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#41
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RD Jones wrote:
Another tip when using a snake, if it's not obvious: I carry a 100 foot 12-3 AC cord so I can take power from the same place as any band PA I connect to. Great point. There's a nearby venue where the donly good power is one duplex outlet under stage left. There's another outlet right where folks usually set up the FOH console. Too many unsound guys come in there and power their stage area kit from the under-stage outlet, and then hook their console rig to the other outlet. Hum is more than just not knowing the words. I figured this out during setup for my first gig there, and do as you suggest, and I also telescope the shields/grounds on the snake returns to the Meyer processor and mon amps. -- ha |
#43
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Message-ID: X-Complaints-To: X-Abuse-Info: Please forward a copy of all headers for proper handling X-Trace: pcpocbcnbdmdhgfgdbdpiflmbcekedmfhojhikkbagflhcbopf pmgihempilnolafbcgpepmajljakaomldgaddhijchnghmjole bajhnmahfpcdjknjmbffolaaphbohobigadcmjnkpgecggmpil neogppkimn NNTP-Posting-Date: Tue, 19 Apr 2005 23:55:10 EDT Organization: BellSouth Internet Group Date: Wed, 20 Apr 2005 03:55:10 GMT Xref: number1.nntp.dca.giganews.com rec.audio.pro:1166677 On 2005-04-19 said: writes: I would stick my own mics on the instruments (I'm pretty much talking only about rock bands) and either split the vocal mics, or run them into my Fireface and send the output ("0 latency monitoring) to the house. I don't know of a house engineer anywhere who would trust that rig, at least not until he had an opportunity to try it out and knew you very well. I resemble MIke's remark. NO computer interface or any other kind of interface is going to stand between the microphones and my rig if I'm providing sr. IF you want me to do anything but give you the bum's rush show up with a transformer isolated split. I'm the guy with the egg on my face if a glitch in your system causes me to have no vocals or whatever you're feeding me with your computer interface. In the live sound game you're only as good as your last bad gig it seems and I wouldn't take a chance. Richard Webb, Electric SPider Productions, New Orleans, La. REplace anything before the @ symbol with elspider for real email -- agood captain is one who is hoisting his first drink in a bar when the storm hits. |
#44
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![]() RD Jones wrote: Another tip when using a snake, if it's not obvious: I carry a 100 foot 12-3 AC cord so I can take power from the same place as any band PA I connect to. hank alrich wrote: Great point. There's a nearby venue where the donly good power is one duplex outlet under stage left. There's another outlet right where folks usually set up the FOH console. Too many unsound guys come in there and power their stage area kit from the under-stage outlet, and then hook their console rig to the other outlet. Hum is more than just not knowing the words. I figured this out during setup for my first gig there, and do as you suggest, and I also telescope the shields/grounds on the snake returns to the Meyer processor and mon amps. When I was 'on the road' my snake and AC line were tied together, so they got unwound, setup, and put away as a unit all the time. rd |
#45
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In article unb9e.56133$lz2.44750@fed1read07,
"Bob Savage" wrote: "Jay-atldigi" wrote in message ... It lives about an hour northwest of Boston. If you meant where does it park for gigs, it depends. If there's a back alley with a stage entrance, that's best, but it sometimes goes out front on the street (permits sometimes required depending on where and what you're doing), sometimes a side street, sometimes a parking lot... Hahaha, sorry man, I have a bad habit of not putting smiley's in when I'm joking. Actually, I have a problem with that in "3D" too because I often don't smile during moments of joking and sarcasm. Ah, as in, "where do you leave the keys?" However, thanks for the info on where you park during a gig, very cool! How do you get the cabling inside the van, or do you just leave a door cracked (I'm doubting that, considering the way the inside looks). There are two separate little locking aluminum doors on the lower right corner of the back of the truck. You open one and there are several multi-pin hookups for audio, and some video inputs. You open the second and there are a couple big power hookups. The snakes for each attach here, and inside there is basically a little closet with the power isolation transformer and the beginning of all the wiring harnesses that distribute everything where it needs to go. -- Jay Frigoletto Mastersuite www.promastering.com |
#46
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So impressed with the advice on this post. Now I know what to buy,
what to expect at a gig, and how to drum up some business. Can't ask for more than that. Thanks all, for taking the time. Darcy Gordon |
#47
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Darcy Gordon wrote:
Now I know what to buy, what to expect at a gig, and how to drum up some business. Can't ask for more than that. Sure you can - a good insurance policy covering your stuff and all the possible contigencies if somebody gets hurt or something gets damaged by, with or around you or your stuff. Don't leave home without it. TM |
#48
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#49
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"Jay-atldigi" wrote in message
... Ah, as in, "where do you leave the keys?" Exactly! There are two separate little locking aluminum doors on the lower right corner of the back of the truck. You open one and there are several multi-pin hookups for audio, and some video inputs. You open the second and there are a couple big power hookups. The snakes for each attach here, and inside there is basically a little closet with the power isolation transformer and the beginning of all the wiring harnesses that distribute everything where it needs to go. Awesome, thanks for the info. -- http://www.bobsavage.net |
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