Can you elaborate on that? I'm not sure I follow. How do you keep the
control room monitors from feeding back while the producer mindlessly
holds down the talkback?


Two situations:
(A) The talent is on headphones & talkback is only addressing the headphones.
No feedback.
(B) Talent is not on headphones & talkback is addressing the studio monitors.
In this case, the volume of the studio monitors has to be kept in check & the
volume in the control room has to be kept in check. In my studio, a comfortable
talkback level to the studio & a comfortable monitor level in the control room
is below the feedback threshold, although I know I tend to monitor at
conservative levels.
I find a lot of "producers" or clients tend to hold the talkback down
constantly, thinking it's a 2 way conversation, thus muting the response. For
me, it's very helpful to have talkback NOT mute the control room. Speeds up the
workflow by enhancing communication.

Scott Fraser

They need Rivers.

More, apparently, than he needs them.


Scott Fraser

On 22 Jul 2004 17:20:06 GMT, (ScotFraser) wrote:

For
me, it's very helpful to have talkback NOT mute the control room. Speeds up the
workflow by enhancing communication.

Scott Fraser

Amen to this. I prefer to have the talkback inserted after the mixer,
The circuit I use is he

http://www.taosnet.com/f10/floobydust.htm


Frank /~ http://newmex.com/f10
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