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#1
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![]() Arny Krueger wrote: snip The Golden Age of receivers appears to have been from about 1983 to 1990. Your golden age appears to have been 1938 to 1936. The "golden age" of audio reproduction is universally considered to have been somewhere between 1953 and 1971. |
#2
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![]() "Bret Ludwig" wrote in message oups.com... Arny Krueger wrote: snip The Golden Age of receivers appears to have been from about 1983 to 1990. Your golden age appears to have been 1938 to 1936. The "golden age" of audio reproduction is universally considered to have been somewhere between 1953 and 1971. Reflecting further, I think I may have been off a little. Perhaps 1983 to 1993. In the early 90's, Sony made two channel receivers with toroidal transformers. I have heard one, and been very impressed. I myself own a Nakamichi TA-4A, which has a Nelson Pass quasi Class A output stage. It seems fully on a par with separates, but requires very careful ventilation, perhaps a fan, if used with full size speakers. With respect to the dates you quote, it may be accurate in terms of aspirations, but not, in my opinion, in terms of results. |
#3
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![]() The "golden age" of audio reproduction is universally considered to have been somewhere between 1953 and 1971. Reflecting further, I think I may have been off a little. Perhaps 1983 to 1993. In the early 90's, Sony made two channel receivers with toroidal transformers. I have heard one, and been very impressed. I myself own a Nakamichi TA-4A, which has a Nelson Pass quasi Class A output stage. It seems fully on a par with separates, but requires very careful ventilation, perhaps a fan, if used with full size speakers. With respect to the dates you quote, it may be accurate in terms of aspirations, but not, in my opinion, in terms of results. As far as receivers, true, but no one bought receivers or even integrateds in those days if they were serious. The best amps and preamps of the day-the McIntosh MC240 and 275 amps, C22 pre, MR67 and 71 tuners, the Marantz 7C pre and 5 and 8B amplifiers (notice I'm not mentioning the overrated 10B tuner, and the Marantz 7 and Mac C22 being nearly identical)- are still, in blueprinted stock form, better than pretty good sonically-in particular, only handcrafted two stage passive phono sections custom-matched to specific cartridges by very determined DIYers can substantially best the Marantz 7C, and commercial preamps by Mark Levinson, Jeff Rowland, ARC, c-j, and others of similar pricing often fail to equal this unit or do so but little or no better. Half a century on that's no small thing! And commercially available output transformers, the core component of the tube power amp, are not substantially improved in performance from when JFK was President, although the insulation materials certainly can be. Solid state amps are much better, but the fact people still build late-70s Nelson Pass circuits avidly says a lot. |
#4
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![]() "Bret Ludwig" wrote in message ups.com... The "golden age" of audio reproduction is universally considered to have been somewhere between 1953 and 1971. Reflecting further, I think I may have been off a little. Perhaps 1983 to 1993. In the early 90's, Sony made two channel receivers with toroidal transformers. I have heard one, and been very impressed. I myself own a Nakamichi TA-4A, which has a Nelson Pass quasi Class A output stage. It seems fully on a par with separates, but requires very careful ventilation, perhaps a fan, if used with full size speakers. With respect to the dates you quote, it may be accurate in terms of aspirations, but not, in my opinion, in terms of results. As far as receivers, true, but no one bought receivers or even integrateds in those days if they were serious. The best amps and preamps of the day-the McIntosh MC240 and 275 amps, C22 pre, MR67 and 71 tuners, the Marantz 7C pre and 5 and 8B amplifiers (notice I'm not mentioning the overrated 10B tuner, and the Marantz 7 and Mac C22 being nearly identical)- are still, in blueprinted stock form, better than pretty good sonically-in particular, only handcrafted two stage passive phono sections custom-matched to specific cartridges by very determined DIYers can substantially best the Marantz 7C, and commercial preamps by Mark Levinson, Jeff Rowland, ARC, c-j, and others of similar pricing often fail to equal this unit or do so but little or no better. Half a century on that's no small thing! I disagree, not in the spirit, but in the preference. The Acoustat TNT-200 was featured on the cover of Audio Magazine. There was a reason. It is a must-hear, when matched to appropriate soft-dome speakers. As far as vinyl issues, I cannot comment, because I don't play there. |
#5
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"Bret Ludwig" wrote in message
oups.com Arny Krueger wrote: snip The Golden Age of receivers appears to have been from about 1983 to 1990. Your golden age appears to have been 1938 to 1936. The "golden age" of audio reproduction is universally considered to have been somewhere between 1953 and 1971. One word: Yeccch! Audio was really pretty bad until the early 80s. |
#6
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![]() "Arny Krueger" wrote in message news ![]() "Bret Ludwig" wrote in message oups.com Arny Krueger wrote: snip The Golden Age of receivers appears to have been from about 1983 to 1990. That's pretty close. The golden age of receivers started with the availability of low cost power transistors in complementary pairs. They removed the last barrier to flat out design excellence. Starting in about 1992 progress in design has simply meant the addition of capabilities and features to keep up with the release of new types of software. Norm Strong |
#7
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#8
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"Bret Ludwig" wrote in message
ups.com wrote: "Bret Ludwig" wrote in message oups.com The Golden Age of receivers appears to have been from about 1983 to 1990. That's pretty close. The golden age of receivers started with the availability of low cost power transistors in complementary pairs. They removed the last barrier to flat out design excellence. Starting in about 1992 progress in design has simply meant the addition of capabilities and features to keep up with the release of new types of software. Perfectly good solid state amplifiers can be built with only N or P channel devices. Agreed that many good-sounding quasi-complementary output stage audio amps were built, but they had complementary driver transistors. The usual alternative to complementary drivers transistors was driver transformers (e.g., the AR amplifier and receiver), but this was never a really good solution. There are even those who believe it preferable to do so. They're nuts. |
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