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((This might be a little too on-topic for r.a.o, but I'll chance it anyway.
Bret.)) The poet of the piano in the Romantic age of Nationalism "As it did with Beethoven and Bach, so BBC Radio 3 is dedicating a period of unbroken play-time to the greatest of piano composers, Frédéric Chopin (1810-1849). The Chopin Experience will last be broadcast over 17-18 May 2008. It will include all his compositional output, about which a fellow genius wrote:- He did not task himself, nor study to be a national musician. Like all truly national poets he sang spontaneously without premeditated design or preconceived choice all that inspiration dictated to him, as we hear it gushing forth in his songs without labor, almost without effort. He repeated in the most idealized form the emotions which had animated and embellished his youth; under the magic delicacy of his pen he displayed the Ideal, which is, if we may be permitted so to speak, the Real among his people; an Ideal really in existence among them, which every one in general and each one in particular approaches by the one or the other of its many sides. Without assuming to do so, he collected in luminous sheaves the impressions felt everywhere throughout his country - vaguely felt it is true, yet in fragments pervading all hearts. Is it not by this power of reproducing in a poetic formula, enchanting to the imagination of all nations, the indefinite shades of feeling widely scattered but frequently met among their compatriots, that the artists truly national are distinguished? ... Chopin must be ranked among the first musicians thus individualizing in themselves the poetic sense of an entire nation, not because he adopted the rhythm of POLONAISES, MAZOURKAS, and CRACOVIENNES, and called many of his works by such names, for in so doing he would have limited himself to the multiplication of such works alone, and would always have given us the same mode, the remembrance of the same thing; a reproduction which would soon have grown wearisome, serving but to multiply compositions of similar form, which must have soon grown more or less monotonous. It is because he filled these forms with the feelings peculiar to his country, because the expression of the national heart may be found under all the modes in which he has written, that he is entitled to be considered a poet essentially Polish. His PRELUDES, his NOCTURNES, his SCHERZOS, his CONCERTOS, his shortest as well as his longest compositions, are all filled with the national sensibility, expressed indeed in different degrees, modified and varied in a thousand ways, but always bearing the same character. From Franz Liszts Life of Chopin. The Chopin Experience can be appreciated on-line, of course, and for 7 days after broadcast. " http://majorityrights.com/index.php/...natio nalism/ -- Message posted using http://www.talkaboutaudio.com/group/rec.audio.opinion/ More information at http://www.talkaboutaudio.com/faq.html |
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