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#81
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Posted to rec.audio.high-end
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Here in Ohio wrote:
So it's all in the connectors, huh? The only reason you buy Monster cables is because of the connectors? Largely. They could use any old wire and you'd still be a loyal Monster fan? I wouldn't call myself "a loyal Monster fan," although I think calling them "junk" and "snake-oli" is absurd. ...I haven't seen any evidence that some RCA connectors allow RFI into the audio system, nor any evidence that the connectors Monster uses prevent the entry of RFI into the audio system. You've never heard of RFI problems in audio systems? |
#82
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Posted to rec.audio.high-end
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c. leeds wrote:
Steven Sullivan wrote: What about the dubious claims that Monster makes for the 'sound' of its cables? Examples, please. Here ya go: From http://www.monstercable.com/home_av/...cables/rca.asp "The secret of the superb performance of Monster's Interlink interconnect cables is the precision windings. These windings accurately control and minimize the amplitude and phase problems caused by electromagnetic fields." "M Series audio interconnects are for serious music listeners who want to enjoy every last nuance of their favorite recordings. They provide maximum performance down to the last detail-especially in the areas of soundstage, imaging resolution of inner detail, dynamic range, transient response, reduction of intertransient noise and overall tonal and harmonic structure of the music." "Z200i's extra-heavy gauge low and mid frequency conductors give you deeper, tighter bass and a precise midrange for powerful music reproduction." "Interlink CD was specifically designed to add warmth to digital recordings, while simultaneously increasing frequency response and dynamic range for the smoothest, most natural sound from digital components." Of course, this is all meaningless technobabble, except for the parts that are just plain false. For instance, is there any evidence that a larger gauge for *line level* cables gives deeper bass? Or "tighter" bass, whatever that may be? Snake oil. Pure unadulteraded snake oil. And then there's their outright abuse of standard terminology: "twisted-pair dual balanced conductors for low noise music reproduction with fuller, more natural sound." Sorry, but describing an RCA to RCA cable as "balanced" is bordering on consumer fraud. How many consumers buy it thinking that they're getting the benefits of balanced interconnects? //Walt |
#83
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Posted to rec.audio.high-end
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Harry Lavo wrote:
If somebody has several thousand dollars involved in a good system, and wants to spend $35 a cable for Monster as opposed to $10 a cable for some lesser brand, because they seem to be better built and look and sound good, and might sound better, what skin is it off your back? And if somebody spends $50,000 on a system and feels he needs $200 cables to match that quality, what skin is it off your back? None whatsoever. Especially if they're honest and say that they're buying them for the looks. But if they claim that they are doing it for *auditory* reasons, I'll take issue. And if someone with a fixed budget for a stereo system is about to waste 25% of it on cables, I think I'm doing them a favor by stepping in and telling them to spend their money where it matters. Sure, it's nice to buy a product that comes is a hand made laquered mahogany box. Just don't have any illusions that the box makes any difference to the *functionality* of the product. If you prefer expensive designer cables for some non-functional fashion reason, fine. Go for it. Just don't tell me that they *sound* different. Let's look at it another way. Do you really think store brand gelatin is much different from Jell-O? Do you really think store brand american cheese slices are substantially different from Kraft? Yet people pay 50%+ for these products every day and are happy.....for a variety of reasons. And I could name countless hundreds of food products of a similar nature. Your analogy breaks down because in most of these cases if you sample these foods side by side you can actually taste a difference. (I haven't eaten Jell-O or Kraft American cheese in decades, so I can't speak to those particular prodects.) A better analogy is my brother throwing an absolute hissy fit because my aunt served Welch's grape jelly from the 16 oz jar instead of the 8 oz Howdy Doody glass. You like the Howdy Doody glass? Fine. But please admit it ain't about the jelly. //Walt |
#84
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Posted to rec.audio.high-end
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On 14 Nov 2006 23:25:26 GMT, "Harry Lavo" wrote:
"Here in Ohio" wrote in message ... On 12 Nov 2006 15:38:38 GMT, "c. leeds" wrote: Sounds like over-priced crap to me. As I said in another post, try some cables from Blue Jeans if you want higher-quality cables. That's a subjective judgment, and not proof of nabob's claim that Monster is "junk" and "snake-oil." No, it's an objective observation. I can readily get an idea of the cost of the components that Blue Jeans uses, and I have a very good idea of their production methods and tooling. Blue Jeans uses very high-quality components and their production methods and tooling are superb. I've taken a few Monster ICs apart, and they were on the "soldering iron and electrical tape" level of production methods. It looked like typical cheap crap made somewhere in China. Yes, and you could wear Blue Jeans to the next Presidential Ball. But a tuxedo would be more appropriate. If somebody has several thousand dollars involved in a good system, and wants to spend $35 a cable for Monster as opposed to $10 a cable for some lesser brand, because they seem to be better built and look and sound good, and might sound better, what skin is it off your back? And if somebody spends $50,000 on a system and feels he needs $200 cables to match that quality, what skin is it off your back? I don't care unless they start claiming that Monster Cable stuff is superior when it objectively is not. I even pointed out a rational alternative if people need "higher quality." Blue Jeans is selling you a quality product for a reasonable price. Too many of the other vendors are selling you mostly advertising and smoke and mirrors. Monster's out of spec connectors that damage things makes it even worse. It's really easy to then simply state that Monster sells over-priced crap. But don't mind me, go ahead and buy their crap if you like it. |
#85
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Posted to rec.audio.high-end
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bob wrote:
wrote: No I gave you the information you needed and you snipped it and ignored it as I predicted. why Bob? Why does it bother you so much that this niche market is a strong growth market so much that you would snip the access to the relevent sources of information and then claim no evidence was provided? Doesn't bother me at all. What bothers me is that people are willing to make claims they can't back up. And you can't. All you can do is post a bunch of links to sites of companies that make or sell recordings, with some vague promise that 'the proof is there' if only I'll go looking for it. Well, I went--not to all of them, but to a handful. There's not a shred of data on any of those sites that can support a claim that the market is growing. If you think there is, please point to it specifically and explain your reasoning. Otherwise, stop making a claim you can't support. One wonders if this putative 'strong growth market' will survive the final passing of the baby boom generation. (One doubts it.) One also has to put a 'growth market' in context of what it's growing *from* and *to*, not to mention *in comparison with*. To take a wholly hypothetical example, if wax cylinder sales went from 10 to 100 in a year, wax cylinder fans could point to that as 'strong growth'... within an impovershed, miniscule market sector. Brave words like 'strong growth' that help the faithful keep the faith in the face of such dismal realities. ___ -S "As human beings, we understand the world through simile, analogy, metaphor, narrative and, sometimes, claymation." - B. Mason |
#86
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Posted to rec.audio.high-end
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[ Moderator's note: This subthread is ended unless something new is
posted. -- deb ] bob wrote: wrote: bob wrote: Simply, really. If the audiophile labels put out 200 releases 5 years ago, and they are putting out 200 releases this year, that is not evidence of a growing market. Just because there are now 1000 titles in the catalog doesn't mean the market's bigger. OK this is a fair mistake but a mistake none the less. I wasn't stating it as a fact. That's what "if" means. What "if" really tells us in this case is that you are completely out of touch with this particular niche market. If you were at all familiar with the patterns of releases over the years you wouldn't have to deal in hypotheticals. Some but very few titles stay in print and available for such extended periods. Many of them are licenced for limited periods of time and disappear in a couple years. It's a fair mistake for one to make if they are not familiar with the rotation patterns of titles in this market. There are examples of companies like Classics reissuing their own reissues but they are pretty good about making it clear that is what they are doing. No need to do that if the original reisssue did not sell out. Titles regularly sell out and are no longer available or get reissued. That tells us they are not sitting on the shelves unsold. There are other companies that manag to keep their back catalog in print and make no anouncements of second and third runs like Speaker's corner. Thanks for the info, but it's off point. The point was that a steady rate of issues is not evidence of a growing market. Neither is a large current catalog. No more off point than your assertion since it does not reflect the reality of the situation. there hasn't been a steady rate of issues but a substantial increase. so much so that anyone who follows the market would know this without needing any numbers. Anyone who has followed the market would no more need numbers to know that the market has grown substantially than one would ned hard numbers to know there are more people on the freeways of L.A. than all of Idaho. Whereas, if there were 100 releases a year 5 years ago, and 200 a year now, that would be suggestive of a larger market, or at least that the producers think there's a larger market. (It's only suggestive, of course, because it says nothing about sales.) Well, that is more or less what has been happening but by a larger margin. Asserted without evidence. Sorry but that reply is just getting boring. I also asserted that L.A. has more cars on the freeways than Idaho without evidence. Does that make the assertion wrong? If you reaaaaaaally want the evidence why not check the sources? I gave you more than enough leads to find out for yourself. It is suggestive of sales unless these companies are being sponsered by deep pockets. You can't grow a small business over an extended period of time without sales. Unless someone is digging into their pockets. However, an increase over time in the annual number of releases would constitute evidence of growth in the market. Which is exactly what has happened over the past ten to fifteen years and in a substantial amount. Asserted without evidence. As usual. No I gave you the information you needed and you snipped it and ignored it as I predicted. why Bob? Why does it bother you so much that this niche market is a strong growth market so much that you would snip the access to the relevent sources of information and then claim no evidence was provided? Doesn't bother me at all. Really? Then why did you snip the information yet a second time? hmmmmm. Guess i'll just have to post it again. http://www.speakerscorner.de/ http://store.acousticsounds.com/sear...ue&LabelID=507 http://www.ciscomusic.com/store/Catalog.html http://www.sundazed.com/store/ http://www.classicrecords.com/ http://www.recordtech.com/contact.htm http://www.musicdirect.com/Default.asp http://www.recordtech.com/customers.htm http://hollywoodandvine.com/ http://concordmusicgroup.com/ http://www.groovenote.com/ http://www.mofi.com/ http://www.mosaicrecords.com/ http://www.warnerbrosrecords.com/ What bothers me is that people are willing to make claims they can't back up. So my claim that there are more cars on the freeway in L.A. than Idaho bothers you too? Let's clear something up right now. There is a big difference between "can't" and won't. i won't because it would be a lot of work. now if you want to make a substantial wager and make it worth my time I'll get you the numbers. If not why should I bother? And you can't. I got a thousand bucks say I can! All you can do is post a bunch of links to sites of companies that make or sell recordings, with some vague promise that 'the proof is there' if only I'll go looking for it. That's all I can do? Take my bet then. Well, I went--not to all of them, but to a handful. There's not a shred of data on any of those sites that can support a claim that the market is growing. Actually there is but it would require some math on your part. of course my suggestion was to actually ask the people at these businesses for the numbers. If you think there is, please point to it specifically and explain your reasoning. I already suggested that you actually talk to the people that would have the numbers. I have already explained my reasoning. Otherwise, stop making a claim Nope, not gonna stop making a true claim no matter how much it bothers you. you can't support. Wanna bet? Look, I'm not asking you to renounce Jesus here. No need, I am an atheist The audiophile vinyl market MAY be growing. I've said that. So what? You don't follow the market, you have no idea either way. I do follow the market. I have told you the patterns are clear as day and obvious as the traffic in L.A. v. Idaho. You can believe me or not. I don't care. Your beliefs have no impact on that market. If you reaaaaaally wanted to know you would do as I suggested and "ommunicate" with the people at the links I provided. Did you really expect to find sales graphs for the previous 15 years at the websites? C,mon, do you really need me to tell you the obvious way to get the information is to ask for it ? Jeez. What I won't concede is that the market IS growing, based only on your say-so, which is all you've given me. And why is that? Do you doubt my claim about traffic? Do you really think I don't know what I am talking about here? You've made the claim. You know where the burden of proof lies. Make it worth my while......... Scott |
#87
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Posted to rec.audio.high-end
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"bob" wrote in message
... Harry Lavo wrote: If none or very few of those past records sold and are just sitting in inventory as you claim, why have those companies been in business for ten or more years? I never said that none have sold. The existence of a back catalog means that at least *some* have not sold. Obviously, enough have sold to keep these companies in business. But the fact that enough have sold to keep these companies in business is not evidence that sales are growing. Conversely, the fact that RIAA sales have declined with Sony pulling out of SACD doesn't provide evidence that SACD is a dead market, as you seem to always wish to trumpet. Particularly with the most vital part of this market unlikely to be reflected in the RIAA stats. |
#88
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Posted to rec.audio.high-end
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"Walt" wrote in message
... c. leeds wrote: Steven Sullivan wrote: What about the dubious claims that Monster makes for the 'sound' of its cables? Examples, please. Here ya go: From http://www.monstercable.com/home_av/...cables/rca.asp "The secret of the superb performance of Monster's Interlink interconnect cables is the precision windings. These windings accurately control and minimize the amplitude and phase problems caused by electromagnetic fields." "M Series audio interconnects are for serious music listeners who want to enjoy every last nuance of their favorite recordings. They provide maximum performance down to the last detail-especially in the areas of soundstage, imaging resolution of inner detail, dynamic range, transient response, reduction of intertransient noise and overall tonal and harmonic structure of the music." "Z200i's extra-heavy gauge low and mid frequency conductors give you deeper, tighter bass and a precise midrange for powerful music reproduction." "Interlink CD was specifically designed to add warmth to digital recordings, while simultaneously increasing frequency response and dynamic range for the smoothest, most natural sound from digital components." Of course, this is all meaningless technobabble, except for the parts that are just plain false. For instance, is there any evidence that a larger gauge for *line level* cables gives deeper bass? Or "tighter" bass, whatever that may be? Snake oil. Pure unadulteraded snake oil. And then there's their outright abuse of standard terminology: "twisted-pair dual balanced conductors for low noise music reproduction with fuller, more natural sound." Sorry, but describing an RCA to RCA cable as "balanced" is bordering on consumer fraud. How many consumers buy it thinking that they're getting the benefits of balanced interconnects? Nobody who would want truly balanced interconnects, as they would know what they are looking for and know you can't get it with RCA jacks. But these cables often can be outfitted with XLR connectors and sold as true balance cables. I think Monster is refering to the fact that they double intertwine both positive and negative strands. The effects they ascribe might be attributable to reduced RFI but it is not clear why the described design would be superior in this regard. |
#89
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Posted to rec.audio.high-end
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c. leeds wrote:
Here in Ohio wrote: ...I haven't seen any evidence that some RCA connectors allow RFI into the audio system, nor any evidence that the connectors Monster uses prevent the entry of RFI into the audio system. You've never heard of RFI problems in audio systems? I've tracked down and solved thousands of RFI problems. None were solved by "magic cables." Many were solved by replacing a *broken* cable, but that's different. Yes, RFI problems occur. No, monster cables won't make you immune from them, any more than spreading around chicken bones and gris gris. If you want RFI immunity, go balanced* and pay a lot of attention to grounding. In seriously bad RFI environments you may need *gasp* a transformer. This is proven technology, not the superstitious crap from the boutique cable vendors. So, please stop it with the RFI boogeyman. Do you get RFI with commodity cables? If not, then give it a rest. // Walt *real balanced (i.e. a differential input), not marketing-speak "balanced" |
#90
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Posted to rec.audio.high-end
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"Here in Ohio" wrote in message
... On 14 Nov 2006 23:25:26 GMT, "Harry Lavo" wrote: "Here in Ohio" wrote in message ... On 12 Nov 2006 15:38:38 GMT, "c. leeds" wrote: Sounds like over-priced crap to me. As I said in another post, try some cables from Blue Jeans if you want higher-quality cables. That's a subjective judgment, and not proof of nabob's claim that Monster is "junk" and "snake-oil." No, it's an objective observation. I can readily get an idea of the cost of the components that Blue Jeans uses, and I have a very good idea of their production methods and tooling. Blue Jeans uses very high-quality components and their production methods and tooling are superb. I've taken a few Monster ICs apart, and they were on the "soldering iron and electrical tape" level of production methods. It looked like typical cheap crap made somewhere in China. Yes, and you could wear Blue Jeans to the next Presidential Ball. But a tuxedo would be more appropriate. If somebody has several thousand dollars involved in a good system, and wants to spend $35 a cable for Monster as opposed to $10 a cable for some lesser brand, because they seem to be better built and look and sound good, and might sound better, what skin is it off your back? And if somebody spends $50,000 on a system and feels he needs $200 cables to match that quality, what skin is it off your back? I don't care unless they start claiming that Monster Cable stuff is superior when it objectively is not. A preference, stated experience, or an opinion is not a "claim". A "claim" is presented as fact for scientific evaluation or verification, and you are in no position to do so....unless you want to go to his house, use his gear, set up an abx test using white noise, and "prove" to him that he can hear no difference. And even then, you can only prove this case...his ears, his test signal and equipment, this test. You cannot legitimately from this claim that Monster is fraudulent...because you don't know that somebody, somewhere might hear a difference on an abx test, using their equipment, and using white noise. You cannot prove a "negative" on a universal basis using abx. Not if you are a true scientist or statistician. I even pointed out a rational alternative if people need "higher quality." Blue Jeans is selling you a quality product for a reasonable price. Too many of the other vendors are selling you mostly advertising and smoke and mirrors. That's your preference based on your evaluation of the competing brands. Fine to make the recommendation. Not fine to insist any other choice is invalid for the prospective purchaser. Monster's out of spec connectors that damage things makes it even worse. It's really easy to then simply state that Monster sells over-priced crap. But don't mind me, go ahead and buy their crap if you like it. As long as you state it as your opinion. But you should also note that as you state it just above, it is also a put-down. |
#91
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Posted to rec.audio.high-end
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On 15 Nov 2006 23:54:01 GMT, "c. leeds" wrote:
They could use any old wire and you'd still be a loyal Monster fan? I wouldn't call myself "a loyal Monster fan," although I think calling them "junk" and "snake-oli" is absurd. You've been defending them pretty hard. It's almost as if they were paying you to post good things about their products. ...I haven't seen any evidence that some RCA connectors allow RFI into the audio system, nor any evidence that the connectors Monster uses prevent the entry of RFI into the audio system. You've never heard of RFI problems in audio systems? Yes, what does that have to do with it? |
#92
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Posted to rec.audio.high-end
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On 16 Nov 2006 00:00:07 GMT, Walt wrote:
"Z200i's extra-heavy gauge low and mid frequency conductors give you deeper, tighter bass and a precise midrange for powerful music reproduction." I've always loved this claim of theirs. At a CES show in the early to mid '80s, Monster was exhibiting their cables and touting that the various sizes of conductors were there because high frequencies would only follow the thin conductors and bass frequencies would only follow the thick conductors. Frank Van Alstine suggested that they strip some of their cable, take some of the thin conductors and plug them into the wall socket while holding onto the other end. If their theory was true, the low frequencies (60 Hz) wouldn't be conducted by their "high frequency" wires. If not... They promptly threw him out of their room. |
#93
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Posted to rec.audio.high-end
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"Steven Sullivan" wrote in message
... bob wrote: wrote: No I gave you the information you needed and you snipped it and ignored it as I predicted. why Bob? Why does it bother you so much that this niche market is a strong growth market so much that you would snip the access to the relevent sources of information and then claim no evidence was provided? Doesn't bother me at all. What bothers me is that people are willing to make claims they can't back up. And you can't. All you can do is post a bunch of links to sites of companies that make or sell recordings, with some vague promise that 'the proof is there' if only I'll go looking for it. Well, I went--not to all of them, but to a handful. There's not a shred of data on any of those sites that can support a claim that the market is growing. If you think there is, please point to it specifically and explain your reasoning. Otherwise, stop making a claim you can't support. One wonders if this putative 'strong growth market' will survive the final passing of the baby boom generation. (One doubts it.) One also has to put a 'growth market' in context of what it's growing *from* and *to*, not to mention *in comparison with*. To take a wholly hypothetical example, if wax cylinder sales went from 10 to 100 in a year, wax cylinder fans could point to that as 'strong growth'... within an impovershed, miniscule market sector. Brave words like 'strong growth' that help the faithful keep the faith in the face of such dismal realities. Well then, how about 70-80 releases a month and growing....that good enough for you to accept it as a viable niche market? |
#94
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Posted to rec.audio.high-end
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Here in Ohio wrote (about preference for Monster Cable):
I don't care unless they start claiming that Monster Cable stuff is superior when it objectively is not. Sorry, but we've already shown that Monster Cable is superior - in some respects - to the flimsy, freebie cable nabob prefers. Monster uses tighter, more robust connectors, for example. This superioirty may not have value to you, of course. And it's been pointed out here that Monster may not be suitable for use on equipment that has flimsy jacks. But to say that Monster is "objectively" not superior (to flimsy freebie cables) is a false claim. I even pointed out a rational alternative if people need "higher quality." So only your preference is "rational?" Monster's out of spec connectors that damage things makes it even worse. So do you have any data to support this claim, or is it that you just prefer loose, ill-fitting, flimsy connectors? It's really easy to then simply state that Monster sells over-priced crap. But don't mind me, go ahead and buy their crap if you like it. Yes, it's easy to state your claim, but that doesn't mean much. |
#95
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Posted to rec.audio.high-end
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Walt wrote:
I've tracked down and solved thousands of RFI problems. None were solved by "magic cables." No one here has recommended "magic cables." You've invented the quote as part of a straw man argument. Yes, RFI problems occur. No, monster cables won't make you immune from them, any more than spreading around chicken bones and gris gris. Another straw man argument. No one here has made the claim you cite. So, please stop it with the RFI boogeyman. Please stop the phoney quotes and straw man techniques. Do you get RFI with commodity cables? Yes, I have. |
#96
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Here in Ohio wrote (about Monster Cable):
You've been defending them pretty hard. No, I've only claimed that they are not "junk" or "snake-oil," as nabob claimed. It's almost as if they were paying you to post good things about their products. Nothing of the sort. But since you raised the issue, did Blue Jeans Cable pay you for your recommendation? |
#97
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Posted to rec.audio.high-end
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Harry Lavo wrote:
"Here in Ohio" wrote in message I don't care unless they start claiming that Monster Cable stuff is superior when it objectively is not. A preference, stated experience, or an opinion is not a "claim". A "claim" is presented as fact for scientific evaluation or verification, and you are in no position to do so....unless you want to go to his house, use his gear, set up an abx test using white noise, and "prove" to him that he can hear no difference. And even then, you can only prove this case...his ears, his test signal and equipment, this test. You cannot legitimately from this claim that Monster is fraudulent...because you don't know that somebody, somewhere might hear a difference on an abx test, using their equipment, and using white noise. You cannot prove a "negative" on a universal basis using abx. Not if you are a true scientist or statistician. Sorry, Henry, but you have the burden of proof exactly backwards. Monster makes the claim that their cables make an audio difference. (Really, they do. It's not an opinion, or a preference. They say flat out that their cables make things sound better.) Hence they're the ones who need to back up their claims; the onus is not on the skeptics to disprove those claims. Nobody can disprove the existence of the Loch Ness Monster, either. If you want to convince people that it does, provide some evidence. Simply stating that nobody can prove it doen't exist isn't enough. If "somebody, somewhere might hear a difference on an abx test, using their equipment, and using white noise" then let's see it. Until somebody provides some evidence along these lines, I'll continue to say that Monster's claims are without basis. //Walt |
#98
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Harry Lavo wrote:
Conversely, the fact that RIAA sales have declined with Sony pulling out of SACD doesn't provide evidence that SACD is a dead market, as you seem to always wish to trumpet. When? Where? Quote me saying this. For the record, my position is and always has been that SACD is and probably will remain a niche market. I don't think it'll grow much beyond where it is now, but it'll be around for a while. BTW, its market *share* (as well as that of vinyl) may well increase somewhat, as the bottom continues to fall out of physical media generally. Indeed, one can imagine a not-too-distant future when the *only* people buying physical media are audiophiles. Everybody else will have a $10/month subscription to all the music ever made--and I don't see hi-rez becoming a download product. (Though I hope Blu-Ray or whatever brings us to CD-quality surround, which will be downloadable once the pipes get big enough.) bob |
#99
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Harry Lavo wrote:
You cannot legitimately from this claim that Monster is fraudulent...because you don't know that somebody, somewhere might hear a difference on an abx test, using their equipment, and using white noise. Only in the sense that you don't know that somebody, somewhere might hear a 30kHz tone. bob |
#100
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Harry Lavo wrote:
Well then, how about 70-80 releases a month and growing....that good enough for you to accept it as a viable niche market? Good enough for me. Now just give us a source for those numbers, and for the claim that they are growing. bob |
#101
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Walt wrote:
If RFI is a problem (and it isn't in the vast majority of home installations), the way to deal with it is through 1) balanced inputs, That's not always an option. 2) proper grounding, That doesn't always work, although sometimes better-built cable helps. 3) replacing components that are RF succeptable, Sometimes it's the connection that's susceptible, not the equipment. Why should users replace perfectly fine equipment when all that's at fault is a flimsy connector cable? and 4) better shielding. Roughly in that order "Better shielding" sometimes equals "better cable." Buying a "magic cable" isn't going to do squat. Who here has recommended "magic" cable? Who are you pretending to quote here? You might as well say that Monster cable helps keep elephants away because you don't have any elephants in your house. You're not making any sense here at all. As I said, anti-snake oil. This group is about *audio* - and things that make no audible difference should be identified as such so that we can focus on the things that do make a difference. Please don't decide for me what I should focus on, because quality of construction is part of high-end audio. If you like flimsy freebie cables like nabob, that's fine. I prefer better built, higher quality product. Quite the contrary; the question of whether there is an audible difference is exactly the crux of the matter. Since there is neither empirical evidence nor a sound theoretical basis of such a difference, I'll assume that there is none until such evidence is presented You're free to cling to your assumptions and pronouncements. They don't have anything to do with high end audio, though. |
#102
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"bob" wrote in message
... Harry Lavo wrote: Well then, how about 70-80 releases a month and growing....that good enough for you to accept it as a viable niche market? Good enough for me. Now just give us a source for those numbers, and for the claim that they are growing. I already have....they came from Sony and SACDnet. As to growth...1150 titles in 15 months, vs. 3000 in prior70 months. Fair enough? |
#103
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If RFI is a problem (and it isn't in the vast majority of home
installations), the way to deal with it is through 1) balanced inputs, RFI means Radio Frequency Interference. Balanced inputs on audio equipment almost never have significant common mode rejection at radio frequencies. My guess is that RFI will not be reduced by using a balanced input. Better shielding might be a help, as would filtering out the high frequencies. If the signal is digital, RFI can be eliminated by using an optical interconnect. Norm Strong |
#104
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Posted to rec.audio.high-end
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Harry Lavo wrote:
"bob" wrote in message ... Harry Lavo wrote: Well then, how about 70-80 releases a month and growing....that good enough for you to accept it as a viable niche market? Good enough for me. Now just give us a source for those numbers, and for the claim that they are growing. I already have....they came from Sony and SACDnet. As to growth...1150 titles in 15 months, vs. 3000 in prior70 months. Fair enough? No, because you were responding to a post about VINYL sales. (That may not have been clear unless you traced the thread back several posts.) So we're sort of a cross purposes here. But since you've brought up SACD, you do stack the deck a bit when you count back to the very introduction of the format. From zero, everything is a growth market. And a good deal of the early non-growth was, I suspect, a function of inadequate production capacity rather than non-existent demand. So, growing demand? Not sure, but maybe. Viable niche market? Absolutely. Which, as you know, is what I've always said! bob |
#106
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Posted to rec.audio.high-end
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On 16 Nov 2006 23:51:17 GMT, "Harry Lavo" wrote:
I don't care unless they start claiming that Monster Cable stuff is superior when it objectively is not. A preference, stated experience, or an opinion is not a "claim". A "claim" He was claiming that Monster is superior because of the connectors they use, because said connectors are more "robust." and because said connectors reduce RFI. I don't see that any of those claims are valid and I've said so repeatedly in this thread. Monster's out of spec connectors that damage things makes it even worse. It's really easy to then simply state that Monster sells over-priced crap. But don't mind me, go ahead and buy their crap if you like it. As long as you state it as your opinion. But you should also note that as you state it just above, it is also a put-down. In this case, buying their junk is enough of a put down. :-) |
#107
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Posted to rec.audio.high-end
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On 19 Nov 2006 15:49:13 GMT, Walt wrote:
wrote: If RFI is a problem (and it isn't in the vast majority of home installations), the way to deal with it is through 1) balanced inputs, Balanced inputs on audio equipment almost never have significant common mode rejection at radio frequencies. This is the first time I've ever heard anyone say this. Do you have a cite? My guess is that RFI will not be reduced by using a balanced input. My guess is otherwise. Of course, I'm not really guessing. Unless the RFI signal is predominantly positive or negative (assymetrical), I would think that it would effect the + and - signal and conductors in a balanced cable equally. The differential input would then eliminate most of the RFI since it is common to both legs of the signal path. |
#108
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Posted to rec.audio.high-end
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Here in Ohio wrote:
On 19 Nov 2006 15:49:13 GMT, Walt wrote: wrote: If RFI is a problem (and it isn't in the vast majority of home installations), the way to deal with it is through 1) balanced inputs, Balanced inputs on audio equipment almost never have significant common mode rejection at radio frequencies. This is the first time I've ever heard anyone say this. Do you have a cite? My guess is that RFI will not be reduced by using a balanced input. My guess is otherwise. Of course, I'm not really guessing. Unless the RFI signal is predominantly positive or negative (assymetrical), I would think that it would effect the + and - signal and conductors in a balanced cable equally. The differential input would then eliminate most of the RFI since it is common to both legs of the signal path. Norman's point is that the balanced audio amplifiers are typically not very effective in cancelling out common-mode signals at RF frequencies. For example, if you have a common-mode signal in the + and the - paths at 1 KHz, the amplifier may subtract it out very well. But if the signal is at 100 MHz, the amplifier will not subtract it well at all. |
#109
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Posted to rec.audio.high-end
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Here in Ohio wrote:
On 19 Nov 2006 15:49:13 GMT, Walt wrote wrote: Balanced inputs on audio equipment almost never have significant common mode rejection at radio frequencies. This is the first time I've ever heard anyone say this. Do you have a cite? My guess is that RFI will not be reduced by using a balanced input. My guess is otherwise. Of course, I'm not really guessing. Unless the RFI signal is predominantly positive or negative (assymetrical), I would think that it would effect the + and - signal and conductors in a balanced cable equally. In theory, they are induced equally in the two conductors and are removed when you take the difference. This is true regardless of the symetry or non-symetry of the interference. The differential input would then eliminate most of the RFI since it is common to both legs of the signal path. Yes. But conventional transistors/IC's reject common mode up to a certain level, above that level they "break down" and no longer reject common mode interference. Perhaps that is what normanstrong is alluding to? Anyway, stubborn interference problems can be cured with a transformer, which does not have a breakdown voltage. //Walt |
#110
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Posted to rec.audio.high-end
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On 22 Nov 2006 15:57:30 GMT, Walt wrote:
Here in Ohio wrote: On 19 Nov 2006 15:49:13 GMT, Walt wrote wrote: Balanced inputs on audio equipment almost never have significant common mode rejection at radio frequencies. This is the first time I've ever heard anyone say this. Do you have a cite? My guess is that RFI will not be reduced by using a balanced input. My guess is otherwise. Of course, I'm not really guessing. Unless the RFI signal is predominantly positive or negative (assymetrical), I would think that it would effect the + and - signal and conductors in a balanced cable equally. In theory, they are induced equally in the two conductors and are removed when you take the difference. This is true regardless of the symetry or non-symetry of the interference. The differential input would then eliminate most of the RFI since it is common to both legs of the signal path. Yes. But conventional transistors/IC's reject common mode up to a certain level, above that level they "break down" and no longer reject common mode interference. Perhaps that is what normanstrong is alluding to? Ok, that makes sense, as did Chung's comment. |
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