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#1
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Its part of bunch of gear I might buy as a package. I'm trying to guess
what stuff I'm likely to resell if I buy. I watched a youtube clip of a guy playing a stereo and clicking it on and off and it seems to improve the music. Does anyone use one of these for recording? |
#2
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On Mar 18, 1:00*am, "yrret" wrote:
Its part of bunch of gear I might buy as a package. * I'm trying to guess what stuff I'm likely to resell if I buy. *I watched a youtube clip of a guy playing a stereo and clicking it on and off and it seems to improve the music. *Does anyone use one of these for recording? Not sure I can explain it off the top of my head, but here's BBE's description of it: ---Original Text--- http://www.bbesound.com/technologies/BBE_HDS/ Functional Overview: BBE High Definition Sound compensates for phase and amplitude distortion, restoring the brilliance and clarity of the original content material. The BBE High Definition Sound process begins by applying a linear phase shift across the full frequency range of the signal, which allows the speaker system to reproduce the transients and harmonics in the correct order. The BBE process then compensates for speaker amplitude distortion by progressively boosting lower and higher frequencies, and doing so within the context of the phase correction process. This efficiently creates a fuller, richer sound without excess equalization. ----- |
#3
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On 18 maalis, 08:06, nebulax wrote:
On Mar 18, 1:00*am, "yrret" wrote: Its part of bunch of gear I might buy as a package. * I'm trying to guess what stuff I'm likely to resell if I buy. *I watched a youtube clip of a guy playing a stereo and clicking it on and off and it seems to improve the music. *Does anyone use one of these for recording? Not sure I can explain it off the top of my head, but here's BBE's description of it: ---Original Text---http://www.bbesound.com/technologies/BBE_HDS/ Functional Overview: BBE High Definition Sound compensates for phase and amplitude distortion, restoring the brilliance and clarity of the original content material. The BBE High Definition Sound process begins by applying a linear phase shift across the full frequency range of the signal, which allows the speaker system to reproduce the transients and harmonics in the correct order. The BBE process then compensates for speaker amplitude distortion by progressively boosting lower and higher frequencies, and doing so within the context of the phase correction process. This efficiently creates a fuller, richer sound without excess equalization. ----- Yep. And if it feels like it's hard to understand, what it in layman's terms does, extra-simplified and cutting corners, is it sort of divides the audio in three frequency ranges like a crossover, sort of, and then delays the mid and bass ranges a tiny little (bass the most) so that the high transients get to 'ring out' before they are masked by the lows, thus creating a brighter, more airy sound. They are good but easy to overuse, they tend to sound very good but later you may realize it was all glitter...but they're good. I use one for guitar, allows me to dial in a basically dark and non-fizzy sound but still be clear and bright. Cheers, Dee |
#4
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On Mar 18, 12:00*am, "yrret" wrote:
Its part of bunch of gear I might buy as a package. * I'm trying to guess what stuff I'm likely to resell if I buy. *I watched a youtube clip of a guy playing a stereo and clicking it on and off and it seems to improve the music. *Does anyone use one of these for recording? No, not for recording. It's a playback device, or for SR for PA systems. rd |
#5
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On Mar 18, 4:32*am, DeeAa wrote:
They are good but easy to overuse, they tend to sound very good but later you may realize it was all glitter...but they're good. I use one for guitar, allows me to dial in a basically dark and non-fizzy sound but still be clear and bright. I was thinking the same. Used one on mixes for a year or so during an era of TEAC 3440 4 track mixes and it definitely helped. When that era moved on it went into the closet and didn't much return. But now it finds its way into a direct guitar path sometimes just for yocks. It's really no more evil for that than any other way of making a direct guitar spank a little more. It also truly helped a v/o track where the talent seemed to simply not have anything over 6khz coming out of his mouth. That was a mix thing, naturally, not recorded with. People love to flame it, but it's just another tool. The way it was promoted when it first came out, as a magic bullet, was a turnoff for sure. It's no MB. They're no natural solution for dullness, but the old balanced, +4 version I have is not the most worthless thing I've held on to. The unbalanced, -10 version from those days is really crappy sounding, though. Not good for anything. |
#6
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In article , yrret wrote:
Its part of bunch of gear I might buy as a package. I'm trying to guess what stuff I'm likely to resell if I buy. I watched a youtube clip of a guy playing a stereo and clicking it on and off and it seems to improve the music. Does anyone use one of these for recording? It's a device that adds high order even harmonic distortion to make things sound brighter. It's a useful device for salvaging poorly-made tracks, but it's one of those things where a little bit goes a long way and any more than a little is way too much. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#7
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nebulax wrote:
Not sure I can explain it off the top of my head, but here's BBE's description of it: ---Original Text--- http://www.bbesound.com/technologies/BBE_HDS/ Functional Overview: BBE High Definition Sound compensates for phase and amplitude distortion, restoring the brilliance and clarity of the original content material. The BBE High Definition Sound process begins by applying a linear phase shift across the full frequency range of the signal, which allows the speaker system to reproduce the transients and harmonics in the correct order. The BBE process then compensates for speaker amplitude distortion by progressively boosting lower and higher frequencies, and doing so within the context of the phase correction process. This efficiently creates a fuller, richer sound without excess equalization. Unfortunately this description is mostly crap. What BBE has claimed for decades is that their device is a group delay box used for fixing group delay problems... but if you actually try using an all-pass filter like the Little Labs device which adds controlled group delay, you'll find that it is a much more subtle effect with a totally different sound. The BBE marketing isn't accurate at all here, and the real effect that makes the sound is unrelated to whatever group delay the filter adds. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#8
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On Mar 18, 6:59*am, (Scott Dorsey) wrote:
It's a device that adds high order even harmonic distortion to make things sound brighter. *It's a useful device for salvaging poorly-made tracks, but it's one of those things where a little bit goes a long way and any more than a little is way too much. --scott I have some old tapes that I have digitized as best I can but they were originally recorded pretty dull. I was thinking about using an 'exciter' plugin to brighten them up some. Can anyone recommend a plugin that will do the trick for not too much? thanks, Albert |
#9
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Albert wrote:
On Mar 18, 6:59=A0am, (Scott Dorsey) wrote: It's a device that adds high order even harmonic distortion to make thing= s sound brighter. =A0It's a useful device for salvaging poorly-made tracks,= but it's one of those things where a little bit goes a long way and any more = than a little is way too much. I have some old tapes that I have digitized as best I can but they were originally recorded pretty dull. I was thinking about using an 'exciter' plugin to brighten them up some. Can anyone recommend a plugin that will do the trick for not too much? I don't know about plugins, but you can buy a used Aural Exciter or Sonic Maximizer for cheap, then resell it for more than you paid when you are finished with it. However, if you are talking about a tape... make SURE you have a good transcription with correct azimuth on playback and the correct head configuration before you do anything else. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#10
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On Mar 18, 6:16*pm, (Scott Dorsey) wrote:
Albert wrote: On Mar 18, 6:59=A0am, (Scott Dorsey) wrote: It's a device that adds high order even harmonic distortion to make thing= s sound brighter. =A0It's a useful device for salvaging poorly-made tracks,= but it's one of those things where a little bit goes a long way and any more = than a little is way too much. I have some old tapes that I have digitized as best I can but they were originally recorded pretty dull. I was thinking about using an 'exciter' plugin to brighten them up some. Can anyone recommend a plugin that will do the trick for not too much? I don't know about plugins, but you can buy a used Aural Exciter or Sonic Maximizer for cheap, then resell it for more than you paid when you are finished with it. However, if you are talking about a tape... make SURE you have a good transcription with correct azimuth on playback and the correct head configuration before you do anything else. --scott -- "C'est un Nagra. *C'est suisse, et tres, tres precis." I tried a lot of those devices. In my quest for highs. Concluded fix it in the mix. Sold them all. It was fun though. 1. Aphex type c = my favorite. 2. Aphex type c = with big bottom by spinal tap 3. Aphex type 3 = more control has solo buttons. HF's will kill roaches. 4. BBE 462 = very good for a few things. 5. DBX's version = not good 6. Rocktron= Blah blah. 7. Spectralizer (plug in) = I still use if the mix is not right. ( This was brought to you by TMM high end buying binge no.1) Glenn. |
#11
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On Mar 18, 10:59*am, (Scott Dorsey) wrote:
In article , yrret wrote: Its part of bunch of gear I might buy as a package. * I'm trying to guess what stuff I'm likely to resell if I buy. *I watched a youtube clip of a guy playing a stereo and clicking it on and off and it seems to improve the music. *Does anyone use one of these for recording? It's a device that adds high order even harmonic distortion to make things sound brighter. * Scott, you're putting the Aphex "Aural Exciter" and the BBE in the same bucket. If he's talking about a "Sonic Maximizer it'll be the BBE. I don't believe the BBE adds high order even harmonic distortion, which is the Aphex's strategy. Unless you're saying they're boosted as a result of the delays? I was under the impression there wasn't any overlap between them. ? |
#12
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#13
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In article ,
wrote: On Mar 18, 10:59=A0am, (Scott Dorsey) wrote: In article , yrret = wrote: Its part of bunch of gear I might buy as a package. =A0 I'm trying to gu= ess what stuff I'm likely to resell if I buy. =A0I watched a youtube clip of= a guy playing a stereo and clicking it on and off and it seems to improve the music. =A0Does anyone use one of these for recording? It's a device that adds high order even harmonic distortion to make thing= s sound brighter. =A0 Scott, you're putting the Aphex "Aural Exciter" and the BBE in the same bucket. If he's talking about a "Sonic Maximizer it'll be the BBE. I don't believe the BBE adds high order even harmonic distortion, which is the Aphex's strategy. Unless you're saying they're boosted as a result of the delays? I was under the impression there wasn't any overlap between them. ? No, they are both in the same category, in spite of the BBE marketing. However, the distortion spectra is very different between the two, and you might like one more than the other... I think the BBE is a little less in-your-face about it than the Aphex. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#14
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nebulax wrote:
Functional Overview: BBE High Definition Sound compensates for phase and amplitude distortion, restoring the brilliance and clarity of the original content material. The BBE High Definition Sound process begins by applying a linear phase shift across the full frequency range of the signal, which allows the speaker system to reproduce the transients and harmonics in the correct order. Wow! A linear phase shift across the whole spectrum! What a concept: A TIME SHIFT! I own a TV with "BBE Sound Process" in it .... it does change sound, but, with four foot speaker separation and 4 inch speakers, it still sounds like an old table radio. Doug McDonald |
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