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#1
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Posted to alt.usenet.kooks,alt.alien.vampire.flonk.flonk.flonk,rec.audio.opinion
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**Like I said, It has been done before, with variable success rates.
In reality, however, the BEST amplification is still high bias Class A/B, with no dodgy power supply rail switching schemes. Such schemes are really only ways to cut costs. It's done to cut down dissipation primarily. In high power amplifiers this eventually become a very significant issue and might otherwise require impossibly large heatsinks. It's an excellent way of improving efficiency. Graham netkkkkopin ggarbage It is? Why? All engineering is a compromise. Engineers are always constrained by cost, size, performance, reliability, complexity, esthetics, marketing B.S. When cost is no object, as is often the case for high-end hi-fi enthusiasts, that removes a huge constraint. |
#2
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Posted to rec.audio.opinion
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"Karl Uppiano" wrote in
news:NVxYg.706$AR6.264@trndny02: **Like I said, It has been done before, with variable success rates. In reality, however, the BEST amplification is still high bias Class A/B, with no dodgy power supply rail switching schemes. Such schemes are really only ways to cut costs. It's done to cut down dissipation primarily. In high power amplifiers this eventually become a very significant issue and might otherwise require impossibly large heatsinks. It's an excellent way of improving efficiency. Graham netkkkkopin ggarbage It is? Why? All engineering is a compromise. Engineers are always constrained by cost, size, performance, reliability, complexity, esthetics, marketing B.S. When cost is no object, as is often the case for high-end hi-fi enthusiasts, that removes a huge constraint. Good grief. Pooh bear is netkkkopin ggarbage. Bertie |
#3
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Posted to alt.usenet.kooks,alt.alien.vampire.flonk.flonk.flonk,rec.audio.opinion
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"Bertie the Bunyip" wrote in message
.130 "Karl Uppiano" wrote in news:NVxYg.706$AR6.264@trndny02: **Like I said, It has been done before, with variable success rates. In reality, however, the BEST amplification is still high bias Class A/B, with no dodgy power supply rail switching schemes. Such schemes are really only ways to cut costs. The idea that class G is only a way to cut costs is false. At low power levels it costs more to build a class G amplifier than a class A/B amp. You can see this in the product lines of say QSC, who are one of the industry leaders when it comes to designing, producing and selling class G amplifiers. Their low-end models are class A/B. Power levels have to rise to a certain level before the added parts and complexity required for Class G starts paying off. I suspect that QSC even tips the scales towards class G before pure economics cut in, because of the convenience factors. It's done to cut down dissipation primarily. Totally agreed. In high power amplifiers this eventually become a very significant issue and might otherwise require impossibly large heatsinks. When people step up to the problems of building mulit-killowatt amplifiers, the space, weight, and size savings provided by class G become very important. It's an excellent way of improving efficiency. It is? For sure. Why? In a word, efficiency. The efficiency of a pure class A/B amplifier over a range of typical use isn't all that wonderful. Numbers like 40% come to mind. Class A/B amplifiers are generally most efficient near full output. Class G essentially provides multiple "full output" operating points (one for each power supply voltage) as power rises. All engineering is a compromise. Engineers are always constrained by cost, size, performance, reliability, complexity, esthetics, marketing B.S. Right on, and add convenience and general practicality. When cost is no object, as is often the case for high-end hi-fi enthusiasts, that removes a huge constraint. Hi Fi enthusiasts don't have infinite resources. There are issues like WAF and simple practicality - a pure class A/B near-killowatt power amp can be hard to ship except by truck, and difficult to simply get out of the box and put on the shelf or in a rack. |
#4
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Posted to rec.audio.opinion
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"Bret Ludwig" wrote in
oups.com: Bertie the Bunyip wrote: Aww. looks like I'm upsetting someone! Far be it from me.. Bertie |
#5
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Posted to rec.audio.opinion
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"Bret Ludwig" wrote in
oups.com: Arny Krueger wrote: snip In a word, efficiency. The efficiency of a pure class A/B amplifier over a range of typical use isn't all that wonderful. Numbers like 40% come to mind. Class A/B amplifiers are generally most efficient near full output. Class G essentially provides multiple "full output" operating points (one for each power supply voltage) as power rises. All engineering is a compromise. Engineers are always constrained by cost, size, performance, reliability, complexity, esthetics, marketing B.S. Right on, and add convenience and general practicality. The problem is that high end buyers are willing to pay huge sums and the manufacturers are willing to shave build cost and take colossal profit margins rather than to put the full share of outlandish price into the product. When cost is no object, as is often the case for high-end hi-fi enthusiasts, that removes a huge constraint. Hi Fi enthusiasts don't have infinite resources. There are issues like WAF and simple practicality - a pure class A/B near-killowatt power amp can be hard to ship except by truck, and difficult to simply get out of the box and put on the shelf or in a rack. Generally if you can afford such an amp you can afford the truck freight and a rigging crew to mount the beast if necessary. Sez you.. Bertie |
#6
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Posted to rec.audio.opinion
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"Stuart Krivis" wrote in message
On 16 Oct 2006 16:45:28 -0700, "Bret Ludwig" wrote: Arny Krueger wrote: snip In a word, efficiency. The efficiency of a pure class A/B amplifier over a range of typical use isn't all that wonderful. Numbers like 40% come to mind. Class A/B amplifiers are generally most efficient near full output. Class G essentially provides multiple "full output" operating points (one for each power supply voltage) as power rises. All engineering is a compromise. Engineers are always constrained by cost, size, performance, reliability, complexity, esthetics, marketing B.S. Right on, and add convenience and general practicality. The problem is that high end buyers are willing to pay huge sums and the manufacturers are willing to shave build cost and take colossal profit margins rather than to put the full share of outlandish price into the product. It seems that most of the cost of many boutique amps is in the case and not the actual circuitry. Not even that - its the marketing. From a recent Mastercard ad: "Good review from Stereophile - priceless" ;-) |
#7
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Posted to rec.audio.opinion
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![]() "Arny Krueger" wrote Stuart Krivis wrote: It seems that most of the cost of many boutique amps is in the case and not the actual circuitry. Not even that - its the marketing. Note: One Broke-A$$® said to another. |
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