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#1
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Posted to rec.audio.opinion
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In the "Olive and Toole" thread on Jan 29 Sullivan in his best
supercilious manner tells Dave Weil: " Of course you're 'pretty sure' of that, since you rely on sighted tests -- which scientist have considered to be pretty bad evidence for many decades now" This is the third time in a week he called on his graven images for help. The second time around he spoke more specifically on behalf of the National Academy of Sciences.* This is what I said to him in the "Honest truth about stereo" thread on Jan 29: "When exactly did the National Acadeny of Sciences say that binding a few guys eyes, making them listen to one snippet after another and make Vs on paper for "Same" or "Different" is their aproved research method in comparing audio components. I doubt also that they'd approve of your claiming to be their spokesman" And on Jan29 in the "Honest truth abt. stereo" I asked for the nth. time for a little scientific thing called EVIDENCE. "Give reference to any report of a decent-sized , randomly selected listeners' panel ((ie representative like it is done in any reputable research) ), auditioning double blind any comparable audio components whatsoever that concluded with a positive outcome: "Yes, we heard a difference". Between whatever you choose. Speakers , cartridges- your pick. Naturally as an aspiring scientist you would want a significant statistical margin with laid down statistical criteria commonly recognised in research, right? Something that would be publishable in a serious professional journal like your JAES." As usual there was no answer. A little dissection of Sullivan's guide to the website:- "What do to do when short of an answer" A) Announce that you put the impertinent questioner "in your kill-file" B) Look for a personal attack handle* C) If a and b fail I clam up wait 5-6 weeks and then reemerge and repeat that "science" in general and the Nat. Acad. of Sciences in particular is on your side. Little danger of the "science" or Academy to question your credentials. . He has chosen C when the going got hot, (as often as not in arguments he himself had started), more times than I can be bothered to search for and quote. These are just the two latest instances. Ludovic Mirabel * Ad B: Two years ago in RAHE he put out thick hints that I forged my academic credentials. I led him by the nose to get himself deeper in. When he finally realised that the academic world does not end at 49th parallel he chose C. No apology, no retraction as usual. : |
#2
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Posted to rec.audio.opinion
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I want to clarify my opinion of blind tests as applied to audio
component comparison. They can be a useful manoeuvre on *individual, personal* basis. Closing one's eyes helps concentration. It also prevents sighted bias which like every other individual characteristic affects some more some less. But closing one's eyes while listening doesn't a "test" make. Single blind, double blind or quadruple blind we're still individuals with different genes, abilities, experiences , likes and dislikes ie. hundreds of "biases". People who like chamber music will look for and hear different kind of differences from car-rock devotees. When it comes to wines I'll listen to Robert Parkers of this world sighted rather than to thousands of Gallo drinkers blind. When it comes to violins, pianos, flutes.... take your pick and complete the sentence. No "test". Just experience and expertise. As for the ABX protocol with its "Listen to A, next listen to B, next listen to X and tell if it is same as A or B" it seems to raise insuperable problems for most people in recognising any differences at all. It seems that is not how people listen. That is why Sean Olive said about his loudspeaker listening session which is AFAIK about the only existing "scientific" DBT audio component comparison*. (I quote from memory- not word exact. "We seldom ask for difference..We ask for preference"). And that is why he did not use the ABX protocol. Of course psychometricians looking for simple well defined tasks such as human threshold in recognising, phase difference, recognition of phase distortion etc. will do it DBT. They also have statististically significant number of testees, rigid protocol, rigid statistical critreria and so on. The web efforts of the ABX groupies, Pinkerton etc are nice, amateurish reports suitable for the free-for-all internet only-not for acceptance by an editor of a professional journal like eg. JAES. And gossip about what "industry" does is just gossip. Give it up the web forum "scientists. You had plenty of years to prove that you had a "test" that worked and you failed. In the world of reproduction of complex musical signals there ain't no "test".There is only individual expertise and preference. Ludovic Mirabel |