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#1
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8 input soundcard with preamps my best solution?
Hi, I'm just about to spend a lot of cash (to me!) on a system and wondered if I'm going the right way about it. I'd be really grateful for any comments - Just need some reassurance I'm getting the right gadget for the job! Thanks in advance! Here's what I want to do: I want to record a live drum kit keeping each individual drum on a separate track in cubase, now because my bedroom is my studio and the room sound isn't very good, I'm planning on replacing my drum sounds with drumagog running on each channel. Thus my rubbish kit sounds brilliant! I was thinking about getting the "PreSonus FireStudio Project - 10x10 FireWire Interface w/ 8 Preamps" http://www.meconline.co.uk/acatalog/...TUDIOPROJ.html ...allowing me to record my drums using a bunch of cheap mics I have, as it has preamps on each channel, so drumagog gets nice fat wavs to look at and replace. (Almost all other 8 input cards only seem to accept line level inputs which is no good for my kit and a bunch of mics) So for about £350 spent on this hardware and about £200 on drumagog, I'm hoping to get an amazing sounding drum kit! I've tried alternative ways to achieve a good drum sound like using the LM7 in cubase and programming beats "by mouse", but it just sounds horribly fake to me (the samples sound like some 80's keyboard!). Also tried using my current soundblaster card's midi drumkit samples but they sound equally horrible! Is the above the best way for me to have the feel of a real drummer, combined with a great actual drum sound for about £500? (1,000 USD) I just have a couple of other questions in addition to the above if that's cool... * I gather the above gadget connects via firewire. Will I still be able to send my click generated by cubase to my drummers monitoring headphones? I read somehwhere you can't sync clocks using firewire but don't think that can be correct can it??? * I don't recognise what physical connectors are on the presonus FP - are they xlr connectors like you get on most mics or are they 1/4 inch jacks like you get on guitar leads? Or are they some kind of weird "either/or" hybrid I've never seen before?! Sorry for being dumb! * I currently have a new soundblaster card and was wondering if this would still be a part of my system or whether the presonus FP would replace it? (Do I need an additional soundcard or does the presonus do it all?!) * I've not heard of presonus, are they reliable? Is it likely to run on vista (which I have) and are the drivers stable and regularly updated? Again, many thanks for any comments or advice!! Paul M. England. |
#2
Posted to rec.audio.pro
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8 input soundcard with preamps my best solution?
On Mar 31, 11:21 am, wrote:
I want to record a live drum kit keeping each individual drum on a separate track in cubase, now because my bedroom is my studio and the room sound isn't very good, I'm planning on replacing my drum sounds with drumagog running on each channel. Thus my rubbish kit sounds brilliant! This is wishful thinking. I suspect that it won't work that brilliantly in practice since with a small room and lots of mics, you won't have good enough separation on the tracks for Drumagog to figure out what to do. You can go through your drum tracks meticulously, muting all the leakage so that Drumagog doesn't think that a tom hit is a snare hit and so on. This is very time consuming, though. You might find that your money is better spent going to a studio with good mics and good drums, and just record good tracks to begin with. But some people insist on doing things the hard ware just to maintain "control." I was thinking about getting the "PreSonus FireStudio Project - 10x10 FireWire Interface That's a perfectly reasonable choice. Not the best in the business, but decent for the money. I don't know how it sounds in comparison to everything else like it, but you might want to take a look and listen to the Focusrite Saffire Pro10 or for a better buy for a little more money, the Pro26. I thought those sounded really good, but the software control panel ("mixer") for the Presonus you're looking at is much more flexible and friendly. So for about £350 spent on this hardware and about £200 on drumagog, I'm hoping to get an amazing sounding drum kit! Dream on! * I gather the above gadget connects via firewire. Will I still be able to send my click generated by cubase to my drummers monitoring headphones? Yes. All of these multi-channel interfaces have the means to create a headphone mix of inputs (the drum mics) and playback from the DAW. I read somehwhere you can't sync clocks using firewire but don't think that can be correct can it??? Firewire doesn't have as accurate a means of synchronizing multiple devices as using word clock, but this is a different issue than synchronizing a live drummer with a click track. * I don't recognise what physical connectors are on the presonus FP - are they xlr connectors like you get on most mics or are they 1/4 inch jacks like you get on guitar leads? Or are they some kind of weird "either/or" hybrid I've never seen before? They're Neutrik Combo connectors, a female XLR with a 1/4" phone jack in the middle. You use the XLR when connecting a mic and the phone jack when connecting a line level source or direct instrument on inputs that accommodate it. * I currently have a new soundblaster card and was wondering if this would still be a part of my system or whether the presonus FP would replace it? The Presonous should be sufficient for your recording projects. You may find that things work better in the studio with the SoundBlaster removed or disabled, or maybe it doesn't matter. If you use your computer for playing games, though, you might want to leave the SoundBlaster in for that if it doesn't otherwise get in the way. * I've not heard of presonus, are they reliable? Is it likely to run on vista (which I have) and are the drivers stable and regularly updated? I believe that Presonus has a Vista driver. Their stuff is generally pretty reliable and while they may not update as frequently as some, generally their first releases are OK, though everyone can have a bad day. |
#3
Posted to rec.audio.pro
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8 input soundcard with preamps my best solution?
On Mar 31, 11:21*am, wrote:
Hi, I'm just about to spend a lot of cash (to me!) on a system and wondered if I'm going the right way about it. I'd be really grateful for any comments - Just need some reassurance I'm getting the right gadget for the job! Thanks in advance! Here's what I want to do: I want to record a live drum kit keeping each individual drum on a separate track in cubase, now because my bedroom is my studio and the room sound isn't very good, I'm planning on replacing my drum sounds with drumagog running on each channel. Thus my rubbish kit sounds brilliant! I was thinking about getting the "PreSonus FireStudio Project - 10x10 FireWire Interface w/ 8 Preamps"http://www.meconline.co.uk/acatalog/info_FIRESTUDIOPROJ.html ...allowing me to record my drums using a bunch of cheap mics I have, as it has preamps on each channel, so drumagog gets nice fat wavs to look at and replace. (Almost all other 8 input cards only seem to accept line level inputs which is no good for my kit and a bunch of mics) So for about £350 spent on this hardware and about £200 on drumagog, I'm hoping to get an amazing sounding drum kit! I've tried alternative ways to achieve a good drum sound like using the LM7 in cubase and programming beats "by mouse", but it just sounds horribly fake to me (the samples sound like some 80's keyboard!). Also tried using my current soundblaster card's midi drumkit samples but they sound equally horrible! Is the above the best way for me to have the feel of a real drummer, combined with a great actual drum sound for about £500? (1,000 USD) I just have a couple of other questions in addition to the above if that's cool... * I gather the above gadget connects via firewire. Will I still be able to send my click generated by cubase to my drummers monitoring headphones? *I read somehwhere you can't sync clocks using firewire but don't think that can be correct can it??? * I don't recognise what physical connectors are on the presonus FP - are they xlr connectors like you get on most mics or are they 1/4 inch jacks like you get on guitar leads? Or are they some kind of weird "either/or" hybrid I've never seen before?! Sorry for being dumb! * I currently have a new soundblaster card and was wondering if this would still be a part of my system or whether the presonus FP would replace it? (Do I need an additional soundcard or does the presonus do it all?!) * I've not heard of presonus, are they reliable? Is it likely to run on vista (which I have) and are the drivers stable and regularly updated? Again, many thanks for any comments or advice!! Paul M. England. I have done a bit of drum replacement work. If you know you are going to replace your original drum sounds, I would recommend muting as much as possible the heads of the kit, you want as short and dead a sound as possible from each drum. Your typical napkin and gaffer's tape padding should work find for that. And you need to place the mics to isolate each drum as much as possible, especially to keep the cymbals and kick out of them. Try to face them as much as possible away from each other, you don't care about the sound. Nice if you can get the cymbals live, the padded drums will be buried by the samples. Worse case you can go back over the track and overdub your crash cymbals, but the hat you really need live. If you have access to any omni mics, maybe even a good pair of lavaliers, they can work great on the cymbals. You can do a couple of recording passes to check how well the isolation is on your rmic placement. Will Miho NY TV/Audio Post/Music/Live Sound Guy "The large print giveth and the small print taketh away..." Tom Waits |
#4
Posted to rec.audio.pro
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8 input soundcard with preamps my best solution?
wrote in message
... Hi, I'm just about to spend a lot of cash (to me!) on a system and wondered if I'm going the right way about it. I'd be really grateful for any comments - Just need some reassurance I'm getting the right gadget for the job! Thanks in advance! Here's what I want to do: I want to record a live drum kit keeping each individual drum on a separate track in cubase, now because my bedroom is my studio and the room sound isn't very good, I'm planning on replacing my drum sounds with drumagog running on each channel. Thus my rubbish kit sounds brilliant! I was thinking about getting the "PreSonus FireStudio Project - 10x10 FireWire Interface w/ 8 Preamps" http://www.meconline.co.uk/acatalog/...TUDIOPROJ.html ...allowing me to record my drums using a bunch of cheap mics I have, as it has preamps on each channel, so drumagog gets nice fat wavs to look at and replace. (Almost all other 8 input cards only seem to accept line level inputs which is no good for my kit and a bunch of mics) Hi Paul, How about the stupid simple solution - put triggers on everything into an old Alesis D4, and record the MIDI output. You can the use that to drive MIDI drumkit of your choosing. You just need to capture the events, not the tone. If you already have cheap mics and a mixer with channel inserts you can use those instead of triggers, although you'll want to deaden the heads a lot as Will described. Sean |
#5
Posted to rec.audio.pro
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8 input soundcard with preamps my best solution?
Hi Paul,
How about the stupid simple solution - put triggers on everything into an old Alesis D4, and record the MIDI output. You can the use that to drive MIDI drumkit of your choosing. You just need to capture the events, not the tone. If you already have cheap mics and a mixer with channel inserts you can use those instead of triggers, although you'll want to deaden the heads a lot as Will described. Sean ========================= I second this motion. |
#6
Posted to rec.audio.pro
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8 input soundcard with preamps my best solution?
On Mar 31, 11:53*pm, "AbsenceStudios"
wrote: Hi Paul, How about the stupid simple solution - put triggers on everything into an old Alesis D4, and record the MIDI output. You can the use that to drive MIDI drumkit of your choosing. You just need to capture the events, not the tone. If you already have cheap mics and a mixer with channel inserts you can use those instead of triggers, although you'll want to deaden the heads a lot as Will described. Sean ========================= I second this motion. Well you could record triggers, which are just glorified contact mics, and then use Drumagog. I have done the Alesis D4 triggering thing, used the Jeanius Russian Dragon to determine the trigger delay is just 2ms from trigger input to internal Alesis sounds. But it's likely Drumagog is even better than that, especially if you're going to introduce more midi delay time into the equation. Will Miho NY TV/Audio Post/Music/Live Sound Guy "The large print giveth and the small print taketh away..." Tom Waits |
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