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Mic questions for speech only (no singing) under $500.
Background: New to recording. Using a computer, M-Audio MobilePre
(because it accepts XLR and outputs USB), and a Symetrix 528e voice processor. Need: A microphone for recording the male voice. Questions: 1. Is there a "you can't go wrong" brand? I have seen a lot of references to Audio Technica, and the reviews online for their various mics seem good, and their selling price on Ebay seems to be pretty good. (I take the Ebay sale price as a barometer of "street value.") 2. I am assuming that a condenser mic is what I need, not a dynamic. If this is not the case, please let me know. Also, what about the "tube" mic (the AT3060)? 3. I am under the impression, probably from TV or movies, that the "side-address" style is the best one to get, if I'm going to be recording sitting still in a room talking or reading. Is this true? I look at specs and reviews, but the specs tell me all the thresholds, which I don't really understand, and most reviewers are using them for musical needs -- I haven't been able to find any equipment reviews for people using them strictly for speech. 4. Where should I position the mic and myself? Do I put it right in front of my face, or a foot away, or at an angle, or something else entirely? I have a desktop mic stand and a 6" pop filter for it. 5. I "get" that buying a cheaper mic is doing myself a disservice, and that I should buy quality if I want quality sound. But I can get an AT mic for anywhere from $99 to $1,099. Along the way, there are mics at $100 intervals from $99 to $599, then the jump to the $1,099. If I just dismiss the top one, how seriously should I take the others? I mean, if it's worth spending that much, then is the $99 mic garbage, relatively? If the $299 is good, but the $399 is better, I'd rather wait and get the $399 instead. But if the $199 is plenty good for me, and the superior qualities of the $299 wouldn't bring an appreciable difference, then I'd rather get the $199. I'm not looking to just sink as many dollars as possible into a mic so I can feel good about it. I really just want to create the best sound possible in my humble "studio." 6. Are there any websites or books that will help me adjust my microphone placement and voice processor? I have tried "trial and error," and can definitely hear that some things sound lousy, but I just don't have the know-how to "tweak" it into something that shines. What I'm going for, I think, is to have the playback sound just like my actual voice, without any deadening of the sound and brightness, but also trying a little de-essing and, if possible, boosting the intelligability of the actual words to make my recordings very easy to listen to. I know I'm asking a lot here, of pros who have put in their own time and effort to learn this stuff. I do wish that this was something I can "figure out" on my own, if I put enough time into it, which I'm willing to do. But I think I need some direction to prevent me from spinning my wheels. Thanks all, Shawn |
#3
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"hank alrich" wrote in message .. . wrote: I know I'm asking a lot here, of pros who have put in their own time and effort to learn this stuff. I do wish that this was something I can "figure out" on my own, if I put enough time into it, which I'm willing to do. But I think I need some direction to prevent me from spinning my wheels. A surprising number of times, an excellent choice for spoken word is not a condenser mic, but the Electro-Voice RE-20. I believe it's the most widely used microphone at radio stations, and with good reason. Peace, Paul |
#4
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"Paul Stamler" wrote in message ... "hank alrich" wrote in message .. . wrote: I know I'm asking a lot here, of pros who have put in their own time and effort to learn this stuff. I do wish that this was something I can "figure out" on my own, if I put enough time into it, which I'm willing to do. But I think I need some direction to prevent me from spinning my wheels. A surprising number of times, an excellent choice for spoken word is not a condenser mic, but the Electro-Voice RE-20. I believe it's the most widely used microphone at radio stations, and with good reason. Peace, Paul With 26 RE-20 mics spread through 10 studios and booths i'd say the good reason is that they sound fine on almost any voice and almost any resonable mic tecnique. A few of the deep voiced male anouncers prefer the shure SM-7 because they can use "proximity effect" to make themselves sound even deeper. The senheiser md 421 and sometimes the senheiser md 441 mic are other classic choices |
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