44.1 khz and whose audio has the same sample-rate in its compressed and uncompressed form? Do you truly not understand why this isn't possible, or are you trolling us? I really don't understand. Sorry if I seem like a troll but I am not. |
#19
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Posted to rec.audio.opinion,rec.audio.tech
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In article ,
"Richard Crowley" wrote: "Radium" wrote ... Richard Crowley wrote: What is your problem? It always helps to get input from those who obviously know a lot more than me. Why? Are you collecting input just for fun. All your questions have been answered multiple times, but you appear to have learned nothing from them. Consider how discouraging this to people trying to provide the input. It's not WMA, but: http://en.wikipedia.org/wiki/Parsons_code Stephen |
#20
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Posted to rec.audio.opinion,rec.audio.tech
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#21
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Posted to rec.audio.opinion,rec.audio.tech
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Radium wrote:
MiNe 109 wrote: It's not WMA, but: http://en.wikipedia.org/wiki/Parsons_code Huh? Duhhh, he answered your question. -- |
#22
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Posted to rec.audio.opinion,rec.audio.tech
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![]() Ron Capik wrote: Radium wrote: MiNe 109 wrote: It's not WMA, but: http://en.wikipedia.org/wiki/Parsons_code Huh? Duhhh, he answered your question. -- WMA uses Parsons code? |
#23
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Posted to rec.audio.opinion,rec.audio.tech
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In article . com,
"Radium" wrote: MiNe 109 wrote: It's not WMA, but: http://en.wikipedia.org/wiki/Parsons_code It's a way to identify a tune with the least amount of information. Stephen |
#24
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Posted to rec.audio.opinion,rec.audio.tech
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In article . com,
"Radium" wrote: Ron Capik wrote: Radium wrote: MiNe 109 wrote: It's not WMA, but: http://en.wikipedia.org/wiki/Parsons_code Huh? Duhhh, he answered your question. -- WMA uses Parsons code? I think I said it wasn't WMA. Stephen |
#25
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Posted to rec.audio.opinion,rec.audio.tech
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MiNe 109 wrote:
I think I said it wasn't WMA. What made you bring it up then? |
#26
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Posted to rec.audio.opinion,rec.audio.tech
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In article .com,
"Radium" wrote: MiNe 109 wrote: I think I said it wasn't WMA. What made you bring it up then? Answer to your earlier question about the least amount of information required to identify a tune. Stephen |
#27
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Posted to rec.audio.opinion,rec.audio.tech
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MiNe 109 wrote:
Answer to your earlier question about the least amount of information required to identify a tune. Thank you |
#28
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Posted to rec.audio.opinion,rec.audio.tech
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I understand that, I missed to mention that details.
Encoding at 20Kbps can happen only with 22 or 32 KHz sampling. Thanks for asking more info. Regards, RAGHU (www.soundzgood.blogspot.com) Radium wrote: RAGHU wrote: 20kbps seems to be good. WMA performs good compared to Mp3 at lower birates.. but, not below 23-20kbps. ![]() I've never found a WMA file that has a 44.1 khz sample-rate but a bit-rate below 20kbps. I'd like to find such, though. |
#29
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Posted to rec.audio.opinion,rec.audio.tech
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Radium wrote:
Richard Crowley wrote: Then you have clearly wandered off into the field of magic and have left technology behind. How so? What is "magical" [or non-technological] about a monoaural WMA file with a sample-rate of 44.1 khz and whose audio has the same sample-rate in its compressed and uncompressed form? A 44.1khz sample rate in a 20kbps data stream? Kinda like 44 pounts of **** in a 20 pound bag. Get it? //Walt |
#30
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Posted to rec.audio.opinion,rec.audio.tech
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Walt wrote:
A 44.1khz sample rate in a 20kbps data stream? Yes. Adobe Audition 1.5 allows the production of a WMA file that is 44.1 khz and 20kbps. How it does this is a mystery I'd love to learn about. |
#31
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Posted to rec.audio.opinion,rec.audio.tech
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![]() "Radium" wrote in message ups.com... A 44.1khz sample rate in a 20kbps data stream? Adobe Audition 1.5 allows the production of a WMA file that is 44.1 khz and 20kbps. How it does this is a mystery I'd love to learn about. Where's the mystery? You can clock one bit of data at 44.1kHz (or any other frequency for that matter) if you really want to. Obviously some data must be repeated and/or invented, just as with all compression schemes. MrT. |
#32
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Posted to rec.audio.opinion,rec.audio.tech
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![]() Walt wrote: Radium wrote: Hi: Lets say I have WMA file that is monoaural and 44.1 khz and contains a song. What would be the minimum bit-rate neccesary in order for the song to be recognizable to the ear of the average human who has listened to the song before and knows the song? It would probably depend on the song. "Happy Birthday" performed on a cheap keyboard with no accompanyment would be recognizable at a lower bit rate than, say, Mahler's 8th Symphony. Why do you want to do this anyway? It becomes unlistenable long before it becomes unrecognizable. //Walt Would the songs be recognizable at 1kbps? How about 500 bps? Whats the lowest you could go with the song "Boulevard of Broken Dreams" by Green-Day? |
#33
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Posted to rec.audio.opinion,rec.audio.tech
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RAGHU wrote:
Encoding at 20Kbps can happen only with 22 or 32 KHz sampling Wrong. Adobe Audition 1.5 allows encoding of 44.1 khz at 20kbps. |
#34
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Posted to rec.audio.opinion,rec.audio.tech
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On 14 Nov 2006 10:22:26 -0800, "Radium" wrote:
RAGHU wrote: Encoding at 20Kbps can happen only with 22 or 32 KHz sampling Wrong. Adobe Audition 1.5 allows encoding of 44.1 khz at 20kbps. No it doesn't. If you try and save an MP3 at 20kbps it drops the sampling rate to 11kHz. d -- Pearce Consulting http://www.pearce.uk.com |
#35
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Posted to rec.audio.opinion,rec.audio.tech
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Don Pearce wrote:
No it doesn't. If you try and save an MP3 at 20kbps it drops the sampling rate to 11kHz. You're talking about MP3s. I am talking about WMAs -- which clearly do allow a sample rate of 44.1 khz with a bit-rate of 20kbps . There is a significant difference between WMAs and MP3s. |
#36
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Posted to rec.audio.opinion,rec.audio.tech
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On 14 Nov 2006 10:37:57 -0800, "Radium" wrote:
Don Pearce wrote: No it doesn't. If you try and save an MP3 at 20kbps it drops the sampling rate to 11kHz. You're talking about MP3s. I am talking about WMAs -- which clearly do allow a sample rate of 44.1 khz with a bit-rate of 20kbps . There is a significant difference between WMAs and MP3s. It will only do that if it converts to mono; hardly a like-for-like comparison. 32kbps is the minimum for a true copy. d -- Pearce Consulting http://www.pearce.uk.com |
#37
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Posted to rec.audio.opinion,rec.audio.tech
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Don Pearce wrote:
It will only do that if it converts to mono My WMAs are always mono |
#38
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Posted to rec.audio.opinion,rec.audio.tech
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On 14 Nov 2006 11:20:12 -0800, "Radium" wrote:
Don Pearce wrote: It will only do that if it converts to mono My WMAs are always mono Then you are missing out on much of the point of the recording. Save stereo always; and don't go for low bit rates - they sound like ****. d -- Pearce Consulting http://www.pearce.uk.com |
#39
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Posted to rec.audio.opinion,rec.audio.tech
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![]() "Don Pearce" wrote in message ... My WMAs are always mono Then you are missing out on much of the point of the recording. Save stereo always; I disagree, low bit rate stereo is a waste of some bits that can be used for better quality mono instead. and don't go for low bit rates - they sound like ****. Well DUH! But *IF* you MUST use low bit rates, for non-broadband streaming audio for example, I would FAR prefer mono. MrT. |
#40
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Posted to rec.audio.opinion,rec.audio.tech
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On Wed, 15 Nov 2006 19:26:26 +1100, "Mr.T" MrT@home wrote:
"Don Pearce" wrote in message ... My WMAs are always mono Then you are missing out on much of the point of the recording. Save stereo always; I disagree, low bit rate stereo is a waste of some bits that can be used for better quality mono instead. and don't go for low bit rates - they sound like ****. Well DUH! But *IF* you MUST use low bit rates, for non-broadband streaming audio for example, I would FAR prefer mono. MrT. So don't stream audio at low bit rates; it is an inappropriate application of an inappropriate technology. d -- Pearce Consulting http://www.pearce.uk.com |
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