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#1
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Posted to rec.audio.pro
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Hi folks:
I found a particularly egregious example of dynamic-range squashing yesterday. It comes from a couple of years ago; it's the Bob Dylan "Artist's Choice" CD, issued by Starbucks. I had played it on the radio Sunday afternoon, and had to jump for the fader as it was cut way louder than most CDs. In the hopes that I could have that not happen again (I want to play another track from the disc next Sunday), I ripped the disc to hard drive qnd started looking at levels and adjusting. Most of the tracks on the disc had an equivalent 0vu level of -3dBFS. Yes, really, -3dBFS. Peak levels were -0.26dBFS, for a net peak-to-average of 2.74dB. I've seen discs that were slammed before, but this is the worst in my experience. Peace, Paul |
#2
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Posted to rec.audio.pro
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On Tuesday, August 29, 2017 at 3:37:43 PM UTC-4, PStamler wrote:
Hi folks: I found a particularly egregious example of dynamic-range squashing yesterday. It comes from a couple of years ago; it's the Bob Dylan "Artist's Choice" CD, issued by Starbucks. I had played it on the radio Sunday afternoon, and had to jump for the fader as it was cut way louder than most CDs. In the hopes that I could have that not happen again (I want to play another track from the disc next Sunday), I ripped the disc to hard drive qnd started looking at levels and adjusting. Most of the tracks on the disc had an equivalent 0vu level of -3dBFS.. Yes, really, -3dBFS. Peak levels were -0.26dBFS, for a net peak-to-average of 2.74dB. I've seen discs that were slammed before, but this is the worst in my experience. Peace, Paul Used to find Starbuck's "Hear Music" CDs in a cheapy bin. Figured they were just garbage. Jack |
#3
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Posted to rec.audio.pro
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On 8/29/2017 3:37 PM, PStamler wrote:
Most of the tracks on the disc had an equivalent 0vu level of -3dBFS. Yes, really, -3dBFS. Peak levels were -0.26dBFS, for a net peak-to-average of 2.74dB. I've seen discs that were slammed before, but this is the worst in my experience. That's so they can play it at Starbucks and never have to touch the volume control in spite of all the hissing of steam and clanking of cups. -- For a good time, call http://mikeriversaudio.wordpress.com |
#4
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Posted to rec.audio.pro
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On Tue, 29 Aug 2017 12:37:37 -0700 (PDT), PStamler
wrote: Hi folks: I found a particularly egregious example of dynamic-range squashing yesterday. It comes from a couple of years ago; it's the Bob Dylan "Artist's Choice" CD, issued by Starbucks. I had played it on the radio Sunday afternoon, and had to jump for the fader as it was cut way louder than most CDs. In the hopes that I could have that not happen again (I want to play another track from the disc next Sunday), I ripped the disc to hard drive qnd started looking at levels and adjusting. Most of the tracks on the disc had an equivalent 0vu level of -3dBFS. Yes, really, -3dBFS. Peak levels were -0.26dBFS, for a net peak-to-average of 2.74dB. I've seen discs that were slammed before, but this is the worst in my experience. Peace, Paul All is not lost, some UK artists at least are resisting the square wave. Take a look at this recent release (Lost it all) from Birdy, a rather talented singer. http://www.soundthoughts.co.uk/look/birdy.png d --- This email has been checked for viruses by Avast antivirus software. https://www.avast.com/antivirus |
#5
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Posted to rec.audio.pro
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On 30/08/2017 7:37 AM, PStamler wrote:
Hi folks: I found a particularly egregious example of dynamic-range squashing yesterday. It comes from a couple of years ago; it's the Bob Dylan "Artist's Choice" CD, issued by Starbucks. I had played it on the radio Sunday afternoon, and had to jump for the fader as it was cut way louder than most CDs. In the hopes that I could have that not happen again (I want to play a\ Themanka is hardening up already ! geoff |
#6
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Posted to rec.audio.pro
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On Tuesday, August 29, 2017 at 3:37:43 PM UTC-4, PStamler wrote:
Hi folks: I found a particularly egregious example of dynamic-range squashing yesterday. It comes from a couple of years ago; it's the Bob Dylan "Artist's Choice" CD, issued by Starbucks. I had played it on the radio Sunday afternoon, and had to jump for the fader as it was cut way louder than most CDs. In the hopes that I could have that not happen again (I want to play another track from the disc next Sunday), I ripped the disc to hard drive qnd started looking at levels and adjusting. Most of the tracks on the disc had an equivalent 0vu level of -3dBFS.. Yes, really, -3dBFS. Peak levels were -0.26dBFS, for a net peak-to-average of 2.74dB. I've seen discs that were slammed before, but this is the worst in my experience. Peace, Paul 2014, Universal Music, Japan, fancy SHM (Super High Quality Material) bull, this is the "mastering" you get of the group, The Grass Roots... http://www.angelfire.com/empire/abpsp/heavenknows.jpg Jack |
#7
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Posted to rec.audio.pro
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![]() All is not lost, some UK artists at least are resisting the square wave. "resist the square wave" i like it! m |
#8
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Posted to rec.audio.pro
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PStamler wrote: "I found a particularly egregious example of dynamic-range squashing yesterday. It comes from a couple of years ago; it's the Bob Dylan "Artist's Choice" CD, issued by Starbucks. "
SHHHHH! You'll break 'N's heart! Seriously thoughm that's why I still hold on to my 'first round' CDs and compilations of Dylan and other artists, "inferior early converters" be damned! ![]() |
#9
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Posted to rec.audio.pro
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Geoff wrote: "
could have that not happen again (I want to play a\ Themanka is hardening up already ! geoff " Yeah, and from your tone ever since I've brought it up it seems as though you condone this nonsense! |
#11
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Posted to rec.audio.pro
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Geoff wrote: "Not in the slightest. But I do take exception to your apparent theory
that anything recently 'remastered' suffers from hyper-compression. " Depends on how recently is defined. I'd venture at least half of all reissues sold as 'remastered' from the late 1990s to mid-2000s suffered the sausage treatment. |
#12
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Posted to rec.audio.pro
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Don Pearce wrote: "- show quoted text -
All is not lost, some UK artists at least are resisting the square wave. Take a look at this recent release (Lost it all) from Birdy, a rather talented singer. http://www.soundthoughts.co.uk/look/birdy.png d " That could represent any mid-'70s top-40/Pop charter! It actually breathed! |
#13
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Posted to rec.audio.pro
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By the way, the Bob Dylan "Artist's Choice" album wasn't comprised of recordings *by* Mr. Dylan, but blues, country, jazz and pop pieces *curated* by him.
Peace, Paul |
#14
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Posted to rec.audio.pro
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themanka wrote in message
... Geoff wrote: " could have that not happen again (I want to play a\ Themanka is hardening up already ! geoff " Yeah, and from your tone ever since I've brought it up it seems as though you condone this nonsense! That's not based on anyone's tone. It's based on your retarded obsession. KFDS. |
#15
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Posted to rec.audio.pro
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thickmoron wrote in message
... Geoff wrote: "Not in the slightest. But I do take exception to your apparent theory that anything recently 'remastered' suffers from hyper-compression. " Depends on how recently is defined. I'd venture at least half of all reissues sold as 'remastered' from the late 1990s to mid-2000s suffered the sausage treatment. You've got a thing for sausages, don't you, li'l buddy? But it's never about the sound in your world it's all about the scary sausages you see on your screen. You never seem to listen to music, you just look at the pictures. LKHFS. |
#16
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Posted to rec.audio.pro
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Theckmama ( dumb**** @ shortbus.edu ) the brain damaged retard, wrote in
message ... SHHHHH! You'll break 'N's heart! It's obvious how you contracted brain cancer, li'l Krissie. Your colon cancer spread to your brain through direct physical contact. That's one of the (many) reasons that youre an unemployable retard with no friends. KSFH YWKMWFHM? KNFS! FCKWAFA! Try not to drool on your shoes, li'l buddy. SKF. |
#17
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Posted to rec.audio.pro
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PStamler wrote: "By the way, the Bob Dylan "Artist's Choice" album wasn't comprised of recordings *by* Mr. Dylan, but blues,
country, jazz and pop pieces *curated* by him. Peace, Paul " Oh! Well that probably explains the treatment you described the tracks receiving in your original post. I could never imagine *his* tracks being 'remastered' to that extent. |
#18
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Posted to rec.audio.pro
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On 3/09/2017 12:21 AM, None wrote:
thickmoron wrote in message ... Geoff wrote: "Not in the slightest. But I do take exception to your apparent theory that anything recently 'remastered' suffers from hyper-compression. " Depends on how recently is defined. I'd venture at least half of all reissues sold as 'remastered' from the late 1990s to mid-2000s suffered the sausage treatment. You've got a thing for sausages, don't you, li'l buddy? But it's never about the sound in your world it's all about the scary sausages you see on your screen. You never seem to listen to music, you just look at the pictures. LKHFS. And 'scrolled in' far enough a track wih huge dynamic range can look sausagey. Especially if there are frequent peaks, possibly exacerbated by peak limiting, or not. Scrolled it out and see what is between those peaks. geoff |
#19
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Posted to rec.audio.pro
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geoff wrote: - show quoted text -
"And 'scrolled in' far enough a track wih huge dynamic range can look sausagey. Especially if there are frequent peaks, possibly exacerbated by peak limiting, or not. Scrolled it out and see what is between those peaks. " Good point, but I reworded it so it makes more sense: "And ZOOMED OUT far enough a track wih huge dynamic range can look sausagey. Especially if there are frequent peaks, possibly exacerbated by peak limiting, or not. ZOOM BACK IN and see what is between those peaks." |
#20
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Posted to rec.audio.pro
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"geoff" wrote in message
... You've got a thing for sausages, don't you, li'l buddy? But it's never about the sound in your world it's all about the scary sausages you see on your screen. You never seem to listen to music, you just look at the pictures. LKHFS. And 'scrolled in' far enough a track wih huge dynamic range can look sausagey. Especially if there are frequent peaks, possibly exacerbated by peak limiting, or not. Scrolled it out and see what is between those peaks. ThickSkull never could grasp the difference between a waveform and an envelope, anyway. He used to whine about his ignorance, and throw tantrums. Poor li'l retard does have a thing for sausage-fests, though! |
#21
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dumb**** @ tardsRthemamanka drooled:
"And ZOOMED OUT far enough a track wih huge dynamic range can look sausagey. Especially if there are frequent peaks, possibly exacerbated by peak limiting, or not. ZOOM BACK IN and see what i s between those peaks." But still, with you, it's all about how it looks, and whether you can imagine looking at a sausage. No have no idea what it sounds like, probably because you're mentally defective. |
#22
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Posted to rec.audio.pro
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None wrote:
ThickSkull never could grasp the difference between a waveform and an envelope, anyway. He used to whine about his ignorance, and throw tantrums. Poor li'l retard does have a thing for sausage-fests, though! This is a lot of the problem, but he isn't alone in this. And sadly the authors of most of the software don't make the point at all. There is some software which will abruptly switch from envelope to waveform as you zoom in enough, with no indication that what you're seeing is suddenly very different. Which, of course, is why we have combined peak and average metering.... --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#23
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Scott Dorsey wrote: "
This is a lot of the problem, but he isn't alone in this. And sadly the authors of most of the software don't make the point at all. There is some software which will abruptly switch from envelope to waveform as you zoom in enough, with no indication that what you're seeing is suddenly very different. Which, of course, is why we have combined peak and average metering.... --scott -- "C'est un Nagra. C'est suisse, et tres, tres " Scott: Do you always talk to machines(spam bots)? If some of you would let down your pomposity you'd realize I understand a lot more of this audio stuff than you give credit for. And of course there is no specific point when viewing a piece of audio it becomes a waveform or an envelope. It's really subjective, but if you can still make out peaks and valleys it's a waveform. When those peaks and valleys converge, it's an evelope. That transition can occur at different zoom levels with different software and on monitors of differing resolution. |
#24
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themkamakaa, the idiot retard, spewed:
Scott: Do you always talk to machines(spam bots)? Did your mama stuff your head up your asshole when you were young, before she locked you in the suitcase that your papa threw down the stairs? That might explain your brain damage as well as your fondness for suitcases, and jamming your head through your anal sphincter. If some of you would let down your pomposity you'd realize I understand a lot more of this audio stuff than you give credit for. You've given ample evidence of your abject ignorance, as well as your inability to learn. It's not anyone else's pomposity, it's your own retardation, which you've put on display just recently in this very thread. I guess that's what happens when your mama folds you in half and stuffs you in a suitcase and your papa throws the case down the stairs. That must have really sucked, and it let to a lifelong cranial disability. You can pretend that you understand, but at the same time, you prove that you don't understand. And you keep doing it over and over again. You never learn, but that's your biography. It's also probably why you have such a defective personality, and why you are unemployable as well as friendless. It must suck going through life as a retarded dumb ****, but I think you make it worse by constantly smearing your own **** all over yourself on Usenet, and making such a stink. FCKWAFRA. FDSKN? FSKNE! YB! |