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#1
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http://www.bbc.co.uk/news/entertainment-arts-13239616
But going by even the recently remastered tracks, they would not confer any special level of 'quality'. Fortunately I don't think I've ever recorded anything as (technically) flawed as some of those early solo records - truly dreadful ! geoff |
#2
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"geoff" wrote in message
... http://www.bbc.co.uk/news/entertainment-arts-13239616 But going by even the recently remastered tracks, they would not confer any special level of 'quality'. Fortunately I don't think I've ever recorded anything as (technically) flawed as some of those early solo records - truly dreadful ! Ignoring the techincal quality, Shaved Fish was an album that I loved for it's high points, and couldn't believe how bad it was at it's low points. It's just the raw output of a brilliant creator, warts and all. Sean |
#3
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On May 1, 1:13*am, "Sean Conolly" wrote:
"geoff" wrote in message ... http://www.bbc.co.uk/news/entertainment-arts-13239616 But going by even the recently remastered tracks, they would not confer any special level of 'quality'. Fortunately I don't think I've ever recorded anything as (technically) flawed as some of those early solo records - truly dreadful ! Ignoring the techincal quality, Shaved Fish was an album that I loved for it's high points, and couldn't believe how bad it was at it's low points. It's just the raw output of a brilliant creator, warts and all. Sean _____________________ Can you guys hash out some of the technical shortcomings of "Imagine" and "Shaved Fish"? I guess I was just too blinded by the genious of John Lennon to notice any issues with the albums/tracks themselves. -ChrisCoaster Intimidator At Carowinds - "Don't try to place a drink on THIS coaster!" |
#4
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On 5/1/2011 2:51 PM, ChrisCoaster wrote:
Can you guys hash out some of the technical shortcomings of "Imagine" and "Shaved Fish"? Can you do it somewhere else, unless you're talking about sonic or technical production qualities? -- "Today's production equipment is IT based and cannot be operated without a passing knowledge of computing, although it seems that it can be operated without a passing knowledge of audio." - John Watkinson http://mikeriversaudio.wordpress.com - useful and interesting audio stuff |
#5
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ChrisCoaster wrote:
On May 1, 1:13 am, "Sean Conolly" wrote: "geoff" wrote in message ... http://www.bbc.co.uk/news/entertainment-arts-13239616 But going by even the recently remastered tracks, they would not confer any special level of 'quality'. Fortunately I don't think I've ever recorded anything as (technically) flawed as some of those early solo records - truly dreadful ! Ignoring the techincal quality, Shaved Fish was an album that I loved for it's high points, and couldn't believe how bad it was at it's low points. It's just the raw output of a brilliant creator, warts and all. Harsh clangy mids (yeah, some of that is JLs voice), indistinct fluffy bass, disappearing drums, Wall Of Sound, in an unpleasant way. Jerky rough mixing that lost focus of the individuial parts which melded into a harsh cacophony. Even Imagine (the song) - they put too many mattresses rugs and blankets on top of the piano, and that crude panning thing at the intro. Double Fantasy was certainly up *lots* of notches in all departments. Of course all of this has little to do with songwriting, performance, or passion. geoff geoff .. |
#6
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On May 2, 4:23*pm, "geoff" wrote:
ChrisCoaster wrote: On May 1, 1:13 am, "Sean Conolly" wrote: "geoff" wrote in message om... http://www.bbc.co.uk/news/entertainment-arts-13239616 But going by even the recently remastered tracks, they would not confer any special level of 'quality'. Fortunately I don't think I've ever recorded anything as (technically) flawed as some of those early solo records - truly dreadful ! Ignoring the techincal quality, Shaved Fish was an album that I loved for it's high points, and couldn't believe how bad it was at it's low points. It's just the raw output of a brilliant creator, warts and all. Harsh clangy mids (yeah, some of that is JLs voice), indistinct fluffy bass, disappearing drums, Wall Of Sound, in an unpleasant way. Jerky rough mixing that lost focus of the individuial parts which melded into a harsh cacophony. Even Imagine (the song) - they put too many mattresses rugs and blankets on top of the piano, and that crude *panning thing at the intro. Double Fantasy was certainly up *lots* of notches in all departments. Of course all of this has little to do with songwriting, performance, or passion. geoff geoff .- Hide quoted text - - Show quoted text - _____________________ Thanks Geoff for getting it - what I wanted to discuss. (mike r: what did you think I wanted to discuss - JL's politics? What Yoko wore to the recording sessions?) Yes, at the beginning of Imagine, just before JL sings, the stereo image "widens" noticeably - but at least stays that way - no weird panning or other spatial effects later in the song. Happy Christmas sounded a little 'ragged', imo. But even my mp3 of that song reveals dynamic nuances you'll never hear on a mass-market FM outlet like NY's Q-104.3 classic rock station. In the future I'd like to "break down" technical aspects of other classic rock(and other genres of course) albums, items such as but not limited to: excessive compression, inappropriate panning, over-EQing, noticeable tape hiss, tape wow, audible splice artifacts, etc. I actually get a kick out of stuff like this! ![]() -CC |
#7
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ChrisCoaster wrote:
Yes, at the beginning of Imagine, just before JL sings, the stereo image "widens" noticeably - but at least stays that way - no weird panning or other spatial effects later in the song. Just about snaps your neck if listening to it on 'phones'. ;-) geoff |
#8
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#9
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What kind of mikes? Telefunken? Neumann? SM57s?
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#10
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On May 3, 1:47*am, "geoff" wrote:
ChrisCoaster wrote: Yes, at the beginning of Imagine, just before JL sings, the stereo image "widens" noticeably - but at least stays that way - no weird panning or other spatial effects later in the song. Just about snaps your neck if *listening to it on 'phones'. *;-) geoff _________________ Now not to drift, but, most of my collegues and friends would probably consider my can collection "high end" compared to what they probably wear to work on the train or have at home: MDR-7506, HD-280, and SR-440(shures). Just breaking into the $100-150 range for full-size headphones has been like completing the Louisiana Purchase for me - LOL! I hear so many more imperfections, both of mp3s and of tracks on CD. My hearing since the 1970s has actually improved dramatically - although I dont think I will ever recover anything over 14kHZ(listened too loud in highschool over screechy walkman headphones!!). I had severe wax buildup and ear tubes back then, not to mention constant exposure to 2nd hand smoke. I'm eating better now(more fruits and veggies) periodic digestive cleanses, and my audio-grams from 2009 blow away those done in '79! Go figure! Back then I was sensitive to sounds from only 400Hz - 6kHZ, and the loudest were between 2-4kHZ. I don't know if I'll make the leap to Beyer 880s or 990s, or a mid-line Grado, but here's the thing, with headphones that are over-the-ear BUT open-back, that means not only will others hear MY music, but I will hear EVERYTHING in my environment - unless I really play them loud. And I refer you back to the previous paragraph so you'll realize why that won't be necessary. ![]() As "Summer Breeze"(Seals & Crofts version) opens up, you can hear the tape hiss of the layering on of additional instruments and of the opening vocals. I find that cool to be able to hear that nowadays. Even mid-line home stereos probably could not reveal that back when the song first released. -ChrisCoaster |
#11
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dogn4u wrote:
What kind of mikes? Telefunken? Neumann? SM57s? On video's he sings into something that looks EV "stage range" to me. The sound on the Imagine album is an artistic choice that one may or may not agree in, but I think it is intentionally awful or "livelike" in a minimalistic approach that I had undertaken differently. Kind regards Peter Larsen |
#12
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On May 7, 1:29*pm, "Peter Larsen" wrote:
dogn4u wrote: What kind of mikes? Telefunken? Neumann? SM57s? On video's he sings into something that looks EV "stage range" to me. The sound on the Imagine album is an artistic choice that one may or may not agree in, but I think it is intentionally awful or "livelike" in a minimalistic approach that I had undertaken differently. * Kind regards * Peter Larsen ____________________ We'll never know for sure. The artist behind that album has been out of the building for 30 years and some months now. ![]() Intentionally awful?? Must go a little easy on the tobasco sauce next time with a comment like that (!) Sometimes a creative decision by an artist or producer may sound great to them, but come off horrid to 2/3rds of the public buying the album/downloading the track. But I don't think anyone purposely makes something sound awful, unless it's some idiot compressing The Police tracks on the order of 30.0:1 to illustrate commercial FM's abuse of compressio - HEY - that's ME! LOL LOL!! -) The only artist that comes to mind that came *close* to intentionally awful was Frank Zappa - particularly the last 45sec. or so of "Toads Of The Short Forest". Just WHAT was THAT all about? Or, William Shatner "rendering" Lucy In the Sky with Diamonds! Full noise suppression, please, Scotty! -CC |
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