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#81
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#82
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Hassan Ansari wrote:
I was looking at this cool little thing too: http://cgi.ebay.com/ws/eBayISAPI.dll...e=STRK:MEWA:IT What you think? I'm sure for somebody that would be a lot of fun, but I wouldn't be trying to make a living with it. Some other name brands come to mind: Hasbro...Ronco...Casiotone..... G Jeff Jasper Jeff Jasper Productions, West Funroe, La. |
#83
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In article .com,
"www.HassanAnsari.com - Writer / Singer / Rapper / Producer" wrote: You want me to upload multiple 30MB wave files for you then and make all the people with 56Kbps wait over 5 hours to download them everytime I upload new ones? The changes in quality are easily noticeable through 128 kbps mp3. I'm not an idiot...you're just deaf if you can't hear the differences. As a matter of fact, I am almost positive I know a WHOLE lot more than you do about computers...I've taken local college level classes. I know what I'm doing, so if you aren't trying to help, don't post. If you are trying to make a point, say it with a little respect. How about..."I can't really judge the quality at that much compression rate, can you upload them at a higher bitrate?" I've tried to remain quiet throughout this discussion, but I think this mandates a response: I'm not sure how you think you know a lot about computers if you think that a 128kbps mp3 really can transfer the subtler differences in recording technique. The mp3 algorithm uses a lot of psychoacoustic techniques to kill and then partially reconstruct information it thinks you're less likely to hear. At 128kbps it doesn't do a very good job if listening on any sort of high quality equipment. As for your own knowledge level and deafness factor, let me remind you that a few days ago you posted that you didn't know what most of the knobs on your Eureka did and that turning them didn't seem to make any difference. Please read up on compression and EQ so at least you know what you're doing when you follow the directions given to you here. Then once you've done that for at least 5 years, you can feel free to disrespect the pros. I myself have been in sound for a couple years now and still wouldn't post the kind of crap you've been writing. As for your music, I think your problem isn't a mic problem so much as a mix problem, as a few others have mentioned. Like I said, read up on compression and EQ. Simplify your incoming signal chain. You seem to have some money at your disposal, so why not try recording some tracks, burning them on a data CD, and hiring a local engineer at a studio to mix them while you watch. See if the professional mixer gets better results. Ask him to explain what and why he's doing while he's doing it. If you're paying him by the hour, I'm sure he won't mind. As for your piano, it sounds kind of scratchy/undefined/thin on the attack. This could very well be an mp3 problem, as it's most prevalent on the highs. This is coming from a trained classical pianist though, so maybe you like that articulation problem. Hope that helps -Todd |
#84
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#85
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www.HassanAnsari.com - Writer / Singer / Rapper / Producer wrote:
...I'm not an idiot...you're just deaf if you can't hear the differences. As a matter of fact, I am almost positive I know a WHOLE lot more than you do about computers...I've taken local college level classes. I know what I'm doing, so if you aren't trying to help, don't post. If you are trying to make a point, say it with a little respect. How about..."I can't really judge the quality at that much compression rate, can you upload them at a higher bitrate?" How about, "you are the funniest thing about RAP this month and I hope you never have to go back to school so you can keep posting all the time." Seriously, I've been wasting so much time following these posts, I just search on "Hassan" every morning and the next thing I know I've been laughing for like 45 minutes... respectfully, Andrew |
#86
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Todd Lipcon wrote:
I've tried to remain quiet throughout this discussion, but I think this mandates a response: Yes, it is hard when you have a kid coming here thinking that he knows way more than he does and with music that he claims is "the ****" when in fact it is about as amateurish as it comes. |
#87
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Well, if anyone was going to do it besides me, it would have been Tonebarge.
What a talent. -- Roger W. Norman SirMusic Studio "agent86" wrote in message ... Roger W. Norman wrote: No, I said "turn up the damned vocals"! g But I have to admit that I put a tune on the last RAP CD when the trumpet player (well, I thought he was going to play trumpet on this one) used the SM7 for a very small harp, which he proceeded to tear up on "I'd Love Me". Check it out. I'll bet it's the only time an SM7 has been used for harmonica. Or maybe not: http://www.hoohahrecords.com/rap/vol.../tonebarge.htm |
#88
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I never dissed the pros Todd. I'm asking for the pros' help. Some of
the "pros" are keep trying to put me down for no reason. I didn't say I knew more than him in audio, I said in computers. He thinks he is a genius insulting me like I don't know a thing....I was just trying to prove a point....I'm not as dumb as some people may think. I know the difference between a simple wave and mp3 file and I also know that the differences in my tracks are easily noticeable with mp3 format. I wasn't trying to be rude, I was trying to make him stop being rude. |
#89
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Thanks Andrew. I'm glad you are entertained. At least I know I'm not
boring. |
#90
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You're description of being quite far, at 16" with a decent mic, shows
somewhat of your perception of your problems. Either the Baby Bottle or the K2 should work fine within a range of about 24" even for vocals, assuming the room is of sufficient quiet and has reasonable room acoustics, of which you've already said isn't the case. I wouldn't want to use a Baby Bottle on vocal, but certainly could do so in a pinch, but if you've been working on close miking the vocal, you've probably created some of your problem right there. Also, normalization is a technique, not a necessity, and this could be causing some of your problems too. Instead, try mixing your tracks without normalizing anything and take the output stereo tracks and run them through a reasonably decent compression plugin, hitting it just hard enough and have the output set to act as a brick wall limiter, but still allowing some dynamic range. You may/should have your output meters set up to give you the greatest spread of the signal and preferrably have average RMS and peak hold set up so that you can see what's going on, but just don't play with that damned normalization and don't depend on what you see on the screen. If all peaks are raised to the level of the most prevalent peak you've lost anything like dynamics in your track, which, if it's voice, means that all the nuance you've put into the singing is now gone. If you use your eyes rather than your ears you are doomed to miss the idea of an audio mix. And don't make the mistake of thinking that louder means it sounds better. It might, but more often than not it's just louder. -- Roger W. Norman SirMusic Studio "www.HassanAnsari.com - Writer / Singer / Rapper / Producer" wrote in message ups.com... Oh, I've been trying that for the longest time. I actually made my best recording yet using a ADK 51 with my Mackie (no Eureka, Baby Bottles or Rode K2s). The technique I used....um I really don't know. I do remember that I had the preamp gain quite high and was pretty far away from the mic (maybe 16 inches). I had turned down the beat really low in Audition and the vocals were being recorded at pretty normal volume since I was quite far, not too loud and the gain was set pretty high. Then at the end, I mixed the track down and normalized it at around 2db so everything was louder (music and vocals) and it blended in pretty well. I love how that recording turned out even though there are some issues in it like hiss and slight distortion (my ADK was dropped too many times). |
#91
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![]() www.HassanAnsari.com - Writer / Singer / Rapper / Producer wrote: Can you give me a link to a site which carries the Soundcraft Delta which you are talking about? I looked it up on Google and only found consoles for like $6,000. Upgrading my Mackie to a slightly better mixer wouldn't be a bad idea...I've had this thing for about 6 years. I was looking at A&H before...or even a new Mackie...I like the Mackie. My friend will buy this one off me for about $200...so adding $500 or so to that and getting a better qualiy mixer wouldn't hurt me. Here's 2 Deltas on eBay: http://cgi.ebay.com/ws/eBayISAPI.dll...3638 529&rd=1 http://cgi.ebay.com/ws/eBayISAPI.dll...sPageName=WDVW I have a Soundcraft Delta8, 8 bus and I like it. rd |
#92
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If I only had $200? I would consider the following. Rode NT1, AKG
C1000. Or I would by an SM57 or SM58 and a case of Odouls! Nothing is set in stone, but it's been my experience that the really good mics start at the $400-$500 dollar range, ATM 4033, Baby Bottle, KSM32. Rode NTK, CAD. Don't forget how important that pre-amp is! Best Wishes. |
#93
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SongCzar wrote:
If I only had $200? I would consider the following. Rode NT1, AKG C1000. Crown C-700 or an Oktava from the Sound Room would seem a better pick than either for a small diaphragm condenser in that price range. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#94
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![]() www.HassanAnsari.com - Writer / Singer / Rapper / Producer wrote: Can you give me a link to a site which carries the Soundcraft Delta which you are talking about? I looked it up on Google and only found consoles for like $6,000. Upgrading my Mackie to a slightly better mixer wouldn't be a bad idea...I've had this thing for about 6 years. I was looking at A&H before...or even a new Mackie...I like the Mackie. My friend will buy this one off me for about $200...so adding $500 or so to that and getting a better qualiy mixer wouldn't hurt me. http://cgi.ebay.com/ws/eBayISAPI.dll...8720 642&rd=1 rd |
#95
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On 26 Jan 2005 17:03:16 -0800, "RD Jones" wrote:
www.HassanAnsari.com - Writer / Singer / Rapper / Producer wrote: Can you give me a link to a site which carries the Soundcraft Delta which you are talking about? I looked it up on Google and only found consoles for like $6,000. Upgrading my Mackie to a slightly better mixer wouldn't be a bad idea...I've had this thing for about 6 years. I was looking at A&H before...or even a new Mackie...I like the Mackie. My friend will buy this one off me for about $200...so adding $500 or so to that and getting a better qualiy mixer wouldn't hurt me. http://cgi.ebay.com/ws/eBayISAPI.dll...8720 642&rd=1 rd That's a really great deal for someone, compare it to a Mackie that costs twice as much. My 16 channel Delta was about that price but I had to buy a new power for it too. (Mine has the cooler deluxe modules though). Al |
#96
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My Delta 8 actually has modified Venue series
mic channels in it, plus a few original Delta 8 strips. Functionally the same as the Delta 8 strips (6 separate send knobs, 8 sub assigns) and very similar to the Deluxe. My Delta 8 also has the meter bridge which is a nice feature that the 4 sub Deltas don't offer. rd |
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