Home |
Search |
Today's Posts |
#1
![]() |
|||
|
|||
![]()
I am in a process of recording intensive drums tracks for a dynamic
CD. These are rather ethnic drums like various kind of djembes, frame drums, small percussions etc. The tracks will be played by one or two players at a time. I have already recorded something before, using a Schoeps omni stereo pair (MK2). While it did not sound bad, it could have had slightly more space, punch and clarity. I have just arrived to completing "full power" 4 recording channels: 3 pairs of Schoeps (MK21, MK2, MK4V), 4 ch Millennia and 4 ch Lavry AD. Would it be beneficial to use 2 pairs array for recording these drums ? Like 2 close mics (MK21 or MK4V) and one more distant ambience ("overhead") omni pair ? I tried a small sample just now, with a single djembe, using MK4V as closed mics and MK2 as a "spacy" pair and when mixed properly together, it sounded quite well (better than any single pair). When recording a frame "shamanic" drum I heard slight "phase" issues. What would be a recommended starting point for 4 mics array(position, distance) for one or two drummers in action, to get nice, very dynamic, spacy drumming sound ? The room is of smaller size, quite neutral, acoustically treated. Thanks in advance for an advice (I have never done this before). Ivo www.savita.cz |
Thread Tools | |
Display Modes | |
|
|
![]() |
||||
Thread | Forum | |||
recording drums on two tracks | Tech | |||
common mode rejection vs. crosstalk | Pro Audio | |||
Ferstler on recording | Audio Opinions | |||
Topic Police | Pro Audio |