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Mike Rivers wrote:
Scott Dorsey wrote: Sure, you can mix in the digital domain. You can plug the output of the synth directly into the digital input of a recorder or into a Tascam or Yamaha digital mixer. Maybe. Most synths that have digital output have S/PDIF optical and most digital mixers, if they have a TOSLink input at all, have it in the ADAT configuration. I think Kurzweil had a polyphonic synth with an ADAT optical output which allowed you to assign different voices to different digital channels, but that's getting a little too fancy for the simple question, I think. So you spend a little money for the box from HOSA that converts Toslink to AES/EBU, or you use an old DAT machine. But yes. What is preferred depends on the sound you want to get and how you like to work. For all I know, the sound you want might require miking a Leslie. Mostly what's preferred is whatever connection will work at all. Square pegs (TOSLink) don't fit round holes (S/PDIF Coax, AES/EBU, or AES3id) very well. And then there's the issue of word clock synchronization. If it's the only digtal input to the mixer, chances are the mixer can se set to pick up the clock from that input. But if you have a bunch of synths, all with digital outputs, all connected to a digital mixer, either all the mixer inputs must be self-clocking (reclocking) or the word clocks have to be synchronized somehow. Don't do it, hold out for the Leslie with the SM-57. It's still cool. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
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