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#1
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George Gleason wrote:
"Walt" wrote George Gleason wrote: I have had tons of problems with worn or oversized holes in the A3f that and that crappy rubber boot pulls free, the reverse thread tiny screw that needs a special screwdriver to access/feild repair has me swore off switchcraft forever You consider a little green screwdriver a "special" tool? WTF? Find yourself without one on a gig in bimbuk idaho needing to do feild service and you will understand everything is easy when you have the right tools, with neutricks all I need are my fingers, never leave home without them. You can solder with just your fingers? I'm impressed. //Walt |
#2
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Posted to rec.audio.pro
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![]() "Walt" wrote in message ... George Gleason wrote: "Walt" wrote George Gleason wrote: I have had tons of problems with worn or oversized holes in the A3f that and that crappy rubber boot pulls free, the reverse thread tiny screw that needs a special screwdriver to access/feild repair has me swore off switchcraft forever You consider a little green screwdriver a "special" tool? WTF? Find yourself without one on a gig in bimbuk idaho needing to do feild service and you will understand everything is easy when you have the right tools, with neutricks all I need are my fingers, never leave home without them. You can solder with just your fingers? I'm impressed. would you say the majority of cable fails involve a solder joint? i guess this is getting quite pointless though my point is I find it extreamly unlikely you have "thousands " of failed neutrik xlrs, to do so you must own 10's of millions of them I do own "thousnads of neutrik connectors and find them by far the most reliable easiest to instal and service xlr connector on the market I thought I'd died and gone to heaven ,discoverd sliced bread when I used my first neutrik and could finally get away from the IMO much more poorly designed and vastly more unreliable A3f/m connectors if you do have thousands of failed neutriks on your hands I will gladly pay the shipping to take them as neutrik will replace them free of charge george |
#3
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Posted to rec.audio.pro
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George Gleason wrote:
"Walt" wrote George Gleason wrote: "Walt" wrote George Gleason wrote: Find yourself without one on a gig in bimbuk idaho needing to do feild service and you will understand everything is easy when you have the right tools, with neutricks all I need are my fingers, never leave home without them. You can solder with just your fingers? I'm impressed. would you say the majority of cable fails involve a solder joint? I'd say that the majority of cable repairs involve soldering, regardless of the failure mode. i guess this is getting quite pointless though my point is I find it extreamly unlikely you have "thousands " of failed neutrik xlrs, I didn't say I *have* thousands of them, I said that I've *seen* hundreds, perhaps thousands, of failed neutrik XLR connectors. The true number is probably somewhere betwen 200 and 500, but I can't say I've kept an explicit count. Every single mic cable I've ever owned that had neutrik XLRs on the ends has failed - somebody steps on the conector, the plastic screw-on strain relief cracks, and the connector falls apart. I stopped using them after a couple of dozen, so I've probably only owned about 30 connectors that broke. Patch cables, and snake ends are a different story, they don't tend to get stepped on as much. if you do have thousands of failed neutriks on your hands I will gladly pay the shipping to take them as neutrik will replace them free of charge Most of them long since thrown away. //Walt |
#4
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Posted to rec.audio.pro
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![]() Every single mic cable I've ever owned that had neutrik XLRs on the ends has failed - bull**** somebody steps on the conector, the plastic screw-on strain relief cracks, and the connector falls apart. I stopped using them after a couple of dozen, so I've probably only owned about 30 connectors that broke. Patch cables, and snake ends are a different story, they don't tend to get stepped on as much. I have hundreds of mic cables used on stages all over the east coast acts from hard core metal to gospel chiors what you saying simply is not supported by experiance you at the very least VASTLY exagerating your claims, IMO your simply not being truthful so you have a axe to grind BFD either that or the artists and help you have haate you and they are stomping your cables just to spite you I have seen the following drive over my cable ends without fails a Bulldozer(cat d-6) a 33000 lb truck a zamboni a Hillclimb motorcycle with huge chains on its wheels hundreds of cars at car shows a abrams tank again your claims just sound like ouright bull**** keep proclaiming them if you like but I don't buy it george |
#5
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Posted to rec.audio.pro
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George Gleason wrote:
bull****.. what you saying simply is not supported by experiance you at the very least VASTLY exagerating your claims, IMO your simply not being truthful so you have a axe to grind Calm down, George. You're expirience is different than mine. That doesn't mean I'm a liar, or that I have an axe to grind. There may be a good explanition for the differences e.g. the time period (most of my experinece with the bad neutriks was 15 years ago), a bad batch of connectors that made their way to my part of the world, environmental variables (gear in the truck overnight in sub-zero weather), or something else. Maybe I'm just unlucky. I have seen the following drive over my cable ends without fails a Bulldozer(cat d-6) a 33000 lb truck a zamboni a Hillclimb motorcycle with huge chains on its wheels hundreds of cars at car shows a abrams tank Speaking of difficult to believe claims... //Walt |
#6
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Posted to rec.audio.pro
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![]() "George Gleason" wrote in message ink.net... Every single mic cable I've ever owned that had neutrik XLRs on the ends has failed - bull**** somebody steps on the conector, the plastic screw-on strain relief cracks, and the connector falls apart. I stopped using them after a couple of dozen, so I've probably only owned about 30 connectors that broke. Patch cables, and snake ends are a different story, they don't tend to get stepped on as much. I have hundreds of mic cables used on stages all over the east coast acts from hard core metal to gospel chiors what you saying simply is not supported by experiance you at the very least VASTLY exagerating your claims, IMO your simply not being truthful so you have a axe to grind BFD either that or the artists and help you have haate you and they are stomping your cables just to spite you I have seen the following drive over my cable ends without fails a Bulldozer(cat d-6) a 33000 lb truck a zamboni a Hillclimb motorcycle with huge chains on its wheels hundreds of cars at car shows a abrams tank again your claims just sound like ouright bull**** keep proclaiming them if you like but I don't buy it george I'm with George on this. I have just run over a Neutrik XLR in my car about 20 times and I can't break it. How about someone with a truck doing the same thing? Oh, George has already done that. Gareth. |
#7
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Posted to rec.audio.pro
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![]() Gareth Magennis wrote: I have just run over a Neutrik XLR in my car about 20 times and I can't break it. You need harder tires. GEEZ, LOOWEEZE! WHY DO YOU PEOPLE DO THIS? Do you run over your computers too? (sometimes I think I'd like to do just that) |
#8
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Posted to rec.audio.pro
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"Gareth Magennis" wrote in
message I'm with George on this. I have just run over a Neutrik XLR in my car about 20 times and I can't break it. How about someone with a truck doing the same thing? Oh, George has already done that. I figure that a heavily-loaded fork lift with steel wheels rolling over a XLR end on a concrete or heavy steel-plate floor, might cause the plastic on a Neutrik crack. Probably bend the metal, too. I've got images of bored roadies lining mic cords up on the floor and then taking bets on who can steer the fork lift straight enough, long enough, to nail the most connectors. Just wait - Neutrik will come out with XLRs with a heavy titanium shell that protects the threaded insert. |
#9
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Posted to rec.audio.pro
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"Gareth Magennis" wrote:
I'm with George on this. I have just run over a Neutrik XLR in my car about 20 times and I can't break it. That's not how they break. You gotta reach for your coffee while holding a mic, a stand and a cable. When the cable slips between your fingers and falls to the floor, THEN it will break. The other way to break them is to plug them in really fast 'cause the drummer was late and you're on the air in six minutes. Spin the connector to line up the pins and the catch snaps. It's interesting that driving a tank over them won't break them, 'cause just stepping on them sure will. Maybe it has something to do with weight distribution. At least that's been our experience. We've ruined scores of 'em in just seven or eight years of live TV. I don't think any other brand would have been any better, but I can personally refute any claim that the Neutriks are somehow impervious to damage from normal use. We work 'em hard, maybe harder than a typical studio, but we don't have any tanks or trucks in the studio and ours still break regularly. -- "It CAN'T be too loud... some of the red lights aren't even on yet!" - Lorin David Schultz in the control room making even bad news sound good (Remove spamblock to reply) |
#10
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Posted to rec.audio.pro
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Lorin David Schultz wrote:
"Gareth Magennis" wrote: I'm with George on this. I have just run over a Neutrik XLR in my car about 20 times and I can't break it. That's not how they break. You gotta reach for your coffee while holding a mic, a stand and a cable. When the cable slips between your fingers and falls to the floor, THEN it will break. The other way to break them is to plug them in really fast 'cause the drummer was late and you're on the air in six minutes. Spin the connector to line up the pins and the catch snaps. It's interesting that driving a tank over them won't break them, 'cause just stepping on them sure will. Maybe it has something to do with weight distribution. At least that's been our experience. We've ruined scores of 'em in just seven or eight years of live TV. I don't think any other brand would have been any better, but I can personally refute any claim that the Neutriks are somehow impervious to damage from normal use. We work 'em hard, maybe harder than a typical studio, but we don't have any tanks or trucks in the studio and ours still break regularly. The only failure I commonly see, and it is endemic to all XLR connectors with metal bodied, is that the male end gets driven over, stepped on, dropped from height onto hard surface, and the shell is knocked out of round enough to no longer plug in. I've found Neutriks no more or less durable than other brands from reputable makers. There are cheap chinese XLRs out there that rather than bend, the metal cracks and shatters. But they are nameless connectors that show up at local shops in the dollar bin. --Dale |
#11
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Posted to rec.audio.pro
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Every single mic cable I've ever owned that had neutrik XLRs on the
ends has failed - somebody steps on the conector, the plastic screw-on strain relief cracks, and the connector falls apart. I stopped using them after a couple of dozen, so I've probably only owned about 30 connectors that broke. Every one? You're not exagerrating for effect here? Every single one of 30 Neutrik-equipped cables you've owned has broken? Brother, either you got some seriously bad luck, or this is a case of incomprehendable user misuse. Scott Fraser |
#12
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Posted to rec.audio.pro
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Scott Fraser wrote:
Every single mic cable I've ever owned that had neutrik XLRs on the ends has failed - somebody steps on the conector, the plastic screw-on strain relief cracks, and the connector falls apart. I stopped using them after a couple of dozen, so I've probably only owned about 30 connectors that broke. Every one? You're not exagerrating for effect here? Every single one of 30 Neutrik-equipped cables you've owned has broken? Brother, either you got some seriously bad luck, or this is a case of incomprehendable user misuse. Well, some of them may have been stolen or lost. The last time I bought a mic cable with neutrik ends was over 15 years ago. They're all gone now - I either replaced the ends or threw them away. From others comments here it appears that Neutrik has improved their product in the interveneving years. //Walt |
#13
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Posted to rec.audio.pro
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Scott Fraser wrote:
Every single mic cable I've ever owned that had neutrik XLRs on the ends has failed - somebody steps on the conector, the plastic screw-on strain relief cracks, and the connector falls apart. I stopped using them after a couple of dozen, so I've probably only owned about 30 connectors that broke. Every one? You're not exagerrating for effect here? Every single one of 30 Neutrik-equipped cables you've owned has broken? Brother, either you got some seriously bad luck, or this is a case of incomprehendable user misuse. Scott Fraser It seems that there is more than a little hyperbole being thrown around on this subject. I like the Neutriks, in general. I like the Switchcrafts as well. I've had 'some' trouble with both. I do like that the inserts on the Switchcrafts are available separately. I've fixed a lot of A3F's (and a few A3M's--but they don't break as often) cheaply by replacing those. I'm waiting for a 'bullet proof' XLR; which is both extremely durable and easy to install/service. I don't think it exists, so I'll deal with what's available. I don't see any need to get upset about it; or making up wild stories (a bulldozer? I'd like to see that one...maybe on soft ground, but....) to support my decision. jak |
#14
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jakdedert wrote:
I'm waiting for a 'bullet proof' XLR; which is both extremely durable and easy to install/service. I don't think it exists, so I'll deal with what's available. Bendix used to make one. It used crimp-on connectors (requiring a tool that cost several hundred dollars for the cheap non-pneumatic version) and a screw-together body sort of like the Amphenol Series 96 connectors. It was intended for military folks who were used to A&N and KPT connectors and went together in the same way. Some of the military cable guys are very heavily into gastight crimps and don't like solder-type connectors for high vibration work. I don't know how much it cost but it went together with the same tooling the KPT connectors used so it couldn't have been cheap. I don't see any need to get upset about it; or making up wild stories (a bulldozer? I'd like to see that one...maybe on soft ground, but....) to support my decision. I once saw a remote truck drive away without all the cables being disconnected. The Belden cable broke before the Switchcraft XLR did. But not after considerable damage had been done by the console being towed through the wall... --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#15
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Posted to rec.audio.pro
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![]() I don't see any need to get upset about it; or making up wild stories (a bulldozer? I'd like to see that one...maybe on soft ground, but....) to support my decision. jak bulldozer at Poags Hole AMA hillclimb(same place the motorcycle ran over my wires) out of now where this d-6 came rumbling through to recut the start finish area on the hill www.poagshole.com george |
#16
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George Gleason wrote:
bulldozer at Poags Hole AMA hillclimb(same place the motorcycle ran over my wires) out of now where this d-6 came rumbling through to recut the start finish area on the hill Never had a bulldozer, but I have had cranes, Genie lifts, remote trucks, generator trucks, an ATM truck sliding down a hill of mud with people chasing after it, beer trucks, riding mowers, and horses all run over cables. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#17
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Posted to rec.audio.pro
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George Gleason wrote:
I don't see any need to get upset about it; or making up wild stories (a bulldozer? I'd like to see that one...maybe on soft ground, but....) to support my decision. jak bulldozer at Poags Hole AMA hillclimb(same place the motorcycle ran over my wires) out of now where this d-6 came rumbling through to recut the start finish area on the hill www.poagshole.com george Yup, soft ground, indeed. Try the same thing on a concrete floor...or fill the roadcase a little too full and slam the lid on one. They'll all break. jak |
#18
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Posted to rec.audio.pro
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Scott Fraser wrote:
Every single mic cable I've ever owned that had neutrik XLRs on the ends has failed - somebody steps on the conector, the plastic screw-on strain relief cracks, and the connector falls apart. I stopped using them after a couple of dozen, so I've probably only owned about 30 connectors that broke. Every one? You're not exagerrating for effect here? Every single one of 30 Neutrik-equipped cables you've owned has broken? Brother, either you got some seriously bad luck, or this is a case of incomprehendable user misuse. Every single mike cable I've ever owned has failed, or will fail someday in the future. Incomprehensible user misuse is what music festivals are ALL ABOUT. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#19
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Incomprehensible user misuse is what music festivals are ALL ABOUT.
I've supervised a lot of stage crews consisting primarily of lighting guys, stage carpenters or untrained volunteers. They can do stuff to kink up a cable I never thought was possible, but they've never broken an XLR connector on a gig I've been on. Maybe I don't wear the right kind of Doc Martens & I don't weigh 400 lbs, but how do you break an XLR by stepping on it? You need to be trying. Scott Fraser |
#20
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Posted to rec.audio.pro
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![]() George Gleason wrote: I do own "thousnads of neutrik connectors and find them by far the most reliable easiest to instal and service xlr connector on the market I thought I'd died and gone to heaven ,discoverd sliced bread when I used my first neutrik and could finally get away from the IMO much more poorly designed and vastly more unreliable A3f/m connectors I don't understand this. What's poorly designed and unreliable about a Switchcraft A3M/F connector? There's only one free part, and that's the insert, and it's some soft of glass filled plastic that's really hard to melt. Everything else else stays together. The various Neutrik designes I've had in my hands have a strain relief (plastic), a collet that holds the cable (plastic), an insert (plastic) and the metal shell. And the insert on at least some models is easy to melt and the pins get out of alignment. I've done it. And then there's that o-ring that makes the females hard to plug together with Switchdraft males unless you remove it, and then they feel a little loose. Gimme Switchcraft (at least the ones that I have in my stock). Like computers, though, I'm sure there have been a few changes for the worst in an attempt to give the buyer the latest cool features, whatever they might be on an XLR connector. |
#21
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Mike Rivers wrote:
George Gleason wrote: I do own "thousnads of neutrik connectors and find them by far the most reliable easiest to instal and service xlr connector on the market I thought I'd died and gone to heaven ,discoverd sliced bread when I used my first neutrik and could finally get away from the IMO much more poorly designed and vastly more unreliable A3f/m connectors I don't understand this. What's poorly designed and unreliable about a Switchcraft A3M/F connector? The female connector has the connector holes surrounded by a hard light blue material (not sure what it is). Since it's rigid, the holes have no 'springiness' unlike the genuine Cannon connector which have rubber as the surround material. Eventually the holes can become loose making for flaky connections, but this is after a couple decades of use. Minor point, but you asked. Other than that, I'm not sure what George is on about. //Walt |
#22
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![]() Walt wrote: The female connector has the connector holes surrounded by a hard light blue material (not sure what it is). Since it's rigid, the holes have no 'springiness' unlike the genuine Cannon connector which have rubber as the surround material. This sounds like near-precision alignment to me. g The holes in the insert are slightly larger in diameter than the pins on the male plug and serve to guide the pins into the socket. If the pins are badly bend on the male end, the holes in the insert keep you from inserting the bad connector and ruining another connector. I suppose that some "show must go on - I don't have time to get another cable" brutes will try to force it anyway. Eventually the holes can become loose making for flaky connections, but this is after a couple decades of use. All connectors have a finite number of insertions. I don't see this number being significantly different among the various manufacturers, though I haven't looked for an actual number. That's Arny's assignment, if he chooses to accept it. If you're a busy guy like George with a lot of rental gear going out to the same kind of people who abuse rental cars because they're not their own, I can see that the life of any cable in months is going to be shorter than that for someone like me. The only XLR style problems that I've ever had has been with the female chassis mounted connectors (D3F) when the latch tab (the thing that says "PUSH" on it) gets bent into a position where you can't push it and the plug won't go in. This usually occurs on a stage box that's been dragged across the stage connector side down. But "modern" connectors have solved that problem - look, ma, no latch! |