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#1
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Posted to rec.audio.pro
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Gary Eickmeier wrote:
Suppose I mocked you for using your dipolar speakers. They have this innacurate backwave that splashes reflected sound all over the room, don't you know what a fool you are, and on and on. What defense could you come up with for such ignorance? You would be left holding the bag, put in your place by a pack of children kicking your ankles. Suppose you just stopped being so full of yourself and **** at the same time? Just suppose€¦ You can't get a decent recording. You've told us that. You refuse to listen to suggestions as to why that might be, beginning with your ****ed up "monitor" system and ending with your ****ed up mental processes. There is no way you can be helped. You already know it all. You've had your head up your ass for so long that you've come to thiunk darkness is light. -- shut up and play your guitar * HankAlrich.Com HankandShaidriMusic.Com YouTube.Com/WalkinayMusic |
#2
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hank alrich wrote:
Gary Eickmeier wrote: Suppose I mocked you for using your dipolar speakers. They have this innacurate backwave that splashes reflected sound all over the room, don't you know what a fool you are, and on and on. What defense could you come up with for such ignorance? You would be left holding the bag, put in your place by a pack of children kicking your ankles. Suppose you just stopped being so full of yourself and **** at the same time? Just suppose. You can't get a decent recording. You've told us that. You refuse to listen to suggestions as to why that might be, beginning with your ****ed up "monitor" system and ending with your ****ed up mental processes. There is no way you can be helped. You already know it all. You've had your head up your ass for so long that you've come to thiunk darkness is light. Thanks Hank. But Earth to Alrich - that was Sommerwerck who said he can't get a good recording. Gary |
#3
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Posted to rec.audio.pro
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"Gary Eickmeier" wrote in message ...
Thanks Hank. But Earth to Alrich - that was Sommerwerck who said he can't get a good recording. I never said I can't get a good recording. I made lots of "good" recordings. I just made only few recordings that sounded the way I expected them to sound. |
#4
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Posted to rec.audio.pro
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William Sommerwerck wrote:
"Gary Eickmeier" wrote in message ... Thanks Hank. But Earth to Alrich - that was Sommerwerck who said he can't get a good recording. I never said I can't get a good recording. I made lots of "good" recordings. I just made only few recordings that sounded the way I expected them to sound. I don't doubt it William. I am just stunned by some of the attitudes here toward a fellow enthusiast, if not full time recording engineer. I never said or did anything to offend anyone. I enjoy and depend on most of the advice here. It is certainly not professional to boast or put down others who are seeking a common interest. Beyond that, they get some imaginary set of beliefs about me or something I said or did that never happened. I just had to shut him down for a while. You I count as an honest man because you ask questions without fear of being ridiculed. I have opened the box now and feel I should report my findings on the H6, but what's the point? Gary |
#5
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Posted to rec.audio.pro
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"Gary Eickmeier" wrote in message ...
William Sommerwerck wrote: "Gary Eickmeier" wrote in message ... Thanks Hank. But Earth to Alrich - that was Sommerwerck who said he can't get a good recording. I never said I can't get a good recording. I made lots of "good" recordings. I just made only few recordings that sounded the way I expected them to sound. I don't doubt it William. I am just stunned by some of the attitudes here toward a fellow enthusiast, if not full time recording engineer. I never said or did anything to offend anyone. But you do, Gary. I just go up at 5AM. I often watch "Frasier" reruns on Hallmark, and the ones shown this morning involved Martin's vulgar, loud-mouthed girlfriend Sherry (Marsha Mason). Sherry has a knack for sticking her nose in where it doesn't belong, and saying uncalled-for things that hurt people's feeling and disrupt relationships. There is no exact parallel, but I see Sherry in you. It is not a question of whether one is afraid to ask questions. Nor is it that your "perspective" on matters audio seems so different from other people's in this group. It's rather that you ask questions, then argue in an unproductive way about them, because you're pretty certain you already know the answers. My recent question about "What was I doing wrong?" was a sincere one. I listened to what was suggested (some of which I was unfamiliar with), discovered that no one had the "rational" answer I was hoping for, and politely stepped aside. We all enjoyed the discussion, and as I said, I realized I hadn't done enough recording to know the "right" questions to ask. Perhaps someday I'll know what they are and get a satisfactory answer. I am a mild version of Monk (though you wouldn't know it looking at my home). I am what some people would consider overly "rational", but I consider that a good thing. To wit... I'm not interested in facts. I want to understand principles. I apply this to other people's viewpoints. If someone's theories seem to have an underlying principle -- especially one connected with other well-understood theories -- I will give them considerably more weight than theories which seem to be flying without a tether. This is the ahem principal reason I have disagreed with you so much. It's because your theories don't seem to fit very well with what I believe is correct. It's as if you're working on a different jigsaw puzzle with a different picture and differently shaped pieces. Gary, you have to start asking yourself "What is truth?", rather than reflexively defending your personal beliefs. However stupid and irrational it might sound, most human beings think that whatever they believe is, per se, correct. I was that way many years ago; I don't know when I outgrew it, but I did. Give it some thought. |
#6
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Posted to rec.audio.pro
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"William Sommerwerck" wrote in message
... My recent question about "What was I doing wrong?" was a sincere one. chuckle However stupid and irrational it might sound, most human beings think that whatever they believe is, per se, correct. I was that way many years ago; I don't know when I outgrew it, but I did. LOL! I think you just gave yourself a bad case of rhinoxyletic pinocchiosis. You don't have a single drop of self-awareness, do you? |
#7
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Posted to rec.audio.pro
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In article ,
"None" wrote: "William Sommerwerck" wrote in message ... My recent question about "What was I doing wrong?" was a sincere one. chuckle However stupid and irrational it might sound, most human beings think that whatever they believe is, per se, correct. I was that way many years ago; I don't know when I outgrew it, but I did. LOL! I think you just gave yourself a bad case of rhinoxyletic pinocchiosis. You don't have a single drop of self-awareness, do you? I dunno, I don't really see where Pinocchio's growing nose applies. I don't see anything to indicate that Bill is lying here. |
#8
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Posted to rec.audio.pro
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William Sommerwerck wrote:
"Gary Eickmeier" wrote in message ... William Sommerwerck wrote: "Gary Eickmeier" wrote in message ... Thanks Hank. But Earth to Alrich - that was Sommerwerck who said he can't get a good recording. I never said I can't get a good recording. I made lots of "good" recordings. I just made only few recordings that sounded the way I expected them to sound. I don't doubt it William. I am just stunned by some of the attitudes here toward a fellow enthusiast, if not full time recording engineer. I never said or did anything to offend anyone. But you do, Gary. I just go up at 5AM. I often watch "Frasier" reruns on Hallmark, and the ones shown this morning involved Martin's vulgar, loud-mouthed girlfriend Sherry (Marsha Mason). Sherry has a knack for sticking her nose in where it doesn't belong, and saying uncalled-for things that hurt people's feeling and disrupt relationships. There is no exact parallel, but I see Sherry in you. It is not a question of whether one is afraid to ask questions. Nor is it that your "perspective" on matters audio seems so different from other people's in this group. It's rather that you ask questions, then argue in an unproductive way about them, because you're pretty certain you already know the answers. My recent question about "What was I doing wrong?" was a sincere one. I listened to what was suggested (some of which I was unfamiliar with), discovered that no one had the "rational" answer I was hoping for, and politely stepped aside. We all enjoyed the discussion, and as I said, I realized I hadn't done enough recording to know the "right" questions to ask. Perhaps someday I'll know what they are and get a satisfactory answer. I am a mild version of Monk (though you wouldn't know it looking at my home). I am what some people would consider overly "rational", but I consider that a good thing. To wit... I'm not interested in facts. I want to understand principles. I apply this to other people's viewpoints. If someone's theories seem to have an underlying principle -- especially one connected with other well-understood theories -- I will give them considerably more weight than theories which seem to be flying without a tether. This is the ahem principal reason I have disagreed with you so much. It's because your theories don't seem to fit very well with what I believe is correct. It's as if you're working on a different jigsaw puzzle with a different picture and differently shaped pieces. Gary, you have to start asking yourself "What is truth?", rather than reflexively defending your personal beliefs. However stupid and irrational it might sound, most human beings think that whatever they believe is, per se, correct. I was that way many years ago; I don't know when I outgrew it, but I did. Give it some thought. Oh, I have, as you know. I sent you my paper or papers but you haven't commented extensively on them if I remember correctly. Yes, my attempt to upend stereo theory is surprising and unfamiliar to most dyed in the wool audio people, but it is carefully explained and does not contradict any known facts or principles but rather synthesizes a lot of information that most of us know. It also explains the audible differences among all of the speakers on the market and why certain ones sound the way that they do and why people prefer wide dispersion and even a lot of reflected sound in their home listening, which seems contradictory to the textbook explanations of two speaker and a listener in an equilateral triangle. This is not the place to go into all that all over again, but I can just state that it is not fanciful nonsense, it has to do with the differences between the sound patterns made by an orchestra in the room in the live sound situation, and the very different patterns made in the home listening room with a lot of speakers that are designed around the direct sound only. These spatial differences are audible and are the reason for the lack of realism in most people's systems, and it is all caused by the fact that there is this LACK of your fondest subject, the underlying principles behind the art and science of recording and reproduction. Simplified down even more - spatial nature of live not equal to spatial nature of reproduction in a field type system. This is important and relevant to the recording engineer as well, as an underlying principle. Why you ask? I know you are on the edge of your seat by now - In order to get the spatial information into the recording we need to capture it in our miking techniques. If we do not realize that we are capturing not just the direct sound but also the early and some late reflected sound, it will not be playable because it is not in the recording. Best example a multi-miked disaster in which there is none of the space from the original either captured or artificially introduced with signal processing. This is the main difference among recordings. If you encounter a bad recording that just doesn't sound very real it is usually because they had no idea about acoustics and how sounds interact with rooms and are captured and reproduced. So I try to introduce my findings about how stereo works vis-a-vis sound fields in rooms without being obnoxious, or at least am sensitive about overdoing it with a new audience for these ideas. I am having some success in some groups, one of which is collaborating with me on a speaker design. I am not a craxy and I base all of my observations on listening and I have heard them all and used my own system as a laboratory to prove out my theories and it really does check out. I know and have heard good and bad sound, mine is good and I am dismissed at the starting gate as soon as they hear the word Bose, and all communication ceases. I thought I was going to get some sorely needed street cred in the Linkwitz Challenge, but it was not to be. Too many egos involved to admit I could be right about something that they had ridiculed and tried to straighten me out on for so many years. Too bad, and all I can ask you or this group (whom I respect) to do is what you do all the time for a living - LISTEN. Gary Eickmeier |
#9
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Posted to rec.audio.pro
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Gary Eickmeier wrote:
I sent you my paper or papers but you haven't commented extensively on them if I remember correctly. Yes, my attempt to upend stereo theory is surprising and unfamiliar to most dyed in the wool audio people, but it is carefully explained and does not contradict any known facts or principles but rather synthesizes a lot of information that most of us know. Yes, you think you're going to expalin this stuff to people who understand much more about it than you do. I have been in many control rooms that worked. I have seen and effectively used may different playback systems. I have _never_ seen a BOSE system in such a setting. These are reasons for this, beginning with a lack of the first critical attribute: that whoever designed the system and however it was configured the goal was accuracy as far as such is possible in audio playback systems. You're like a guy who really loves big hair wimmen with a lot of makeup. Unless you wake up beside one yo have no idea what she looks like. Unless/until you experience effective professional-grade playback, and learn to appreciate why those are effective, you'll be dealing with makeup-slathered audio. It doesn't really sound like that absent the playback artifacts. -- shut up and play your guitar * HankAlrich.Com HankandShaidriMusic.Com YouTube.Com/WalkinayMusic |
#10
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Posted to rec.audio.pro
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![]() "Gary Eickmeier" wrote in message ... I am not a craxy and I base all of my observations on listening and I have heard them all and used my own system as a laboratory to prove out my theories and it really does check out. I know and have heard good and bad sound, mine is good and I am dismissed at the starting gate as soon as they hear the word Bose, and all communication ceases. I thought I was going to get some sorely needed street cred in the Linkwitz Challenge, but it was not to be. Too many egos involved to admit I could be right about something that they had ridiculed and tried to straighten me out on for so many years. This reminds me of the soldier wondering why everyone else is out of step but him :-) IF you are happy, why care what others think? But trying to change everyone elses opinion to suit your own is both stupid and narcissistic. Trevor. |
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