Home |
Search |
Today's Posts |
#1
|
|||
|
|||
snap crackle pop
I have an Ampeg SVT classic that when hot either loses input signal, starts
to crackle loudly, or both. Usually a good Fonzie will clear it up long enough to get through. I just don't want to start guessing / throwing parts at this thing. Any ideas where to start? TIA John |
#2
|
|||
|
|||
John Ray wrote: I have an Ampeg SVT classic that when hot either loses input signal, starts to crackle loudly, or both. Usually a good Fonzie will clear it up long enough to get through. I just don't want to start guessing / throwing parts at this thing. Any ideas where to start? TIA John Hi John, If we're talking the *late model* SVT Classic (which has channel switching, rear panel bias LEDs etc) instead of a 'classic' SVT (Magnavox): Solder. Solder. And then some more solder. They're known to get 'rimmed' AKA 'cold' solder connections at the multipin in-line internal connector headers (that will do just what you've described), as well as all of the panel mounted controls (front and rear, check the bias controls too!), FWIW the rear panel XLR direct out is a sure bet for cold solder too (if the unit hasn't been stripped yet for hand soldering.) If I correctly guessed your 'vintage', FWIW it's usually not really a big deal; just take the time to carefully take the whole thing apart, inspecting all of the solder connection points I've mentioned under magnification (oh, I forgot, the PC mounted tube sockets too) and get to soldering. HTH, -Robert QTS http://www.Braught.com Real Email Addy : (remove NoSpam to reply; Duh!) |
#3
|
|||
|
|||
snip
Hi John, If we're talking the *late model* SVT Classic (which has channel switching, rear panel bias LEDs etc) instead of a 'classic' SVT (Magnavox): Solder. Solder. And then some more solder. They're known to get 'rimmed' AKA 'cold' solder connections at the multipin in-line internal connector headers (that will do just what you've described), as well as all of the panel mounted controls (front and rear, check the bias controls too!), FWIW the rear panel XLR direct out is a sure bet for cold solder too (if the unit hasn't been stripped yet for hand soldering.) If I correctly guessed your 'vintage', FWIW it's usually not really a big deal; just take the time to carefully take the whole thing apart, inspecting all of the solder connection points I've mentioned under magnification (oh, I forgot, the PC mounted tube sockets too) and get to soldering. HTH, -Robert Yes, you guessed correctly, and yes this is very helpful. now that you've mentioned this, the bias LEDs never would set up right. I was assuming that was somewhat related to the problem, but now I see that perhaps that *is* the problem. Thanks again, John |
#4
|
|||
|
|||
John Ray wrote: I have an Ampeg SVT classic that when hot either loses input signal, starts to crackle loudly, or both. Usually a good Fonzie will clear it up long enough to get through. I just don't want to start guessing / throwing parts at this thing. Any ideas where to start? Take it to a capable tech and get him to check all the electode voltages and currents in the amp. Patrick Turner. TIA John |
#5
|
|||
|
|||
Patrick Turner wrote: John Ray wrote: I have an Ampeg SVT classic that when hot either loses input signal, starts to crackle loudly, or both. Usually a good Fonzie will clear it up long enough to get through. I just don't want to start guessing / throwing parts at this thing. Any ideas where to start? Take it to a capable tech and get him to check all the electode voltages and currents in the amp. Patrick Turner. TIA John Hello Mr. Turner, Have you happened to work on one of these yet? FWIW kinda neat, as *it checks it's own* 'currents'(!) and will shut down completely (relay click, front panel light color changes) if any one of the six 6550 output tubes short, or the negative AB bias voltage disappears. Someone at SLM (St. Louis Music) spent some time with the slipstick to add what I would call real improvements, including being able to set static plate dissipation via 'go-nogo' LED indicators on the back. The 'classic' SVT's, on the other hand, were commendable IMO due to that fact that if one of the 6550's shorted (or 6146B's, first version) it would burn open a plate resistor *and keep on going*! (The show must go on!) More than once I've had a 'new owner' of an 'original' SVT come in here, completely unaware that they were only playing on 4 or 5 output tubes! Cheers, -Robert QTS http://www.Braught.com Real Email Addy : (remove NoSpam to reply : Duh!) |
#6
|
|||
|
|||
" wrote: Patrick Turner wrote: John Ray wrote: I have an Ampeg SVT classic that when hot either loses input signal, starts to crackle loudly, or both. Usually a good Fonzie will clear it up long enough to get through. I just don't want to start guessing / throwing parts at this thing. Any ideas where to start? Take it to a capable tech and get him to check all the electode voltages and currents in the amp. Patrick Turner. TIA John Hello Mr. Turner, Have you happened to work on one of these yet? FWIW kinda neat, as *it checks it's own* 'currents'(!) and will shut down completely (relay click, front panel light color changes) if any one of the six 6550 output tubes short, or the negative AB bias voltage disappears. Someone at SLM (St. Louis Music) spent some time with the slipstick to add what I would call real improvements, including being able to set static plate dissipation via 'go-nogo' LED indicators on the back. I also fit cathode current detectors which turn off the amp if one or more of the multiple output tubes goes wobbly. The 'classic' SVT's, on the other hand, were commendable IMO due to that fact that if one of the 6550's shorted (or 6146B's, first version) it would burn open a plate resistor *and keep on going*! (The show must go on!) A cathode resistor would be better, or else without a plate connection the screen would frizzle up and die real quick. Cathode fuses are not too bad, but active protection is so much better. More than once I've had a 'new owner' of an 'original' SVT come in here, completely unaware that they were only playing on 4 or 5 output tubes! At gigs you want to keep going if you loose tubes. I make hi-fi amps where the aim is to not allow the amp to burn a house down or make a fastidious and wealthy owner want to sue me. I use fuses AND active protection. I can't trust the men and women of Russia to always make me a perfect lot of tubes, and when you have 12 x 6550 tubes in channel you have 6 times the likelyhood of a random failure compared to when you have two tubes. But I use cathode bias, so no big deal if a tube fails, just plug one another in. Patrick Turner. Cheers, -Robert QTS http://www.Braught.com Real Email Addy : (remove NoSpam to reply : Duh!) |
#7
|
|||
|
|||
Patrick Turner wrote: " wrote: snip The 'classic' SVT's, on the other hand, were commendable IMO due to that fact that if one of the 6550's shorted (or 6146B's, first version) it would burn open a plate resistor *and keep on going*! (The show must go on!) A cathode resistor would be better, or else without a plate connection the screen would frizzle up and die real quick. FWIW I forgot to mention that they had individual screen resistors too, that would additionally open under duress. Cathode fuses are not too bad, but active protection is so much better. Agreed. More than once I've had a 'new owner' of an 'original' SVT come in here, completely unaware that they were only playing on 4 or 5 output tubes! At gigs you want to keep going if you loose tubes. I make hi-fi amps where the aim is to not allow the amp to burn a house down or make a fastidious and wealthy owner want to sue me. I use fuses AND active protection. I try to apply hazards analysis to the things I've designed, balancing circuit reliability against 'worse case failure scenarios' including immolation by fire; I'd like my stuff to stay working (safely!) under the most dire of circumstances (read that: out in The Real World! ;-) I can't trust the men and women of Russia to always make me a perfect lot of tubes, and when you have 12 x 6550 tubes in channel you have 6 times the likelyhood of a random failure compared to when you have two tubes. But I use cathode bias, so no big deal if a tube fails, just plug one another in. My partner here and I have joked that a smart robot arm attachment for some of the bigger amps would sell, one that could replace tubes automatically... Patrick Turner. Cheers, -Robert QTS http://www.Braught.com Real Email Addy : (remove NoSpam to reply : Duh!) |
Reply |
Thread Tools | |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Forum | |||
Snap, Crackle, Popping Dynaco PAS-2 | Vacuum Tubes | |||
Digital Tape Crackle Mystery | Pro Audio | |||
DAW crackle and its effects on monitors | Pro Audio | |||
snap, crackle and pop on mbox | Pro Audio |