Home |
Search |
Today's Posts |
#41
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]()
On Feb 17, 12:01 pm, wrote:
"Baabin" wrote in message ... Let's see, Sony has a neat little rig for about $2,000.00( the PCM-D1), Edirol (R-9) and M-Audio (Micro-Track) have ones for about $400, and for about $100 less the Samson Zoom H4. The Sound Professionals site (http://www.soundprofessionals.com/cg...d/category.cgi) has an interesting section that will allow you to make a logical decision I think. However (it doesn't have the Sony so you will have to go to their site at http://bssc.sel.sony.com/broadcastandbusinessfor more info). I reference them because they are a well known organization and are fairly neutral in reviews with little or no personal preference tainting the review. I have and really like the H4, and it sets up in less than 5 minutes in the basic mode. If you want to add stands and external mikes to it then it takes longer but the 5 minutes I mention is to take it out of a protective case, put it on a tripod, and start recording... Let me know what you think. Smitty Has anyone compared the Zoom H4, the M-Audio Micro-Track and the Edirol R-9? If so, what are the relative advantages and drawbacks of the 3? Was your choice of the H4 due to the price, or to other factors? Thanks, Norm Mark Nelson has done such a comparison and published the results at the O'Reilly Digital Media webzine: http://tinyurl.com/35wmse links to a search on Edirol. Fran |
#42
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]() "Scott Fraser" wrote in message oups.com... you are an asshole first, Are you sure about that? I haven't purused the cast of characters in a while, but if memory serves me right, I'm pretty sure that Ty isn't the guy who is an asshole first. Check your sources & get back to us. Scott Fraser Ty has been an asshole and a hypocrite, and struts around with a "holier than thou" attitude. he brought that attitude here to this thread. he hasn't changed much in the 5 years i have been lurking here. thats just my opinion. he asked, and i answered. if he is your friend or if you disagree with me, thats fine. its a free country. i was just trying to be honest with the guy. Ty was absolutely an asshole first (though that was now a long time ago). i'm the source, by the way. |
#43
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]()
Tsk, Tsk Gentlemen... Take this off line as I find the language in most of
the responses to the side thread slightly offensive and not appropriate for the group. I do know that Ty was one of the only individuals who answered a question I had in an intelligent and adult manner with a very warm follow on. His thing appears to be studio related, and this is more of a quick " Hand Held/High Portability" Field Recording issue IMHO. Ty, don't get sucked into things like this. From my experience with you are too professional to let that happen, and some hate those who have a more solid foundation than they.. Smitty "paul" wrote in message ... "Scott Fraser" wrote in message oups.com... you are an asshole first, Are you sure about that? I haven't purused the cast of characters in a while, but if memory serves me right, I'm pretty sure that Ty isn't the guy who is an asshole first. Check your sources & get back to us. Scott Fraser Ty has been an asshole and a hypocrite, and struts around with a "holier than thou" attitude. he brought that attitude here to this thread. he hasn't changed much in the 5 years i have been lurking here. thats just my opinion. he asked, and i answered. if he is your friend or if you disagree with me, thats fine. its a free country. i was just trying to be honest with the guy. Ty was absolutely an asshole first (though that was now a long time ago). i'm the source, by the way. |
#44
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]()
Scott Fraser wrote:
you are an asshole first, Are you sure about that? I haven't purused the cast of characters in a while, but if memory serves me right, I'm pretty sure that Ty isn't the guy who is an asshole first. Check your sources & get back to us. Scott Fraser Right, I'm the guy who's an asshole first and then mellows on you later, if I think you're worth the trouble. Ty does it the other way 'round. Different strokes and all. -- ha "Iraq" is Arabic for "Vietnam" |
#45
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]() wrote in message . .. I'm trying to assemble a complete recording system that can be picked up in one hand and set up in 10 minutes or less. No wires can touch the ground. I already have: 18' mike stand with 3' boom and microphone T-bar to allow placement of 2 mikes. I need: 1. The 2 mikes. Back electret condenser mikes that can be used in either a coincident, ORTF, NOS or M-S configuration. This will be a stereo only setup. A small phantom supply can be used to operate the electronics. Also acceptable is battery operation integral to the mike body. 2. The recorder. Small unit using flash memory for recording and a USB output to download to my computer. Must record 16/44.1k wav files for at least 4 hours. I will mount the recorder to one of the tripod legs of the mike stand using velcro. The mike preamps must be sufficient as is, since there will not be a separate mixer or preamp. It would be desirable, although not essential, to be able to add memory cards if I'm not able to download existing recordings before the next job. It appears that the Zoom H4 recodrder and the behringer C-2 microphones are the solution to my problem. Thanks to all you guys for the info. I already have a 2GB SD memory card, and the mike stand. All I need now is a single 5-conductor mike cable with breakouts to a pair of XLR connectors on each end. Unless such a thing is manufactured, I'll probably end up making it. Thanks again to all of you. Norm Strong |
#46
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]() |
#47
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]()
On Sun, 18 Feb 2007 15:26:20 -0500, Baabin wrote
(in article ): Tsk, Tsk Gentlemen... Take this off line as I find the language in most of the responses to the side thread slightly offensive and not appropriate for the group. I do know that Ty was one of the only individuals who answered a question I had in an intelligent and adult manner with a very warm follow on. His thing appears to be studio related, and this is more of a quick " Hand Held/High Portability" Field Recording issue IMHO. Ty, don't get sucked into things like this. From my experience with you are too professional to let that happen, and some hate those who have a more solid foundation than they.. Smitty Thanks Smitty and Scott, et al, Advice taken. Several years ago I wrote a published review about a Chinese import microphone that was dead nuts on honest. At some point later, I got into it as honestly as I could with the head marketing guy who, as it turns out, uses the same sort of syntax as Paul here. He was ****ed because I told it straight out. Either by his real name or another, this guy has tried to **** in my well on more than one occasion, including trying shove **** in the ear of editors I write for; downright character assassination. All of it has failed and has ended up being part of the stuff we (editors and me) talk about when we're shooting the bull over drinks. Another marketing guy got really bent when I pointed out specific deficiencies in his company's small monitors in a review. I posted the results to this forum. Next AES, he faces off with me on the exhibit floor with his boss standing at this side looking on. It was like freakin' "High Noon." He's accusing me of things I never did and of saying things I didn't say. A crowd gathers around us in the aisle of the show floor. He rants. Seeing the crowd grow, I stay calm, hold my ground and hold him accountable. At some point, after about 3-4 minutes, his boss sees the crowd and how the deal is going and slinks off. The marketing guy literally gets into my face. I'm not budging. (being taller helps). After the whole thing is over, on the QT, he apologizes to me and cops to me that he HAD to do it for his boss. Guess what? My stock went up many points that day in the hearts and minds of those who experienced that little piece of theater. So, Paul, for your own sake, find a place to do something with all that hate. Put the bag down, dude. You really have no idea how heavy it really is. If it doesn't break your back, it'll eat your guts out. Regards, (yes, to you too) Ty Ford --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU |
#48
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]()
On Sun, 18 Feb 2007 15:26:20 -0500, Baabin wrote
(in article ): Smitty, How about a Sony HIMD recorder with a Rode Video Mic or Stereo Video Mic? There's a review of the Sony HIMD recorder in my Other Gear Review folder. Regards, Ty Ford --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU |
#49
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]() wrote in message . .. wrote in message . .. I'm trying to assemble a complete recording system that can be picked up in one hand and set up in 10 minutes or less. No wires can touch the ground. I already have: 18' mike stand with 3' boom and microphone T-bar to allow placement of 2 mikes. I need: 1. The 2 mikes. Back electret condenser mikes that can be used in either a coincident, ORTF, NOS or M-S configuration. This will be a stereo only setup. A small phantom supply can be used to operate the electronics. Also acceptable is battery operation integral to the mike body. 2. The recorder. Small unit using flash memory for recording and a USB output to download to my computer. Must record 16/44.1k wav files for at least 4 hours. I will mount the recorder to one of the tripod legs of the mike stand using velcro. The mike preamps must be sufficient as is, since there will not be a separate mixer or preamp. It would be desirable, although not essential, to be able to add memory cards if I'm not able to download existing recordings before the next job. It appears that the Zoom H4 recodrder and the behringer C-2 microphones are the solution to my problem. Thanks to all you guys for the info. I already have a 2GB SD memory card, and the mike stand. All I need now is a single 5-conductor mike cable with breakouts to a pair of XLR connectors on each end. Unless such a thing is manufactured, I'll probably end up making it. Thanks again to all of you. Norm Strong good luck with that. i think you'll be happy with your decision. paul |
#50
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]()
Several years ago I wrote a published review about a Chinese import
microphone that was dead nuts on honest. At some point later, I got into it as honestly as I could with the head marketing guy who, as it turns out, uses the same sort of syntax as Paul here. He was ****ed because I told it straight out. Sounds too reminicent of a parlay I had over comments I made here on a certain Chinese mic. Must be the same guy. If so, he seems to have disappeared from the scene. The marketing guy literally gets into my face. I'm not budging. (being taller helps). In a physical confrontation I would want to be on Ty's side of the room. I still don't know which portable recorder to buy, though. Scott Fraser |
#51
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]()
Scott Fraser wrote:
Several years ago I wrote a published review about a Chinese import microphone that was dead nuts on honest. At some point later, I got into it as honestly as I could with the head marketing guy who, as it turns out, uses the same sort of syntax as Paul here. He was ****ed because I told it straight out. Sounds too reminicent of a parlay I had over comments I made here on a certain Chinese mic. Must be the same guy. If so, he seems to have disappeared from the scene. The marketing guy literally gets into my face. I'm not budging. (being taller helps). In a physical confrontation I would want to be on Ty's side of the room. I still don't know which portable recorder to buy, though. Sound Devices. -- ha "Iraq" is Arabic for "Vietnam" |
#52
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]()
Scott,
How about a few more parameters on this such as your intended use, your budget, and your expectations... Check the Sound Professionals site http://www.soundprofessionals.com/cg...&citem=ED-R-09 for a little insight. I personally like the Zoom H4 due to its versatility and mic capacities, and for any of the hits given it, I have found easy and inexpensive workaround solutions so... that was my choice. Smitty "Scott Fraser" wrote in message ps.com... Several years ago I wrote a published review about a Chinese import microphone that was dead nuts on honest. At some point later, I got into it as honestly as I could with the head marketing guy who, as it turns out, uses the same sort of syntax as Paul here. He was ****ed because I told it straight out. Sounds too reminicent of a parlay I had over comments I made here on a certain Chinese mic. Must be the same guy. If so, he seems to have disappeared from the scene. The marketing guy literally gets into my face. I'm not budging. (being taller helps). In a physical confrontation I would want to be on Ty's side of the room. I still don't know which portable recorder to buy, though. Scott Fraser |
#53
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]()
On Wed, 21 Feb 2007 14:27:07 -0500, hank alrich wrote
(in article ): Scott Fraser wrote: Several years ago I wrote a published review about a Chinese import microphone that was dead nuts on honest. At some point later, I got into it as honestly as I could with the head marketing guy who, as it turns out, uses the same sort of syntax as Paul here. He was ****ed because I told it straight out. Sounds too reminicent of a parlay I had over comments I made here on a certain Chinese mic. Must be the same guy. If so, he seems to have disappeared from the scene. The marketing guy literally gets into my face. I'm not budging. (being taller helps). In a physical confrontation I would want to be on Ty's side of the room. I still don't know which portable recorder to buy, though. Sound Devices. Sound decision! Ty --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU |
#54
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]()
Cute play on words there Ty...
Smitty "Ty Ford" wrote in message . .. On Wed, 21 Feb 2007 14:27:07 -0500, hank alrich wrote (in article ): Scott Fraser wrote: Several years ago I wrote a published review about a Chinese import microphone that was dead nuts on honest. At some point later, I got into it as honestly as I could with the head marketing guy who, as it turns out, uses the same sort of syntax as Paul here. He was ****ed because I told it straight out. Sounds too reminicent of a parlay I had over comments I made here on a certain Chinese mic. Must be the same guy. If so, he seems to have disappeared from the scene. The marketing guy literally gets into my face. I'm not budging. (being taller helps). In a physical confrontation I would want to be on Ty's side of the room. I still don't know which portable recorder to buy, though. Sound Devices. Sound decision! Ty --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU |
#55
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]()
On Feb 21, 10:53 am, "Scott Fraser"
wrote: I still don't know which portable recorder to buy, though. Scott Fraser Sound Devices 702. Works fine, lasts long time. First rate mic preamps, converters, solid build, uses camcorder style batteries for a lot of flexibility. 702 makes no acoustic noise. 722 makes a little (hard drive) but you have to put your ear up to the case in a very quiet room to hear it. For me the 702 replaces a 6 space rack with a GR MP2MH, Symetrix 620 and Tascam DA-30mkII. Now I carry 2 lbs instead of 40 lbs. Still use the GR & Symetrix in the studio. bobs Bob Smith BS Studios we organize chaos http://www.bsstudios.com |
#56
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]() "Baabin" wrote in message ... Scott, How about a few more parameters on this such as your intended use, your budget, and your expectations... Check the Sound Professionals site http://www.soundprofessionals.com/cg...&citem=ED-R-09 for a little insight. I personally like the Zoom H4 due to its versatility and mic capacities, and for any of the hits given it, I have found easy and inexpensive workaround solutions so... that was my choice. Smitty What's the best place to buy an H4 and a pair of Behringer C-2's that's not in Washington state? Thanks, Norm Strong |
#57
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]()
wrote:
What's the best place to buy an H4 and a pair of Behringer C-2's that's not in Washington state? To avoid sales tax on a pittance? What funds your libraries? -- ha "Iraq" is Arabic for "Vietnam" |
#58
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]()
On Feb 22, 3:19 pm, wrote:
What's the best place to buy an H4 and a pair of Behringer C-2's that's not in Washington state? How about Full Compass Systems? You don't really have to worry about "best" because the H4 is $299 anywhere you go. They have a pair of Behringer C2s for fifty bucks. How can you go wrong? |
#60
![]()
Posted to rec.audio.pro
|
|||
|
|||
![]() Tobiah, I'm confused. I thought this was some sort of musical performance you were looking to record. What exactly do you want to do? I just want to build a library of all sorts of sounds to use in computer music compositions. -- Posted via a free Usenet account from http://www.teranews.com |
Reply |
|
Thread Tools | |
Display Modes | |
|
|
![]() |
||||
Thread | Forum | |||
rec.audio.car FREQUENTLY ASKED QUESTIONS (caution, this is HUGE) | Car Audio | |||
DNC Schedule of Events | Pro Audio |