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#1
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Guitar sound secret - Twin Peaks
Hi!
Could some one help how to achieve that guitar sound in the main theme of Twin Peaks. Maybe that was made with samples, but is there a way to get really that sound with a decent guitar setup/rig? Some simular sound can be heard in the beginning of Van Halen's song Right Now. Thanks a lot! Bence |
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#2
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Or is that a guitar and (let's say) a piano together, heavily compressed???
b. "Locsmándi Bence" az alábbiakat írta a következő hírüzenetben: ... Hi! Could some one help how to achieve that guitar sound in the main theme of Twin Peaks. Maybe that was made with samples, but is there a way to get really that sound with a decent guitar setup/rig? Some simular sound can be heard in the beginning of Van Halen's song Right Now. Thanks a lot! Bence |
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#3
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On 5/5/05 6:51 PM, in article , "Locsmándi
Bence" wrote: I don;t recall, but right off I'd go for a classic Fender 6-string bass and someone who knows how to get that out of it. |
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#4
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#5
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On Thu, 05 May 2005 22:50:34 GMT, "Locsmándi Bence"
wrote: Hi! Could some one help how to achieve that guitar sound in the main theme of Twin Peaks. Maybe that was made with samples, but is there a way to get really that sound with a decent guitar setup/rig? Some simular sound can be heard in the beginning of Van Halen's song Right Now. Thanks a lot! Baritone guitar or Fender VI? jtougas listen- there's a hell of a good universe next door let's go e.e. cummings |
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#7
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On 5/5/05 7:17 PM, in article , "Locsmándi
Bence" wrote: Could some one help how to achieve that guitar sound in the main theme of Twin Peaks. Maybe that was made with samples, but is there a way to get really that sound with a decent guitar setup/rig? Some simular sound can be heard in the beginning of Van Halen's song Right Now. Thanks a lot! You might well like this: http://www.pascalrecords.com/b_vanduras.html http://www.zptdudamusic.com/vanduras...ith_Robert.mp3 |
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#8
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No, no, no...
I've been thru of this Shadows thing when I was young. The reciepe for this is very well known... I wouldn't ask for that. Thanks b. "SSJVCmag" az alábbiakat írta a következo hírüzenetben: ... On 5/5/05 7:17 PM, in article , "Locsmándi Bence" wrote: Could some one help how to achieve that guitar sound in the main theme of Twin Peaks. Maybe that was made with samples, but is there a way to get really that sound with a decent guitar setup/rig? Some simular sound can be heard in the beginning of Van Halen's song Right Now. Thanks a lot! You might well like this: http://www.pascalrecords.com/b_vanduras.html http://www.zptdudamusic.com/vanduras...ith_Robert.mp3 |
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#9
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http://theband.hiof.no/articles/fender_bass_vi.html
http://www.vintageguitar.com/brands/details.asp?ID=96 On 5/5/05 7:07 PM, in article , "SSJVCmag" wrote: On 5/5/05 6:51 PM, in article , "Locsmándi Bence" wrote: I don;t recall, but right off I'd go for a classic Fender 6-string bass and someone who knows how to get that out of it. |
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#10
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So the Twin Peaks sound is NOT what you;re after?
I guess I got kinda lost then... Vince Bell + FenderVI = TP... On 5/5/05 7:56 PM, in article , "Locsmándi Bence" wrote: No, no, no... I've been thru of this Shadows thing when I was young. The reciepe for this is very well known... I wouldn't ask for that. Thanks b. "SSJVCmag" az alábbiakat írta a következo hírüzenetben: ... On 5/5/05 7:17 PM, in article , "Locsmándi Bence" wrote: Could some one help how to achieve that guitar sound in the main theme of Twin Peaks. Maybe that was made with samples, but is there a way to get really that sound with a decent guitar setup/rig? Some simular sound can be heard in the beginning of Van Halen's song Right Now. Thanks a lot! You might well like this: http://www.pascalrecords.com/b_vanduras.html http://www.zptdudamusic.com/vanduras...ith_Robert.mp3 |
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#11
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"Locsmándi Bence" wrote: achieve that guitar sound in the main theme of Twin Peaks. That one is, I believe, samples. Thing to do is use heavy strings tuned down a bit, the neck pickup, a light pick near the bridge, and of course tremolo on the amp. -- Jonathan Roberts * guitar, keyboards, vocals * North River Preservation ---------------------------------------------- To reach me reverse: moc(dot)xobop(at)ggestran |
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#12
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On Thu, 05 May 2005 23:28:37 GMT, SSJVCmag
wrote: On 5/5/05 7:17 PM, in article , "Locsmándi Bence" wrote: Could some one help how to achieve that guitar sound in the main theme of Twin Peaks. Maybe that was made with samples, but is there a way to get really that sound with a decent guitar setup/rig? Some simular sound can be heard in the beginning of Van Halen's song Right Now. Thanks a lot! Robert Smith played a Fender VI during the Cure Disintegration album, too. (for an example of use in a different context) jtougas listen- there's a hell of a good universe next door let's go e.e. cummings |
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#13
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#14
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1. Write some great music
2. Acquire vintage DanElectro six string bass. 3. Hire Vinnie Bell to play it. 4. Have good tube amp with a great tremelo sound. 5. Samples, my ass. On Thu, 05 May 2005 22:50:34 GMT, "Locsmándi Bence" wrote: Hi! Could some one help how to achieve that guitar sound in the main theme of Twin Peaks. Maybe that was made with samples, but is there a way to get really that sound with a decent guitar setup/rig? Some simular sound can be heard in the beginning of Van Halen's song Right Now. Thanks a lot! Bence |
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#15
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On Thu, 05 May 2005 23:59:18 GMT, SSJVCmag
wrote: So the Twin Peaks sound is NOT what you;re after? I guess I got kinda lost then... Vince Bell + FenderVI = TP... It's not a Fender... the Danelectro Baritone/6 string basses sound better, plus Vinnie Bell helped design them... I doubt he would be caught dead playing a Fender VI. Al On 5/5/05 7:56 PM, in article , "Locsmándi Bence" wrote: No, no, no... I've been thru of this Shadows thing when I was young. The reciepe for this is very well known... I wouldn't ask for that. Thanks b. "SSJVCmag" az alábbiakat írta a következo hírüzenetben: ... On 5/5/05 7:17 PM, in article , "Locsmándi Bence" wrote: Could some one help how to achieve that guitar sound in the main theme of Twin Peaks. Maybe that was made with samples, but is there a way to get really that sound with a decent guitar setup/rig? Some simular sound can be heard in the beginning of Van Halen's song Right Now. Thanks a lot! You might well like this: http://www.pascalrecords.com/b_vanduras.html http://www.zptdudamusic.com/vanduras...ith_Robert.mp3 |
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#17
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#18
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"playon" wrote in message
... It's not a Fender... the Danelectro Baritone/6 string basses sound better, plus Vinnie Bell helped design them... I doubt he would be caught dead playing a Fender VI. Well, I own all three of the instruments you mentioned - a Fender Bass VI, a Danelectro Baritone, and a Danelectro tic-tac (6 string bass for you east and west coasters). I wouldn't characterize the Fender as sounding worse than the Danos, only different. I use them all. -- Dave Martin DMA, Inc Nashville, TN |
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#19
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On 5/6/05 9:43 AM, in article
et, "Dave Martin" wrote: "playon" wrote in message ... It's not a Fender... the Danelectro Baritone/6 string basses sound better, plus Vinnie Bell helped design them... I doubt he would be caught dead playing a Fender VI. Well, I own all three of the instruments you mentioned - a Fender Bass VI, a Danelectro Baritone, and a Danelectro tic-tac (6 string bass for you east and west coasters). I wouldn't characterize the Fender as sounding worse than the Danos, only different. I use them all. The things you need to have in the studio to get that TP sound would start (and probably end) with the following: Angelo Badalamenti - Synthesizers and piano Kinny Landrum - Synthesizers Vinnie Bell - Electric guitars Eddie Dixon - Electric guitars Al Regni - Tenor saxophone, clarinet and flute Eddie Daniels - Flute and clarinet Grady Tate - Drums Julee Cruise - Vocals |
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#20
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On Fri, 06 May 2005 13:43:00 GMT, "Dave Martin"
wrote: "playon" wrote in message .. . It's not a Fender... the Danelectro Baritone/6 string basses sound better, plus Vinnie Bell helped design them... I doubt he would be caught dead playing a Fender VI. Well, I own all three of the instruments you mentioned - a Fender Bass VI, a Danelectro Baritone, and a Danelectro tic-tac (6 string bass for you east and west coasters). I wouldn't characterize the Fender as sounding worse than the Danos, only different. I use them all. Yeah you are right... I just prefer the sound of the Danos, it's classic. |
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#21
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On Fri, 06 May 2005 14:13:09 GMT, SSJVCmag
wrote: On 5/6/05 9:43 AM, in article . net, "Dave Martin" wrote: "playon" wrote in message ... It's not a Fender... the Danelectro Baritone/6 string basses sound better, plus Vinnie Bell helped design them... I doubt he would be caught dead playing a Fender VI. Well, I own all three of the instruments you mentioned - a Fender Bass VI, a Danelectro Baritone, and a Danelectro tic-tac (6 string bass for you east and west coasters). I wouldn't characterize the Fender as sounding worse than the Danos, only different. I use them all. The things you need to have in the studio to get that TP sound would start (and probably end) with the following: Angelo Badalamenti - Synthesizers and piano Kinny Landrum - Synthesizers Vinnie Bell - Electric guitars Eddie Dixon - Electric guitars Al Regni - Tenor saxophone, clarinet and flute Eddie Daniels - Flute and clarinet Grady Tate - Drums Julee Cruise - Vocals Grady Tate played on that? Wow he really had the old school crew on there. |
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#22
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"Locsmándi Bence" wrote in message ... Hi! Could some one help how to achieve that guitar sound in the main theme of Twin Peaks. Maybe that was made with samples, but is there a way to get really that sound with a decent guitar setup/rig? Some simular sound can be heard in the beginning of Van Halen's song Right Now. Thanks a lot! Bence I'll make a wild stab: a Gretsch Tennesseean One with lots of tremelo? -- Best Regards, Mark A. Weiss, P.E. www.mwcomms.com - |
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#23
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"Mark & Mary Ann Weiss" wrote in message
nk.net... I'll make a wild stab: a Gretsch Tennesseean One with lots of tremelo? That's the Duane Eddy sound, not the Twin Peaks sound. Close, though... -- Dave Martin DMA, Inc Nashville, TN |
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#24
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#25
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You can't teach class!
Tom "SSJVCmag" wrote in message ... On 5/6/05 6:35 PM, in article , "playon" wrote: On Fri, 06 May 2005 14:13:09 GMT, SSJVCmag wrote: On 5/6/05 9:43 AM, in article et, "Dave Martin" wrote: "playon" wrote in message ... It's not a Fender... the Danelectro Baritone/6 string basses sound better, plus Vinnie Bell helped design them... I doubt he would be caught dead playing a Fender VI. Well, I own all three of the instruments you mentioned - a Fender Bass VI, a Danelectro Baritone, and a Danelectro tic-tac (6 string bass for you east and west coasters). I wouldn't characterize the Fender as sounding worse than the Danos, only different. I use them all. The things you need to have in the studio to get that TP sound would start (and probably end) with the following: Angelo Badalamenti - Synthesizers and piano Kinny Landrum - Synthesizers Vinnie Bell - Electric guitars Eddie Dixon - Electric guitars Al Regni - Tenor saxophone, clarinet and flute Eddie Daniels - Flute and clarinet Grady Tate - Drums Julee Cruise - Vocals Grady Tate played on that? Wow he really had the old school crew on there. Oldschool scmoldschool... You want results, you hire good. My god... It ain't WHAT school... It's Good vs Blah. I was assisting live-recording a pretty decent jazz band last night... Turns out they were the break-band for a night of Big Money Raising for children;s hospital (who knew?) SET 1 -them SET 2 - diane schurr Set 3 THEM Set 4 Nancy Wilson Set 5 them Now Diane Schurr was marvelous but Wilson and her trio Absolutly Melted Everybody in the room ....AT HER 3-song SOUND CHECK.... 3 guys and a 70yr old lady in a jogging suit wandering around stage like she was looking for a lost pair of glasses tweaking monitors and stage details and oh-by-the-way making music that'd wipe every Jones/Keyes/Carey/Houston/Whomever-slaved-over-tweaked-edited 'performance' from the last decade into little potato-chip crumbs in the carpet. Her -set- was Something From Another Plane. Bob O knows why. So do at least a handfull of the regulars here. |
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#26
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FOR DISCUSSION:
I think indeed to a major degree class IS learned. Aside from perhaps some level of inate propensity to PAY ATTENTION, and a strong sense of self-assurance and poise (which again is as much nuture as nature)... how you carry yourself, how you choose in any situation to relate to what comes at you from others, how you insist on The Best -first- from yourself and then EXPECT it (and handle the lack of it with generosity, grace and style) from others, is first learned by watching others who do this well and naturally, and then CHOSEN as a Proper Manner for yourself. And -with- all og that, it sure makes a difference to have -It-. On 5/7/05 2:49 PM, in article et, "Tommy B" wrote: You can't teach class! Tom The things you need to have in the studio to get that TP sound would start (and probably end) with the following: Angelo Badalamenti - Synthesizers and piano Kinny Landrum - Synthesizers Vinnie Bell - Electric guitars Eddie Dixon - Electric guitars Al Regni - Tenor saxophone, clarinet and flute Eddie Daniels - Flute and clarinet Grady Tate - Drums Julee Cruise - Vocals Grady Tate played on that? Wow he really had the old school crew on there. Oldschool scmoldschool... You want results, you hire good. My god... It ain't WHAT school... It's Good vs Blah. I was assisting live-recording a pretty decent jazz band last night... Turns out they were the break-band for a night of Big Money Raising for children;s hospital (who knew?) SET 1 -them SET 2 - diane schurr Set 3 THEM Set 4 Nancy Wilson Set 5 them Now Diane Schurr was marvelous but Wilson and her trio Absolutly Melted Everybody in the room ....AT HER 3-song SOUND CHECK.... 3 guys and a 70yr old lady in a jogging suit wandering around stage like she was looking for a lost pair of glasses tweaking monitors and stage details and oh-by-the-way making music that'd wipe every Jones/Keyes/Carey/Houston/Whomever-slaved-over-tweaked-edited 'performance' from the last decade into little potato-chip crumbs in the carpet. Her -set- was Something From Another Plane. Bob O knows why. So do at least a handfull of the regulars here. |
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#27
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On Sat, 07 May 2005 17:06:28 GMT, SSJVCmag
wrote: On 5/6/05 6:35 PM, in article , "playon" wrote: Grady Tate played on that? Wow he really had the old school crew on there. Oldschool scmoldschool... You want results, you hire good. My god... It ain't WHAT school... It's Good vs Blah. I didn't mean anything in particular by using that phrase, it's just that I was surprised as I hadn't seen Grady Tate's name on anything for a long time & didn't realize he played on that stuff. I was assisting live-recording a pretty decent jazz band last night... Turns out they were the break-band for a night of Big Money Raising for children;s hospital (who knew?) SET 1 -them SET 2 - diane schurr Set 3 THEM Set 4 Nancy Wilson Set 5 them Now Diane Schurr was marvelous but Wilson and her trio Absolutly Melted Everybody in the room ....AT HER 3-song SOUND CHECK.... I'm a person who just doesn't "get" Diane Schurr. I know she's a pro and has mass chops but stylistically it's not my thing. Al |
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#28
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SSJVCmag wrote:
FOR DISCUSSION: I think indeed to a major degree class IS learned. Aside from perhaps some level of inate propensity to PAY ATTENTION, and a strong sense of self-assurance and poise (which again is as much nuture as nature)... how you carry yourself, how you choose in any situation to relate to what comes at you from others, how you insist on The Best -first- from yourself and then EXPECT it (and handle the lack of it with generosity, grace and style) from others, is first learned by watching others who do this well and naturally, and then CHOSEN as a Proper Manner for yourself. And -with- all og that, it sure makes a difference to have -It-. What are you going on about?? |
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#29
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"Joe Sensor" wrote in message... What are you going on about?? "It", man... "it" !! Either we have "it" or we don't. Do you still have yours? |
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#30
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Experience & observation seem to be the best teaching method.
Humility can't be taught, but it sure can be learned. Motown used to teach it's acts how to dress, speak etc., but this is not class, cause it's an "outside job" True class comes from within, like humility,IMHO. A wise man once said to me, Trust the Art, not the Artist. Then there's the "Golden Rule", now that's class! Tom "SSJVCmag" wrote in message ... FOR DISCUSSION: I think indeed to a major degree class IS learned. Aside from perhaps some level of inate propensity to PAY ATTENTION, and a strong sense of self-assurance and poise (which again is as much nuture as nature)... how you carry yourself, how you choose in any situation to relate to what comes at you from others, how you insist on The Best -first- from yourself and then EXPECT it (and handle the lack of it with generosity, grace and style) from others, is first learned by watching others who do this well and naturally, and then CHOSEN as a Proper Manner for yourself. And -with- all og that, it sure makes a difference to have -It-. On 5/7/05 2:49 PM, in article et, "Tommy B" wrote: You can't teach class! Tom The things you need to have in the studio to get that TP sound would start (and probably end) with the following: Angelo Badalamenti - Synthesizers and piano Kinny Landrum - Synthesizers Vinnie Bell - Electric guitars Eddie Dixon - Electric guitars Al Regni - Tenor saxophone, clarinet and flute Eddie Daniels - Flute and clarinet Grady Tate - Drums Julee Cruise - Vocals Grady Tate played on that? Wow he really had the old school crew on there. Oldschool scmoldschool... You want results, you hire good. My god... It ain't WHAT school... It's Good vs Blah. I was assisting live-recording a pretty decent jazz band last night... Turns out they were the break-band for a night of Big Money Raising for children;s hospital (who knew?) SET 1 -them SET 2 - diane schurr Set 3 THEM Set 4 Nancy Wilson Set 5 them Now Diane Schurr was marvelous but Wilson and her trio Absolutly Melted Everybody in the room ....AT HER 3-song SOUND CHECK.... 3 guys and a 70yr old lady in a jogging suit wandering around stage like she was looking for a lost pair of glasses tweaking monitors and stage details and oh-by-the-way making music that'd wipe every Jones/Keyes/Carey/Houston/Whomever-slaved-over-tweaked-edited 'performance' from the last decade into little potato-chip crumbs in the carpet. Her -set- was Something From Another Plane. Bob O knows why. So do at least a handfull of the regulars here. |
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#31
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On 5/7/05 5:55 PM, in article 4Pafe.1660$hb1.105@trnddc05, "David Morgan
(MAMS)" wrote: "Joe Sensor" wrote in message... What are you going on about?? "It", man... "it" !! Either we have "it" or we don't. Do you still have yours? Some people just don't get It. |
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#32
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Hello,
I'm the guy who actually did that sound and it was a sample of a Duane Eddy-type guitar on my Emulator 2. It was pitched down into the bass register. David asked me to put "something 50s" on the track, and Angelo just turned and looked away, like it was my problem. So I rejected the usual cliches like high triplets on the piano and realized there was no bass on the record. (The theme was originally a song called "Falling" that David and Angelo wrote for Julee Cruise.) There were low keyboards and strings but no bass per se so I said to David "I have this Duane Eddy type guitar sound, perhaps we could pitch it in the bass register." He said, let's hear it, heard a few notes, and to his everlasting credit (because he didn't make me jump through any more hoops) said, that's it, record it. Now remember that an E2 could only do an octave of transposition either way, and this was a sample of a guitar low A, but fortunately the lowest note I needed was Bb. And the "tremolo" was done solely in the E2, by amplitude modulation, something sorely missed on most of today's keyboards. Although Vinnie played on the soundtrack, and has always been a good friend to me, and although I understand he later doubled it or something, Art Polhemus the engineer says my sample was all that was used in the finished mix. That's my story, and I'm sticking to it. Kinny Landrum SSJVCmag wrote: On 5/6/05 9:43 AM, in article et, "Dave Martin" wrote: "playon" wrote in message ... It's not a Fender... the Danelectro Baritone/6 string basses sound better, plus Vinnie Bell helped design them... I doubt he would be caught dead playing a Fender VI. Well, I own all three of the instruments you mentioned - a Fender Bass VI, a Danelectro Baritone, and a Danelectro tic-tac (6 string bass for you east and west coasters). I wouldn't characterize the Fender as sounding worse than the Danos, only different. I use them all. The things you need to have in the studio to get that TP sound would start (and probably end) with the following: Angelo Badalamenti - Synthesizers and piano Kinny Landrum - Synthesizers Vinnie Bell - Electric guitars Eddie Dixon - Electric guitars Al Regni - Tenor saxophone, clarinet and flute Eddie Daniels - Flute and clarinet Grady Tate - Drums Julee Cruise - Vocals |
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#33
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Some days this place goes from ******s to wonders.
It's those thinly-distributed days that make it worthwhile... I suppose there's a lesson here to as to examining why there are folks that really CARE how these things happen, no matter WHAT the result to the audience's ears. Quiz Monday. On 5/13/05 7:58 AM, in article , " wrote: Hello, I'm the guy who actually did that sound and it was a sample of a Duane Eddy-type guitar on my Emulator 2. It was pitched down into the bass register. David asked me to put "something 50s" on the track, and Angelo just turned and looked away, like it was my problem. So I rejected the usual cliches like high triplets on the piano and realized there was no bass on the record. (The theme was originally a song called "Falling" that David and Angelo wrote for Julee Cruise.) There were low keyboards and strings but no bass per se so I said to David "I have this Duane Eddy type guitar sound, perhaps we could pitch it in the bass register." He said, let's hear it, heard a few notes, and to his everlasting credit (because he didn't make me jump through any more hoops) said, that's it, record it. Now remember that an E2 could only do an octave of transposition either way, and this was a sample of a guitar low A, but fortunately the lowest note I needed was Bb. And the "tremolo" was done solely in the E2, by amplitude modulation, something sorely missed on most of today's keyboards. Although Vinnie played on the soundtrack, and has always been a good friend to me, and although I understand he later doubled it or something, Art Polhemus the engineer says my sample was all that was used in the finished mix. That's my story, and I'm sticking to it. Kinny Landrum SSJVCmag wrote: On 5/6/05 9:43 AM, in article et, "Dave Martin" wrote: "playon" wrote in message ... It's not a Fender... the Danelectro Baritone/6 string basses sound better, plus Vinnie Bell helped design them... I doubt he would be caught dead playing a Fender VI. Well, I own all three of the instruments you mentioned - a Fender Bass VI, a Danelectro Baritone, and a Danelectro tic-tac (6 string bass for you east and west coasters). I wouldn't characterize the Fender as sounding worse than the Danos, only different. I use them all. The things you need to have in the studio to get that TP sound would start (and probably end) with the following: Angelo Badalamenti - Synthesizers and piano Kinny Landrum - Synthesizers Vinnie Bell - Electric guitars Eddie Dixon - Electric guitars Al Regni - Tenor saxophone, clarinet and flute Eddie Daniels - Flute and clarinet Grady Tate - Drums Julee Cruise - Vocals |
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#34
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Well hush my mouth...
On 13 May 2005 04:58:06 -0700, " wrote: Hello, I'm the guy who actually did that sound and it was a sample of a Duane Eddy-type guitar on my Emulator 2. It was pitched down into the bass register. David asked me to put "something 50s" on the track, and Angelo just turned and looked away, like it was my problem. So I rejected the usual cliches like high triplets on the piano and realized there was no bass on the record. (The theme was originally a song called "Falling" that David and Angelo wrote for Julee Cruise.) There were low keyboards and strings but no bass per se so I said to David "I have this Duane Eddy type guitar sound, perhaps we could pitch it in the bass register." He said, let's hear it, heard a few notes, and to his everlasting credit (because he didn't make me jump through any more hoops) said, that's it, record it. Now remember that an E2 could only do an octave of transposition either way, and this was a sample of a guitar low A, but fortunately the lowest note I needed was Bb. And the "tremolo" was done solely in the E2, by amplitude modulation, something sorely missed on most of today's keyboards. Although Vinnie played on the soundtrack, and has always been a good friend to me, and although I understand he later doubled it or something, Art Polhemus the engineer says my sample was all that was used in the finished mix. That's my story, and I'm sticking to it. Kinny Landrum SSJVCmag wrote: On 5/6/05 9:43 AM, in article et, "Dave Martin" wrote: "playon" wrote in message ... It's not a Fender... the Danelectro Baritone/6 string basses sound better, plus Vinnie Bell helped design them... I doubt he would be caught dead playing a Fender VI. Well, I own all three of the instruments you mentioned - a Fender Bass VI, a Danelectro Baritone, and a Danelectro tic-tac (6 string bass for you east and west coasters). I wouldn't characterize the Fender as sounding worse than the Danos, only different. I use them all. The things you need to have in the studio to get that TP sound would start (and probably end) with the following: Angelo Badalamenti - Synthesizers and piano Kinny Landrum - Synthesizers Vinnie Bell - Electric guitars Eddie Dixon - Electric guitars Al Regni - Tenor saxophone, clarinet and flute Eddie Daniels - Flute and clarinet Grady Tate - Drums Julee Cruise - Vocals |
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#35
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kinny landrum wrote: Art Polhemus the engineer says my sample was all that was used in the finished mix. Sounds like a sample to me, based on the attack -- but it still sounds neat. Time came to load up my little iPod Shuffle for a car trip recently I stuck both the instrumental and "Falling" versions in there and enjoyed hearing them both. Thanks! -- Jonathan Roberts * guitar, keyboards, vocals * North River Preservation ---------------------------------------------- To reach me reverse: moc(dot)xobop(at)ggestran |
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#36
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SSJVCmag wrote: I suppose there's a lesson here to as to examining why there are folks that really CARE how these things happen, no matter WHAT the result to the audience's ears. Welp, there are good ways and bad ways to do just about everything. If you take the time to them the good way, someone will notice. -- Jonathan Roberts * guitar, keyboards, vocals * North River Preservation ---------------------------------------------- To reach me reverse: moc(dot)xobop(at)ggestran |
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#37
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By the way, if anyone wants that E2 sample, I ported it over years ago,
and have it as an AIFF file somewhere, with a loop I belive (but no amplitude modulation, obviously; you have to do that yourself). If you can tell me how to post it here, I'll do it. Kinny Landrum |
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#38
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