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#1
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Posted to rec.audio.high-end
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On Oct 3, 7:07=A0am, Scott wrote:
Or if they have a dealer who actually understands the basics of vinyl playback. They are easy to find. Seriously? Trust in the knowledge of the same dealers who think cable at $100/ft. makes a difference? The last dealer I talked to about turntables tried to sell me a green pen for my CDs. If consumers are dependent on those clowns, they haven't a chance. bob |
#2
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Posted to rec.audio.high-end
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On Tue, 4 Oct 2011 16:11:19 -0700, bob wrote
(in article ): On Oct 3, 7:07=A0am, Scott wrote: Or if they have a dealer who actually understands the basics of vinyl playback. They are easy to find. Seriously? Trust in the knowledge of the same dealers who think cable at $100/ft. makes a difference? The last dealer I talked to about turntables tried to sell me a green pen for my CDs. If consumers are dependent on those clowns, they haven't a chance. bob You certainly have a point there. While there are retailers who know vinyl and are qualified to recommend arm/cartridge combinations (and can even properly install them), my take is that they are few and far between. 'Jerry Raksin's Needle Doctor' has the reputation of doing a good job at this and will professionally install a cartridge in a turntable package as can 'The Audio Advisor', 'Music Direct', and 'The Elusive Disc', et al (at least with the packages they sell), but these people are mail-order. From talking to the folks at most local shops, I'm not sure I'd trust most of them to properly install a cartridge (or even suggest proper matchings), as I've seen no evidence that they posses any special competence with record playing equipment, if they sell it at all. In the SF Bay Area, where I live, there is a dealer called the "Analog Room' who know their stuff, but they are about the only dealer I know that exhibits any real vinyl expertise. I think the average vinyl owner would do a lot better to either buy a compete manufacturer's ensemble, with cartridge preinstalled, or to learn the basics and select and install the cartridge one's self. Of course, it would be nice if the manufacturers could make this selection process easier with some kind of standardized matching nomenclature. 8^) As usual, I have no connection with any of these aforementioned dealers, etc. |
#3
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Posted to rec.audio.high-end
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On Oct 4, 11:11=A0pm, Audio Empire wrote:
You certainly have a point there. While there are retailers who know viny= l and are qualified to recommend arm/cartridge combinations (and can even properly install them), my take is that they are few and far between. 'Je= rry Raksin's Needle Doctor' has the reputation of doing a good job at this an= d will professionally install a cartridge in a turntable package as can 'Th= e Audio Advisor', 'Music Direct', and 'The Elusive Disc', et al (at least w= ith the packages they sell), but these people are mail-order. From talking to= the folks at most =A0local shops, I'm not sure I'd trust most of them to prop= erly install a cartridge (or even suggest proper matchings), as I've seen no evidence that they posses any special competence with record playing equipment, if they sell it at all. In the SF Bay Area, where I live, ther= e is a dealer called the "Analog Room' who know their stuff, but they are abou= t the only dealer I know that exhibits any real vinyl expertise. I'm sure there are dealers who know this stuff. I'm sure there are others who don't. The question is, how is the consumer to tell, without developing the very expertise in question? At which point, of course, you know longer need the dealer's advice. And given what else they sell and promote--magic cables, magic pens, magic stones--I'm mystified as to why we should trust any such dealer to be right about anything related to audio. I think the average vinyl owner would do a lot better to either buy a com= pete manufacturer's ensemble, with cartridge preinstalled, or to learn the bas= ics and select and install the cartridge one's self. Probably good advice, although I'm not sure the issue is as critical as you've made it out to be. My understanding (open to correction, of course) is that neither high-compliance carts nor ultra-low-mass arms are very common these days, market trends having moved in the higher- mass-lower-compliance direction. So even someone picking components at random has a decent chance of getting something that'll work. Still, there is no substitute for actually learning the material and doing the work. It has always struck me as odd that people would adopt a technical hobby like audio, then go out and spend substantial sums of money without learning the technical stuff. But my occasional scans of audio discussions suggest that an awful lot of people who at least think of themselves as audiophiles have no real understanding of this issue. I blame Atkinson, because there's no point blaming Fremer. bob |
#4
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Posted to rec.audio.high-end
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On Oct 5, 11:08=A0am, bob wrote:
On Oct 4, 11:11=A0pm, Audio Empire wrote: You certainly have a point there. While there are retailers who know vi= nyl and are qualified to recommend arm/cartridge combinations (and can even properly install them), my take is that they are few and far between. '= Jerry Raksin's Needle Doctor' has the reputation of doing a good job at this = and will professionally install a cartridge in a turntable package as can '= The Audio Advisor', 'Music Direct', and 'The Elusive Disc', et al (at least= with the packages they sell), but these people are mail-order. From talking = to the folks at most =A0local shops, I'm not sure I'd trust most of them to pr= operly install a cartridge (or even suggest proper matchings), as I've seen no evidence that they posses any special competence with record playing equipment, if they sell it at all. In the SF Bay Area, where I live, th= ere is a dealer called the "Analog Room' who know their stuff, but they are ab= out the only dealer I know that exhibits any real vinyl expertise. I'm sure there are dealers who know this stuff. I'm sure there are others who don't. The question is, how is the consumer to tell, without developing the very expertise in question? That is a fair question. But it really doesn't take a great deal of research to figure this stuff out. I had no trouble with my dealer's set abilities in the art of turntable/arm/cartridge set up. He went to the trouble of explaining things to me and showing me how he did it. IF there is a concern about arm/cartridge resonances all it takes is the old Hifi News test record to give you the answer. The instructions on the record jacket tell you how to use it and it is really simple. But I really doubt there are mnay if ANY high end dealers sending people out the door with mismatched arms and cartridges. At which point, of course, you know longer need the dealer's advice. That is true. And given what else they sell and promote--magic cables, magic pens, magic stones--I'm mystified as to why we should trust any such dealer to be right about anything related to audio. This is just poor logic IMO. One can say the same thing about any number of other beliefs. I won't go into that becaue religion is a touchy subject but we do trust the judgement of many people in this world who do believe in things that are outside the boundaries of science. I think the average vinyl owner would do a lot better to either buy a c= ompete manufacturer's ensemble, with cartridge preinstalled, or to learn the b= asics and select and install the cartridge one's self. Probably good advice, although I'm not sure the issue is as critical as you've made it out to be. The problem is that it is very limiting in options. You can get something like this from Rega. Beyond that I'm not sure what manufacturer would offer a complete package ready to play out of the box. My understanding (open to correction, of course) is that neither high-compliance carts nor ultra-low-mass arms are very common these days, market trends having moved in the higher- mass-lower-compliance direction. So even someone picking components at random has a decent chance of getting something that'll work. Still, there is no substitute for actually learning the material and doing the work. It has always struck me as odd that people would adopt a technical hobby like audio, then go out and spend substantial sums of money without learning the technical stuff. But my occasional scans of audio discussions suggest that an awful lot of people who at least think of themselves as audiophiles have no real understanding of this issue. IMO audio is first and formost about listening to music. that anyone would have to become technically adroit to enjoy the hobby seems a bit unfair and really it's not entirely true. But you are at the mercy of a dealer or a knowledgable friend. people by sports cars and pay others to get under the hood. Audio is no different in that regard. And sure you can find a lousy technitian just as easily as you can find a lousy mechanic. But this arm/cartridge resonance crisis is IMO a non-event. I blame Atkinson, because there's no point blaming Fremer. Blame him for what? Of course it would be really funny to blame Fremer, the guy who put out a do it yourself DVD on TT set up. That would have been really funny. Oh yeah, anyone can buy Michael Fremer's DVD on TT set up and learn all about these things and more. "The horror, the horror" ;-) |
#5
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Posted to rec.audio.high-end
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On Oct 5, 4:13=A0pm, Scott wrote:
On Oct 5, 11:08=A0am, bob wrote: I'm sure there are dealers who know this stuff. I'm sure there are others who don't. The question is, how is the consumer to tell, without developing the very expertise in question? That is a fair question. But it really doesn't take a great deal of research to figure this stuff out. I =A0had no trouble with my dealer's set abilities in the art of turntable/arm/cartridge set up. He went to the trouble of explaining things to me and showing me how he did it. Right, but in that situation you've got to make a judgment about whether you think this guy knows what he's talking about. You probably have enough background to make a reasonable judgment. A less experienced audiophile might not. IF there is a concern about arm/cartridge resonances all it takes is the old Hifi News test record to give you the answer. The instructions on the record jacket tell you how to use it and it is really simple. And a better answer than just trusting a dealer to know. Probably better than trusting your own calculations, assuming you know how to do them. But I really doubt there are mnay if ANY high end dealers sending people out the door with mismatched arms and cartridges. Well there's your dealer, whom you feel is trustworthy. Then there's the guy who, when I went in to talk about turntables ended up trying to sell me isolation points (for a CD player!) and a green pen. I wouldn't trust him to connect a patch cord, and I suspect you wouldn't either. I don't think your dealer is an anomaly, but I don't think mine is, either. I suspect that high-end dealers run the gamut, and caveat emptor is the rule of the day. snip And given what else they sell and promote--magic cables, magic pens, magic stones--I'm mystified as to why we should trust any such dealer to be right about anything related to audio. This is just poor logic IMO. One can say the same thing about any number of other beliefs. I won't go into that becaue religion is a touchy subject but we do trust the judgement of many people in this world who do believe in things that are outside the boundaries of science. You've got a faulty analogy hiding in there. I'm not talking about trusting a Creationist to fix your car. I'm talking about trusting a Creationist to teach your kid biology. Audio dealers are supposed to know audio. A guy who believes that part of his product line has magical qualities doesn't qualify, in my book. Which excludes just about the whole lot, I'm afraid. snip The problem is that it is very limiting in options. You can get something like this from Rega. Beyond that I'm not sure what manufacturer would offer a complete package ready to play out of the box. To some extent, this is about price points. Almost every table sold for under a grand comes complete with arm and cartridge installed. Above entry-level, you're probably right, although I think there are at least a few companies making both tables and carts who might do this. One consideration which I think (or at least hope) you'll agree with is that a modest rig well set up is better than a great rig poorly set up. I think we both agree that if you're going to spend thousands of bucks on a analog rig, you ought to take the time to learn to match the system and set it up right. snip Blame him for what? Of course it would be really funny to blame Fremer, the guy who put out a do it yourself DVD on TT set up. That would have been really funny. Oh yeah, anyone can buy Michael Fremer's DVD on TT set up and learn all about these things and more. "The horror, the horror" ;-) Anyone can self-publish a DVD of himself slobbering for 3 hours. I've read enough of Fremer's extrusions that I'd put him in the category of my dealer, above, not yours. I blame Atkinson, first and foremost, for giving Fremer a platform to misinform his readers. And second, for failing to measure analog gear the way he does other components. Doing that would at least add some counterweight to the baloney that currently dominates the magazine's analog coverage. bob |
#6
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Posted to rec.audio.high-end
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On Oct 5, 6:27=A0pm, bob wrote:
On Oct 5, 4:13=A0pm, Scott wrote: On Oct 5, 11:08=A0am, bob wrote: I'm sure there are dealers who know this stuff. I'm sure there are others who don't. The question is, how is the consumer to tell, without developing the very expertise in question? That is a fair question. But it really doesn't take a great deal of research to figure this stuff out. I =A0had no trouble with my dealer's set abilities in the art of turntable/arm/cartridge set up. He went to the trouble of explaining things to me and showing me how he did it. Right, but in that situation you've got to make a judgment about whether you think this guy knows what he's talking about. You probably have enough background to make a reasonable judgment. A less experienced audiophile might not. I didn't have much of a background at all. But the dealer had an excellent reputation and there was no getting around the fact that the many rigs he had on display were playing records very very well. Things worked out quite well. IF there is a concern about arm/cartridge resonances all it takes is the old Hifi News test record to give you the answer. The instructions on the record jacket tell you how to use it and it is really simple. And a better answer than just trusting a dealer to know. Probably better than trusting your own calculations, assuming you know how to do them. Yeah, that test record let's you know what you got and it is quite easy to use. But I really doubt there are mnay if ANY high end dealers sending people out the door with mismatched arms and cartridges. Well there's your dealer, whom you feel is trustworthy. Then there's the guy who, when I went in to talk about turntables ended up trying to sell me isolation points (for a CD player!) and a green pen. I wouldn't trust him to connect a patch cord, and I suspect you wouldn't either. That dealer does not sell green pens but he does sell isolation points and high end high priced cables. His ability to match a cartridge to an arm and set it up is quite independent of his beliefs on cable sound. TT set up is a pretty specific skill set and you find out pretty quickly if you are doing it well with the use of the test record. Since those days I have learned the ins and outs of the whole process. My beliefs on cable sound do not have any effect on my skills in TT set up or arm/cartridge resonance issues. I don't think your dealer is an anomaly, but I don't think mine is, either. I suspect that high-end dealers run the gamut, and caveat emptor is the rule of the day. But to your knowledge has your dealer actually ever sent anyone out the door with a mismatched arm and cartridge? That does seem to be the crisis that I think does not actually exist. snip And given what else they sell and promote--magic cables, magic pens, magic stones--I'm mystified as to why we should trust any such dealer to be right about anything related to audio. This is just poor logic IMO. One can say the same thing about any number of other beliefs. I won't go into that becaue religion is a touchy subject but we do trust the judgement of many people in this world who do believe in things that are outside the boundaries of science. You've got a faulty analogy hiding in there. I'm not talking about trusting a Creationist to fix your car. I'm talking about trusting a Creationist to teach your kid biology. I have a bity of a problem with that analogy. Setting up a TT does not require ANY knowledge of science. It is entirely mechanical. Depending on the arm it is more about manual dextarity than anything about science or superstition. It is a lot more like fixing a car. Actually it's a lot simpler than that. Also comparing a belief in the sound of cables to creationism is way out of line IMO. Audio dealers are supposed to know audio. A guy who believes that part of his product line has magical qualities doesn't qualify, in my book. Which excludes just about the whole lot, I'm afraid. So in your opinion a person who beleives in cable sound is incapable of being skilled enough to match an arm to a cartridge and properly set up a turntable rig? snip The problem is that it is very limiting in options. You can get something like this from Rega. Beyond that I'm not sure what manufacturer would offer a complete package ready to play out of the box. To some extent, this is about price points. Almost every table sold for under a grand comes complete with arm and cartridge installed. Above entry-level, you're probably right, although I think there are at least a few companies making both tables and carts who might do this. One consideration which I think (or at least hope) you'll agree with is that a modest rig well set up is better than a great rig poorly set up. Yes. I would agree with that. I think we both agree that if you're going to spend thousands of bucks on a analog rig, you ought to take the time to learn to match the system and set it up right. It certainly is not a bad idea. snip Blame him for what? Of course it would be really funny to blame Fremer, the guy who put out a do it yourself DVD on TT set up. That would have been really funny. Oh yeah, anyone can buy Michael Fremer's DVD on TT set up and learn all about these things and more. "The horror, the horror" ;-) Anyone can self-publish a DVD of himself slobbering for 3 hours. I've read enough of Fremer's extrusions that I'd put him in the category of my dealer, above, not yours. Really? What specifically in his DVD or extrusions you have read would you say is misguided or technically wrong? Or just plain slobbering? I have not seen the entire DVD but I did see Fremer do a presentation/ sales pitch of the DVD and while the information was old news to me it was entirely accurate and important if one is doing their own set up. I blame Atkinson, first and foremost, for giving Fremer a platform to misinform his readers. Whoa! What misinformation has Fremer given potential buyers of arms and/or cartridges that would lead to a mismatch or improper set up? That is what we are talking about here. And second, for failing to measure analog gear the way he does other components. Doing that would at least add some counterweight to the baloney that currently dominates the magazine's analog coverage. In what way? I certainly would not have a problem with them adding a nice set of measurments but I don't see how it's going to do anything to counter the subjective impressions of the reviewers. That must be what you are refering to when you say "baloney." I have never caught Fremer making any technical mistakes in his descriptions of the analog products he reviews. Have you? |
#7
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Posted to rec.audio.high-end
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On Wed, 5 Oct 2011 11:08:41 -0700, bob wrote
(in article ): On Oct 4, 11:11=A0pm, Audio Empire wrote: You certainly have a point there. While there are retailers who know vinyl and are qualified to recommend arm/cartridge combinations (and can even properly install them), my take is that they are few and far between. 'Jerry Raksin's Needle Doctor' has the reputation of doing a good job at this and will professionally install a cartridge in a turntable package as can 'The Audio Advisor', 'Music Direct', and 'The Elusive Disc', et al (at least with the packages they sell), but these people are mail-order. From talking to the folks at most =A0local shops, I'm not sure I'd trust most of them to properly install a cartridge (or even suggest proper matchings), as I've seen no evidence that they posses any special competence with record playing equipment, if they sell it at all. In the SF Bay Area, where I live, there is a dealer called the "Analog Room' who know their stuff, but they are about the only dealer I know that exhibits any real vinyl expertise. I'm sure there are dealers who know this stuff. I'm sure there are others who don't. The question is, how is the consumer to tell, without developing the very expertise in question? At which point, of course, you know longer need the dealer's advice. And given what else they sell and promote--magic cables, magic pens, magic stones--I'm mystified as to why we should trust any such dealer to be right about anything related to audio. As the Brits would say, that is somewhat of a "sticky wicket". See, things like cables, magic pens, mrytlewood blocks and special rocks et al, are very high profit items and I'm sure most shops have to carry them in order to meet the "needs" of their customers, many of which probably believe that these snake-oil nostrums actually do something positive to their stereo systems. It doesn't actually follow that these dealers (1) believe in the efficacy of this junk themselves, or (2) that a belief in this audio voo-doo automatically disqualifies a dealer for having the skill-set available that allows them to do a good job pairing arms and cartridges or installing them. More likely, the lack of this skill set is due to the proliferation of digital sources over the last 25 years having supplanted the need for audio sales and technical personnel to know about turntables and the other minutia of vinyl playback. Those who DID know how to do this correctly are now approaching retirement age and only a few younger people have undertaken to learn it. I think the average vinyl owner would do a lot better to either buy a compete manufacturer's ensemble, with cartridge preinstalled, or to learn the basics and select and install the cartridge one's self. Probably good advice, although I'm not sure the issue is as critical as you've made it out to be. My understanding (open to correction, of course) is that neither high-compliance carts nor ultra-low-mass arms are very common these days, market trends having moved in the higher- mass-lower-compliance direction. So even someone picking components at random has a decent chance of getting something that'll work. I wish that were true. Getting it right is not that easy. I get to see a lot of cartridges and I have but one arm, a Jelco SA-750DB http://www.jelco-ichikawa.co.jp/e_tone_arm.htm That I chose because it has a universal SME headshell which facilitates changing cartridges and is well thought-of in the industry (a number of high-end turntable manufacturers supply Jelco arms as original equipment in their turntables). About one out of three cartridges I've tried in it actually "work" properly (I.E. are relatively free from warp-wow, insensitive to foot-falls, or exhibit good, tight, mud-free bass.) without either adding mass (easy enough) or removing it (not easy). Still, there is no substitute for actually learning the material and doing the work. It has always struck me as odd that people would adopt a technical hobby like audio, then go out and spend substantial sums of money without learning the technical stuff. But my occasional scans of audio discussions suggest that an awful lot of people who at least think of themselves as audiophiles have no real understanding of this issue. That's certainly true. Audio is one technical hobby that seems to be very susceptible to mythology and misconceptions due to ignorance. It's not the only hobby so plagued, however. A quick trip to the local auto parts store will show shelf-after shelf of useless nostrums such as oil additives that do nothing that a good grade of oil won't do by itself, "fire-injector" spark plugs promising more power and higher fuel economy, additives that claim to cure leaky head gaskets, "turbine plates" which, when installed between one's air cleaner and one's mass air intake will cause the air to swirl in such a way as to, again, add power, reduce fuel consumption, make for easier starting and smoother running, etc. I blame Atkinson, because there's no point blaming Fremer. These people cater to a readership that doesn't really want to learn the electronics or the physics or the digital signal theory necessary to actually understand the basics that they need to understand in order to make intelligent, well informed buying choices in the first place. Blaming them for writing to an audience is a largely empty procedure. |
#8
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Posted to rec.audio.high-end
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On Oct 5, 8:19=A0pm, Audio Empire wrote:
As the Brits would say, that is somewhat of a "sticky wicket". See, thing= s like cables, magic pens, mrytlewood blocks and special rocks et al, are v= ery high profit items and I'm sure most shops have to carry them in order to = meet the "needs" of their customers, many of which probably believe that these snake-oil nostrums actually do something positive to their stereo systems= .. It doesn't actually follow that these dealers (1) believe in the efficacy of this junk themselves, or (2) that a belief in this audio voo-doo automatically disqualifies a dealer for having the skill-set available th= at allows them to do a good job pairing arms and cartridges or installing th= em. It's not just a question of knowledge, it's also a question of integrity. Say you've got a dealer who's willing to tell you that mounting your CD player on little rubber feet will improve the sound. Do you really think he's going to have any qualms about selling you a cartridge that's a poor match for your tonearm? Scott's proposition is that there's no problem because you can trust a reliable dealer to steer you in the right direction. Given the state of the high-end business, I think that is woefully naive. More likely, the lack of this skill set is due to the proliferation of digital sources over the last 25 years having supplanted the need for aud= io sales and technical personnel to know about turntables and the other minu= tia of vinyl playback. Those who DID know how to do this correctly are now approaching retirement age and only a few younger people have undertaken = to learn it. =A0 The impression I get is that much if not most dealer knowledge comes from the distributors they deal with. So this problem might be dealt with if sales reps are telling dealers, "These are the cartridges that mate well with our turntables." But I don't know whether that's happening either. bob |
#9
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Posted to rec.audio.high-end
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On Oct 6, 7:23=A0am, bob wrote:
On Oct 5, 8:19=A0pm, Audio Empire wrote: As the Brits would say, that is somewhat of a "sticky wicket". See, thi= ngs like cables, magic pens, mrytlewood blocks and special rocks et al, are= very high profit items and I'm sure most shops have to carry them in order t= o meet the "needs" of their customers, many of which probably believe that the= se snake-oil nostrums actually do something positive to their stereo syste= ms. It doesn't actually follow that these dealers (1) believe in the efficacy = of this junk themselves, or (2) that a belief in this audio voo-doo automatically disqualifies a dealer for having the skill-set available = that allows them to do a good job pairing arms and cartridges or installing = them. It's not just a question of knowledge, it's also a question of integrity. Say you've got a dealer who's willing to tell you that mounting your CD player on little rubber feet will improve the sound. Do you really think he's going to have any qualms about selling you a cartridge that's a poor match for your tonearm? Yes I do. If a dealer knowingly sells tweeks that have *NO* effect he is dishonest and lacks integrity. But the customer will likely be happy with the purchase and not come back for a return. And if he does come back for a return it's no big deal. OTOH if he sells you a cartridge that is a mismatch to your arm or visa versa there are consequences. Good chance that customer is coming back with major complaints about mistracking. In that case the dealer has to do more work and can no longer sell the item as new. AND it would have been just as easy if not easier to sell something that is compatable and set it up correctly and not have the customer come back with problems. So yeah, I think such a dealer actually would have a very good reason not to sell such a mismatch. Scott's proposition is that there's no problem because you can trust a reliable dealer to steer you in the right direction. Given the state of the high-end business, I think that is woefully naive. My proposition is that the alleged arm/cartridge resonance crisis is a nonevent. So far no one who claims it is a genuine concern has been able to cite one incident. More likely, the lack of this skill set is due to the proliferation of digital sources over the last 25 years having supplanted the need for a= udio sales and technical personnel to know about turntables and the other mi= nutia of vinyl playback. Those who DID know how to do this correctly are now approaching retirement age and only a few younger people have undertake= n to learn it. =A0 The impression I get is that much if not most dealer knowledge comes from the distributors they deal with. So this problem might be dealt with if sales reps are telling dealers, "These are the cartridges that mate well with our turntables." But I don't know whether that's happening either. Indeed you don't know. But what would you do? Offer some basic information or wait for the returns? The thing is such mismatches have consequences so there is plenty incentive to figure this stuff out if you are a dealer who sells these things and/or does TT set up. By the way Cartridge/turntable compatatbility is an entirely different issue and can come up with the some of Grado cartridges. All the dealers I have ever spoken with who carry the Grados are well aware of these particular issues. This however is one mismatch that I have seen pop up for folks who bought without the dealer. |
#10
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Posted to rec.audio.high-end
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On Thu, 6 Oct 2011 09:39:38 -0700, Scott wrote
(in article ): On Oct 6, 7:23*am, bob wrote: On Oct 5, 8:19*pm, Audio Empire wrote: snip Scott's proposition is that there's no problem because you can trust a reliable dealer to steer you in the right direction. Given the state of the high-end business, I think that is woefully naive. My proposition is that the alleged arm/cartridge resonance crisis is a nonevent. So far no one who claims it is a genuine concern has been able to cite one incident. I don't think that's the point. We seem to have gotten-off on a tangent about dealers here. I get to "test" a lot of cartridges and I always have, it seems, three or four laying around. They all require different masses to give them the correct resonance of 8-12 Hz or to keep them from having muddy bass (with a resonance in the 20 Hz range). Neither arms or cartridges come with any compatibility information. Certainly, if you know what you are doing, and have the tools, it's not really that big of a deal to add mass (I use .177 caliber pellet gun pellets and double sided tape), but I know HOW to do this and have a both a CBS Labs, an Orion, and a Hi-Fi News test record and an HP audio voltmeter to help me determine the proper mass to add. But how many audiophiles have these tools? How many no how to use them? How many know that there might be a need to use them at all? More likely, the lack of this skill set is due to the proliferation of digital sources over the last 25 years having supplanted the need for audio sales and technical personnel to know about turntables and the other minutia of vinyl playback. Those who DID know how to do this correctly are now approaching retirement age and only a few younger people have undertaken to learn it. The impression I get is that much if not most dealer knowledge comes from the distributors they deal with. So this problem might be dealt with if sales reps are telling dealers, "These are the cartridges that mate well with our turntables." But I don't know whether that's happening either. Indeed you don't know. But what would you do? Offer some basic information or wait for the returns? The thing is such mismatches have consequences so there is plenty incentive to figure this stuff out if you are a dealer who sells these things and/or does TT set up. By the way Cartridge/turntable compatatbility is an entirely different issue and can come up with the some of Grado cartridges. All the dealers I have ever spoken with who carry the Grados are well aware of these particular issues. This however is one mismatch that I have seen pop up for folks who bought without the dealer. What issue do you refer to? I use a Grado Reference Master1 currently and find it quite neutral sounding with really low distortion and excellent tracking. |
#11
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Posted to rec.audio.high-end
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On Thu, 6 Oct 2011 07:23:56 -0700, bob wrote
(in article ): On Oct 5, 8:19pm, Audio Empire wrote: As the Brits would say, that is somewhat of a "sticky wicket". See, things like cables, magic pens, mrytlewood blocks and special rocks et al, are very high profit items and I'm sure most shops have to carry them in order to meet the "needs" of their customers, many of which probably believe that these snake-oil nostrums actually do something positive to their stereo systems. It doesn't actually follow that these dealers (1) believe in the efficacy of this junk themselves, or (2) that a belief in this audio voo-doo automatically disqualifies a dealer for having the skill-set available that allows them to do a good job pairing arms and cartridges or installing them. It's not just a question of knowledge, it's also a question of integrity. Say you've got a dealer who's willing to tell you that mounting your CD player on little rubber feet will improve the sound. Do you really think he's going to have any qualms about selling you a cartridge that's a poor match for your tonearm? Not at all, but that's a separate issue. I merely meant that there is not necessarily any correlation between a dealer's acceptance of audio mythology (in order to sell the stuff to customers who want it) and his ability to correctly pair a cartridge with an arm or his technical expertise at properly installing said cartridge. Scott's proposition is that there's no problem because you can trust a reliable dealer to steer you in the right direction. Given the state of the high-end business, I think that is woefully naive. It may be. Most stereo dealers, nowadays, don't sell many turntables (if they carry any at all) and the knowledge may simply not exist at many shops. More likely, the lack of this skill set is due to the proliferation of digital sources over the last 25 years having supplanted the need for audio sales and technical personnel to know about turntables and the other minutia of vinyl playback. Those who DID know how to do this correctly are now approaching retirement age and only a few younger people have undertaken to learn it. The impression I get is that much if not most dealer knowledge comes from the distributors they deal with. So this problem might be dealt with if sales reps are telling dealers, "These are the cartridges that mate well with our turntables." But I don't know whether that's happening either. Neither do I. |
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Posted to rec.audio.high-end
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"bob" wrote in message
... On Oct 4, 11:11 pm, Audio Empire wrote: You certainly have a point there. While there are retailers who know vinyl and are qualified to recommend arm/cartridge combinations (and can even properly install them), my take is that they are few and far between. 'Jerry Raksin's Needle Doctor' has the reputation of doing a good job at this and will professionally install a cartridge in a turntable package as can 'The Audio Advisor', 'Music Direct', and 'The Elusive Disc', et al (at least with the packages they sell), but these people are mail-order. From talking to the folks at most local shops, I'm not sure I'd trust most of them to properly install a cartridge (or even suggest proper matchings), as I've seen no evidence that they posses any special competence with record playing equipment, if they sell it at all. In the SF Bay Area, where I live, there is a dealer called the "Analog Room' who know their stuff, but they are about the only dealer I know that exhibits any real vinyl expertise. I'm sure there are dealers who know this stuff. I'm sure there are others who don't. The question is, how is the consumer to tell, without developing the very expertise in question? At which point, of course, you know longer need the dealer's advice. Also, there seem to be many opportunities for any local dealer to be out of the loop when cartridges are ordered and installed. Is there not a common scenario where someone reads a glowing review of the next new magic cartridge and runs right out on the internet and buys it? Don't they often install it themselves when it shows up on their front porch? And given what else they sell and promote--magic cables, magic pens, magic stones--I'm mystified as to why we should trust any such dealer to be right about anything related to audio. Good point. I stopped believing dealers over 40 years ago. They all talked mucho ignorant trash. I haven't bought anything from a brick and mortar home audio store this millenium. I don't think I've even darkened the door of one with my shadow during that time. |
#13
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Posted to rec.audio.high-end
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On Thu, 6 Oct 2011 06:03:57 -0700, Arny Krueger wrote
(in article ): "bob" wrote in message ... snip I'm sure there are dealers who know this stuff. I'm sure there are others who don't. The question is, how is the consumer to tell, without developing the very expertise in question? At which point, of course, you know longer need the dealer's advice. Also, there seem to be many opportunities for any local dealer to be out of the loop when cartridges are ordered and installed. Is there not a common scenario where someone reads a glowing review of the next new magic cartridge and runs right out on the internet and buys it? Don't they often install it themselves when it shows up on their front porch? Yes, and most don't ever think about whether or not their arm is compatible. I can tell you that if they ARE compatible, it's generally an accident of happenstance. And given what else they sell and promote--magic cables, magic pens, magic stones--I'm mystified as to why we should trust any such dealer to be right about anything related to audio. Good point. I stopped believing dealers over 40 years ago. They all talked mucho ignorant trash. I haven't bought anything from a brick and mortar home audio store this millenium. I don't think I've even darkened the door of one with my shadow during that time. Suffice it to say, then, that you are blissfully ignorant of the how the latest speakers sound? Because listening at either an audio show (rare) or a dealer is about the only way we get hear the latest speaker technology. Me, I don't care what the dealer uses to interconnect components. Wire is wire. As long as the cabling used isn't some kind of "active" nonsense or has boxes full of outboard components built into them so that they act like filters, they are going to all sound the same. I go to dealers to hear the latest stuff and to generally keep-up. If you don't do that, you can have no idea about the strides that have been made in speaker technology in the last few years (electronics? Not so much.). |
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Posted to rec.audio.high-end
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On Oct 4, 9:11=A0pm, Audio Empire wrote:
On Tue, 4 Oct 2011 16:11:19 -0700, bob wrote (in article ): On Oct 3, 7:07=3DA0am, Scott wrote: Or if they have a dealer who actually understands the basics of vinyl playback. They are easy to find. Seriously? Trust in the knowledge of the same dealers who think cable at $100/ft. makes a difference? The last dealer I talked to about turntables tried to sell me a green pen for my CDs. If consumers are dependent on those clowns, they haven't a chance. bob You certainly have a point there. While there are retailers who know viny= l and are qualified to recommend arm/cartridge combinations (and can even properly install them), my take is that they are few and far between. 'Je= rry Raksin's Needle Doctor' has the reputation of doing a good job at this an= d will professionally install a cartridge in a turntable package as can 'Th= e Audio Advisor', 'Music Direct', and 'The Elusive Disc', et al (at least w= ith the packages they sell), but these people are mail-order. From talking to= the folks at most =A0local shops, I'm not sure I'd trust most of them to prop= erly install a cartridge (or even suggest proper matchings), as I've seen no evidence that they posses any special competence with record playing equipment, if they sell it at all. In the SF Bay Area, where I live, ther= e is a dealer called the "Analog Room' who know their stuff, but they are abou= t the only dealer I know that exhibits any real vinyl expertise. I think the average vinyl owner would do a lot better to either buy a com= pete manufacturer's ensemble, with cartridge preinstalled, or to learn the bas= ics and select and install the cartridge one's self. =A0Of course, it would be nice if the manufacturers could make this selec= tion process easier with some kind of standardized matching nomenclature. 8^) As usual, I have no connection with any of these aforementioned dealers, = etc. Fascinating thread.I've actually learned a good bit from it,but as you say,there are a very limited number of dealers,who actually know their stuff about analog and vinyl.Far too many people who want get into serious listening of same,are often left to their own devices,and buy a used,or vintage setup on the web,with no idea how to properly set it up,align cartridges,etc.I don't know of anybody who is really into vinyl,as an audiophile medium,who takes Fremer,or anybody Stereophile seriously.I think at this point,most people just let him blather on about whatever he wants,and completely ignore him. Roger |
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Posted to rec.audio.high-end
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On Tue, 11 Oct 2011 03:56:50 -0700, Roger Kulp wrote
(in article ): snip Fascinating thread.I've actually learned a good bit from it,but as you say,there are a very limited number of dealers,who actually know their stuff about analog and vinyl.Far too many people who want get into serious listening of same,are often left to their own devices,and buy a used,or vintage setup on the web,with no idea how to properly set it up,align cartridges,etc.I don't know of anybody who is really into vinyl,as an audiophile medium,who takes Fremer,or anybody Stereophile seriously.I think at this point,most people just let him blather on about whatever he wants,and completely ignore him. Roger You need to take just about everything you read in almost any "buff" magazine (hi-fi, model trains, planes or automobiles, , cars, guns, you name it) with a grain of salt unless it's an actual technical article or do-it-yourself piece (like that piece that ran in one of the audio rags recently about how to refurbish an old Garrard 301/401 turntable, complete with where to buy the replacement parts. That's actual, useful info if you've an old Garrad 301 or 401). The rest is just opinion. Like I've said before, these magazines are meant as entertainment. Any actual information that one might glean from these articles and reviews is purely ancillary to that purpose. Read 'em for fun. Read 'em to hear about new equipment. Even read 'em to compile short lists for your next purchase But don't make decisions based upon what you read in them. I think that you would be surprised how many people do just that! |
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Posted to rec.audio.high-end
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In article , bob
wrote: On Oct 3, 7:07*am, Scott wrote: Or if they have a dealer who actually understands the basics of vinyl playback. They are easy to find. Seriously? Trust in the knowledge of the same dealers who think cable at $100/ft. makes a difference? The last dealer I talked to about turntables tried to sell me a green pen for my CDs. Salespeople sell things. It's the same mentality that tells you that using their toothpaste will get you a prettier mate, or buying their car will make you feel like your penis is larger. I don't like it, but that's reality. -- www.jennifermartinmusic.com |
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On Oct 4, 4:11=A0pm, bob wrote:
On Oct 3, 7:07=A0am, wrote: Orif they haveadealer whoactually understands the basics of vinyl play= back. Theyare easy to find. Seriously? Trustin the knowledge of the same dealers who think cableat $1= 00/ft. makesadifference? The last dealerItalked toaboutturntables tried to = sell meagreen pen for my CDs. If consumersare dependent on those clowns, they haven'tachance. bob So which dealers selling high end TT rigs do you know of have been selling mismatched arm/cartridfge combos? |
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