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![]() Andre Jute wrote: Margaret von B wrote: "Andre Jute" wrote in message ups.com... wrote: And which "much more expensive" speaker system outclasses even the second best Lowther? Here is a classification of the best speakers ever made: 1. Quad first series ESL of 1957. The speaker designer's reference. Yeah, Planets sounds so grand with the Quads. I'm sorry you're poor, Maggie. Go along to your plutocratic chum Ludovic Mirabel and listen to his stacked Quads. You get 3dB extra every time you stack another set of Quads. Four stacked-63 per side are just about right for totally anti-social volumes in any room up to 44ft long; more look like showing off. Or a Bessel Array with 7 or 11 ESL, depending on how long your wall is and how much space you want to give to amps to drive a Bessel, makes a very impressive stereo wall of sound. Nobody could make dumb cracks about Uranus before such a wall of sound. With stacked ESL57, would you not get a line array driver effect, with sound being radiated in vertical wave fronts rather than tending to be spherical? This is suppoed to aid imaging I am told, but having never used a line array speaker or stacked quads, then I really don't know if claims about imaging are correct. Does a line array make a violin sound like its 3 metres high and played by a giant? Suspended line array dynamic speakers are increasingly popular due to sensitivity gains and variable directionality especially with PA systems coupled to PC controlled speaker directionality so the sound at the back of the audience can be adjusted to be about the same loudness and F response as at the front row. At a recent cultural festival gig in town last summer line array systems were used and were very much smaller but better than walls of much larger "normal" speakers each side of the stage, and I had little urge to use ear plugs necessary at such events. Patrick Turner. |
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