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#1
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After the reviewer's pre-release version of Dylan's new record was pressed,
but before the final shipping copy went to the stores, it went through a blockhead compress-for-volume process. The differences and artifacts are easily audible and a revolt is beginning as I type this. It's gonna make easy justification for illegal copies. You can see the posting thread at http://pool.dylantree.com/phorum5/read.php?1,638316 |
#3
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wrote:
After the reviewer's pre-release version of Dylan's new record was pressed, but before the final shipping copy went to the stores, it went through a blockhead compress-for-volume process. The differences and artifacts are easily audible and a revolt is beginning as I type this. It's gonna make easy justification for illegal copies. You can see the posting thread at http://pool.dylantree.com/phorum5/read.php?1,638316 |
#4
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#6
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![]() Dr. Dolittle wrote: Interesting turn of events. Dylan's own recent rant was about just such problems with the state of music today. Such a revolt sounds like just the ticket. And I'm sure Dylan would be tickled pink. In a previous life I mastered some Dylan albums-Blood OnThe Tracks, Basement Tapes, Slow Train Coming-and find it difficult to believe that the CDs-whatever version-=were not approved by Dylan. Phil Brown |
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