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#1
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Posted to rec.audio.opinion,rec.audio.tech
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I just fixed my Parasound HCA-2200ii, a John Curl design, 225 wpc Class A up
to 6 watts. A power rail bypass smoked, and took afew others with it. The rail bypass is etched for a bunch of three caps in parallel, of indefinite size and shape. It was populated with three tubulars, piggybacked with three low ESR "block" film caps, three of each, varying between .01 and .2 ufd. One of the blocks caught on fire, damaging two neighbors. While I had the amp apart, I found a similar arrangement, deeper in circuitry; the tubular was smoked. I called up Parasound. They didn't have anything like the originals, offering instead to sell me .22ufd caps to make a wholesale replacement. Anxious to see if the amp stil worked, I salvaged one undamaged cap off the board, and reached into my junkbox for some old Cornell "CDR" yellow tubular film caps. One of the low ESR caps on the bank survived. The amp now works fine, and I really don't know if I'm missing anything or not. What are opinions about the choice of caps? How do very old film caps, say from the 70's, compare to modern low ESR caps? Should I take the amp apart again and replace the bank with something "better" ? |
#2
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Posted to rec.audio.opinion,rec.audio.tech
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"Robert Morein" wrote ...
I just fixed my Parasound HCA-2200ii, a John Curl design, 225 wpc Class A up to 6 watts. A power rail bypass smoked, and took afew others with it. The rail bypass is etched for a bunch of three caps in parallel, of indefinite size and shape. It was populated with three tubulars, piggybacked with three low ESR "block" film caps, three of each, varying between .01 and .2 ufd. One of the blocks caught on fire, damaging two neighbors. While I had the amp apart, I found a similar arrangement, deeper in circuitry; the tubular was smoked. I called up Parasound. They didn't have anything like the originals, offering instead to sell me .22ufd caps to make a wholesale replacement. Anxious to see if the amp stil worked, I salvaged one undamaged cap off the board, and reached into my junkbox for some old Cornell "CDR" yellow tubular film caps. One of the low ESR caps on the bank survived. The amp now works fine, and I really don't know if I'm missing anything or not. What are opinions about the choice of caps? How do very old film caps, say from the 70's, compare to modern low ESR caps? Should I take the amp apart again and replace the bank with something "better" ? If it is power rail bypass capacitance, you can add as many microfarads of whatever type you wish with virtual impugnity. The ideal would be to have rock-solid rails that never move, and the more capacitance you add, the closer you approach the ideal. I'd be tempted to poke the rails with an oscilloscope probe and see how much droop or AC there was. (Not enough to matter, I'd suspect.) |
#3
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Posted to rec.audio.opinion,rec.audio.tech
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![]() "Richard Crowley" wrote in message ... "Robert Morein" wrote ... I just fixed my Parasound HCA-2200ii, a John Curl design, 225 wpc Class A up to 6 watts. A power rail bypass smoked, and took afew others with it. The rail bypass is etched for a bunch of three caps in parallel, of indefinite size and shape. It was populated with three tubulars, piggybacked with three low ESR "block" film caps, three of each, varying between .01 and .2 ufd. One of the blocks caught on fire, damaging two neighbors. While I had the amp apart, I found a similar arrangement, deeper in circuitry; the tubular was smoked. I called up Parasound. They didn't have anything like the originals, offering instead to sell me .22ufd caps to make a wholesale replacement. Anxious to see if the amp stil worked, I salvaged one undamaged cap off the board, and reached into my junkbox for some old Cornell "CDR" yellow tubular film caps. One of the low ESR caps on the bank survived. The amp now works fine, and I really don't know if I'm missing anything or not. What are opinions about the choice of caps? How do very old film caps, say from the 70's, compare to modern low ESR caps? Should I take the amp apart again and replace the bank with something "better" ? If it is power rail bypass capacitance, you can add as many microfarads of whatever type you wish with virtual impugnity. The ideal would be to have rock-solid rails that never move, and the more capacitance you add, the closer you approach the ideal. I think that Curl's concern was that the speed of the capacitors is also important. It's not simply a matter of capacity. This is why electrolytics are frequently bypassed by small caps with low ESR. |
#4
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Posted to rec.audio.opinion,rec.audio.tech
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"Robert Morein" said:
I think that Curl's concern was that the speed of the capacitors is also important. It's not simply a matter of capacity. This is why electrolytics are frequently bypassed by small caps with low ESR. This used to be so. Modern electrolytics, selected from a good brand low ESR 105 deg. range, are so astoundingly good, that bypassing is IMHO not necessary. Please do replace the remaining old capacitors, apparently they are prone to shorting. Measure the supply rails, due to a slowly rising mains voltage over the years, they may be somewhat too high for the old caps. -- - Never argue with idiots, they drag you down their level and beat you with experience. - |
#5
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Posted to rec.audio.opinion,rec.audio.tech
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![]() "Sander deWaal" wrote in message ... "Robert Morein" said: I think that Curl's concern was that the speed of the capacitors is also important. It's not simply a matter of capacity. This is why electrolytics are frequently bypassed by small caps with low ESR. This used to be so. Modern electrolytics, selected from a good brand low ESR 105 deg. range, are so astoundingly good, that bypassing is IMHO not necessary. What about the old CDR tubular foil caps I used? How good are they? Please do replace the remaining old capacitors, apparently they are prone to shorting. Apparently. The next time one shorts, I'll do the rest. Measure the supply rails, due to a slowly rising mains voltage over the years, they may be somewhat too high for the old caps. Voltage here is stable at 112-113, measured with a Kill-A-Watt. |
#6
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Posted to rec.audio.opinion,rec.audio.tech
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![]() "Robert Morein" wrote in message ... "Richard Crowley" wrote in message ... "Robert Morein" wrote ... I just fixed my Parasound HCA-2200ii, a John Curl design, 225 wpc Class A up to 6 watts. A power rail bypass smoked, and took afew others with it. The rail bypass is etched for a bunch of three caps in parallel, of indefinite size and shape. It was populated with three tubulars, piggybacked with three low ESR "block" film caps, three of each, varying between .01 and .2 ufd. One of the blocks caught on fire, damaging two neighbors. While I had the amp apart, I found a similar arrangement, deeper in circuitry; the tubular was smoked. I called up Parasound. They didn't have anything like the originals, offering instead to sell me .22ufd caps to make a wholesale replacement. Anxious to see if the amp stil worked, I salvaged one undamaged cap off the board, and reached into my junkbox for some old Cornell "CDR" yellow tubular film caps. One of the low ESR caps on the bank survived. The amp now works fine, and I really don't know if I'm missing anything or not. What are opinions about the choice of caps? How do very old film caps, say from the 70's, compare to modern low ESR caps? Should I take the amp apart again and replace the bank with something "better" ? If it is power rail bypass capacitance, you can add as many microfarads of whatever type you wish with virtual impugnity. The ideal would be to have rock-solid rails that never move, and the more capacitance you add, the closer you approach the ideal. I think that Curl's concern was that the speed of the capacitors is also important. It's not simply a matter of capacity. This is why electrolytics are frequently bypassed by small caps with low ESR. Go for it. Find some nice low ESR microwave-quality chip caps and heat up your soldering iron. |
#7
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Posted to rec.audio.opinion,rec.audio.tech
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"Robert Morein" wrote...
What about the old CDR tubular foil caps I used? How good are they? If you are that concerned about the electrolytics in your equipment going bad, you might investigate getting a capacitance/ESR meter. I believe there are some low- cost (relatively) solutions. |
#8
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Posted to rec.audio.opinion,rec.audio.tech
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![]() "Robert Morein" wrote in message ... "Sander deWaal" wrote in message ... "Robert Morein" said: I think that Curl's concern was that the speed of the capacitors is also important. It's not simply a matter of capacity. This is why electrolytics are frequently bypassed by small caps with low ESR. This used to be so. Modern electrolytics, selected from a good brand low ESR 105 deg. range, are so astoundingly good, that bypassing is IMHO not necessary. What about the old CDR tubular foil caps I used? How good are they? Please do replace the remaining old capacitors, apparently they are prone to shorting. Apparently. The next time one shorts, I'll do the rest. Personally, I wouldn't wait. A small electrolytic shorted in a printer at work in a locked office and it took a while to figure out what that stench was and where it was coming from. One tiny cap and about 10,000 sq feet of office space stank for days.. and the office was unocuppiable for over a week. It would be awful to have that happen at home. BTW... the printer wasn't on... the power supply was always hot when plugged in. No switch on the AC. My kids Lexmark with a brick on back was the same way and that thing melted on us but luckily didn't smoke. I'm kind of surprised U/L lets em get away with that. You leave the house for a few days and you think turning crap off is good enough...think again. ScottW |
#9
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Posted to rec.audio.opinion,rec.audio.tech
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![]() "ScottW" wrote in message news:8ZgTf.138823$0G.62321@dukeread10... "Robert Morein" wrote in message ... "Sander deWaal" wrote in message ... "Robert Morein" said: I think that Curl's concern was that the speed of the capacitors is also important. It's not simply a matter of capacity. This is why electrolytics are frequently bypassed by small caps with low ESR. This used to be so. Modern electrolytics, selected from a good brand low ESR 105 deg. range, are so astoundingly good, that bypassing is IMHO not necessary. What about the old CDR tubular foil caps I used? How good are they? Please do replace the remaining old capacitors, apparently they are prone to shorting. Apparently. The next time one shorts, I'll do the rest. Personally, I wouldn't wait. A small electrolytic shorted in a printer at work in a locked office and it took a while to figure out what that stench was and where it was coming from. One tiny cap and about 10,000 sq feet of office space stank for days.. and the office was unocuppiable for over a week. It would be awful to have that happen at home. BTW... the printer wasn't on... the power supply was always hot when plugged in. No switch on the AC. My kids Lexmark with a brick on back was the same way and that thing melted on us but luckily didn't smoke. I'm kind of surprised U/L lets em get away with that. You leave the house for a few days and you think turning crap off is good enough...think again. ScottW The electrolytics aren't the ones that smoked. These are tiny film caps. They are dry. No odor was detected. |
#10
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Posted to rec.audio.opinion,rec.audio.tech
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![]() "Robert Morein" wrote in message ... "ScottW" wrote in message news:8ZgTf.138823$0G.62321@dukeread10... "Robert Morein" wrote in message ... "Sander deWaal" wrote in message ... "Robert Morein" said: I think that Curl's concern was that the speed of the capacitors is also important. It's not simply a matter of capacity. This is why electrolytics are frequently bypassed by small caps with low ESR. This used to be so. Modern electrolytics, selected from a good brand low ESR 105 deg. range, are so astoundingly good, that bypassing is IMHO not necessary. What about the old CDR tubular foil caps I used? How good are they? Please do replace the remaining old capacitors, apparently they are prone to shorting. Apparently. The next time one shorts, I'll do the rest. Personally, I wouldn't wait. A small electrolytic shorted in a printer at work in a locked office and it took a while to figure out what that stench was and where it was coming from. One tiny cap and about 10,000 sq feet of office space stank for days.. and the office was unocuppiable for over a week. It would be awful to have that happen at home. BTW... the printer wasn't on... the power supply was always hot when plugged in. No switch on the AC. My kids Lexmark with a brick on back was the same way and that thing melted on us but luckily didn't smoke. I'm kind of surprised U/L lets em get away with that. You leave the house for a few days and you think turning crap off is good enough...think again. ScottW The electrolytics aren't the ones that smoked. These are tiny film caps. They are dry. No odor was detected. No...but if something next to them did... they just got a bit cooked. ScottW |
#11
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Posted to rec.audio.opinion,rec.audio.tech
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![]() "ScottW" wrote in message news:VDhTf.138827$0G.80026@dukeread10... "Robert Morein" wrote in message ... "ScottW" wrote in message news:8ZgTf.138823$0G.62321@dukeread10... "Robert Morein" wrote in message ... "Sander deWaal" wrote in message ... "Robert Morein" said: I think that Curl's concern was that the speed of the capacitors is also important. It's not simply a matter of capacity. This is why electrolytics are frequently bypassed by small caps with low ESR. This used to be so. Modern electrolytics, selected from a good brand low ESR 105 deg. range, are so astoundingly good, that bypassing is IMHO not necessary. What about the old CDR tubular foil caps I used? How good are they? Please do replace the remaining old capacitors, apparently they are prone to shorting. Apparently. The next time one shorts, I'll do the rest. Personally, I wouldn't wait. A small electrolytic shorted in a printer at work in a locked office and it took a while to figure out what that stench was and where it was coming from. One tiny cap and about 10,000 sq feet of office space stank for days.. and the office was unocuppiable for over a week. It would be awful to have that happen at home. BTW... the printer wasn't on... the power supply was always hot when plugged in. No switch on the AC. My kids Lexmark with a brick on back was the same way and that thing melted on us but luckily didn't smoke. I'm kind of surprised U/L lets em get away with that. You leave the house for a few days and you think turning crap off is good enough...think again. ScottW The electrolytics aren't the ones that smoked. These are tiny film caps. They are dry. No odor was detected. No...but if something next to them did... they just got a bit cooked. ScottW I agree. The one cap that burned took out two neighboring film caps, but no electrolytics or other parts are in the vicinity. |
#12
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Posted to rec.audio.opinion,rec.audio.tech
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"Robert Morein" said:
What about the old CDR tubular foil caps I used? How good are they? Dunno, I'm not familiar with them. Please do replace the remaining old capacitors, apparently they are prone to shorting. Apparently. The next time one shorts, I'll do the rest. Please do it soon. Scott already told what can happen when a cap shorts. A supply rail going down via a foil cap may damage your amp, and take several other components with it. I agree. The one cap that burned took out two neighboring film caps, but no electrolytics or other parts are in the vicinity. Well, there you have it. You can never predict what a short will damage before the mains fuse blows. -- - Never argue with idiots, they drag you down their level and beat you with experience. - |
#13
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Posted to rec.audio.opinion,rec.audio.tech
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"Robert Morein" wrote in message
What are opinions about the choice of caps? How do very old film caps, say from the 70's, compare to modern low ESR caps? Should I take the amp apart again and replace the bank with something "better" ? As a rule the designers of modern caps have paid more attention than ever to obtaining low ESR. A modern electrolytic cap probably has as low if not lower ESR and series inductance than film caps made back in the 70s. |
#14
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Posted to rec.audio.opinion,rec.audio.tech
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![]() "Sander deWaal" wrote in message ... "Robert Morein" said: What about the old CDR tubular foil caps I used? How good are they? Dunno, I'm not familiar with them. Please do replace the remaining old capacitors, apparently they are prone to shorting. Apparently. The next time one shorts, I'll do the rest. Please do it soon. Scott already told what can happen when a cap shorts. A supply rail going down via a foil cap may damage your amp, and take several other components with it. The reason I'm not doing it is: 1. When I took the amp apart, I discovered a similar failure, but in an area that was not clearly a rail bypass, that had gone unnoticed, for a total of two. 2. This means that I would have to do every foil cap on the board. There are quite afew. The amp works great. One thing that might have provoked it is the use of a Parasound SCAMP (signal controlled amplifier power). It senses the presence of audio, and turns the power to the amp on and off. This one was glitching quite a bit, rapidly turning the amp on/off at random intervals, due to noise from computer switching supplies. I have since moved the audio to a separate dedicated line. I speculate that the rapid cycling might have caused inductive spikes from the collapse of the power transformer field. Or, the life cycle on/off count may have been considerably exceeded. This amp succeeded in incinerating two caps, and afew neighbors, with no collateral damage where it hurts, ie., a transistor. Rather than rework the board, I'll take my chances. |
#15
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Posted to rec.audio.opinion,rec.audio.tech
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![]() "Arny Krueger" wrote in message ... "Robert Morein" wrote in message What are opinions about the choice of caps? How do very old film caps, say from the 70's, compare to modern low ESR caps? Should I take the amp apart again and replace the bank with something "better" ? As a rule the designers of modern caps have paid more attention than ever to obtaining low ESR. A modern electrolytic cap probably has as low if not lower ESR and series inductance than film caps made back in the 70s. The Parasound was made in 1993. |
#16
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Posted to rec.audio.opinion,rec.audio.tech
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"Robert Morein" wrote in message
"Arny Krueger" wrote in message ... "Robert Morein" wrote in message What are opinions about the choice of caps? How do very old film caps, say from the 70's, compare to modern low ESR caps? Should I take the amp apart again and replace the bank with something "better" ? As a rule the designers of modern caps have paid more attention than ever to obtaining low ESR. A modern electrolytic cap probably has as low if not lower ESR and series inductance than film caps made back in the 70s. The Parasound was made in 1993. It might have not needed special caps or not. John Curl is well known for radical overbuilding. |
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