[Jenn]

Yesterday in L.A. I picked up two LPs that are a revelation to me. I
had heard both of them at HE2006 and was stunned by the quality of the
sound (and the greatness of the performances), but I didn't know how
they would do in my more modest system at home. Upon playing them this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT performance
with a "you are at the performance site" perspective that is just
amazing. Joan's Martin guitar has a tangible quality on this recording
like no other I've ever heard, especially the notes played on the D and
A strings. Her voice, especially in her upper range, has on this
recording the crystal clear, dead on intonation that she is known for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve Records
The perspective here is "Ella is in your room". The finesse of her
voice is in full display here. The piano is presented well, but on
Ella's first note, I let out a curse word, which is quite rare for me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It sounds like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope that those
versions are as good. If so, I urge you to seek them out.

--
REMOVE your capo to reply

[Harry Lavo]

"Jenn" wrote in message
...
Yesterday in L.A. I picked up two LPs that are a revelation to me. I
had heard both of them at HE2006 and was stunned by the quality of the
sound (and the greatness of the performances), but I didn't know how
they would do in my more modest system at home. Upon playing them this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT performance
with a "you are at the performance site" perspective that is just
amazing. Joan's Martin guitar has a tangible quality on this recording
like no other I've ever heard, especially the notes played on the D and
A strings. Her voice, especially in her upper range, has on this
recording the crystal clear, dead on intonation that she is known for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve Records
The perspective here is "Ella is in your room". The finesse of her
voice is in full display here. The piano is presented well, but on
Ella's first note, I let out a curse word, which is quite rare for me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It sounds like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope that those
versions are as good. If so, I urge you to seek them out.

Jenn-

I have the original Vanguard Baez, and the quality is there on the original
recording. This was one of Vanguard's best, but in general they did well by
Baez.

I don't have the Ella, but I do have her "songbooks" and also her two duo
records with Joe Pass. These latter have the same quality you speak
of....you may wish to look them up as well...I believe they have been
reissed.

Harry

[Jenn]

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
...
Yesterday in L.A. I picked up two LPs that are a revelation to me. I
had heard both of them at HE2006 and was stunned by the quality of the
sound (and the greatness of the performances), but I didn't know how
they would do in my more modest system at home. Upon playing them this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT performance
with a "you are at the performance site" perspective that is just
amazing. Joan's Martin guitar has a tangible quality on this recording
like no other I've ever heard, especially the notes played on the D and
A strings. Her voice, especially in her upper range, has on this
recording the crystal clear, dead on intonation that she is known for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve Records
The perspective here is "Ella is in your room". The finesse of her
voice is in full display here. The piano is presented well, but on
Ella's first note, I let out a curse word, which is quite rare for me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It sounds like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope that those
versions are as good. If so, I urge you to seek them out.

Jenn-

I have the original Vanguard Baez, and the quality is there on the original
recording. This was one of Vanguard's best, but in general they did well by
Baez.

I don't have the Ella, but I do have her "songbooks" and also her two duo
records with Joe Pass. These latter have the same quality you speak
of....you may wish to look them up as well...I believe they have been
reissed.

Harry

Thanks, Harry.

--
REMOVE your capo to reply

[MINe 109]

In article
,
Jenn wrote:

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
...
Yesterday in L.A. I picked up two LPs that are a revelation to me. I
had heard both of them at HE2006 and was stunned by the quality of the
sound (and the greatness of the performances), but I didn't know how
they would do in my more modest system at home. Upon playing them this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT performance
with a "you are at the performance site" perspective that is just
amazing. Joan's Martin guitar has a tangible quality on this recording
like no other I've ever heard, especially the notes played on the D and
A strings. Her voice, especially in her upper range, has on this
recording the crystal clear, dead on intonation that she is known for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve Records
The perspective here is "Ella is in your room". The finesse of her
voice is in full display here. The piano is presented well, but on
Ella's first note, I let out a curse word, which is quite rare for me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It sounds like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope that those
versions are as good. If so, I urge you to seek them out.

Jenn-

I have the original Vanguard Baez, and the quality is there on the original
recording. This was one of Vanguard's best, but in general they did well
by
Baez.

I don't have the Ella, but I do have her "songbooks" and also her two duo
records with Joe Pass. These latter have the same quality you speak
of....you may wish to look them up as well...I believe they have been
reissed.

Harry

Thanks, Harry.

The Ella was released on PolyGram Jazz as "The Intimate Ella." Sounds
great on the Grados. "Black Coffee" is also on "Shadowland" by kd lang,
another good recording.

I've seen the Vanguard countless times in used racks, but I can't
remember if I've taken the chance.

'Chance' is also my lp filing system. :-)

Stephen

[Harry Lavo]

"MINe 109" wrote in message
...
In article
,
Jenn wrote:

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
...
Yesterday in L.A. I picked up two LPs that are a revelation to me. I
had heard both of them at HE2006 and was stunned by the quality of
the
sound (and the greatness of the performances), but I didn't know how
they would do in my more modest system at home. Upon playing them
this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT performance
with a "you are at the performance site" perspective that is just
amazing. Joan's Martin guitar has a tangible quality on this
recording
like no other I've ever heard, especially the notes played on the D
and
A strings. Her voice, especially in her upper range, has on this
recording the crystal clear, dead on intonation that she is known
for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve Records
The perspective here is "Ella is in your room". The finesse of her
voice is in full display here. The piano is presented well, but on
Ella's first note, I let out a curse word, which is quite rare for
me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It sounds
like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope that
those
versions are as good. If so, I urge you to seek them out.

Jenn-

I have the original Vanguard Baez, and the quality is there on the
original
recording. This was one of Vanguard's best, but in general they did
well
by
Baez.

I don't have the Ella, but I do have her "songbooks" and also her two
duo
records with Joe Pass. These latter have the same quality you speak
of....you may wish to look them up as well...I believe they have been
reissed.

Harry

Thanks, Harry.

The Ella was released on PolyGram Jazz as "The Intimate Ella." Sounds
great on the Grados. "Black Coffee" is also on "Shadowland" by kd lang,
another good recording.

I've seen the Vanguard countless times in used racks, but I can't
remember if I've taken the chance.

'Chance' is also my lp filing system. :-)

You too??

[Jenn]

In article ,
MINe 109 wrote:

In article
,
Jenn wrote:

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
...
Yesterday in L.A. I picked up two LPs that are a revelation to me. I
had heard both of them at HE2006 and was stunned by the quality of the
sound (and the greatness of the performances), but I didn't know how
they would do in my more modest system at home. Upon playing them this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT performance
with a "you are at the performance site" perspective that is just
amazing. Joan's Martin guitar has a tangible quality on this recording
like no other I've ever heard, especially the notes played on the D and
A strings. Her voice, especially in her upper range, has on this
recording the crystal clear, dead on intonation that she is known for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve Records
The perspective here is "Ella is in your room". The finesse of her
voice is in full display here. The piano is presented well, but on
Ella's first note, I let out a curse word, which is quite rare for me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It sounds like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope that
those
versions are as good. If so, I urge you to seek them out.

Jenn-

I have the original Vanguard Baez, and the quality is there on the
original
recording. This was one of Vanguard's best, but in general they did well
by
Baez.

I don't have the Ella, but I do have her "songbooks" and also her two duo
records with Joe Pass. These latter have the same quality you speak
of....you may wish to look them up as well...I believe they have been
reissed.

Harry

Thanks, Harry.

The Ella was released on PolyGram Jazz as "The Intimate Ella." Sounds
great on the Grados. "Black Coffee" is also on "Shadowland" by kd lang,
another good recording.

Thanks.


I've seen the Vanguard countless times in used racks, but I can't
remember if I've taken the chance.

'Chance' is also my lp filing system. :-)

LOL I admit to being a bit anal about my recordings data base and
filing system. My Excel sheet just passed 4400 rows.

--
REMOVE your capo to reply

[MINe 109]

In article
,
Jenn wrote:

In article ,
MINe 109 wrote:

In article
,
Jenn wrote:

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
...
Yesterday in L.A. I picked up two LPs that are a revelation to me. I
had heard both of them at HE2006 and was stunned by the quality of
the
sound (and the greatness of the performances), but I didn't know how
they would do in my more modest system at home. Upon playing them
this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT performance
with a "you are at the performance site" perspective that is just
amazing. Joan's Martin guitar has a tangible quality on this
recording
like no other I've ever heard, especially the notes played on the D
and
A strings. Her voice, especially in her upper range, has on this
recording the crystal clear, dead on intonation that she is known
for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve Records
The perspective here is "Ella is in your room". The finesse of her
voice is in full display here. The piano is presented well, but on
Ella's first note, I let out a curse word, which is quite rare for
me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It sounds
like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope that
those
versions are as good. If so, I urge you to seek them out.

snip

The Ella was released on PolyGram Jazz as "The Intimate Ella." Sounds
great on the Grados. "Black Coffee" is also on "Shadowland" by kd lang,
another good recording.

Thanks.


I've seen the Vanguard countless times in used racks, but I can't
remember if I've taken the chance.

'Chance' is also my lp filing system. :-)

LOL I admit to being a bit anal about my recordings data base and
filing system. My Excel sheet just passed 4400 rows.

I do better with the cds!

There are more complications with classical recordings. We had a
typically stupid RAO dustup when someone insisted on calling "Famous
Blue Raincoat" a Leonard Cohen album. Well, if you file exclusively by
composer, it makes sense, but it won't help you find it in a record
store.

Stephen

[Jenn]

MINe 109 wrote:
In article
,
Jenn wrote:

In article ,
MINe 109 wrote:

In article
,
Jenn wrote:

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
...
Yesterday in L.A. I picked up two LPs that are a revelation to me. I
had heard both of them at HE2006 and was stunned by the quality of
the
sound (and the greatness of the performances), but I didn't know how
they would do in my more modest system at home. Upon playing them
this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT performance
with a "you are at the performance site" perspective that is just
amazing. Joan's Martin guitar has a tangible quality on this
recording
like no other I've ever heard, especially the notes played on the D
and
A strings. Her voice, especially in her upper range, has on this
recording the crystal clear, dead on intonation that she is known
for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve Records
The perspective here is "Ella is in your room". The finesse of her
voice is in full display here. The piano is presented well, but on
Ella's first note, I let out a curse word, which is quite rare for
me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It sounds
like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope that
those
versions are as good. If so, I urge you to seek them out.

snip

The Ella was released on PolyGram Jazz as "The Intimate Ella." Sounds
great on the Grados. "Black Coffee" is also on "Shadowland" by kd lang,
another good recording.

Thanks.


I've seen the Vanguard countless times in used racks, but I can't
remember if I've taken the chance.

'Chance' is also my lp filing system. :-)

LOL I admit to being a bit anal about my recordings data base and
filing system. My Excel sheet just passed 4400 rows.

I do better with the cds!

There are more complications with classical recordings. We had a
typically stupid RAO dustup when someone insisted on calling "Famous
Blue Raincoat" a Leonard Cohen album. Well, if you file exclusively by
composer, it makes sense, but it won't help you find it in a record
store.

This pertains to the fact (which you know, of course) that classical
music is a COMPOSER driven medium, where popular music is a PERFORMER
driven medium (for the most part in both cases.) So I file and
database my recordings by composer, and there is not just one entry per
CD or LP, but rather there is a database entry by each WORK on each CD
or LP.

[Harry Lavo]

"Jenn" wrote in message
ups.com...

MINe 109 wrote:
In article
,
Jenn wrote:

In article ,
MINe 109 wrote:

In article
,
Jenn wrote:

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
...
Yesterday in L.A. I picked up two LPs that are a revelation to
me. I
had heard both of them at HE2006 and was stunned by the quality
of
the
sound (and the greatness of the performances), but I didn't
know how
they would do in my more modest system at home. Upon playing
them
this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT
performance
with a "you are at the performance site" perspective that is
just
amazing. Joan's Martin guitar has a tangible quality on this
recording
like no other I've ever heard, especially the notes played on
the D
and
A strings. Her voice, especially in her upper range, has on
this
recording the crystal clear, dead on intonation that she is
known
for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve
Records
The perspective here is "Ella is in your room". The finesse of
her
voice is in full display here. The piano is presented well,
but on
Ella's first note, I let out a curse word, which is quite rare
for
me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It
sounds
like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope
that
those
versions are as good. If so, I urge you to seek them out.

snip

The Ella was released on PolyGram Jazz as "The Intimate Ella." Sounds
great on the Grados. "Black Coffee" is also on "Shadowland" by kd
lang,
another good recording.

Thanks.


I've seen the Vanguard countless times in used racks, but I can't
remember if I've taken the chance.

'Chance' is also my lp filing system. :-)

LOL I admit to being a bit anal about my recordings data base and
filing system. My Excel sheet just passed 4400 rows.

I do better with the cds!

There are more complications with classical recordings. We had a
typically stupid RAO dustup when someone insisted on calling "Famous
Blue Raincoat" a Leonard Cohen album. Well, if you file exclusively by
composer, it makes sense, but it won't help you find it in a record
store.

This pertains to the fact (which you know, of course) that classical
music is a COMPOSER driven medium, where popular music is a PERFORMER
driven medium (for the most part in both cases.) So I file and
database my recordings by composer, and there is not just one entry per
CD or LP, but rather there is a database entry by each WORK on each CD
or LP.


I can understand the rationale for keeping the database in the detail you do
(in fact for classical, their is no other good way). Where my attempts to
catalog have alway fallen apart is when it comes to physically
storing/referencing them on the shelves. In other words, I've never come up
with a good system for telling where they are physically. Mind sharing how
you do this?

[Clyde Slick]

"Harry Lavo" wrote in message
...

"Jenn" wrote in message
ups.com...

MINe 109 wrote:
In article
,
Jenn wrote:

In article ,
MINe 109 wrote:

In article
,
Jenn wrote:

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
...
Yesterday in L.A. I picked up two LPs that are a revelation to
me. I
had heard both of them at HE2006 and was stunned by the
quality of
the
sound (and the greatness of the performances), but I didn't
know how
they would do in my more modest system at home. Upon playing
them
this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT
performance
with a "you are at the performance site" perspective that is
just
amazing. Joan's Martin guitar has a tangible quality on this
recording
like no other I've ever heard, especially the notes played on
the D
and
A strings. Her voice, especially in her upper range, has on
this
recording the crystal clear, dead on intonation that she is
known
for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve
Records
The perspective here is "Ella is in your room". The finesse
of her
voice is in full display here. The piano is presented well,
but on
Ella's first note, I let out a curse word, which is quite rare
for
me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It
sounds
like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope
that
those
versions are as good. If so, I urge you to seek them out.

snip

The Ella was released on PolyGram Jazz as "The Intimate Ella."
Sounds
great on the Grados. "Black Coffee" is also on "Shadowland" by kd
lang,
another good recording.

Thanks.


I've seen the Vanguard countless times in used racks, but I can't
remember if I've taken the chance.

'Chance' is also my lp filing system. :-)

LOL I admit to being a bit anal about my recordings data base and
filing system. My Excel sheet just passed 4400 rows.

I do better with the cds!

There are more complications with classical recordings. We had a
typically stupid RAO dustup when someone insisted on calling "Famous
Blue Raincoat" a Leonard Cohen album. Well, if you file exclusively by
composer, it makes sense, but it won't help you find it in a record
store.

This pertains to the fact (which you know, of course) that classical
music is a COMPOSER driven medium, where popular music is a PERFORMER
driven medium (for the most part in both cases.) So I file and
database my recordings by composer, and there is not just one entry per
CD or LP, but rather there is a database entry by each WORK on each CD
or LP.


I can understand the rationale for keeping the database in the detail you
do (in fact for classical, their is no other good way). Where my attempts
to catalog have alway fallen apart is when it comes to physically
storing/referencing them on the shelves. In other words, I've never come
up with a good system for telling where they are physically. Mind sharing
how you do this?


Physically, I sort the Classical lp's by label



--
Posted via NewsDemon.com - Premium Uncensored Newsgroup Service
-------http://www.NewsDem

[Jenn]

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
ups.com...

MINe 109 wrote:
In article
,
Jenn wrote:

In article ,
MINe 109 wrote:

In article
,
Jenn wrote:

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message

m...
Yesterday in L.A. I picked up two LPs that are a revelation to
me. I
had heard both of them at HE2006 and was stunned by the quality
of
the
sound (and the greatness of the performances), but I didn't
know how
they would do in my more modest system at home. Upon playing
them
this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT
performance
with a "you are at the performance site" perspective that is
just
amazing. Joan's Martin guitar has a tangible quality on this
recording
like no other I've ever heard, especially the notes played on
the D
and
A strings. Her voice, especially in her upper range, has on
this
recording the crystal clear, dead on intonation that she is
known
for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve
Records
The perspective here is "Ella is in your room". The finesse of
her
voice is in full display here. The piano is presented well,
but on
Ella's first note, I let out a curse word, which is quite rare
for
me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It
sounds
like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope
that
those
versions are as good. If so, I urge you to seek them out.

snip

The Ella was released on PolyGram Jazz as "The Intimate Ella." Sounds
great on the Grados. "Black Coffee" is also on "Shadowland" by kd
lang,
another good recording.

Thanks.


I've seen the Vanguard countless times in used racks, but I can't
remember if I've taken the chance.

'Chance' is also my lp filing system. :-)

LOL I admit to being a bit anal about my recordings data base and
filing system. My Excel sheet just passed 4400 rows.

I do better with the cds!

There are more complications with classical recordings. We had a
typically stupid RAO dustup when someone insisted on calling "Famous
Blue Raincoat" a Leonard Cohen album. Well, if you file exclusively by
composer, it makes sense, but it won't help you find it in a record
store.

This pertains to the fact (which you know, of course) that classical
music is a COMPOSER driven medium, where popular music is a PERFORMER
driven medium (for the most part in both cases.) So I file and
database my recordings by composer, and there is not just one entry per
CD or LP, but rather there is a database entry by each WORK on each CD
or LP.


I can understand the rationale for keeping the database in the detail you do
(in fact for classical, their is no other good way). Where my attempts to
catalog have alway fallen apart is when it comes to physically
storing/referencing them on the shelves. In other words, I've never come up
with a good system for telling where they are physically. Mind sharing how
you do this?

I file alphabetically by composer. It basically works because so many
classical recordings are of only one composer. For multi-composer
disks, I file by the first composer on the disk. Not perfect, but so
far, I can remember where things are. The only other alternative that I
can see is to label each recording numerically and keep a copy of the
database at hand to look up each disk as I want it. The way I do it
gets me there much faster, I think.

--
REMOVE your capo to reply

[Jenn]

In article
,
Jenn wrote:

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
ups.com...

MINe 109 wrote:
In article
,
Jenn wrote:

In article ,
MINe 109 wrote:

In article
,
Jenn wrote:

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
.
co
m...
Yesterday in L.A. I picked up two LPs that are a revelation to
me. I
had heard both of them at HE2006 and was stunned by the
quality
of
the
sound (and the greatness of the performances), but I didn't
know how
they would do in my more modest system at home. Upon playing
them
this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT
performance
with a "you are at the performance site" perspective that is
just
amazing. Joan's Martin guitar has a tangible quality on this
recording
like no other I've ever heard, especially the notes played on
the D
and
A strings. Her voice, especially in her upper range, has on
this
recording the crystal clear, dead on intonation that she is
known
for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve
Records
The perspective here is "Ella is in your room". The finesse
of
her
voice is in full display here. The piano is presented well,
but on
Ella's first note, I let out a curse word, which is quite rare
for
me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It
sounds
like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope
that
those
versions are as good. If so, I urge you to seek them out.

snip

The Ella was released on PolyGram Jazz as "The Intimate Ella."
Sounds
great on the Grados. "Black Coffee" is also on "Shadowland" by kd
lang,
another good recording.

Thanks.


I've seen the Vanguard countless times in used racks, but I can't
remember if I've taken the chance.

'Chance' is also my lp filing system. :-)

LOL I admit to being a bit anal about my recordings data base and
filing system. My Excel sheet just passed 4400 rows.

I do better with the cds!

There are more complications with classical recordings. We had a
typically stupid RAO dustup when someone insisted on calling "Famous
Blue Raincoat" a Leonard Cohen album. Well, if you file exclusively by
composer, it makes sense, but it won't help you find it in a record
store.

This pertains to the fact (which you know, of course) that classical
music is a COMPOSER driven medium, where popular music is a PERFORMER
driven medium (for the most part in both cases.) So I file and
database my recordings by composer, and there is not just one entry per
CD or LP, but rather there is a database entry by each WORK on each CD
or LP.


I can understand the rationale for keeping the database in the detail you
do
(in fact for classical, their is no other good way). Where my attempts to
catalog have alway fallen apart is when it comes to physically
storing/referencing them on the shelves. In other words, I've never come
up
with a good system for telling where they are physically. Mind sharing how
you do this?

I file alphabetically by composer. It basically works because so many
classical recordings are of only one composer. For multi-composer
disks, I file by the first composer on the disk. Not perfect, but so
far, I can remember where things are. The only other alternative that I
can see is to label each recording numerically and keep a copy of the
database at hand to look up each disk as I want it. The way I do it
gets me there much faster, I think.

P.S. If you would like a copy of the Excel sheet, I'll be happy to send
it along.

--
REMOVE your capo to reply

[Harry Lavo]

"Jenn" wrote in message
...
In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
ups.com...

MINe 109 wrote:
In article
,
Jenn wrote:

In article ,
MINe 109 wrote:

In article
,
Jenn wrote:

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message

m...
Yesterday in L.A. I picked up two LPs that are a revelation
to
me. I
had heard both of them at HE2006 and was stunned by the
quality
of
the
sound (and the greatness of the performances), but I didn't
know how
they would do in my more modest system at home. Upon
playing
them
this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT
performance
with a "you are at the performance site" perspective that is
just
amazing. Joan's Martin guitar has a tangible quality on
this
recording
like no other I've ever heard, especially the notes played
on
the D
and
A strings. Her voice, especially in her upper range, has on
this
recording the crystal clear, dead on intonation that she is
known
for.

Ella Fitzgerald: Let No Man Write my Epitaph.
Classic?Verve
Records
The perspective here is "Ella is in your room". The finesse
of
her
voice is in full display here. The piano is presented well,
but on
Ella's first note, I let out a curse word, which is quite
rare
for
me!
There is an incredible reality about her voice on this
record.
Actually, incredible is the wrong word; it is CREDIBLE. It
sounds
like
a voice, as opposed to the vast majority of other
recordings.

I'm very happy to own these amazing recordings of
superlative
performances. For those of you who listen only to CD, I
hope
that
those
versions are as good. If so, I urge you to seek them out.

snip

The Ella was released on PolyGram Jazz as "The Intimate Ella."
Sounds
great on the Grados. "Black Coffee" is also on "Shadowland" by kd
lang,
another good recording.

Thanks.


I've seen the Vanguard countless times in used racks, but I can't
remember if I've taken the chance.

'Chance' is also my lp filing system. :-)

LOL I admit to being a bit anal about my recordings data base and
filing system. My Excel sheet just passed 4400 rows.

I do better with the cds!

There are more complications with classical recordings. We had a
typically stupid RAO dustup when someone insisted on calling "Famous
Blue Raincoat" a Leonard Cohen album. Well, if you file exclusively by
composer, it makes sense, but it won't help you find it in a record
store.

This pertains to the fact (which you know, of course) that classical
music is a COMPOSER driven medium, where popular music is a PERFORMER
driven medium (for the most part in both cases.) So I file and
database my recordings by composer, and there is not just one entry per
CD or LP, but rather there is a database entry by each WORK on each CD
or LP.


I can understand the rationale for keeping the database in the detail you
do
(in fact for classical, their is no other good way). Where my attempts
to
catalog have alway fallen apart is when it comes to physically
storing/referencing them on the shelves. In other words, I've never come
up
with a good system for telling where they are physically. Mind sharing
how
you do this?

I file alphabetically by composer. It basically works because so many
classical recordings are of only one composer. For multi-composer
disks, I file by the first composer on the disk. Not perfect, but so
far, I can remember where things are. The only other alternative that I
can see is to label each recording numerically and keep a copy of the
database at hand to look up each disk as I want it. The way I do it
gets me there much faster, I think.

It's those multi-composer disks that do me in. I guess I've got too many
from my early student days (Everyman, Nonesuch, etc. were big on
compilations).

[[email protected]]

Jenn wrote:
In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
ups.com...

MINe 109 wrote:
In article
,
Jenn wrote:

In article ,
MINe 109 wrote:

In article
,
Jenn wrote:

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message

m...
Yesterday in L.A. I picked up two LPs that are a revelation to
me. I
had heard both of them at HE2006 and was stunned by the quality
of
the
sound (and the greatness of the performances), but I didn't
know how
they would do in my more modest system at home. Upon playing
them
this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT
performance
with a "you are at the performance site" perspective that is
just
amazing. Joan's Martin guitar has a tangible quality on this
recording
like no other I've ever heard, especially the notes played on
the D
and
A strings. Her voice, especially in her upper range, has on
this
recording the crystal clear, dead on intonation that she is
known
for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve
Records
The perspective here is "Ella is in your room". The finesse of
her
voice is in full display here. The piano is presented well,
but on
Ella's first note, I let out a curse word, which is quite rare
for
me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It
sounds
like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope
that
those
versions are as good. If so, I urge you to seek them out.

snip

The Ella was released on PolyGram Jazz as "The Intimate Ella." Sounds
great on the Grados. "Black Coffee" is also on "Shadowland" by kd
lang,
another good recording.

Thanks.


I've seen the Vanguard countless times in used racks, but I can't
remember if I've taken the chance.

'Chance' is also my lp filing system. :-)

LOL I admit to being a bit anal about my recordings data base and
filing system. My Excel sheet just passed 4400 rows.

I do better with the cds!

There are more complications with classical recordings. We had a
typically stupid RAO dustup when someone insisted on calling "Famous
Blue Raincoat" a Leonard Cohen album. Well, if you file exclusively by
composer, it makes sense, but it won't help you find it in a record
store.

This pertains to the fact (which you know, of course) that classical
music is a COMPOSER driven medium, where popular music is a PERFORMER
driven medium (for the most part in both cases.) So I file and
database my recordings by composer, and there is not just one entry per
CD or LP, but rather there is a database entry by each WORK on each CD
or LP.


I can understand the rationale for keeping the database in the detail you do
(in fact for classical, their is no other good way). Where my attempts to
catalog have alway fallen apart is when it comes to physically
storing/referencing them on the shelves. In other words, I've never come up
with a good system for telling where they are physically. Mind sharing how
you do this?

I file alphabetically by composer. It basically works because so many
classical recordings are of only one composer. For multi-composer
disks, I file by the first composer on the disk. Not perfect, but so
far, I can remember where things are. The only other alternative that I
can see is to label each recording numerically and keep a copy of the
database at hand to look up each disk as I want it. The way I do it
gets me there much faster, I think.

It takes guts for the basically untidy to offer advice on filing but
here goes.
I have single composer classical LPs alphabetically on lp shelves.and
cds same way on cd shelves.
My pop lps and cds go alphabetically by performer on separate shelving.
Multiple composer/ performer classical cds and lps are shelved
separately. I keep an old-fashioned. rotating file for them. I have
very few multiple performer pop recordings.
Ludovic M.

[Jenn]

In article m,
" wrote:

Jenn wrote:
In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message
ups.com...

MINe 109 wrote:
In article
,
Jenn wrote:

In article ,
MINe 109 wrote:

In article
,
Jenn wrote:

In article ,
"Harry Lavo" wrote:

"Jenn" wrote in message

y.co
m...
Yesterday in L.A. I picked up two LPs that are a revelation
to
me. I
had heard both of them at HE2006 and was stunned by the
quality
of
the
sound (and the greatness of the performances), but I didn't
know how
they would do in my more modest system at home. Upon
playing
them
this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT
performance
with a "you are at the performance site" perspective that is
just
amazing. Joan's Martin guitar has a tangible quality on
this
recording
like no other I've ever heard, especially the notes played
on
the D
and
A strings. Her voice, especially in her upper range, has on
this
recording the crystal clear, dead on intonation that she is
known
for.

Ella Fitzgerald: Let No Man Write my Epitaph.
Classic?Verve
Records
The perspective here is "Ella is in your room". The finesse
of
her
voice is in full display here. The piano is presented well,
but on
Ella's first note, I let out a curse word, which is quite
rare
for
me!
There is an incredible reality about her voice on this
record.
Actually, incredible is the wrong word; it is CREDIBLE. It
sounds
like
a voice, as opposed to the vast majority of other
recordings.

I'm very happy to own these amazing recordings of
superlative
performances. For those of you who listen only to CD, I
hope
that
those
versions are as good. If so, I urge you to seek them out.

snip

The Ella was released on PolyGram Jazz as "The Intimate Ella."
Sounds
great on the Grados. "Black Coffee" is also on "Shadowland" by kd
lang,
another good recording.

Thanks.


I've seen the Vanguard countless times in used racks, but I can't
remember if I've taken the chance.

'Chance' is also my lp filing system. :-)

LOL I admit to being a bit anal about my recordings data base and
filing system. My Excel sheet just passed 4400 rows.

I do better with the cds!

There are more complications with classical recordings. We had a
typically stupid RAO dustup when someone insisted on calling "Famous
Blue Raincoat" a Leonard Cohen album. Well, if you file exclusively by
composer, it makes sense, but it won't help you find it in a record
store.

This pertains to the fact (which you know, of course) that classical
music is a COMPOSER driven medium, where popular music is a PERFORMER
driven medium (for the most part in both cases.) So I file and
database my recordings by composer, and there is not just one entry per
CD or LP, but rather there is a database entry by each WORK on each CD
or LP.


I can understand the rationale for keeping the database in the detail you
do
(in fact for classical, their is no other good way). Where my attempts
to
catalog have alway fallen apart is when it comes to physically
storing/referencing them on the shelves. In other words, I've never come
up
with a good system for telling where they are physically. Mind sharing
how
you do this?

I file alphabetically by composer. It basically works because so many
classical recordings are of only one composer. For multi-composer
disks, I file by the first composer on the disk. Not perfect, but so
far, I can remember where things are. The only other alternative that I
can see is to label each recording numerically and keep a copy of the
database at hand to look up each disk as I want it. The way I do it
gets me there much faster, I think.

It takes guts for the basically untidy to offer advice on filing but
here goes.
I have single composer classical LPs alphabetically on lp shelves.and
cds same way on cd shelves.
My pop lps and cds go alphabetically by performer on separate shelving.
Multiple composer/ performer classical cds and lps are shelved
separately. I keep an old-fashioned. rotating file for them. I have
very few multiple performer pop recordings.
Ludovic M.


That's pretty much what I do, except for the multiple performer
classical.

--
REMOVE your capo to reply

[KMM]

"Jenn" wrote in message
...
Yesterday in L.A. I picked up two LPs that are a revelation to me. I
had heard both of them at HE2006 and was stunned by the quality of the
sound (and the greatness of the performances), but I didn't know how
they would do in my more modest system at home. Upon playing them this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT performance
with a "you are at the performance site" perspective that is just
amazing. Joan's Martin guitar has a tangible quality on this recording
like no other I've ever heard, especially the notes played on the D and
A strings. Her voice, especially in her upper range, has on this
recording the crystal clear, dead on intonation that she is known for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve Records
The perspective here is "Ella is in your room". The finesse of her
voice is in full display here. The piano is presented well, but on
Ella's first note, I let out a curse word, which is quite rare for me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It sounds like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope that those
versions are as good. If so, I urge you to seek them out.

--
REMOVE your capo to reply

Just imagine how much better they'd sound as CD's. :-)

[Jenn]

KMM wrote:
"Jenn" wrote in message
...
Yesterday in L.A. I picked up two LPs that are a revelation to me. I
had heard both of them at HE2006 and was stunned by the quality of the
sound (and the greatness of the performances), but I didn't know how
they would do in my more modest system at home. Upon playing them this
morning, I found myself listening in open-mouthed wonder.

Joan Baez: In Concert. Cisco/Vanguard Records. A GREAT performance
with a "you are at the performance site" perspective that is just
amazing. Joan's Martin guitar has a tangible quality on this recording
like no other I've ever heard, especially the notes played on the D and
A strings. Her voice, especially in her upper range, has on this
recording the crystal clear, dead on intonation that she is known for.

Ella Fitzgerald: Let No Man Write my Epitaph. Classic?Verve Records
The perspective here is "Ella is in your room". The finesse of her
voice is in full display here. The piano is presented well, but on
Ella's first note, I let out a curse word, which is quite rare for me!
There is an incredible reality about her voice on this record.
Actually, incredible is the wrong word; it is CREDIBLE. It sounds like
a voice, as opposed to the vast majority of other recordings.

I'm very happy to own these amazing recordings of superlative
performances. For those of you who listen only to CD, I hope that those
versions are as good. If so, I urge you to seek them out.

Just imagine how much better they'd sound as CD's. :-)

I've heard the CDs; they're not as good. :-)