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#1
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#2
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On 6/19/04 11:47 PM, in article aN7Bc.143806$Ly.57935@attbi_s01, "S888Wheel"
wrote: From: Steven Sullivan Date: 6/19/2004 1:50 PM Pacific Standard Time Message-id: Bromo wrote: Care to provide examples where differences are not measureable? When you don't know what to measure - or are measuring the wrong things. And I predicted someone would retort in this fashion, several days ago. Thanks for proving me right. Are you suggesting we should not worry about people measuring everything that matters or failing to measure everything that matters? You should be a bit worried that if you set up a test that shows something that observation shows otherwise - rather than assume that people are deluding themselves (which may be entertaining and somewhat possible in some cases) - you should entertain the notion that the test itself may not be measuring the right things. For instance - there is a lot of faith (yes FAITH) placed in ABX tests. What are you measuring in an ABX test, really? It is repeatable, but is it measuring the right things in the right method? These are the things that should be bothering a true scientist. It is a bit like measuring the speed of gravity and saying that the people who observe a feather falling slower than a bowling ball are deluding themselves. Perhaps you aren't measuring the right things ..... |
#3
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S888Wheel wrote:
From: Steven Sullivan Date: 6/19/2004 1:50 PM Pacific Standard Time Message-id: Bromo wrote: Care to provide examples where differences are not measureable? When you don't know what to measure - or are measuring the wrong things. And I predicted someone would retort in this fashion, several days ago. Thanks for proving me right. -- Are you suggesting we should not worry about people measuring everything that matters or failing to measure everything that matters? Hardly. I am suggesting that a common subjectivist reaction to measurement-based claims of 'no audible difference' is that the wrong thing has been measured. Bromo was kind enough to also allude to the *other* standby, namely, 'there are things science can't measure (optional: yet)'. The first could be true, but without some viable suggestion for what the 'right thing' might be, it's hand-waving. The second is a truism, but again, where's the independent evidence or argument-from-data to believe it's true in *this* case? -- -S. Why don't you just admit that you hate music and leave people alone. -- spiffy |
#4
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On 6/20/04 12:47 PM, in article XcjBc.148843$Ly.52420@attbi_s01, "Steven
Sullivan" wrote: Are you suggesting we should not worry about people measuring everything that matters or failing to measure everything that matters? Hardly. I am suggesting that a common subjectivist reaction to measurement-based claims of 'no audible difference' is that the wrong thing has been measured. Bromo was kind enough to also allude to the *other* standby, namely, 'there are things science can't measure (optional: yet)'. The first could be true, but without some viable suggestion for what the 'right thing' might be, it's hand-waving. The second is a truism, but again, where's the independent evidence or argument-from-data to believe it's true in *this* case? I would agree with you broadly - though it is just as wrong for people who think they (or really do hear) differences to shut up and 'accept' the status quo as it is wrong for those who have technical measurements to show the state of the art cannot find any reason a person ought to be able to hear differences. |
#6
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#8
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"Nousaine" wrote in message
news:fd9Cc.72269$2i5.31234@attbi_s52... Exactly. Which is why Bose, Pioneer, Sony, Toshiba, Panasonic, Harman, Klipsch, Paradigm, Boston Acoustics, Polk and the like sell more products and generate more revenue than high-end companies. After years of playing this game and not being very happy or certain of any calim I have learned to trust my own ears and perception. Frequently I run across peopel who don't talk or think but, spit out the latest internet hype as if it were fact. I played a game on a co-worker last year. We both have Revel M20 speakers. He was running a integrated amp. I told him I had just bought a McCormack DNA-125 to replace my Adcom GFA-555 mkII as I thought the Adcom made music through the Revels sound dry and boring, lab like. Very clear and concise but, no emotion to them. Time went by. We engaged in conversation one afternoon as he wanted to upgrade from integrated to separates but, he wasn't sure he would be able to tell the difference as he loved his integrated. (Money was the real issue. If what I have is perfect, then I don't need to spend money that I can use elsewhere, therefore I'm happy) I told him he could borrow my Adcom stuff as I had bought a new amp to try out. He jumped on the chance and asked why I switched gear. (He had forgotten our earlier conversation). I told him I thought the top end was a little grainy on the top end. It wasn't as noticeable on the Revels as it was on the Monitor Audio's I had. (terribly fatiguing speakers btw). 2 weeks later he gave me the Adcom gear back saying that they made his Revels sound Sterile, dry and boring. No emotion or musicalness to them. It was almost verbatim what I had implanted in him 6 months earlier. I would bet if I had the means to level match these two amps, no one would be able to tell the difference between them except under or after very long term listening. I do THINK the McCormack is a little fatter sounding. I only notice it when I switch the amps out and after a few weeks find myself yearning for the McCormack again. This same thing happened between the Klipsch LaScala's I had and the M20's. It took a lot of time to desire on one over the other. The LaScala's were fuller and fatter sounding but the Revels were a tinge smoother. What would today's Klipsch Reference speakers be like? I bet they'd be awesome and wish someone would lend me a set of 7's to try out. I listened to them briefly before buying the M20's. They did everything right but, I was determined to get a "special" speaker something that was made as best as possible so I wouldn't want to upgrade anytime soon. And Klipsch is run of the mill stuff, right? Phooey! I had a set of Polk's that if they hadn't been stolen, they still be in my system today, especially at the price new speakers sell for. I would love to hear their new LSi series but it's not carried around here. As to the Revels, I haven't found anything yet, to match them or make me want to trade up other than another set of larger Revels like the F50. A few months back, a neighbor contacted Transparent Audio and received a $20k (USD) set of speaker cables and interconnects. Yes, twenty thousand dollars! He runs Revels (studio or Salon) and Mark Levinson components. I hooked the stuff up and switched so that he wasn't aware of what was being used. After a few hours, he was mildly upset as he couldn't hear any difference between his $20k wires and much, much, cheaper Cardas cabling. I bet him $20 that if I brought over my el cheapo wiring he wouldn't be able to hear any difference either. I haven't heard back from him. John |
#9
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From: (Nousaine)
Date: 6/22/2004 11:14 PM Pacific Standard Time Message-id: fd9Cc.72269$2i5.31234@attbi_s52 Bromo wrote: On 6/20/04 11:08 PM, in article , "Nousaine" wrote: So I'm of the opinion that IF folks want us to buy into amp/wire/bit sound you have to step up to the plate and hit the ball. Argument and debate just isn't good enough. Except with a reality check - they do vote - with their wallets. Exactly. Which is why Bose, Pioneer, Sony, Toshiba, Panasonic, Harman, Klipsch, Paradigm, Boston Acoustics, Polk and the like sell more products and generate more revenue than high-end companies. "They" can have Bose and McDonalds, I will stick with my Soundlabs, even if they are not the best *selling* speakers in the world. I will not jump off a cliff even if Johnny does. |
#10
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From: Steven Sullivan
Date: 6/20/2004 9:47 AM Pacific Standard Time Message-id: XcjBc.148843$Ly.52420@attbi_s01 S888Wheel wrote: From: Steven Sullivan Date: 6/19/2004 1:50 PM Pacific Standard Time Message-id: Bromo wrote: Care to provide examples where differences are not measureable? When you don't know what to measure - or are measuring the wrong things. And I predicted someone would retort in this fashion, several days ago. Thanks for proving me right. -- Are you suggesting we should not worry about people measuring everything that matters or failing to measure everything that matters? Hardly. I am suggesting that a common subjectivist reaction to measurement-based claims of 'no audible difference' is that the wrong thing has been measured. hardly the case here since nothing since no specific measurements are being discussed. Bromo was kind enough to also allude to the *other* standby, namely, 'there are things science can't measure (optional: yet)'. Actually he didn't. He was clearly speaking about the possibility in the practical world that some people may simply not be measuring everything that makes a difference. He made no mention of anything actually being unmeasurable. Scroll up and see for yourself. The first could be true, but without some viable suggestion for what the 'right thing' might be, it's hand-waving. It's all hand waving with out any specifics. That would be the case here on both sides. The second is a truism, but again, where's the independent evidence or argument-from-data to believe it's true in *this* case? There is no "case" here. One can hardly ask for independent evidence in regards to arguments over hypathetics. |
#11
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#12
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#13
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#14
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Bromo wrote:
On 6/20/04 11:09 PM, in article , "Nousaine" wrote: It's all hand waving with out any specifics. That would be the case here on both sides. Let me ask again. If I'm not mistaken you have said that anything that can be heard can be measured or perhaps that was more like 'if you can't measure a difference than there would be nothing to hear' or something similar. I then asked exactly what measureable differences would explain amp/cable sound ..... and I don't recall a response. Again what should we be measuring to confirm 'amp/wire' sound that we haven't already done? It might be that no one knows. If you notice something - even if 10 people were to denounce you - it does not mean you know the mechanism, nor are you the expert on what measurements to make. So how do they "design" products then .... by making random choices? Are some people just lucky? If you would say they "listen" to them for validation then I wonder why haven't any of them made listening test validation public? |
#15
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From: (Nousaine)
Date: 6/23/2004 4:10 PM Pacific Standard Time Message-id: Bromo wrote: On 6/20/04 11:09 PM, in article , "Nousaine" wrote: It's all hand waving with out any specifics. That would be the case here on both sides. Let me ask again. If I'm not mistaken you have said that anything that can be heard can be measured or perhaps that was more like 'if you can't measure a difference than there would be nothing to hear' or something similar. I then asked exactly what measureable differences would explain amp/cable sound ..... and I don't recall a response. Again what should we be measuring to confirm 'amp/wire' sound that we haven't already done? It might be that no one knows. If you notice something - even if 10 people were to denounce you - it does not mean you know the mechanism, nor are you the expert on what measurements to make. So how do they "design" products then .... by making random choices? Are some people just lucky? Why would you ask the consumer how the designer opperates? I suggest you pose those questions to actual designers and let them speak for themselves. If you would say they "listen" to them for validation then I wonder why haven't any of them made listening test validation public? Ask the people who know, the designers. After all these years of debate you should have already considered this. |
#16
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Nousaine wrote:
Bromo wrote: On 6/20/04 11:09 PM, in article , "Nousaine" wrote: It's all hand waving with out any specifics. That would be the case here on both sides. Let me ask again. If I'm not mistaken you have said that anything that can be heard can be measured or perhaps that was more like 'if you can't measure a difference than there would be nothing to hear' or something similar. I then asked exactly what measureable differences would explain amp/cable sound and I don't recall a response. Again what should we be measuring to confirm 'amp/wire' sound that we haven't already done? It might be that no one knows. If you notice something - even if 10 people were to denounce you - it does not mean you know the mechanism, nor are you the expert on what measurements to make. So how do they "design" products then .... by making random choices? Are some people just lucky? If you would say they "listen" to them for validation then I wonder why haven't any of them made listening test validation public? I often thought that they came up with the hyberbole first, and the product to fit it second. I remember "Enid Lummey" of TAS fame way back when. "She" said that having a telephone in the same room with your system was bad. Something about the diaphram resonating in the phone causing some sort of acoustic problem. Gee, I thought, and what about the rest of the stuff in the room resonating? Light bulbs tend to have a 'bright' sound when they are on. A 'darker' sound when off. There seems to a be a lot of pseudo science in high end audio. I remember trying the VPI "magic" bricks about 20 years ago. They were 'suppose' to 'absorb' stray magnetic fields from power supplies along with 'dampening' a components chassis. The 'absorb' thing went right by me. The dampening, well, if that were a problem, a real brick is a lot cheaper. Neither of those 'problems' seemed to effect my system. And this 'magic brick' was from a company that makes an outstanding turntable (I own a VPI HW19). Those magic bricks sure looked nice and were heavy. But work? I can't see how. |