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Jeff Henig wrote:
I was a voice major, and never once was any kind of mic technique taught. That had to come from experimentation, watching and listening to the advice of more experienced singers, and my own failures in practical application. And this is common, and it's how so many people wind up developing bizarre mike techniques that sound guys have to work around. But on the other hand we have folks who deliberately use what would otherwise be bad technique, to good effect. There are folks who eat the microphone to good effect, and those people have learned how to do a lot of other things like not breathe directly into the mike. Then we have stuff like beatboxing, which is sort of a microphone technique and sort of a performance technique at the same time. What worries me that I see so few singers coming out of non-classical vocal programs today who can project. When I was a kid, broadway shows were all done live and acoustic. Today they have a million channels of wireless and some of that is because the overall levels are much higher but some of it is just because few performers are capable of projecting. And of course this results in stylistic changes (which you could argue are improvements if you want). I'd have killed to have had a proper commercial music program available where I could've learned in a non-public environment rather than learning by public embarrassment. I will say, however, that embarrassment is a seriously effective tutor... Just go to Youtube and look at the number of people just sitting down and singing. Most of them, I look at them and I wonder why in the hell they have put this thing up there. On the other hand we also get: http://www.youtube.com/watch?v=xBqfahqq7jM --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
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