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#1
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Ok you don,t have to tell me I have a problem, but I am a analog
tape deck junkie. What is it this time ? You say. Ok I will tell ya. A Tascam ATR 80 24 track. Cheap. My palms are sweating as I type this. Lips dry. I,ve got a fever. I record a lot of blues and rock. Should I invest in more pro tools plug ins, mics and nick nacs or buy a big fat ANALOG RECORDER? GT. |
#3
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On Apr 7, 10:04 pm, wrote:
What is it this time ? You say. Ok I will tell ya. A Tascam ATR 80 24 track. Cheap. It's only cheap if the heads are in good shape. The ATR-80 wasn't very popular - I'd be surprised if there were even 100 of them sold, but it was a very well designed and well built recorder. You can't expect it to be perfect when you get it, or even if it is, to stay that way. You will eventually need mechanical and electrical parts that will be difficult to obtain, and you have to be resourceful in order to keep it running. I assume you're prepared to pay for tape, that you have (or will obtain) a calibration tape, and at least a signal generator, oscilloscope, and accurate analog AC voltmeter, plus the documentation to do regular alignments. If you would consider a more practical workhorse that can be had cheap, you might want to look for an Ampex MM1200. The biggest advantage over the TASCAM for a junkie like you is the strong support, both in knowledge and in parts donor machines. If you need a relay that hasn't been manufactured for years, or a switch that was custom made for Ampex, there are people who have those parts and are generally willing to sell them at a fair price to someone who wants to keep a machine running. And because the Ampex MM series didn't have any computer stuff inside, they're a lot easier to troubleshoot and repair. Perhaps there's such a support group for TASCAM ATRs, but it would be good to investigate it before you end up with an orphan that you can't support. |
#4
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In article ,
wrote: Ok you don,t have to tell me I have a problem, but I am a analog tape deck junkie. What is it this time ? You say. Ok I will tell ya. A Tascam ATR 80 24 track. Cheap. My palms are sweating as I type this. Lips dry. I,ve got a fever. I record a lot of blues and rock. Should I invest in more pro tools plug ins, mics and nick nacs or buy a big fat ANALOG RECORDER? I record to analogue tape all the time and it's great. The ATR-80 isn't a bad machine. It's not a Studer but it's head and shoulders above any narrowtrack machine out there, and the Tascam name on the label means they usually sell for a lot less than they are worth. If you buy it, get the heads checked out first. The machine is worth what the heads are worth. If the heads are shot, the machine is not worth anything. Be aware that 2" tape is expensive. On the other hand, for a lot of folks these days, you can get a couple of 2" reels, bump a project to a digital backup after mixing, and reuse the tape. Also be aware that these machines run hot and many of them may need new capacitors. Try and do a full alignment before you put your money down. If you can't make the response flat on the bottom end, suspect caps. If you can't make it flat on the top end, suspect heads. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#5
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On Apr 8, 9:56*am, (Scott Dorsey) wrote:
In article , wrote: *Ok you don,t have to tell me I have a problem, but I am a analog tape deck junkie. What is it this time ? You say. Ok I will tell ya. A Tascam ATR 80 24 track. Cheap. My palms are sweating as I type this. Lips dry. I,ve got a fever. I record a lot of blues and rock. Should I invest in more pro tools plug ins, mics and nick nacs or buy a big fat ANALOG RECORDER? I record to analogue tape all the time and it's great. The ATR-80 isn't a bad machine. *It's not a Studer but it's head and shoulders above any narrowtrack machine out there, and the Tascam name on the label means they usually sell for a lot less than they are worth. If you buy it, get the heads checked out first. *The machine is worth what the heads are worth. *If the heads are shot, the machine is not worth anything. * Be aware that 2" tape is expensive. *On the other hand, for a lot of folks these days, you can get a couple of 2" reels, bump a project to a digital backup after mixing, and reuse the tape. * Also be aware that these machines run hot and many of them may need new capacitors. *Try and do a full alignment before you put your money down.. If you can't make the response flat on the bottom end, suspect caps. *If you can't make it flat on the top end, suspect heads. --scott -- "C'est un Nagra. *C'est suisse, et tres, tres precis." Dave at Hilltop returned to analog & is happy hilltopstudios.com |
#6
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On Apr 8, 9:56*am, (Scott Dorsey) wrote:
In article , wrote: *Ok you don,t have to tell me I have a problem, but I am a analog tape deck junkie. What is it this time ? You say. Ok I will tell ya. A Tascam ATR 80 24 track. Cheap. My palms are sweating as I type this. Lips dry. I,ve got a fever. I record a lot of blues and rock. Should I invest in more pro tools plug ins, mics and nick nacs or buy a big fat ANALOG RECORDER? I record to analogue tape all the time and it's great. The ATR-80 isn't a bad machine. *It's not a Studer but it's head and shoulders above any narrowtrack machine out there, and the Tascam name on the label means they usually sell for a lot less than they are worth. If you buy it, get the heads checked out first. *The machine is worth what the heads are worth. *If the heads are shot, the machine is not worth anything. * Be aware that 2" tape is expensive. *On the other hand, for a lot of folks these days, you can get a couple of 2" reels, bump a project to a digital backup after mixing, and reuse the tape. * Also be aware that these machines run hot and many of them may need new capacitors. *Try and do a full alignment before you put your money down.. If you can't make the response flat on the bottom end, suspect caps. *If you can't make it flat on the top end, suspect heads. --scott -- "C'est un Nagra. *C'est suisse, et tres, tres precis." Thanks for the info guys. Head life is 85 to 90 percent c/o john french. The machine is One Owner. He is giving me a MRL tape. The price is good. The catch is he lost the power cable. He said there is a missing chip in the remote. He said it is an easy fix. Thats the problem I have had with people with these decks. If they say there two problems that will take 1 hour to fix. There is usually or can be 6 problems that will take 10 hours to fix. i have heard the buttons are always going bad by a few guys that still own these decks and run them love em. But I hear you. I am gonna think about this. GT. |
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