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#41
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"Steven Sullivan" wrote in message
... Harry Lavo wrote: "Steven Sullivan" wrote in message I've been in computers for 20 years; for the last fifteen of those I won't trust a computer any further than I can throw it; the bigger, the less I trust it. You *do* back up your hard drive occasionally, don't you? Yep, doesn't matter. Really? I've found it to matter crucially. It has to be offsite. A three or four hundred megabyte backup becomes big business in terms of equipment and dollar cost. And regardless, when you need the backup is when you'll find out that some bug has crept in between the time you verified the backup protocol and the actual backup you need to use. :-) Murphy's Law has a whole new wing on the Law School Building when it comes to computers. Harry, you're talking in today's terms, and I suspect you're just spinning your wheels, and trying to spin mine. In ten years time a 400 Mb backup will be trivial.... it's fairly trivial already (my PC's current hard drive is 80 Gb...well under the capacity of available backup drives.) A hard disk is trivial. A backup system that is orderly, efficient, portable, and is removed offsite is a different beast. For that matter, right now, your CD collection is in danger of being wiped out if there's a fire! What will you do? Along with my kid's pictures, they are the first thing out of the house, number one (and if there is time, my records as well). Number two, my cd purchases are documented and my cd and record collection is documented with pictures stored at my son's house. I update it once a year. that's where the insurance company comes in. Now what do you do about purchases over the internet with no physical media present and a variety of not very meaningful legal printouts for verification? |
#42
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Steven Sullivan wrote:
Your suspicious and expectations arise because you persist in imagining that things will stay as they are now. Yet one can *already* download classical and jazz from the current services. It will only increase. I predict the average person in ten years will find their media center more convenient for playing their copy of the Ring Cycle than SACD jukeboxes. Teh server also becomes an option for people like you, when a device is invented that feeds 500 CDs into a ripper for encoding, after which the CDs themselves can be stored away in a closet as 'backup'. That's far and away the least convenient aspect of archiving a collection today. Here is a little reality check. My #1 son lives in a college dorm, and there are about 40 students in his building. They can start iTunes, and play any music from the libraries on any of the students' computers, assuming the student gives permission. In effect, anyone on his network already has access to days of music. The music is mostly in mp3's or AAC, but there are some lossless wave files, too. iTunes does not allow the user to download the music from the network, but just to stream it in to play. Of course, knowing the creativity of young people, that bug will be fixed in no time ![]() The beauty of this is that we already can have easy wireless access to networks containing huge amount of music, now. I can take my laptop, connect the SPDIF output to my preamp, and play music stored on any of my PC's in the house, via the 802.11 a/b/g link. There is no inherent quality compromise either. I can use lossless .wav formats if I want to. And 256+kbps AAC/mp3 sound very, very good. |
#43
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"Steven Sullivan" wrote in message
news:joeQb.134073$na.209807@attbi_s04... Harry Lavo wrote: "Steven Sullivan" wrote in message too by then. I've been in computers one way or another for the last 20 years...but I suspect those Sony SACD jukeboxes that hold 300 or 500 disks, along with titles and even tracks, are more convenient for the average person than a computer server, *assuming* that you are still willing to or desire to buy the disks. The server only becomes an option if most of your music is downloaded. Thus, a server for pop. I expect a jukebox for jazz or classical. Your suspicious and expectations arise because you persist in imagining that things will stay as they are now. Yet one can *already* download classical and jazz from the current services. It will only increase. I predict the average person in ten years will find their media center more convenient for playing their copy of the Ring Cycle than SACD jukeboxes. Teh server also becomes an option for people like you, when a device is invented that feeds 500 CDs into a ripper for encoding, after which the CDs themselves can be stored away in a closet as 'backup'. That's far and away the least convenient aspect of archiving a collection today. Could be, Steven, that I'm just an old dog who doesn't like new tricks. But I am very skeptical about people when it comes to computers based on years and years of trying to get small business owners to take care of their equipment, do a proper backup cycle, get things stored off-site, etc. Stewart says he does a proper backup implementation...good for him. Of course, he says, he has to feed in the blank media. Do you know what percentage of small business backup systems don't get fed in the proper medium for the backup? So it may come, but it is going to bring its own raft of heartaches, is my prediction. I'd do it as you state above, but I wouldn't do it without physical media as backup unless I am left with no choice. And even then, I would probably burn a cd after I had downloaded from the net, and use that for backup. |
#44
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"chung" wrote in message
... Harry Lavo wrote: Have you ever lost a hard disk with your email, your financial records, your first novel? How would you feel losing your entire music collection with no physical back up? I've been in computers for 20 years; for the last fifteen of those I won't trust a computer any further than I can throw it; the bigger, the less I trust it. With the price of hard disks so low now, there is really no excuse for not backing up critical data on external HD's or redundant internal HD's. I bought a 120GB external firewire/USB2.0 HD for $120 last month. And even before then, I have never lost important data because of a HD failure, because I do back-ups and also because there are usually warnings when a HD is about to go. Any backup policy that doesn't include offsite backup is inadequate. What happens if your house burns down. Or a tornado hits. Or lightening fuses your protection and your computer including the hard drive. That is why anything short of a removable, complete media for backup is just kidding yourself. I think music servers will become more and more common, although I am not sure if they would replace CD's in the next 5 years. I believe SACD's or DVD-A will always be a small niche market. The CD format is really good enough, and mastering makes a much bigger difference than that between redbook CD and any hi-resolution format. Today's consumer dollars are heading in the direction of HDTV displays, home-theater audio systems, and iPod-like portable devices. I can't get anyone younger than 30 years old to be interested in SACD/DVD-A for audio reproduction. DVD-A and SACD will be bought for their multi-channel capability as awareness of them increases and prices of both media and equipment drop. With an investment in HT already done, the additional investment is relatively small. Who cares if they play the multichannel on not so great HT speakers and receiver, as long as what is recorded is of sufficiently high quality to satisfy we audiophiles? |
#45
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"Mike Kozlowski" wrote in message
news:JeeQb.109004$nt4.407053@attbi_s51... In article , Steven Sullivan wrote: Harry Lavo wrote: A three or four hundred megabyte backup becomes big business in terms of equipment and dollar cost. In ten years time a 400 Mb backup will be trivial.... I hope you both mean GB, because a 400MB backup is already trivial -- burn it to a single CD-R and move on. Oops! Of course. :-) But yes, Harry's right that backup is an issue. Given that home file/media servers are inevitable, home backup is going to get some real attention soon. Not impossible at all, but a good "system" will involve much more than a second hard drive...at the very least two hot-swappable removable hard drives. So one can be off-site. Documentation of purchases is going to be a factor as well, given the lack of any physical, photographical evidence. |
#46
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"Audio Guy" wrote in message
news:RleQb.134061$na.208532@attbi_s04... In article Vh_Pb.103654$5V2.389223@attbi_s53, "Harry Lavo" writes: "Steven Sullivan" wrote in message news:kDZPb.105306$nt4.342212@attbi_s51... You *do* back up your hard drive occasionally, don't you? Yep, doesn't matter. A three or four hundred megabyte backup becomes big business in terms of equipment and dollar cost. And regardless, when you need the backup is when you'll find out that some bug has crept in between the time you verified the backup protocol and the actual backup you need to use. :-) Murphy's Law has a whole new wing on the Law School Building when it comes to computers. Nowdays with DVD-RW discs holding over 3 Gigabytes and costing $2 and with DVD-RW burners at $100, it's much cheaper than you think to back up a hard drive full of music. Well, I hope as individuals we then are better than the small business people I have been dealing with for the last twenty years, then. Because inevitably they "forget" (even when automated) or they screw up the settings that have been established for them and do not re-verify. Or they back up, but forget to take the tapes off-site...until the fire or the flood or the tornado. Perhaps one in four do it right and take it seriously. |
#47
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Harry Lavo wrote:
"Steven Sullivan" wrote in message news:joeQb.134073$na.209807@attbi_s04... Harry Lavo wrote: "Steven Sullivan" wrote in message too by then. I've been in computers one way or another for the last 20 years...but I suspect those Sony SACD jukeboxes that hold 300 or 500 disks, along with titles and even tracks, are more convenient for the average person than a computer server, *assuming* that you are still willing to or desire to buy the disks. The server only becomes an option if most of your music is downloaded. Thus, a server for pop. I expect a jukebox for jazz or classical. Your suspicious and expectations arise because you persist in imagining that things will stay as they are now. Yet one can *already* download classical and jazz from the current services. It will only increase. I predict the average person in ten years will find their media center more convenient for playing their copy of the Ring Cycle than SACD jukeboxes. Teh server also becomes an option for people like you, when a device is invented that feeds 500 CDs into a ripper for encoding, after which the CDs themselves can be stored away in a closet as 'backup'. That's far and away the least convenient aspect of archiving a collection today. Could be, Steven, that I'm just an old dog who doesn't like new tricks. But I am very skeptical about people when it comes to computers based on years and years of trying to get small business owners to take care of their equipment, do a proper backup cycle, get things stored off-site, etc. L ![]() like a media server is a computer of sorts, it's hardly differnet than the thousands of TiVo boxes people are already using . It's a computer dedicated to a very few tasks. It , tooo, has a vast amount of hard storage space, and it's only functionis to record, store, organize, and serve up media files to a playback system. The main differnece is that since video files are so large, there's a lot of 'turnover' in the contents. You can buy 'TiVos' for music, right now, today -- and also for archiving DVDs. They don't have to do all the things a regular PC does, though a regular PC can serve as a media server just fine, thank you. I've yet to hear much in the way of complains abotu TiVo or other hard disc storage devices crashing. Maybe it's because people aren't filling them wiht viruses? Stewart says he does a proper backup implementation...good for him. Of course, he says, he has to feed in the blank media. Do you know what percentage of small business backup systems don't get fed in the proper medium for the backup? So it may come, but it is going to bring its own raft of heartaches, is my prediction. I'd do it as you state above, but I wouldn't do it without physical media as backup unless I am left with no choice. And even then, I would probably burn a cd after I had downloaded from the net, and use that for backup. Whatever. Storage capacity of removable media will doubtless increase as well. It may be that eventually you can take your whole collection with you one one disc. (External large-capacity hard drives are already pretty portable as is). -- -S. "They've got God on their side. All we've got is science and reason." -- Dawn Hulsey, Talent Director |
#48
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In article ,
Harry Lavo wrote: "Mike Kozlowski" wrote in message But yes, Harry's right that backup is an issue. Given that home file/media servers are inevitable, home backup is going to get some real attention soon. Not impossible at all, but a good "system" will involve much more than a second hard drive...at the very least two hot-swappable removable hard drives. So one can be off-site. I'm really not sure how it's going to go; if Internet connections get fast enough relative to drive space needs, I can imagine Internet-based backup services; if a higher-capacity removable media comes along (tape is not acceptable; DVD-R is too small), that might take the niche. But regardless of what happens with music, this is going to be needed, because people are accumulating irreplaceable digital content. Documentation of purchases is going to be a factor as well, given the lack of any physical, photographical evidence. I suspect that physical purchases will continue to happen, the same way they do in the computer software world and for the same reasons. But the key, again, is that the format of the music won't be bound to the format of the media, and most people won't play it directly off the media when at home. -- Mike Kozlowski http://www.klio.org/mlk/ |
#49
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"normanstrong" wrote in message
... If the "war" depends on people like me to embrace either format, the way is over and both sides lost. I will never buy either SACD or DVD-A or the equipment to play them. Is the *CD* in trouble? With whom? From my consumer point of view, I can't think of any problem with CD that will be solved by the high-rez formats. If CD is in trouble it's with the industry, not the consumer. I'll repeat what I posted a while ago: Proving the superiority of high-rez is much more difficult than proving the inferiority of 16/44.1K. And so far nobody's done even that. Norm Strong I guess you are committed to a two-channel future? While I do very little of my casual listening in surround I find that I'm enjoying my surround music in an "event" sort of way that allows me to focus on the experience much more than I usually do with two-channel listening. Something about being tied to the sweet spot that makes me want to lower the lights and listen to an entire disc without interruption. I don't think that the future of recorded music is entirely multi-channel sound, but I think that for art music it provides the possibility of a much more lifelike representation of the sound stage and for more commercial forms of music it can provide an energy and life exceeding that found in two-channel recordings. |
#50
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"Harry Lavo" wrote in message
... I've been in computers one way or another for the last 20 years...but I suspect those Sony SACD jukeboxes that hold 300 or 500 disks, along with titles and even tracks, are more convenient for the average person than a computer server, *assuming* that you are still willing to or desire to buy the disks. The server only becomes an option if most of your music is downloaded. Thus, a server for pop. I expect a jukebox for jazz or classical. I can honestly say I've never enjoyed my collection of nearly 1000 Jazz CD's more than since I finished encoding all of them to my computer as WMA9 192kbps files. Random, near instant access with artist and title information has allowed me to finally listen to the music I've paid for all these years in a way I never dreamed possible playing from individual discs. Seems one usually grabs the same 10 or 15 CD's or listens to whatever the most recent purchases are. With a music server you start listening to everything you own. I have a 60gb hard drive system in my car with a good portion of my collection available and am in the process of re-encoding my library in a lossless format as I'm so sold on the quantum leap it has made in my utilization of my collection and the price of hard drives has fallen so dramatically. |
#51
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On Fri, 23 Jan 2004 21:27:14 GMT, "Harry Lavo"
wrote: Could be, Steven, that I'm just an old dog who doesn't like new tricks. But I am very skeptical about people when it comes to computers based on years and years of trying to get small business owners to take care of their equipment, do a proper backup cycle, get things stored off-site, etc. You're right about this, although people who have been bitten are more conscientious, and of course I work for a Bank, where such things are a matter of standard operating procedure. A data warehousing company called Iron Mountain stores daily backup tapes from our site, and of course we use large hot-swappable 8-disk RAID mass storage on our print servers (we are separated from the Bank's mainframe, which has its own data security arrangements). Stewart says he does a proper backup implementation...good for him. Of course, he says, he has to feed in the blank media. Do you know what percentage of small business backup systems don't get fed in the proper medium for the backup? I have the tremendous advantage of having had a hard disk fail on me, about fifteen years ago, and also having had a PC stolen! :-) It just gets to be a daily routine. When I leave for the office I take out the overnight backup disk, load in a fresh one, and put the backup in my briefcase for transfer to my office desk drawer. Doesn't even cost much if you use CD-Rs for weekly full data backup, and CD-RW for daily incremental backups, I just rotate two CD-RWs for this. I also use a mirror RAID to avoid sudden HD failure being a problem. The cost of all this was just the extra 120GB hard disk, as the RAID controller and CD writer came with the PC. Once my vital data gets above 500MB, I guess I'll have to switch to DVD-RAM, but that's not a big deal either. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
#52
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Harry Lavo wrote:
"chung" wrote in message ... Harry Lavo wrote: Have you ever lost a hard disk with your email, your financial records, your first novel? How would you feel losing your entire music collection with no physical back up? I've been in computers for 20 years; for the last fifteen of those I won't trust a computer any further than I can throw it; the bigger, the less I trust it. With the price of hard disks so low now, there is really no excuse for not backing up critical data on external HD's or redundant internal HD's. I bought a 120GB external firewire/USB2.0 HD for $120 last month. And even before then, I have never lost important data because of a HD failure, because I do back-ups and also because there are usually warnings when a HD is about to go. Any backup policy that doesn't include offsite backup is inadequate. What happens if your house burns down. Or a tornado hits. Or lightening fuses your protection and your computer including the hard drive. That is why anything short of a removable, complete media for backup is just kidding yourself. What's the problem here? Music files are not files that need updating frequently. Simply burn DVD recordables to permanently archieve them, or back them up with external HD's. Every week or so, simply back up the new music files ripped or downloaded, if you want your peace of mind. If you are worried about power outages, get a UPS. Cost of additional HD's and UPS, etc., probably is less than a boutique interconnect cable. We're not talking about really important, mission critical, data here. We can always go back to the original CD's or download again. The data is always available somewhere whether you lose your copy or not. I think music servers will become more and more common, although I am not sure if they would replace CD's in the next 5 years. I believe SACD's or DVD-A will always be a small niche market. The CD format is really good enough, and mastering makes a much bigger difference than that between redbook CD and any hi-resolution format. Today's consumer dollars are heading in the direction of HDTV displays, home-theater audio systems, and iPod-like portable devices. I can't get anyone younger than 30 years old to be interested in SACD/DVD-A for audio reproduction. DVD-A and SACD will be bought for their multi-channel capability as awareness of them increases and prices of both media and equipment drop. With an investment in HT already done, the additional investment is relatively small. Sure, if it's free, it's a non-issue. At this moment, I couldn't find any young people interested in buying SACD or DVD-A equipment just to listen to 2-channel audio. That's my point. Who cares if they play the multichannel on not so great HT speakers and receiver, as long as what is recorded is of sufficiently high quality to satisfy we audiophiles? I would venture that CD's already are of sufficiently high quality to satisfy audiophiles. Look at it another way: vinyl, with its obvious technical shortcomings, are very satisfactory to quite a few audiophiles on this newsgroup. Why wouldn't CD's be good enough? The important thing to get right is the mastering, and the attention to details. |
#53
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"Harry Lavo" wrote in message
news:iZYPb.100889$Rc4.641759@attbi_s54... Have you ever lost a hard disk with your email, your financial records, your first novel? How would you feel losing your entire music collection with no physical back up? I've been in computers for 20 years; for the last fifteen of those I won't trust a computer any further than I can throw it; the bigger, the less I trust it. Welcome to the future. Hard drives and DVD's for smaller archives are cheap enough these days that there is no excuse save for laziness to lose your entire music collection. In the same way that we all pay for automobile and homeowners insurance without question, we now need to pay for reliable backup and archiving. I still purchase my music on discs but I think it's clear that sometime in the future when hi resolution audio is available electronically I probably won't. In one more generation, kids will be looking at CD's and DVD's the same way they look at vinyl today. I'd venture a bet that most school age children today have never seen a working phonograph player in any other setting than a disco. |
#55
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On 23 Jan 2004 19:38:01 GMT, Lawrence Leung
wrote: Steven Sullivan wrote in : Harry, you're talking in today's terms, and I suspect you're just spinning your wheels, and trying to spin mine. In ten years time a 400 Mb backup will be trivial.... it's fairly trivial already (my PC's current hard drive is 80 Gb...well under the capacity of available backup drives.) For that matter, right now, your CD collection is in danger of being wiped out if there's a fire! What will you do? What will be more likely? Your computer crashed, hard drive went bad, everything gone; or house on fire? I will pick the first one. Because the first one cannot be prevent, but the second one can. Say, you want to copy all your CD collection into your hard drive, just the plain format, without compression, will be at least 450MB (typical 10 songs of 45MB each), a 120GB HD can hold about... 26 of them, a normal IDE computer connection (the cheapest one, of course you can go for external USB drive or even SCSI, but the add out cost will be very high) can hold say eight IDE device (with an extra IDE card), minus one for CD-ROM drive, minus one for the program drive, you can only have 6 IDE HD for music backup, which will hold 156 CD, sounds more than enough? Firstly, your maths is off by a factor of ten. You only need one 120GB HD to store 2-300 CDs, and you can buy one of those with an external USB connection, making it a useful backup device. I do know a small company which keeps a pair of those in a fireproof safe for data security, with the cables running through specially drilled holes with lots of thermal insulation. But what if one of the HD fail? Oh, yes, I've seen it so many times, a HD can fail for no reason at all, the 100,000 hours MTBF will not warranty any data lost, the most you can get back is a brand new HD. Use a mirroring RAID, this will avoid any such data loss problems, and is now very cheap. In fact many PCs (including mine) now have this facility built into the motherboard, so all you need is an extra hard disk. What about play back ability? Are you going to connect your computer sound card to a Pre-amp? I wonder what type of sound card can give you such good quality? Lots of them can provide output quality superior to most CD players. Even the ubiquitous SoundBlaster Audigy provides a decent output these days, while something like the Lynx Two exceeds the capabilities of many 'project' recording studios. What about noise from the computer transformer, case fans? If you've set up a PC as a dedicated music server, you should of course have used one of the many available 'silent PC' systems, some of which have only one *very* quiet PSU fan. These will be no noisier than my trusty Krell KSA-50 mkII amplifier. Audiophile components companies tried so hard to reduce noise in their components, but you want to hook up a computer that constantly generated audioable: "wu wu wu wu wu..." while you listening to your music? Might be someday, but not now! This is all available off the shelf, today. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
#56
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On Fri, 23 Jan 2004 21:17:45 GMT, "Harry Lavo"
wrote: A hard disk is trivial. A backup system that is orderly, efficient, portable, and is removed offsite is a different beast. An automated CD-R or DAT backup system is trivial. I take my daily and weekly backups to work, and they live in a desk drawer in my office. A home worker could keep them in the garage or garden shed. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
#57
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On 23 Jan 2004 20:19:32 GMT, Lawrence Leung
wrote: Ummmm... don't predict "in ten years" time. Because, by then, might be a all-in-one mini system which everybody can buy from a local department store can sound far more better than a Hi-End system that cost $20,000.00... easily... I guess. ![]() Nope, speakers will still set the limit. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
#58
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#59
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Charles Tomaras wrote:
I can honestly say I've never enjoyed my collection of nearly 1000 Jazz CD's more than since I finished encoding all of them to my computer as WMA9 192kbps files. How do you get around the noise from the computer fans? Did you buy a special silent computer, is it in another room, does it just not bother you, or .... ? Mike Prager North Carolina, USA |
#60
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"Mike Prager" wrote in message
... Charles Tomaras wrote: I can honestly say I've never enjoyed my collection of nearly 1000 Jazz CD's more than since I finished encoding all of them to my computer as WMA9 192kbps files. How do you get around the noise from the computer fans? Did you buy a special silent computer, is it in another room, does it just not bother you, or .... ? My home is networked both with ethernet and line level audio. My main computer is in my home office and I send line level via my Sound Devices USB Pre http://www.sounddevices.com/products/usbpremaster.htm to my Denon AVR 5803 receiver which provides all the whole house distribution from there. I tried out the Go Video networked DVD player for it's network music capabilities and found the sound to be excellent but the software sucked so I went back to line feeds for now and will probably go with a Media Center PC later in the year when the Media Center Extenders I saw at CES are released. I may also try SPDF connections from my USB Pre to the Denon but I'd need to get up in the attic and pull wire for that one and I'm fairly satisfied with the quality I'm getting now from the line level feeds. Using Remote Desktop I'm able to control my office computer from my laptop in my listening areas via wi-fi if I'm so inclined but usually I just put my entire collection on random play and enjoy being surprised by what I own. I'm thinking The Media Center PC with extender solution at some point will be the best for me. http://www.microsoft.com/windowsxp/m...s/extender.asp I'll also add that I still "laboriously" pull out my SACD's and DVD-A's and actually sit in one place and listen to them from the actual devices god intended them to be played from on a fairly frequent basis as well! ![]() Charles Tomaras Seattle, WA |
#61
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On 25 Jan 2004 17:21:30 GMT, Lawrence Leung
wrote: (Stewart Pinkerton) wrote in news:QFAQb.13131$U% 5.79305@attbi_s03: On 23 Jan 2004 20:19:32 GMT, Lawrence Leung wrote: Ummmm... don't predict "in ten years" time. Because, by then, might be a all-in-one mini system which everybody can buy from a local department store can sound far more better than a Hi-End system that cost $20,000.00... easily... I guess. ![]() Nope, speakers will still set the limit. Don't be so sure! What made you say that? The plain fact that speakers are by a huge amount the most inaccurate part of any replay system. Which part of speaker's component(s) you think will not need to be "improved" for the next ten years? I really want to know. You seem to have totally misinterpreted what I said. Read it again. Also, note that however much budget speakers are improved in the next ten years (and they have improved a lot in the last ten years), high-end speakers will still be greatly superior, since they will have benefited from the same technology advances. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
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