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#1
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I need a reasonably good, although not necessarily professional,
battery-powered portable microphone preamplifier so I can record voices on the line in to an MP3 player. It can have either XLR or eighth inch inputs (I guess quarter inch could work as well) Any suggestions? Thanks in advance for any help. |
#2
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#3
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#4
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Consider looking into a Shure FP-33 mixer, thery are commonly used for
ENG purposes and have nice pres and can use batteries (3- 9volt if I remember correctly) They run a few bucks but in my humble opinion they are one of the best things going. |
#5
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If you only need one channel without phantom, an old Shure FP11 will
do. Single channel mic to line with gain to burn. Only one 9v battery and you can clip it on your belt. On 23 Apr 2006 20:50:07 -0700, wrote: Consider looking into a Shure FP-33 mixer, thery are commonly used for ENG purposes and have nice pres and can use batteries (3- 9volt if I remember correctly) They run a few bucks but in my humble opinion they are one of the best things going. Mike Cleaver Broadcast Services Voice-overs, Newscaster, Engineering and Consulting Vancouver, BC, Canada |
#6
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stephentimko wrote ...
I need a reasonably good, although not necessarily professional, battery-powered portable microphone preamplifier so I can record voices on the line in to an MP3 player. It can have either XLR or eighth inch inputs (I guess quarter inch could work as well) Any suggestions? Thanks in advance for any help. http://www.beachtek.com/dxa10.html was designed specifically for this application. |
#7
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wrote in message
oups.com I need a reasonably good, although not necessarily professional, battery-powered portable microphone preamplifier so I can record voices on the line in to an MP3 player. It can have either XLR or eighth inch inputs (I guess quarter inch could work as well) Any suggestions? It's bulky but cheap and cheerful: http://www.behringer.com/MXB1002/index.cfm?lang=ENG Also apparently discontinued and replaced by: http://www.behringer.com/UBB1002/index.cfm?lang=ENG |
#8
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rolling_thunder55 wrote ...
Looks like this Beachtek box hits the budgetary middle ground between the Rolls and the MixPre, and looks much stronger than the Rolls piece. It's compact, lightweight, has 48v phantom, appears to be well put together. All that's missing is metering and limiters, but what can a guy expect for less than $300? If your recorder has a reliable way to read levels and you're not concerned about needing an onboard limiter, I'd get this one. If not, I'd bite the bullet and go for the SD MixPre. Metering on the external preamp means nothing. It is metering on the recording device that counts. |
#9
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thanks, Arny. This actually looks most promising. I think if I had
hundreds of dollars to spend I'd just get a nice digital recorder and solve all my problems. I can get one of these for $100 from B&H. Arny Krueger wrote: wrote in message oups.com I need a reasonably good, although not necessarily professional, battery-powered portable microphone preamplifier so I can record voices on the line in to an MP3 player. It can have either XLR or eighth inch inputs (I guess quarter inch could work as well) Any suggestions? It's bulky but cheap and cheerful: http://www.behringer.com/MXB1002/index.cfm?lang=ENG Also apparently discontinued and replaced by: http://www.behringer.com/UBB1002/index.cfm?lang=ENG |
#10
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Richard Crowley wrote:
Metering on the external preamp means nothing. It is metering on the recording device that counts. Whazzat? Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
#11
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![]() "Bob Cain" wrote in message ... Richard Crowley wrote: Metering on the external preamp means nothing. It is metering on the recording device that counts. Whazzat? This is so fundamental, I'm not sure this is even a serious question. |
#12
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Richard Crowley wrote:
"Bob Cain" wrote in message ... Richard Crowley wrote: Metering on the external preamp means nothing. It is metering on the recording device that counts. Whazzat? This is so fundamental, I'm not sure this is even a serious question. The pre-amp meter is calibrated with respect to it's output. Can't you imagine a reason or two why that meter might be really important? Most good ones seem to have them for some reason or other and I'd really appreciate hearing your reasoning for why they shouldn't. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
#13
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"Bob Cain" wrote ...
Richard Crowley wrote: "Bob Cain" wrote ... Richard Crowley wrote: Metering on the external preamp means nothing. It is metering on the recording device that counts. Whazzat? This is so fundamental, I'm not sure this is even a serious question. The pre-amp meter is calibrated with respect to it's output. Can't you imagine a reason or two why that meter might be really important? Most good ones seem to have them for some reason or other and I'd really appreciate hearing your reasoning for why they shouldn't. The context here is a small, portable, battery operated preamp and recording device. No question that it would be nice to have input and output metering on every piece of audio equipment, but that is a luxury that most of us can't afford. If I had to choose between metering on the output of the preamp, and metering on the actual recording device, I can live without preamp metering. I cannot live without record device metering. YMMV |
#14
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I'd look into the Aerco Preamp. It's built into a stompbox sized
indestructible metal box & provides plenty of really quiet gain. Runs on 9 volt batteries & provides 48 volt Phantom power. No other frills, but studio quality gain in a field production box. I can't find a website but the builder is Jerry Chamkis, 512-451-5874, in Austin Texas. Scott Fraser |
#15
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I'm an owner and fan of the MXB1002 for what it accomplishes in such a small
chassis and on batteries, but for your purposes you must know that it eats even good 9V alkaline batteries in about an hour, 90 minutes tops. The preamps are clean, if unflattering, but you're definitely not going to find better on batteries for less, and it's a nice swiss army knife to have on the road, in the jam room, and in the studio. |
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