Home |
Search |
Today's Posts |
#121
![]()
Posted to rec.audio.tubes,uk.rec.audio
|
|||
|
|||
![]()
Peter Wieck wrote:
Andrew Jute McCoy exuded more lies: I didn't say it wasn't *also* a feedback circuit to some fractional extent. Either it is ZNF or it is not. Now that you have admitted that it is not, then you have also admitted to all the rest of your lies... Not the least of which is that you actually have an amp, rather than a concatenation of loose parts and a bad schematic of a marginal plan of a dysfunctional amp. Show the amp. If Raymond can do it without fanfare, blather, pretense or reams of crap, perhaps you can do it even _with_ all of that. We have seen photos of what Andre claims to be the amp, though he lied about the date. Obviously next time he will change the date on his camera before taking any 'old' photographs. The photograph was tastefully posed, hiding the bottom of the 300Bs so we couldn't see if the valves were plugged in or just resting there; the chassis is supposed to have different valve sockets depending on what he is playing with at the time. Just noticed another nice feature of the 'finalized' circuit: fixed 2.4v bias, max input voltage 2vRMS! -- Eiron. |
#122
![]()
Posted to rec.audio.tubes,uk.rec.audio
|
|||
|
|||
![]() Eiron wrote: We have seen photos of what Andre claims to be the amp, though he lied about the date. Obviously next time he will change the date on his camera before taking any 'old' photographs. A couple of things: The tubes in the submitted photo were Chinese Silvertones. What was artfully posed behind were the _boxes_ that purportedly containted the WE variety. Then, later, came a B&W photo of a WE tube in a glass case with one of its vanity-published books behind (also showing a 30 year-old photograph). But no actual connection between any actual WE tube and any actual "real McCoy" amp. Even the 317s were concealed. The amp in the picture was at best a breadboard attempt, not even the beginnings of a finished product that one would leave exposed to polite society. So, we have a "finalized" amp that has had its "circuit updated". One shudders to think how many more iterations this accretion of loose parts will experience before either its creator shucks its mortal coil or his landlord gets tired of changing fuses, or its tiny little bed-sit burns down. But one thing is almost a certainty. It will never be complete to any reliable operational degree. Consider the elephant: Much trumpeting and activity, not much product to show for a couple of years thereafter. In McCoy's case, the tumpeting happens every day but lacks the activity and will produce no product... Oh, right... other than the excrement it dumps here. Peter Wieck Wyncote, PA |
#123
![]()
Posted to rec.audio.tubes
|
|||
|
|||
![]()
In article ,
flipper wrote: On Sun, 21 Jan 2007 01:32:17 GMT, Chris Hornbeck wrote: On Fri, 19 Jan 2007 01:10:38 -0600, flipper wrote: I understand your explanation but I don't understand why that doesn't introduce the same voltage differential (larger actually because of the AC peaks) but varying between opposite extremes at 60Hz rather than 'DC'. I don't mean thermal emissions but the cathode voltage distribution vs grid you were speaking of. Excellent question, perfectly expressed. With AC heating all physical points of the filament/cathode have an instantaneous average of zero volts grid-cathode due to the heating voltage. This occurs by definition from the "hum nulling", and is true however the nulling is done. To say it backwards, if the heating voltage could appear as grid-cathode voltage it would appear as hum. I understand your logic there but I'm not convinced it's air tight because it seems to me there are two effects at play, one 'direct', the hum emissions, and the other indirect, the voltage distribution affecting the grid's amplification of an active signal. It might be that the voltage distribution effect would cancel if the grid-cathode signal transfer characteristic were perfectly linear but, then, if it were perfectly linear then a DC differential would be of no consequence as well. To elaborate my thinking, take the hum with AC at it's 'peak', and no signal. If it's nulled then you have the AC component on one end of the filament equal in magnitude to the AC component on the other, but in reverse phase so they cancel when summed at the plate. Simple enough because the grid is static. But, I'm not convinced that the effect on the signal also sums to 0 because amplification is not linear and, at any instant in time other than zero crossing, the signal places things at a different spot on the linearity curve than where the hum nulling took place. And since it's in a different place on the linearity curve the effect will not balance when summed at the plate. (Non linearity also suggests there's always residual hum because there is always 'some' difference in amplification between the positive and negative peaks. Strikes me that low voltage filaments would help to minimize that.) Seems to me that you have a perpetually rotating 120Hz (assuming it matters not which 'side' of the filament is which way up or down) distortion rather than a static one. I can imagine that perhaps the human ear perceives it differently but it's there. Or did I make a mistake in there somewhere? I didn't read every word, so I don't know if you made a mistake in there or not, but it is important to note that even with no signal on the grid, the hum balancing only nulls the 60 Hz component in the output. The nonlinearity you describe means that harmonics of the supply frequency will be generated and will not all be nulled, 120 Hz hum in particular will appear at the plate, even with a perfectly filtered B supply, as a result of using a 60 Hz supply to light the filament. Regards, John Byrns -- Surf my web pages at, http://fmamradios.com/ |
#124
![]()
Posted to rec.audio.tubes
|
|||
|
|||
![]() John Byrns wrote: flipper wrote: Chris Hornbeck wrote: flipper wrote: I understand your explanation but I don't understand why that doesn't introduce the same voltage differential (larger actually because of the AC peaks) but varying between opposite extremes at 60Hz rather than 'DC'. I don't mean thermal emissions but the cathode voltage distribution vs grid you were speaking of. Excellent question, perfectly expressed. With AC heating all physical points of the filament/cathode have an instantaneous average of zero volts grid-cathode due to the heating voltage. This occurs by definition from the "hum nulling", and is true however the nulling is done. To say it backwards, if the heating voltage could appear as grid-cathode voltage it would appear as hum. I understand your logic there but I'm not convinced it's air tight because it seems to me there are two effects at play, one 'direct', the hum emissions, and the other indirect, the voltage distribution affecting the grid's amplification of an active signal. It might be that the voltage distribution effect would cancel if the grid-cathode signal transfer characteristic were perfectly linear but, then, if it were perfectly linear then a DC differential would be of no consequence as well. To elaborate my thinking, take the hum with AC at it's 'peak', and no signal. If it's nulled then you have the AC component on one end of the filament equal in magnitude to the AC component on the other, but in reverse phase so they cancel when summed at the plate. Simple enough because the grid is static. But, I'm not convinced that the effect on the signal also sums to 0 because amplification is not linear and, at any instant in time other than zero crossing, the signal places things at a different spot on the linearity curve than where the hum nulling took place. And since it's in a different place on the linearity curve the effect will not balance when summed at the plate. (Non linearity also suggests there's always residual hum because there is always 'some' difference in amplification between the positive and negative peaks. Strikes me that low voltage filaments would help to minimize that.) Seems to me that you have a perpetually rotating 120Hz (assuming it matters not which 'side' of the filament is which way up or down) distortion rather than a static one. I can imagine that perhaps the human ear perceives it differently but it's there. Or did I make a mistake in there somewhere? I didn't read every word, so I don't know if you made a mistake in there or not, but it is important to note that even with no signal on the grid, the hum balancing only nulls the 60 Hz component in the output. The nonlinearity you describe means that harmonics of the supply frequency will be generated and will not all be nulled, 100% correct. Graham |
#125
![]()
Posted to rec.audio.tubes
|
|||
|
|||
![]()
On Sun, 21 Jan 2007 15:29:00 GMT, John Byrns
wrote: In article , flipper wrote: (Non linearity also suggests there's always residual hum because there is always 'some' difference in amplification between the positive and negative peaks. Strikes me that low voltage filaments would help to minimize that.) Seems to me that you have a perpetually rotating 120Hz (assuming it matters not which 'side' of the filament is which way up or down) distortion rather than a static one. even with no signal on the grid, the hum balancing only nulls the 60 Hz component in the output. The nonlinearity you describe means that harmonics of the supply frequency will be generated and will not all be nulled, 120 Hz hum in particular will appear at the plate, even with a perfectly filtered B supply, as a result of using a 60 Hz supply to light the filament. Right, and the magnitude of the effect can be easily measured as the amount of 120 Hz in the output. It's small but non-zero, even in a very linear valve. There was once interest here in using an ultrasonic AC heating signal. And we still haven't discussed square wave heating voltages yet. Great thread, much thanks to all, Chris Hornbeck "History consists of truths which in the end turn into lies, while myth consists of lies which finally turn into truths." - Jean Cocteau |
#126
![]()
Posted to rec.audio.tubes
|
|||
|
|||
![]() "Arny Krueger" wrote in message ... "flipper" wrote in message A few exceptions don't prove a general rule. Oh puleese, RDH, textbooks, and training materials aren't "exceptions." I see no specific reference to any proper textbook or training material. RDH and Tremaine are legacy publications, and represent only a tiny fraction of audio publications that are extant. RHD has been a reference textbook since it's first edition. Tremaine was a standard record industry and broadcast teaching manual during the 1960's. It was written in the format of question and answer specifically for that purpose. Howard Tremaine had a Ph.D Furthermore, I can find no references to "Lewis Yorke" in any standard list of publications. I found a post alleging "Lewis Yorke" wrote "High Fidelity Valve Amplifiers", but guess what - I can find no references to "High Fidelity Valve Amplifiers" in any standard list of publications. Must be some kind of off-the-wall pamphlet. Published 1964. Focal Press. 254 pages. Some "off the wall pamphlet" :-))) Standard UK educational text book. Lewis Yorke was a London university professor. Shall I quote you some more, Arny? Please refer to the standard textbooks by Patchett. AN. M.Sc. Ph.D.C.Eng. FIEE. FIERE.MIEE Bailey AR. M-Sc (Eng) B.Sc (Eng) Ph.D BELL EC. B.Sc. AM Brit IRE. All the above wrote textbooks used in establishments teaching audio engineering during the thermionic era. All of these learned gentlemen go to great lengths to differentiate clearly between heaters, and filaments. So, one is inclined Arny, to take the word of such academics rather than yours. I understand you repair second-hand computers for a living. Cordially Iain |
#128
![]()
Posted to rec.audio.tubes
|
|||
|
|||
![]()
On Sun, 21 Jan 2007 18:50:56 -0600, flipper wrote:
Right, and the magnitude of the effect can be easily measured as the amount of 120 Hz in the output. It's small but non-zero, even in a very linear valve. Doesn't that mean, though, that the original theory of AC eliminting 'the voltage differential distortion effect that DC has' is not correct? It's 'different', in that it's rotating, but not 'less'. I've always thought that it was both different and less, but I now see that it was sloppy thinking. Your line of argument raises two questions: 1) Does AC heating modulate transconductance, in some rough proportion to observable twice-heating-frequency noise? An analogy to DC heating's increase in the Child exponent makes this a tough conclusion to avoid. Thoughts? 2) How could this be calculated? We can assume (I think!) that the effect would be one of simply modulating transconductance at the AC heating rate, and assuming a symmetrical physical geometry. IOW, ignoring physical geometry and working from curves. I have equipment to measure down almost -100dB below signal, and even a test-bed amplifier (that I can no longer pick up!) but designing a suitable test format is really beyond me. Both classic DC and AC heating effects are small but measurable, but is the second-order effect of AC heating? Thoughts? Much thanks, very exciting!, a new idea, very grateful, but not yet dead, Chris Hornbeck "History consists of truths which in the end turn into lies, while myth consists of lies which finally turn into truths." - Jean Cocteau |
#129
![]()
Posted to rec.audio.tubes
|
|||
|
|||
![]() I wonder if the DC heating caveat arises the observation that the voltage is higher on one end of the filament than the distal end? Some filament tubes were designed with that in mind. Miniature tubes used in battery portable radios (like 1U4) and some subminiature filament tubes specify which end of the filament is to get the more positive end of the filament supply. Which would mean that the control grid is designed to compensate for the gradient of cathode voltage from one end of the filament to the other. |
#130
![]()
Posted to rec.audio.tubes
|
|||
|
|||
![]() robert casey wrote: I wonder if the DC heating caveat arises the observation that the voltage is higher on one end of the filament than the distal end? Some filament tubes were designed with that in mind. Miniature tubes used in battery portable radios (like 1U4) and some subminiature filament tubes specify which end of the filament is to get the more positive end of the filament supply. Which would mean that the control grid is designed to compensate for the gradient of cathode voltage from one end of the filament to the other. Makes perfect sense. Graham |
#131
![]()
Posted to rec.audio.tubes
|
|||
|
|||
![]()
On Sun, 21 Jan 2007 23:13:52 -0600, flipper wrote:
lotsa good stuff snipped. Gotta sleep; showdown at the dayjob early AM corral; probably lots more time to investigate when unemployed tomorrow Here's another thought. Maybe picking a 'lousy' tube to test would be better since the large non linearity should amplify the effect. My test bed takes "50-watter" sizes, 211, 845, like that. There were zero bias cutoff valves in that format, but I don't have any. I guess I'm not as interested in a measured outcome as in a format for thinking about the issue. Lazy, too, but that's not really the whole thing. Anyway, night, Much thanks, as always, Chris Hornbeck "History consists of truths which in the end turn into lies, while myth consists of lies which finally turn into truths." - Jean Cocteau |
Reply |
Thread Tools | |
Display Modes | |
|
|
![]() |
||||
Thread | Forum | |||
The KISS AMP: a progress report | Vacuum Tubes | |||
THE KISS AMP "Ultrafi" schematic updated | Vacuum Tubes | |||
KISS Amp "Ultrafi" updated | Vacuum Tubes | |||
KISS 113 by Andre Jute | Vacuum Tubes |