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![]() "ScottW" wrote in message ups.com... Robert Morein wrote: "Arny Krueger" wrote in message ... "Pooh Bear" wrote in message ... Robert Morein wrote: I've never known Arny to *lie*. He's pretty reliable as far as I'm concerned. He knows a damn sight more about audio than most contributors here. Thanks for the assist Graham, but you really have to understand Morein's situation. He's been caught in many lies, some of which regrettably terminated his academic career. Given that he was at the time, a 50-year-old college student with no other professional experience, the acute nature of his situation should be clear. Now we have a clear case of a lie. I have ample "professional experience." Arny will respond by saying, "prove it", to which I respond with the following: You have made a statement that is either true or untrue about me. If a person made a statement about another person that was not true, Since we can't get past the truth or lack of it the rest of your argument is moot. then in a libel case, the person who made the statement is liable, regardless of whether the subject person denied or affirmed the statement. In other words, I do not have to reveal on this forum what my professional experience is for you to lie about it. No... you don't. But you do if you want to prove that he lied.. which apparently you don't. It is a dirty debating tactic to assert as truth about a person what you do not know. In fact, it is a lie. Unknown = lie.... some interesting albeit insane logic. With no additional data Arny has a 50/50 chance of being correct. Now, what about the status of your NAMBLA membership. Would you care to deny that you are, or have ever been, a member of NAMBLA? Refer to the preceding discussion, for guidance, if you like. Apparently you'd like to imply that Arny is a member yet without actual knowledge, by your own logic, you'd be lying. But... if you're not a liar...then you must have knowledge...and then the question comes up... how do you have knowledge of NAMBLA memebership? Now, returning to audio, Arny provides the following link: http://www.dself.dsl.pipex.com/ampins/webbop/5532.htm, the website of one Douglas Self, who has a webpage on the 5532, with a nice drafting paper background. Apparently, Mr. Self likes the 5532. However, regardless of Mr. Self's professional experience, there are many people in the world who dislike the 5532, which is one of the reasons so many equipment mods are offered to replace it. Now, it is possible that the 5532 is a good device when used in a limited fashion. I do use it, in a limited fashion. Certainly, it is ubiquitous. But I have noted on many occasions that 5532 outputs sound strained in comparison to discrete outputs. When I turn the gain up past approximately unity, on the numerous pieces I have in my collection, there is a deterioration in sound quality. I would suggest the vast majority of users of this device have no gain control at this stage of their systems. It seems you have put together a system with poorly matched I/O characteristics requiring your source to drive loads at levels it can't handle requiring additional stages of circuitry. A workable solution after you've found yourself in a picke... but it certainly doesn't warrant you recommend that other people make the same stupid mistake you did in putting together their systems. Scott, don't be intolerant. People have diverse goals in constructing their systems. Without knowing all the particulars, it is intolerant of you to condemn choices different from your own. |
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