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#1
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Posted to rec.audio.tubes
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Has anyone ever bought laminations from a place called Tempel Magnetics?
http://www.tempel.com/ http://www.tempel.com/products/tld/Elkeepers/ei150.html They are sending me a quote for a quantity of EI-150 M6 laminations. The smallest amount they can quote is 33 pounds of lams. I will post the price when they send it. Is an EI-150 core a good size for a SE 6C33? I figure with the low turns ratio it should be a good first transformer. For anyone who hasn't seen this check out the OPT calculator. http://geek.scorpiorising.ca/yves.html Adam |
#2
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Posted to rec.audio.tubes
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![]() Adam Stouffer wrote: Has anyone ever bought laminations from a place called Tempel Magnetics? http://www.tempel.com/ http://www.tempel.com/products/tld/Elkeepers/ei150.html They are sending me a quote for a quantity of EI-150 M6 laminations. The smallest amount they can quote is 33 pounds of lams. I will post the price when they send it. Is an EI-150 core a good size for a SE 6C33? I figure with the low turns ratio it should be a good first transformer. For anyone who hasn't seen this check out the OPT calculator. http://geek.scorpiorising.ca/yves.html I have my own methods of working out OPTs, but I tried to download the above OPT program to make comparisons. It downloaded to my program files but would not instal on my PC. Patrick Turner. Adam |
#3
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Posted to rec.audio.tubes
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Patrick Turner wrote:
I have my own methods of working out OPTs, but I tried to download the above OPT program to make comparisons. It downloaded to my program files but would not instal on my PC. Patrick Turner. Hmmm try this updated and smaller version. Beware the installer is in french ![]() http://perso.wanadoo.fr/yves.monmagnon/OPT_da-211.zip I have just posted a screenshot of the results to ABSE. The file was originally posted at diyaudio.com. Adam |
#4
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Posted to rec.audio.tubes
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![]() Adam Stouffer wrote: Patrick Turner wrote: I have my own methods of working out OPTs, but I tried to download the above OPT program to make comparisons. It downloaded to my program files but would not instal on my PC. Patrick Turner. Hmmm try this updated and smaller version. Beware the installer is in french ![]() http://perso.wanadoo.fr/yves.monmagnon/OPT_da-211.zip I have just posted a screenshot of the results to ABSE. The file was originally posted at diyaudio.com. Adam I got the above to work. The spread sheet for the tranny does not include the cross sectional diagram of the bobbin, and one doesn't know what the stack height, tongue width, window length or window height is. No real clear details appear for the wire sizes, and possible secondary arrangements for various Z matching. Its very easy to have a formula calculate turn numbers based on power and RL and the basic stuff, getting the program to think like a skilled and practised designer who has wound lots of OPTs is a much harder task. When altering the current density A/mm.sq, the other numbers don't change, but in a real tranny design, going from 2A/sq.mm to 3A/sq.mm would cause an enormous design change to size and turns. So a lot lot more refinement is needed before I would bother using this program. I use about 65 consecutive steps when designing a PP OPT. I can do any design quite fast, because the 65 steps are all in my head, but when i actually listed them all out so someone else could follow, there were a large number of things to get right and check when you're done. I will try the longer vesion of 4.4 MB again. I think I may have clicked the wrong thing first time during instal. Patrick Turner |
#5
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When I worked for a transformer company we did a fair business with
Tempel, and as far as I know their product and service were wholly satisfactory. |
#6
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Posted to rec.audio.tubes
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![]() Patrick Turner wrote: I use about 65 consecutive steps when designing a PP OPT. Is that all? I think if you tried to write them out you would find that it is more complicated than that. I don't know anything about transformer design (thanks, Menno and others but I just don't have a lifetime to give to something so complicated) but I once tried to write out all the steps involved in designing even a simple SET amp and after two days gave up when the list was more than a hundred pages long. It is indicative that Gordon Rankin, not notably a man to waste time unless you paid him by the minute, once admitted that his *post-design* checks on an amplifier circuit amounted to a hundred steps. In other words, after he committed all the necessary work to create the design, he took another hundred steps to be certain it would work right. He shared some of the steps and it was all meaty stuff for which the reasons for any check would take several pages to write out comprehensibly. It isn't rocket science to conclude that, if the post-design check is 100 steps, the actual work is much, much more. Andre Jute Visit Jute on Amps at http://members.lycos.co.uk/fiultra/ wonderfully well written and reasoned information for the tube audio constructor" John Broskie TubeCAD & GlassWare "an unbelievably comprehensive web site containing vital gems of wisdom" Stuart Perry Hi-Fi News & Record Review |
#7
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Andre Jute wrote:
Patrick Turner wrote: I use about 65 consecutive steps when designing a PP OPT. Is that all? I think if you tried to write them out you would find that it is more complicated than that. I don't know anything about transformer design Wait, you think 65 steps is too few. Then one sentence later you admit you don't know anything about transformer design? Adam |
#8
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![]() Andre Jute wrote: Patrick Turner wrote: I use about 65 consecutive steps when designing a PP OPT. Is that all? I think if you tried to write them out you would find that it is more complicated than that. Each of the 65 steps may have several considerations, and no I won't list them on this group, its several pages, and a few diagrams. I am working with a computer IT student who is trying to create a useful working program to create decent transformers. I don't know anything about transformer design (thanks, Menno and others but I just don't have a lifetime to give to something so complicated) but I once tried to write out all the steps involved in designing even a simple SET amp and after two days gave up when the list was more than a hundred pages long. But you are a writer, you do have a tendency to use a pile of words where the more technical and literary challenged among us will simply say do this, do that, divide z by m squared, and so on until we are done. The guy working on the program is also into tubes, and has built some gear, but he found it almost impossible to get beyond the basic turn count and core size. Anyone can do that, but its woking out how to fill the window efficiently, keep the leakage and shunt C low, and losses low and get a range of load matches without wasting sections or having unequal wire current densities that take a lot of hard work. The wire sizes have to be factored in to suit the wanted turns per layer on standard available bobbins and the tendency that the theoretical turns per layer won't fit easily in practice must be allowed for, as well as winding bulge during wind up; ie, the avoid all the swearing and cursing by first timers, the design must finish up absolutely true and bullet proof for anyone to wind. It must be extremely easy for anyone to understand the final bobbin cross section diagram that tells folks what to do, so that the design can be exactly described in one simple paragraph, just like the description of the Williamson OPT in RDH4. If only other makers were able to describe so simply and with such easy precision and economy of words. ( But they'd rather keep ppl guessing about exactly what is inside the bobbins. ) I am not aware of any program for winding trannies that is any good. Hence I am attempting to do this myself. The IT guy is very slow because he gets distracted with other projects. But I am not going to hurry him, i don't do that. It is indicative that Gordon Rankin, not notably a man to waste time unless you paid him by the minute, once admitted that his *post-design* checks on an amplifier circuit amounted to a hundred steps. In other words, after he committed all the necessary work to create the design, he took another hundred steps to be certain it would work right. Well, most of what you need to build a decent OPT is at my website. Anyone with 3/4 of a reasonable brain could just read, understand, and they'd get 65 steps like me, and the checks to make sure it is right are included. A few ppl over the years have emailed me to help them with their attempts. They all seemed happy. A colleage in Sydney where far more customers for tube gear lurk is quite hopeless designing OPTs, so he always comes to me when there is something fancy, such as an SET OPT for GM70. I diagrammed the whole amp and OPT, he built it, and the audio club liked it, and that's a nice result. If you consider each turn to be something to worry over and write a page about, you get thousands of pages. OPT building isn't rocket science, its just a part of electronics that is a sum of a whole brew of simple concepts bundled together like the rest of electronics. Once youv'e wound a few trannies, you wonder what all the fuss is about and wonder why ppl think its so hard and complex and not easy to do. The practical aspect does take natural skill with tools, something not all the population has, some guys I know are quite dangerous with any sort of tool in their hands. They will never be able to do anything, and will have to rely on the skilled to get them through life. One in particular comes second in the local speed chess competions. He comes about 3rd in the major tournements, and I will never beat him at chess. I don't understand his encyclopedic knowledge of chess games, I don't know whay I lose or win sometimes, since analysis 6 moves deep is beyond me, so horses for courses. He shared some of the steps and it was all meaty stuff for which the reasons for any check would take several pages to write out comprehensibly. It isn't rocket science to conclude that, if the post-design check is 100 steps, the actual work is much, much more. I doubt its as difficult as you say. I have a few checks for F response, primary L, leakage L, shunt C, and testing, and that's all that's needed. Its all in RDH4 on just a few pages which most ppl just cannot understand. The working out of total lumped shunt C of an interlaved OPT is very difficult though if one tries to use the table for it in RDH4, so I don't try, and there is no need, because empirical ideas for insulation thicknesses will always give low enough shunt C, and what's important is the C looking into each end primary end with the secondary grounded. The reactive nature looking into the primary ends with an interleaved tranny is never just pure C or L, but a complex arrangement of a low pass multi order filter which is usually far too difficult for anyone to accurately measure, calculate, or model with a program and nobody has ever done it correctly. Engineers hate such things that cannot be designed with predictable precision. So its suck it and see, creating much nervousness in anyone worried by the actions of a maker who does not appear to know much. But there are some things that cannot be known. But after following a few known golden rules, its dead easy to get a huge E&I OPT to go 15Hz to 270kHz at 250 watts for tubes or any other devices, and with no horrid series or parallel resonances withing the pass band. Patrick Turner. Andre Jute Visit Jute on Amps at http://members.lycos.co.uk/fiultra/ wonderfully well written and reasoned information for the tube audio constructor" John Broskie TubeCAD & GlassWare "an unbelievably comprehensive web site containing vital gems of wisdom" Stuart Perry Hi-Fi News & Record Review |
#9
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Posted to rec.audio.tubes
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Patrick Turner wrote:
I got the above to work. The spread sheet for the tranny does not include the cross sectional diagram of the bobbin, and one doesn't know what the stack height, tongue width, window length or window height is. The datasheet for their EI-150 says each lam is .014" thick and 107 pieces are in a stack. Thats 1.498". I measured a Hammond 1628SE and its definitely EI-150 but 2.5" thick. No real clear details appear for the wire sizes, and possible secondary arrangements for various Z matching. Its very easy to have a formula calculate turn numbers based on power and RL and the basic stuff, getting the program to think like a skilled and practised designer who has wound lots of OPTs is a much harder task. When altering the current density A/mm.sq, the other numbers don't change, but in a real tranny design, going from 2A/sq.mm to 3A/sq.mm would cause an enormous design change to size and turns. They do change but you have to click inside another number window for the update to happen. The turns stay the same but the wire size changes. Adam |
#10
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Posted to rec.audio.tubes
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![]() Adam Stouffer wrote: Patrick Turner wrote: I got the above to work. The spread sheet for the tranny does not include the cross sectional diagram of the bobbin, and one doesn't know what the stack height, tongue width, window length or window height is. The datasheet for their EI-150 says each lam is .014" thick and 107 pieces are in a stack. Thats 1.498". I measured a Hammond 1628SE and its definitely EI-150 but 2.5" thick. Nobody would know what EI-150 is, and when I changed the various sizes, nothing else would change. ALL the EI data should be on the program input, and spelled out for the dumbest of diyer or manufacturer. No real clear details appear for the wire sizes, and possible secondary arrangements for various Z matching. Its very easy to have a formula calculate turn numbers based on power and RL and the basic stuff, getting the program to think like a skilled and practised designer who has wound lots of OPTs is a much harder task. When altering the current density A/mm.sq, the other numbers don't change, but in a real tranny design, going from 2A/sq.mm to 3A/sq.mm would cause an enormous design change to size and turns. They do change but you have to click inside another number window for the update to happen. The turns stay the same but the wire size changes. I'll let them work out the problems. Its just not good enough to attract me. Patrick Turner. Adam |
#11
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Posted to rec.audio.tubes
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![]() "Adam Stouffer" a écrit dans le message de news: jmWof.50$Fo1.27@trndny07... Has anyone ever bought laminations from a place called Tempel Magnetics? http://www.tempel.com/ http://www.tempel.com/products/tld/Elkeepers/ei150.html They are sending me a quote for a quantity of EI-150 M6 laminations. The smallest amount they can quote is 33 pounds of lams. I will post the price when they send it. Is an EI-150 core a good size for a SE 6C33? I figure with the low turns ratio it should be a good first transformer. For anyone who hasn't seen this check out the OPT calculator. http://geek.scorpiorising.ca/yves.html Adam Hi, Probably you already found that: http://www.diyaudio.com/forums/showt...threadid=56364 Some helpfull informations ... Cheers, Yves. |
#12
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On Sat, 17 Dec 2005 15:43:11 GMT, Adam Stouffer
wrote: Has anyone ever bought laminations from a place called Tempel Magnetics? http://www.tempel.com/ http://www.tempel.com/products/tld/Elkeepers/ei150.html They are sending me a quote for a quantity of EI-150 M6 laminations. The smallest amount they can quote is 33 pounds of lams. I will post the price when they send it. Is an EI-150 core a good size for a SE 6C33? I figure with the low turns ratio it should be a good first transformer. For anyone who hasn't seen this check out the OPT calculator. http://geek.scorpiorising.ca/yves.html Adam Tempel is a very reputable company. They are the largest lamination company in North and South America. Their sales volume is over $260,000,000 per year. They are a large supplier to the motor industry as well as the transformer industry. They have been a supplier to us since 1953. Their anneal cycles are very good especially on the grain oriented material. All is hydrogen annealed in very long tunnel ovens. The tooling is quite good. Very little burr on the lams. Jerry |