Hello there, I started this week off with a client who wanted me to
remix a session that was recorded on cool edit pro 2.0. I put the
session cd that engineer in the original tracking studio made in my cd
rom and imported all the audio tracks into a new pro tools session.The
other engineer didn't consolidate the tracks. All out of time.
The client gave me a copy of cool edit and the session plays fine on

my IBM laptop in cool session pro.
Does anyone know how to go into a cool edit pro session and shade

all the tracks and make them the same length,so I can re burn them on
to a cd and mix in pro tools. Thanks Glenn.

wrote in message
oups.com...
Hello there, I started this week off with a client who wanted me to
remix a session that was recorded on cool edit pro 2.0. I put the
session cd that engineer in the original tracking studio made in my cd
rom and imported all the audio tracks into a new pro tools session.The
other engineer didn't consolidate the tracks. All out of time.
The client gave me a copy of cool edit and the session plays fine on

my IBM laptop in cool session pro.
Does anyone know how to go into a cool edit pro session and shade

all the tracks and make them the same length,so I can re burn them on
to a cd and mix in pro tools. Thanks Glenn.

There was an thread a week or two ago about the same thing, I think. I
would solo track one in the CoolEditPro multi-track session, then do an
EDIT-MIXDOWN TO FILE. Then I would solo the next track, and so on. That
will give you complete tracks to plug into PT. Sorta kludgey, but it will
work.

Steve King

wrote in message
oups.com
Hello there, I started this week off with a client who
wanted me to remix a session that was recorded on cool
edit pro 2.0. I put the session cd that engineer in the
original tracking studio made in my cd rom and imported
all the audio tracks into a new pro tools session.The
other engineer didn't consolidate the tracks. All out
of time. The client gave me a copy of cool edit and the
session plays fine on my IBM laptop in cool session pro.

Does anyone know how to go into a cool edit pro
session and shade all the tracks and make them the same length,so I can
re
burn them on to a cd and mix in pro tools.

Just for my information, are you saying that Pro Tools can't handle tracks
that are not perfectly aligned?

Otherwise, you could just read the track offsets out of CEP, and set them
into the target mixdown software if it allowed you to re-align tracks.

Thanks for the info. I have until 12 noon tues. I thinks it's a 10 song
project,but I'll get started trying your idea, Thanks again.
Glenn

Thanks for the info. I have until 12 noon tues. I think it's a 10 song
project,but I'll get started trying your idea, Thanks again.
Glenn

Well maybe it does and in my old age that's a trick I need to learn.
About 2 months ago I had a firewire drive shut off for a few seconds
during a session. It corrupted the session icon.It wouldn't open.
So a lead vocal that was only one track,but lets say had 5 punch ins
would import into a new pro tools session as 5 different tracks.
Unless I consolidated the track before closing the session. In this
case I gave the guy 2 hours on a later date,to make up for the
loss.Before this happened I thought you could always get back everthing
the last time you saved. But this taught me to rename sessions a time
or two when people start putting a lot of money into a song.Plus back
up often. I might be missing somthing Pro tools can do? I'll read the
big book.
thanks Glenn

wrote in message
oups.com...
Well maybe it does and in my old age that's a trick I need to learn.
About 2 months ago I had a firewire drive shut off for a few seconds
during a session. It corrupted the session icon.It wouldn't open.
So a lead vocal that was only one track,but lets say had 5 punch ins
would import into a new pro tools session as 5 different tracks.
Unless I consolidated the track before closing the session. In this
case I gave the guy 2 hours on a later date,to make up for the
loss.Before this happened I thought you could always get back everthing
the last time you saved. But this taught me to rename sessions a time
or two when people start putting a lot of money into a song.Plus back
up often. I might be missing somthing Pro tools can do? I'll read the
big book.
thanks Glenn
Hey Glenn,

It would really help if you quoted what you are replying to. That way we
could all learn, without having to dig back into the thread.

Thanks,

Steve King

So a lead vocal that was only one track,but lets say had 5 punch ins
would import into a new pro tools session as 5 different tracks.

Hey Glenn,

Each region should still have an embedded time stamp. Go into 'spot'
mode, click on a region and a box will come up with the original and
current positions. select the original time code position and you're
good to go!

chris