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Posted to rec.audio.high-end
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Scott wrote:
On Feb 5, 11:42=A0am, bob wrote: On Feb 5, 1:18=3DA0pm, Scott wrote: On Feb 4, 6:47=3DA0pm, bob wrote: =3DA0And would there be so many if Stereophile and TAS had spent the last 25 years saying, "Look, CD really is technically better. It's poor CD mastering plus the euphonic distortions inherent in vinyl that make the vinyl sound better"? Why would that make a difference? The results are what they are regardless of why. Better sound is better sound regardless of how you get there. Would you avoid vinyl if it sounded better to you despite CD being "technically superior" and vinyl's only advantages were euphonic distortions and better mastering? I would prefer to avoid any medium which introduced unnecessary levels of distortion. this reply avoids the question and adds a red herring. If some distortion sounds better, then the listener should control it: DSP, equalizers, etc. Why? Do you think I could or you could replicate the unique euphonic distortions of my vinyl playback equipment or the inherent euphonic colorations of vinyl that seems to draw audiophiles to that medium by using DSP and equalizers? Probably yes, for the vinyl part of it. There certainly are DSPs that attempt to emulate 'vinyl sound'. Same with 'tube sound'. I'm sure your cartidge's and TT's distortions could be modelled, too. One could even model your room, if need be. -- -S We have it in our power to begin the world over again - Thomas Paine |
#2
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Posted to rec.audio.high-end
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On Feb 8, 7:41=A0am, Steven Sullivan wrote:
Scott wrote: On Feb 5, 11:42=3DA0am, bob wrote: On Feb 5, 1:18=3D3DA0pm, Scott wrote: On Feb 4, 6:47=3D3DA0pm, bob wrote: =3D3DA0And would there be so many if Stereophile and TAS had spent the last 25 years say= ing, "Look, CD really is technically better. It's poor CD mastering pl= us the euphonic distortions inherent in vinyl that make the vinyl so= und better"? Why would that make a difference? The results are what they are regardless of why. Better sound is better sound regardless of how y= ou get there. Would you avoid vinyl if it sounded better to you despit= e CD being "technically superior" and vinyl's only advantages were euphonic distortions and better mastering? I would prefer to avoid any medium which introduced unnecessary level= s of distortion. this reply avoids the question and adds a red herring. If some distortion sounds better, then the listener should control it: DSP, equalizers, etc. Why? Do you think I could or you could replicate the unique euphonic distortions of my vinyl playback equipment or the inherent euphonic colorations of vinyl that seems to draw audiophiles to that medium by using DSP and equalizers? Probably yes, for the vinyl part of it. =A0 There certainly are DSPs that attempt to emulate 'vinyl sound'. =A0 Same with 'tube sound'. I'm sure your cartidge's and TT's distortions could be modelled, too. So do you want to take up the challenge i put to Bob but was declined? Lets see you take a commercial CD version of one of my prefered LPs and using DSP duplicate the sound of that LP played back through my vinyl playback equipment. If you can do that I concede the point. One could even model your room, if need be. One could even paint the exterior of my house afterward. Niether fact is relevant to the subject though. |
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