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#1
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Arny Krueger wrote:
"Rob" wrote in message " Of course LP playback equipment varies far more in its audible sound quality than CD playback equipment does. But your method eliminates that variable completely, and the mastering decisions of a commercial CD aren't a factor, either. " Leaping assumptions there - the independent observer has managed two maxims from anecdote. No assumptions there at all. Just the facts. Assumption 1 - CD-standard recording captures the entire LP music recording. Assumption 2 - CD-standard recording captures in entirety any variance in sources. These assumptions aren't facts. This is a problem because it still doesn't explain *why* some people prefer a similar/same recording on vinyl. That wasn't the point. Mmm. To clarify - the 'point' is problematic because no attempt is made to explain cause. If you're not interested in 'why' then fine. It's just another attampt at closure of the point: 'They can not, they must not'. Completely missed the point. I don't think so. Perhaps I could have rephrased to: "It's another attempt by Arny to achieve closure ...". Why else would you have posted? |
#2
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Posted to alt.audio.equipment,rec.audio.misc,rec.audio.tech,uk.rec.audio
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"Rob" wrote in
message Arny Krueger wrote: "Rob" wrote in message " Of course LP playback equipment varies far more in its audible sound quality than CD playback equipment does. But your method eliminates that variable completely, and the mastering decisions of a commercial CD aren't a factor, either. " Leaping assumptions there - the independent observer has managed two maxims from anecdote. No assumptions there at all. Just the facts. Assumption 1 - CD-standard recording captures the entire LP music recording. Not all of the recording, just all of the audible parts, and with a very considerable safety magin. But this is not an assumption, it is a proven fact. It can be verified with both listening tests and measurements. Assumption 2 - CD-standard recording captures in entirety any variance in sources. Not all of the sources, just all of the audible parts, and with a considerable margin. But this is not an assumption, it is a proven fact. It can be verified with both listening tests and measurements. The measurements need to be coordinated with what is known about human perception of sound. This has been done. These assumptions aren't facts. Sure they are, as the word fact is commonly used. Properly stated they are findings of science that have been verified by just about anybody who has bothered to take an unbiased look at the relevant empircal data, or even collect their own data. There are no known adverse findings that are anywhere as near unbiased. This is a problem because it still doesn't explain *why* some people prefer a similar/same recording on vinyl. That wasn't the point. Mmm. To clarify - the 'point' is problematic because no attempt is made to explain cause. The cause is pretty easy to figure out. Preference is based on stimulus and perception. Perception is based on the body's sensory reaction to stimulus and how the brain processes those reactions. If you trace through the steps, you find the most variations in how different people's brains work. If you're not interested in 'why' then fine. The reason why can be easily understood if you are well-informed about sensation and perception. It's just another attampt at closure of the point: 'They can not, they must not'. Completely missed the point. I don't think so. Perhaps I could have rephrased to: "It's another attempt by Arny to achieve closure ...". Why else would you have posted? Error correction. Education. |
#3
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Arny Krueger wrote:
"Rob" wrote in message Arny Krueger wrote: "Rob" wrote in message " Of course LP playback equipment varies far more in its audible sound quality than CD playback equipment does. But your method eliminates that variable completely, and the mastering decisions of a commercial CD aren't a factor, either. " Leaping assumptions there - the independent observer has managed two maxims from anecdote. No assumptions there at all. Just the facts. Assumption 1 - CD-standard recording captures the entire LP music recording. Not all of the recording, just all of the audible parts, and with a very considerable safety magin. But this is not an assumption, it is a proven fact. It can be verified with both listening tests and measurements. Assumption 2 - CD-standard recording captures in entirety any variance in sources. Not all of the sources, just all of the audible parts, and with a considerable margin. But this is not an assumption, it is a proven fact. It can be verified with both listening tests and measurements. The measurements need to be coordinated with what is known about human perception of sound. This has been done. That's fine - I didn't know that. Reading lots of waffle about supertweeters you can't hear, and subwoofers you shouldn't hear, makes the notion of 'audible' a problem for dunces like me :-) These assumptions aren't facts. Sure they are, as the word fact is commonly used. Properly stated they are findings of science that have been verified by just about anybody who has bothered to take an unbiased look at the relevant empircal data, or even collect their own data. There are no known adverse findings that are anywhere as near unbiased. Okeydokey. I'm probably expecting too much, but do you have a reference to a (preferably peer reviewed) source to substantiate this? This is a problem because it still doesn't explain *why* some people prefer a similar/same recording on vinyl. That wasn't the point. Mmm. To clarify - the 'point' is problematic because no attempt is made to explain cause. The cause is pretty easy to figure out. Preference is based on stimulus and perception. Perception is based on the body's sensory reaction to stimulus and how the brain processes those reactions. If you trace through the steps, you find the most variations in how different people's brains work. Is this your opinion or another robust fact? If you're not interested in 'why' then fine. The reason why can be easily understood if you are well-informed about sensation and perception. I think you're steering towards a rational/'nature'/positivist explanation. Nothing wrong with that in itself, but you do understand there are different ways of thinking about things?! It's just another attampt at closure of the point: 'They can not, they must not'. Completely missed the point. I don't think so. Perhaps I could have rephrased to: "It's another attempt by Arny to achieve closure ...". Why else would you have posted? Error correction. Education. Is that some sort of crossword clue? |
#4
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Posted to alt.audio.equipment,rec.audio.misc,rec.audio.tech,uk.rec.audio
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"Rob" wrote in
message Arny Krueger wrote: "Rob" wrote in message Arny Krueger wrote: "Rob" wrote in message " Of course LP playback equipment varies far more in its audible sound quality than CD playback equipment does. But your method eliminates that variable completely, and the mastering decisions of a commercial CD aren't a factor, either. " Leaping assumptions there - the independent observer has managed two maxims from anecdote. No assumptions there at all. Just the facts. Assumption 1 - CD-standard recording captures the entire LP music recording. Not all of the recording, just all of the audible parts, and with a very considerable safety magin. But this is not an assumption, it is a proven fact. It can be verified with both listening tests and measurements. Assumption 2 - CD-standard recording captures in entirety any variance in sources. Not all of the sources, just all of the audible parts, and with a considerable margin. But this is not an assumption, it is a proven fact. It can be verified with both listening tests and measurements. The measurements need to be coordinated with what is known about human perception of sound. This has been done. That's fine - I didn't know that. Reading lots of waffle about supertweeters you can't hear, and subwoofers you shouldn't hear, makes the notion of 'audible' a problem for dunces like me :-) These assumptions aren't facts. Sure they are, as the word fact is commonly used. Properly stated they are findings of science that have been verified by just about anybody who has bothered to take an unbiased look at the relevant empircal data, or even collect their own data. There are no known adverse findings that are anywhere as near unbiased. Okeydokey. I'm probably expecting too much, but do you have a reference to a (preferably peer reviewed) source to substantiate this? Here's an example of some people who tried to collect their own data: http://www.provide.net/~djcarlst/abx_digi.htm The digital delay device being tested used the identical same data format as audio CDs and was of professional grade. It acted like a CD recorder and CD player back-to-back. Similar tests have been rerun from time to time in more modern contexts with identical results. This is a problem because it still doesn't explain *why* some people prefer a similar/same recording on vinyl. That wasn't the point. Mmm. To clarify - the 'point' is problematic because no attempt is made to explain cause. The cause is pretty easy to figure out. Preference is based on stimulus and perception. Perception is based on the body's sensory reaction to stimulus and how the brain processes those reactions. If you trace through the steps, you find the most variations in how different people's brains work. Is this your opinion or another robust fact? Robust fact. If you're not interested in 'why' then fine. The reason why can be easily understood if you are well-informed about sensation and perception. I think you're steering towards a rational/'nature'/positivist explanation. Nothing wrong with that in itself, but you do understand there are different ways of thinking about things?! It seems to me that when a bunch of audiophiles and recording engineers listen to high quality live and recorded analog sources and find that they can't tell the difference between a short piece of wire and relatively complex digital encoding and decoding in the signal path, a lot of heavy philosophical thinking can be bypassed. |
#5
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Posted to alt.audio.equipment,rec.audio.misc,rec.audio.tech,uk.rec.audio
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Arny Krueger wrote:
"Rob" wrote in message Arny Krueger wrote: "Rob" wrote in message Arny Krueger wrote: "Rob" wrote in message " Of course LP playback equipment varies far more in its audible sound quality than CD playback equipment does. But your method eliminates that variable completely, and the mastering decisions of a commercial CD aren't a factor, either. " Leaping assumptions there - the independent observer has managed two maxims from anecdote. No assumptions there at all. Just the facts. Assumption 1 - CD-standard recording captures the entire LP music recording. Not all of the recording, just all of the audible parts, and with a very considerable safety magin. But this is not an assumption, it is a proven fact. It can be verified with both listening tests and measurements. Assumption 2 - CD-standard recording captures in entirety any variance in sources. Not all of the sources, just all of the audible parts, and with a considerable margin. But this is not an assumption, it is a proven fact. It can be verified with both listening tests and measurements. The measurements need to be coordinated with what is known about human perception of sound. This has been done. That's fine - I didn't know that. Reading lots of waffle about supertweeters you can't hear, and subwoofers you shouldn't hear, makes the notion of 'audible' a problem for dunces like me :-) These assumptions aren't facts. Sure they are, as the word fact is commonly used. Properly stated they are findings of science that have been verified by just about anybody who has bothered to take an unbiased look at the relevant empircal data, or even collect their own data. There are no known adverse findings that are anywhere as near unbiased. Okeydokey. I'm probably expecting too much, but do you have a reference to a (preferably peer reviewed) source to substantiate this? Here's an example of some people who tried to collect their own data: http://www.provide.net/~djcarlst/abx_digi.htm The digital delay device being tested used the identical same data format as audio CDs and was of professional grade. It acted like a CD recorder and CD player back-to-back. Similar tests have been rerun from time to time in more modern contexts with identical results. OK - I can't see any clear reference to method - just a list of (incomplete) variables and population. Googling gets me to: http://www.pcabx.com/ with an odd statement about methodology. What exactly is the ontological and epistemological basis of the 'virtual reality' methodology? I have to be absolutely clear on these points to accept what you say. The bibliography is rather narrow and doesn't (of course) guide the reader towards references. What made the inventor choose that method? It didn't just come out of the air! This is a problem because it still doesn't explain *why* some people prefer a similar/same recording on vinyl. That wasn't the point. Mmm. To clarify - the 'point' is problematic because no attempt is made to explain cause. The cause is pretty easy to figure out. Preference is based on stimulus and perception. Perception is based on the body's sensory reaction to stimulus and how the brain processes those reactions. If you trace through the steps, you find the most variations in how different people's brains work. Is this your opinion or another robust fact? Robust fact. If you're not interested in 'why' then fine. The reason why can be easily understood if you are well-informed about sensation and perception. I think you're steering towards a rational/'nature'/positivist explanation. Nothing wrong with that in itself, but you do understand there are different ways of thinking about things?! It seems to me that when a bunch of audiophiles and recording engineers listen to high quality live and recorded analog sources and find that they can't tell the difference between a short piece of wire and relatively complex digital encoding and decoding in the signal path, a lot of heavy philosophical thinking can be bypassed. Of course - but it's obvious to anyone looking at those tests that it's a pretty narrow respondent sample. To turn it round and say "Well, they are the most qualified to comment" is IMO elitist claptrap. |
#6
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"Rob" wrote in
message Arny Krueger wrote: "Rob" wrote in message Arny Krueger wrote: "Rob" wrote in message Arny Krueger wrote: Sure they are, as the word fact is commonly used. Properly stated they are findings of science that have been verified by just about anybody who has bothered to take an unbiased look at the relevant empircal data, or even collect their own data. There are no known adverse findings that are anywhere as near unbiased. Okeydokey. I'm probably expecting too much, but do you have a reference to a (preferably peer reviewed) source to substantiate this? Here's an example of some people who tried to collect their own data: http://www.provide.net/~djcarlst/abx_digi.htm The digital delay device being tested used the identical same data format as audio CDs and was of professional grade. It acted like a CD recorder and CD player back-to-back. Similar tests have been rerun from time to time in more modern contexts with identical results. OK - I can't see any clear reference to method - just a list of (incomplete) variables and population. Googling gets me to: http://www.pcabx.com/ with an odd statement about methodology. What exactly is the ontological and epistemological basis of the 'virtual reality' methodology? I have to be absolutely clear on these points to accept what you say. Nice job of raising the bar to impossible heights. I've seen this technique used many times before and I'm not playing. |
#7
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Arny Krueger wrote:
"Rob" wrote in message OK - I can't see any clear reference to method - just a list of (incomplete) variables and population. Googling gets me to: http://www.pcabx.com/ with an odd statement about methodology. What exactly is the ontological and epistemological basis of the 'virtual reality' methodology? I have to be absolutely clear on these points to accept what you say. Nice job of raising the bar to impossible heights. I've seen this technique used many times before and I'm not playing. Well, it's your ball :-) |
#8
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In rec.audio.tech Rob wrote:
Arny Krueger wrote: "Rob" wrote in message " Of course LP playback equipment varies far more in its audible sound quality than CD playback equipment does. But your method eliminates that variable completely, and the mastering decisions of a commercial CD aren't a factor, either. " Leaping assumptions there - the independent observer has managed two maxims from anecdote. No assumptions there at all. Just the facts. Assumption 1 - CD-standard recording captures the entire LP music recording. It's a reasonable assumption that the *audible part* of any LP is fully captured by a decent CD transcription of it. Assumption 2 - CD-standard recording captures in entirety any variance in sources. What variances in *this* souce -- would you suggest fail to be captured? These assumptions aren't facts. What data would demonstrate that they are or are not, to you? How would you falsify Mr. Satz' claims? ___ -S "As human beings, we understand the world through simile, analogy, metaphor, narrative and, sometimes, claymation." - B. Mason |
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